View allAll Photos Tagged viewcamera
Taken east of Stovepipe Wells looking across the Mesquite Flats Sand Dunes in Death Valley NP just a little after Sunrise.
Linhof Technika V. 125mm Fujinon W, f/32 at 1/8 second
Ilford FP4 at ISO
Processed using Kodak Xtol 1:1 in a Jobo processor using an expert drum
Sinar P / Schneider Symmar 150mm / Agfa MCP paper negative
A really clean one! Just little amounts of green rust here and there, but nothing serious, and the glass of the Elmar is really clean. It is from around my area, and has really been used but well taken care of. I bought it from a camera shop, a little expensive, pehaps, as they know what they sell, but I don't regret it. They didn't really inspect it too much, as they had bought it the day before from a customer that brought it to the store; they just show me all this stuff when I go there, as they know I am a serious case of GAS. If they had inspected it, they would have noticed the hand made exposure chart hidden in the 'pocket' of the leather case. Looks really old, written in my language; the last line reads "beach: f16+ASA speed'. They knew what they did.
Sinar P / Schneider Symmar 150mm / Agfa MCP paper negative
See, I found this in the evilbay for peanuts. If the owner had imagined that this artifact was remotely related to Lomography it would have costed more for sure. Nice gizmo.
A self portrait taken in the Joshua Tree National Park, with my 4x5 view camera. Using kodak portra 400 film. Developed it on my own!
Playing at being Groucho Marx, playing at being a photographer.
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Produced from the original negative in my collectio
Update: Blog post about this technique: jamiemphoto.squarespace.com/blog/2013/12/22/yes-your-dslr...
Another one from the file of Lacey ...more than two (!!) years ago. I promise this is my last test tease until I post exactly what I'm up to with these ... very soon.
This isn't 100 percent film, because I put a fake rebate border on the left just to balance it out, since I liked it on the rest of the image. It was a very minor crop I had no intention of ever posting, but turned out to like it a lot more than I thought.
Shot on 4x5 Kodak TMAX 100 on an old Calumet 4x5 camera ... I think it had a 250mm lens on it. All ambient light in an alleyway.
William Henry Jackson's original stereo view of Cheyenne's roundhouse. The left and right hand images were apparently not shot on a stereo camera on a single sheet of film. However, it seems Jackson was scheduled to photograph an auspicious event in Utah.
As you can see below, I did an extensive edit but left it ostensibly old.
The Washington Monument Circa 2002/2003 when it was being refurbished under a scaffold that was lit at night.
Arca Swiss 69 view Camera, 90mm Scheider Super Angulon
ISO 100, f/16 at 30 seconds
Kodak Ektachrome
Digitized using a Minolta Multiscan Pro film scanner
We have had this cabinet card for years but I am still puzzled by its meaning. What would be an ordinary portrait of a young man has a triangle cut away from the lower right corner to show a large studio camera on a pedestal with a photographer under a dark cloth before an elaborate painted backdrop. Is this a photograph of the photographer or has it been added as an advertisement for the sophistication of this studio?
I read the text on the card front as "Chas. A. Gates, Photo. Over Post Office, Watkins, N.Y." I am unsure about the first name since it is handwritten. I can not find any Gates to match this. If any flickr poster has information on a Gates working in Watkins, NY in the 19th century I would be glad to hear about it.
I have added an enlarged detail of the corner in my photostream.
Pulled out the 7x17 to do some shooting on the way through southern UT. The above images were shot on a Contax 645 on Fuji 400H.
I set up a test this morning with the Burke And James 5x7 camera and the 4x5 film back-mounted and that Repromaster F9 213mm process lens I purchased for $10 a little while back (see www.flickr.com/photos/greggobst/15905915887/). I wanted to see what sort of look I could get out of the lens so I setup a set of white roses in a vase and using a lens cap as a shutter I created this image. The exposure was four seconds at F32 with about 10 degrees of forward tilt on the front standard to keep all layers of the group of flowers in even focus. I used Arista EDU Ultra 200 film (Rebranded Fomapan 200) rated at ISO 160. I lit the scene with four fluorescent 80 watt bulbs inside a 28" Westcott Apollo softbox placed camera left and had a 30" white reflector bouncing light back onto the subject from camera right. The development was in Rodinal 1:50 for 7 minutes @ 20 degrees Celsius using a Beseler 8x10 print drum placed on Unicolor Uniroller 352 auto-reversing rotary base.
These process lenses were meant to be used by the printing industry in 1:1 color separation applications and never meant to be used in traditional photography but as you can see they are pretty sharp performers.
I wanted to make sure I captured this rose I gave my Wife last week for Valentines Day before it wilted. Times like this call for hauling out the 5x7 large format film camera and the big, sharp Repromaster process lens.
Technical details:
Burke and James 5x7 large format film camera.
Repromaster 213mm F9 1:1 process lens. This is a shutter-less barrel lens.
Arista EDU Ultra 200 B&W film, shot at ISO 200.
F45 in darkened room with six pops of a Alien Bees B800 strobe @ full power with snoot to light the rose.
Developed in Ilford DD-X 1+4 dilution for 6 minutes and 20 seconds @ 20 degrees Celsius using a Beseler 8x10 print drum placed on Unicolor Uniroller 352 auto-reversing rotary base.
5x7" negative scanned with Epson V600 in three passes and merged together in Photoshop using Photomerge function.
Wilbur Wright, Pau, France, 1909
1909.
1 photographic print.
Notes:
Title from item.
No. 22629.
Photograph shows Wilbur Wright (left) and a photographer with a tripod-mounted camera, on a tree-lined lane in Pau, France.
Subjects:
Wright, Wilbur,--1867-1912--Journeys--France--Pau.
Photographers--France--Pau--1900-1910.
Cameras--France--Pau--1900-1910.
Photography--France--Pau--1900-1910.
Format: Photographic prints--1900-1910.
Rights Info: No known restrictions on publication.
Repository: Library of Congress, Prints and Photographs Division, Washington, D.C. 20540 USA
Persistent URL: hdl.loc.gov/loc.pnp/cph.3c32616
Call Number: LOT 11512-A [item]
Tachihara 8x10
Kodak Commercial Ektar 12” f/6.3
Ilford HP5 Plus
Developed at Northcoast Photographic Services,
Carlsbad, CA
Sinar P / Schneider Symmar 150mm / Agfa MCP paper negative
I bought for cheap (in relation to its actual price) this FED Summar. I know it didn't work too well, as according to the description by its vendor, the blades were stuck. Not too much of a problem, I thought, as this is easily repaired, maybe 30 bucks if you don't dare to do it yourself. So I bought.
But it turned it wasn't so cheap, as there were more issues apart of those described by the scammer who sold it to me.
Just for the sake of playing, I attached it to a Zenit S. Yes, i know that this is like shootting through an extension tube, but I just wanted do see image through this lens. To my dismay, I dound the image strangely dark; thus, I began to suspect I had been scammed. I don't have a Leica M digital, so to test focus I attached a ground glass to the back of my Canon 7s rangefinder and set it in 'T' exposure mode. It was impossible to focus, it was so so far from infinity.
I had a theory, but to confirm it I had to disassemble the lens, something I don't feel comfortable doing normally, and what i found was to confirm my thoughts. Just two elements, one at the rear and one at the front; nothing in the middle except for a poorly mounted iris. Sigh.
This exposure was of an adjacent fern to that in the previous exposure, but under illumination of more contrasty light and at 1:1 range.
Cambo SC 4x5
Fujinon-A 240mm f/9
Ilford HP5 Plus
Toyo View 57G, Rodenstock Apo-Ronar 300mm F:9(f11 at 2'), 1200w blue light reflector+300W fill, 4x5 clear glass, wet plate PoeBoy collodion, Fe2SO3 negative developer, 20% tiosulphate fixer, not varnished
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Camera: Chamonix 045N-2
Lens: Schneider Symmar-S 210mm (Copal 1)
Film: Ilford Delta 100 (expired 2006)
Shutter Speed: 1/2s
Aperture: f5.6
Development: Self developed in Microphen Stock for 10mins. Additional time given due to pushing 2 stops. I failed to take both reciprocity and bellows extension into factor.
Scanning: Scanned via drymount on betterscanning holders using an Epson v700.
Details: Taken in Cypress, Texas. 2015. My third sheet of 4x5 film ever taken. Lighting was artificial. A lamp with LED bulb and pillowcase over lamp.
My first ever official photo shoot with the 8x10 camera!! Lots to learn, but a wicked fun experience! I was totally guessing at everything... I have no experience with how the depth of field works at 8x10 and a 330mm lens sitting around 10 or so feet away at f8. I am sure a year from now I will look back at these shots and think they are so weak, but for now.... I am stoked!
Adam is a friend of mine, a fellow photographer with swagger! He showed up and I was very happy to see the wicked outfit!
Portraits - Chambre 4x5 - Busch Pressman D - Optar 135/4.7 - Foma 100 dans Rodinal (25ml/1.5m) - stand dev
A bit of a departure, but the NSTR station dates to 1913 part of a branch of that network's interurban line that ran from St. Catharine's serving mainly tourist traffic to the growing Niagara-On-the-Lake tourist scene. It continued to operate under Canadian National Electric Railway in 1923. Passenger service ceased in 1931, and the entire network distributed to regional transit services by 1960. At this point the station was raised to include a basement and renovated with modern equipment, serving in various commercial roles. It underwent restoration from 2010 and opened in 2012 as a Blazac's Coffee Shop returned to how it would have appeared in 1913.
Graflex Crown Graphic - Nikon Nikkor-W 1:5.6/180 - Ilford HP5+ @ ASA-200
Pyrocat-HD (1+1+100) 9:00 @ 20C
Meter: Pentax Spotmeter V
Scaner: Epson V700
Editor: Adobe Photoshop CC
Camomile flowers shot with a Rittreck View and a 90mm Super Angulon.
13x18 x-ray film (green sensitive Fuji HR-E).
Rotary development in Ilford MG 1+50 in diy PVC tube for 8min.
Scan from contact print on Ilford MG Warmtone paper at grade 2.
Camera: Toyo-View 45GII, Fuji Fujinon NW 125mm f5.6, exposure f8-11, 1/8s. Film: Fujichrome Velvia 50 exp. 10/2013, home-developed with the Tetenal Colortec E-6 3-bath kit.
Taken with Cambo SC view camera with Emil Busch Portrait Aplanat №4 (355.6 mm - 14 inch. f/4). Exposure time is about 1 minute.
Kathedrale basiliek Sint-Jan Evangelist 'S-Hertogenbosch Start building in 1350, became cathedral in 1561; burned in 1584 and was rebuild until 1622
Photographed with view camera Cambo ActusMini and Zeiss Distagon 21mm f/2.8 with Sony 7MII
1966/Spring, “International Photo Technik” (photography magazine from Germany, English edition).
Back cover.
Same print as the stragith one, but this time toned in Moersch MT3 sepia kit, using solution "E". Bleached for about 5 mins until well into the midtones. Toned for 5mins in fotospeed Se toner (1/5) to acheive the colour shift. Film was HP5, taken on a Chamonix 045n-2. Printed on Ilford MGIV FB.
Hvaler. Kamera: Horseman L810. Objektiv: Rodenstock Apo Sironar N 240mm f/5.6. Film: Ilford FP4+ 8x10