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No uses mis fotografías en páginas web, blogs, RRSS o cualquier medio de comunicación, sin mi autorización explicita. Si estas interesado en mi trabajo, puedes contactar conmigo en jespor@yahoo.es
Do not use my photographs on websites, blogs, social networks or any media, without my explicit permission. Contact me at jespor@yahoo.es - © All rights reserved.
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Copyright © Antoniociro 2014 All Rights Reserved
Thank you for your visit and comment!
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Dati di scatto:
fotocamera: Nikon D5000
Obiettivo:AF-s DX VR ZOOM-Nikkor 18-105 mm
distanza focale: 18 mm
tempo di esposizione:0,003125sec (1/320)
numero f: f//9
ISO: 200
Bilanciamento del bianco: automatico
modalità misurazione esposimetrica: Peso centrale
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Il lago Kunmin si trova a 25 Km da Pechino nel luogo dove nella seconda metà del 1800 è stato realizzato dall'imperatrice cinese Cixi quello che poi sarà chiamato "Il Palazzo d'Estate".
Il suo nome potrebbe far pensare ad una sontuosa residenza con centinaia di camere ed enormi saloni, sullo stile delle regge europee. Ma il Palazzo d’Estate, dichiarato dall'UNESCO "Patrimonio dell'Umanità", è soprattutto uno splendido parco (uno dei quattro più belli dell'intera Cina) in cui l’arte del giardino cinese raggiunge una delle sue massime espressioni.
I suoi panorami sembrano usciti da un dipinto di epoca classica: dalla sponda del lago Kunming, che copre i tre quarti della superficie del parco, si intravedono templi, ponti e pagode, alcuni immersi nel verde ed altri aggrappati alla collina. Se il cielo è limpido ( e non lo è spesso...), mettete in programma almeno una mezza giornata per visitare il Palazzo d’Estate, in modo da avere un’ora libera per rilassarvi su un prato o per fare un giro in battello sul lago.
I pechinesi si recano qui soprattutto durante i mesi estivi, quando l’afa del centro di Pechino è insopportabile, e per loro una giornata al Palazzo d’Estate equivale a una gita fuori porta.
Camera used: Pinhole homemade camera 6X6
Estenopeica, hecha en casa.
San Juan, Puerto Rico
Mi galeria en Color www.flickr.com/photos/samycolor
Mi Galeria en B&N www.flickr.com/photos/samycollazo
Arista Edu 100
Exposure: 10 seg.
Pinhole-14 (6X6)
Pinhole .3mm
F.L. 37mm
F:123
Nik Silver Efex Pro 2
There are certainly countless motifs that can be used to symbolize the new beginning of a year. A sunrise outside in nature (in this case on the Hoher Schneeberg in the Elbe Sandstone Mountains) is my favorite.
In both cases we are on a path that leads us into a new phase of life. A path that is only known to us to a certain extent and where a big surprise (or challenge) can be waiting for us around the next bend.
Now you could object that a day is just a day and in comparison a year must be much more significant. I would like to show you why I don't quite see it that way.
On the one hand, this assessment is based on our standards, which are based on a human life. If we look at it from the perspective of the lifespan of the universe, a year is just as insignificant as a day (basically the effects of neither are noticeable).
On the other hand, a single day, a single decision is enough to fundamentally change our own world in every conceivable direction.
So what if we didn't wait for a specific date every year to realize where we want to go, but could use every single day of the year to do so?
Our creative possibilities would increase many times over and we would have so much more room for directional corrections. We could learn, try things out and gain experience without having to ask the fundamental question every time.
With this in mind, I wish you all a good start and an exciting and fulfilling journey.
Because today is the first day of the rest of all of our lives.
Es gibt ganz sicher unzählige Motive, mit denen man den Neubeginn eines Jahres symbolisieren kann. Ein Sonnenaufgang draußen in der Natur (in diesem Fall auf dem Hohen Schneeberg im Elbsandsteingebirge) ist mein Favorit.
In beiden Fällen befinden wir uns auf einem Weg, der uns in einen neuen Lebensabschnitt führt. Ein Weg, der uns nur bis zu einem gewissen Grad bekannt ist und auf dem hinter der nächste Kurve eine große Überraschung (oder auch Herausforderung) auf uns warten kann.
Jetzt könntet Ihr einwenden, dass ein Tag ja nur ein Tag ist und im Vergleich dazu ein Jahr doch viel bedeutender sein muss. Ich möchte Euch aufzeigen, warum ich das nicht ganz so sehe.
Zum einen fusst diese Einschätzung auf unsere auf ein Menschenleben ausgerichteten Masstäbe. Betrachten wir das ganze aus Sicht der Lebensspanne des Universums ist ein Jahr genau so unbedeutetend wie ein Tag (im Grunde sind die Auswirkungen beider nicht spürbar).
Andererseits genügt ein einziger Tag, eine einzige Entscheidung um unsere eigene Welt grundlegend zu verändern und das in jede nur denkbare Richtung.
Wie wäre es also, wenn wir nicht jedes Jahr auf ein spezielles Datum warten würden um uns bewusst zu machen, wohin wir gehen wollen, sondern dafür jeden einzelnen Tag des Jahres nutzen könnten?
Unsere gestalterischen Möglichkeiten würden um ein vielfaches steigen und wir hätten so viel mehr Raum für Richtungskorrekturen. Wir könnten lernen, probieren und Erfahrungen sammeln ohne jedes Mal die Grundsatzfrage stellen zu müssen.
In diesem Sinne wünsche ich Euch allen einen guten Start und eine spannende sowie erfüllende Reise.
Denn heute ist der erste Tag vom Rest unser aller Leben.
more of this on my website at: www.shoot-to-catch.de
A vintage display in the middle of the country west of Milledgeville,IL. This is on the property of an Illinois centennial farm. Have a great truck Thursday all and pray for rain-no rain in my area for almost 3 weeks! Couldn't get my planting done till early June because it was too wet and it hasn't rained since.I guess you can't mess with Mother Nature! LOL
This farmer ran a local filling station for many years as well,thus the Mobil memorabilia...
*No use esta foto sin mi autorizacion
*Don´t use this photo without my permisivamente
© All rights reserved
No uses mis fotografías en Páginas Web, blogs, RRSS o cualquier medio de comunicación digital o impreso, sin mi autorización explicita. Si estas interesado en mi trabajo y quieres utilizar mis fotografías, contacta conmigo en el email jespor@yahoo.es y te contestare a la mayor brevedad posible.
Do not use my photographs on Websites, blogs, social networks or any means of digital or printed communication, without my explicit authorization. If you are interested in my work and want to use my photographs, contact me at the email jespor@yahoo.es and I will answer you as soon as possible.
2021 - © All rights reserved.
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Blog personal.… jesusportalphoto.blogspot.com.es/
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Francisco Aragão © 2016. All Rights Reserved.
Use without permission is illegal.
Attention please !
If you are interested in my photos, they are available for sale. Please contact me by email: aragaofrancisco@gmail.com. Do not use without permission.
Many images are available for license on Getty Images
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Portuguese
O Vale dos Vinhedos é uma região que ocupa uma área de 82 quilômetros quadrados na Serra Gaúcha, no estado do Rio Grande do Sul, no Brasil. Situa-se a 130 quilômetros de Porto Alegre, a capital do estado. Os vinhos produzidos no vale são os únicos do país a apresentar o selo de indicação de procedência (desde 2002) e o de denominação de origem (desde 2011), que são garantias de qualidade dos vinhos ali produzidos. A Associação dos Produtores de Vinhos do Vale dos Vinhedos certifica os vinhos que obedecem aos padrões de qualidade exigidos por esses selos.
Localização e limites
O Vale dos Vinhedos localiza-se no triângulo formado pelas cidades de Bento Gonçalves (nordeste), Monte Belo do Sul (noroeste) e Garibaldi (sul). O Vale dos Vinhedos compreende a parte da bacia hidrográfica do Rio Pedrinho, situada a montante da foz de um córrego afluente deste e situado a sudeste da comunidade de Vale Aurora, no município de Bento Gonçalves. A parte do vale a jusante é denominada de Vale Aurora.
A maior parte da área do Vale dos Vinhedos pertence ao município de Bento Gonçalves, com 60 por cento do total, e a menor parte pertence a Monte Belo do Sul, com 7 por cento na porção noroeste. A parte sul do vale pertence ao município de Garibaldi, com 30 por cento da área total. Parte da zona urbana de Bento Gonçalves situa-se dentro do perímetro do vale, haja visto que a linha divisória de águas entre as bacias do Rio Pedrinho e do Rio Buratti passa pela parte oeste da cidade. Localizam-se ao longo desta linha, ou próximo desta, a pista do Aeroclube de Bento Gonçalves, a Estação Rodoviária de Bento Gonçalves, o Estádio da Montanha e a Estação Ferroviária de Bento Gonçalves.
Situam-se, na área do vale, o Estádio Parque Esportivo Montanha dos Vinhedos, o Centro Nacional de Pesquisa de Uva e Vinho da Embrapa, o Campus Bento Gonçalves do Instituto Federal do Rio Grande do Sul e uma grande quantidade de vinícolas. A rodovia RS-444 é a principal via do vale. O percurso tem início na RSC-470, ao sul da cidade de Bento Gonçalves, e segue no sentido oeste pelo vale em direção a Monte Belo do Sul e Santa Tereza.
Importância
A área possui suaves colinas cobertas por parreirais, plátanos e araucárias. É a região brasileira mais tradicional na produção de vinhos. O Vale dos Vinhedos representa o legado cultural e histórico deixado pelos imigrantes italianos, chegados ao Brasil em 1875 em Bento Gonçalves. Os costumes e tradições estão enraizados nas pessoas e, até mesmo, na paisagem do Vale dos Vinhedos. A construção de capelas e capitéis, a devoção aos santos, o dialeto vêneto e, principalmente, o cultivo da videira e a produção do vinho, são marcas da imigração italiana.
Vales e montanhas cobertos de parreirais marcam a beleza do Vale dos Vinhedos, hoje visitado por quem aprecia o enoturismo. São pequenas propriedades rurais dividindo espaço com vinícolas renomadas, que, ao longo dos últimos anos, conquistaram destaque nacional e internacional pela qualidade e personalidade dos seus vinhos.
Spanish
Vale dos Vinhedos (que significa valle de los viñedos) es una indicación geográfica brasileña para vinos finos y al mismo tiempo una región vinícola establecida por orden ministerial. Está localizada en la Sierra Gaúcha, entre los municipios de Bento Gonçalves, Garibaldi y Monte Belo do Sul, en el estado de Rio Grande do Sul.
Establecida en 2002, es la primera indicación de procedencia vinícola reconocida en Brasil y como tal está reglamentada por un consejo regulador. Produce vinos de calidad y vinos espumosos, que deben ser elaborados a base de variedades cultivadas y transformadas en la región. Entre otras, se cultivan Cabernet Sauvignon, Chardonnay, Tannat y Merlot.
El valle tiene una superficie total de 83.123 km², de los que un 26% corresponde a terrenos ocupados por viñedos. La altitud media es de 743 msnm y las temperaturas medias varían entre los 16º y 18º C.
La región fue colonizada a partir de 1875 por inmigrantes italianos procedentes de Trento y Véneto principalmente, quienes introdujeron el cultivo de la vid.
German
Das Vale dos Vinhedos (zu deutsch „Tal der Weingärten“) ist eine Subregion der Mittelgebirgsregion Serra Gaúcha im Nordosten des brasilianischen Bundesstaats Rio Grande do Sul.
Geschichte
Einwanderer aus Norditalien legten im Rahmen der Besiedelung im 19. Jahrhundert an den Steilhängen auf etwa 215m über NN Weinberge an. Aus diesen Ursprüngen entstand das heutige Vale dos Vinhedos.
Weinanbau
Das Tal auf dem 29. Breitengrad mit dem Hauptort Bento Gonçalves bietet gute klimatische Bedingungen und gilt als Vorzeigegebiet der brasilianischen Weinwirtschaft. Experten zufolge könne dies neben erheblichen Investitionen in die Kellereitechnik auch durch den Klimawandel begründet sein, der zu trockeneren Sommern in der Region geführt hat. Früher hatten häufige starke Regenfälle kurz vor der Erntezeit regelmäßig verhindert, Weine zu keltern. Heute werden Weine aus der Region vielfach prämiert und das Vale dos Vinhedos wird seit 2007 auch von der Europäischen Union als zertifizierte Appellation anerkannt. Zu den vorwiegend angebauten Rebsorten zählen Cabernet Sauvignon, Merlot, Cabernet Franc und Pinot Noir und auch Weißweine wie Riesling, Chardonnay, Sauvignon Blanc oder Grauburgunder.
Wikipedia
Many of the dabbling ducks use their flat bills to strain food items from the water, but the big spatulate bill of the Northern Shoveler is adapted to take this habit to the extreme. Flocks of shovelers often swim along with their big bills barely submerged in front of them, straining food from the muddy soup of shallow waters. Despite their heavy-set build, shovelers are good fliers; at large gatherings, groups often are seen taking off, circling the area repeatedly, then alighting again.
Source: Audubon Field Guide
that if I could climb up one side of a rainbow and slide down the other side, there would be a pot of gold at the bottom.
For ODC I Used
= = = = = = = = = = = = = = = = = = = = = = = = = = = =
Francisco Aragão© 2016. All Rights Reserved.
Use without permission is illegal.
Attention please !
If you are interested in my photos, they are available for sale. Please contact me by email: aragaofrancisco@gmail.com. Do not use without permission.
Many images are available for license on Getty Images
= = = = = = = = = = = = = = = = = = = = = = = = = = = =
Spanish
La Puerta de Alcalá es una de las cinco antiguas puertas reales que daban acceso a la ciudad de Madrid (España).
Se encuentra situada en el centro de la rotonda de la Plaza de la Independencia, diseñada por el urbanista Ángel Fernández de los Ríos en el año 1778. En el cruce de las calles de Alcalá, Alfonso XII, Serrano y Salustiano Olózaga, junto a las puertas del Retiro: Puerta de España, Puerta de la Independencia (entrada principal a los jardines del Retiro) y Puerta de Hernani.
La puerta daba acceso a aquellos viajeros que entraban antiguamente a la población desde Francia, Aragón o Cataluña. En la actualidad es una puerta monumental que se encuentra ubicada junto a la Fuente de Cibeles y el Parque del Retiro. Fue construida por mandato de Carlos III en sustitución de otra puerta anterior que existía ya desde el siglo XVI. El diseño y obra pertenece al arquitecto italiano Francesco Sabatini. Compitieron con Sabatini otros proyectos por parte de arquitectos españoles: Ventura Rodríguez y de José de Hermosilla, siendo finalmente elegido personalmente por el Rey el diseño de Sabatini.
Se trata de una puerta de estilo neoclásico y aspecto monumental similar a los Arcos de Triunfos romanos, se erigió mirando su exterior a oriente en el año 1778. La puerta ha sido posteriormente restaurada en cinco ocasiones en más de dos siglos de existencia, siendo la última a finales del siglo XX. La originalidad de su fábrica consiste en ser el primer arco de triunfo construido en Europa tras la caída del Imperio romano, siendo precursor de otros como el Arco de Triunfo de París y la Puerta de Brandeburgo en Berlín.
Ha sufrido desde sus comienzos diversas transformaciones urbanísticas en su entorno. Pasando de ser la frontera exterior de Madrid, a un centro turístico de obligado paso que aparece insertada casi en el medio de la misma ciudad. Este cambio se ha debido al ensanche del siglo XIX a lo largo del barrio de Serrano y la prolongación de la calle de Alcalá. Finalmente es desde 1976 considerado por el Estado Español como un Monumento Histórico-Artístico, extendiendo su categoría a la misma Plaza de la Independencia.
La puerta ya desde su ubicación final fue adquiriendo desde finales del siglo XVIII relevancia en el pueblo madrileño, y a finales del siglo XIX era ya uno de sus iconos más característicos que aparece en numerosas ilustraciones de la ciudad. Al ser uno de los monumentos más representativos, en su doble condición de mirada hacia el interior de la ciudad y al exterior de la misma. la Puerta de Alcalá ha servido como soporte para todo tipo de manifestaciones políticas y artísticas y en sus inmediaciones se han producido numerosos hechos históricos.
English
The Puerta de Alcalá ("Alcalá Gate") is a Neo-classical monument in the Plaza de la Independencia ("Independence Square") in Madrid, Spain. It stands near the city center and several meters away from the main entrance to the Parque del Buen Retiro. The square is bisected by Alcalá Street, although the street itself doesn't cross through the monument, and it is the origin of the Alfonso XII, Serrano and Olózaga streets. Its name originates from the old path from Madrid to the nearby town of Alcalá de Henares.
Madrid in the late 18th century, still remained a somewhat drab villa in appearance, surrounded by medieval walls. Around the year 1774, king Charles III commissioned Francesco Sabatini to construct a monumental gate in the city wall through which an expanded road to the city of Alcalá was to pass, replacing an older, smaller, gate which stood nearby. It was inaugurated in 1778.
Wikipedia
I used to walk by this street very often, but since the new MRT line started last winter, I changed my daily route to another alley: www.flickr.com/photos/shangpc/albums/72157651625181588
That day I was in a hurry to go to a family lunch gathering, saw this scene on the way without my camera in hand. After the lunch, I went straight home, grabbed my camera, and returned to this location. Fortunately, nothing was changed.
The owner of the prosthetic leg was about ten meters away on a wheel chair, selling chewing gums. He asked if I were a reporter. He said he does not need report, nor help from the government or anyone. He just lost his leg a few months ago, things had been tough, but he thought as long as he can sell 40 gums a day, he can support himself no problem.
I thanked him for allow me to take pictures, wished him good luck and left, but didn't ask why he had to put the leg so far away from himself.
A few days later, I bumped into him again, this time I asked him why, and his answer was quite amusing. He said he is sick and tired of looking at the leg, that's why. But once he putted it further away, about triple the distance as it is now, a janitor came by and thought someone dumped it, then tried to carry it away, so he had to chase the janitor (on his wheel chair). Therefore it appears the way it is now: far enough, but not too far.
這張是我入圍2016年邁阿密街頭攝影比賽（MSPF 2016）決選的作品。
那天我正要去參加一個午餐聚會，半路上在我家附近看到這個景象，很想拍下來，但相機不在手上。吃完飯我直接回家，抓了相機再回到這裡，幸好一切都沒變。
義肢的主人，坐在離這裡大約十米的一個輪椅上，正在賣口香糖。他看到我手拿相機，問我是不是記者，他說他不需要報導，也不需要政府補助。幾個月前他才因為工作，失去了左腿，但最困難的時間已經過去。他算過了，只要一天能賣四十條口香糖，就可以自力更生，不需要別人幫助。
我表明自己不是記者，於是他同意讓我拍。拍完之後，我向他道謝，也祝他順利安康，但離開之後才想起，忘了問他為何要把那條義肢放那麼遠？
過兩天再看到他，義肢仍是同樣擺法，我又上前跟他聊了一下，這次沒忘了問他為什麼。他的回答很妙：他說因為剛截肢，不知為何，很討厭看到那條假腿，所以眼不見為淨。一開始他來這裡時，義肢擺得更遠，在這堵圍牆的另一端，離他大約有三十公尺。但有次來了一個清潔隊員，以為是誰不要的，要把它拿去丟，他只好飆著輪椅去追回來，所以現在才擺成眼前這個樣子：有點遠，但又不會太遠。
Camera used: Pinhole homemade camera 6X6
Camara Estenopeica, hecha en casa.
San Juan, Puerto Rico
Mi galeria en Color www.flickr.com/photos/samycolor
Mi Galeria en B&N www.flickr.com/photos/samycollazo
Kodak BW400CN (exp. 2007)
Exposure: 10 sec.
Pinhole-8 (6X6)
Pinhole .3mm
F.L. 33mm
F:110
Nik Silver Efex Pro 2
Lightroom 3
Used to Be collection created by Oh Deer is searching for a loving home❤️
For this Lazy Sunday 14-16 of January, this unique collection is up for sale in special prices.
Each single item in a price range of 59-75L and a fatpack in a special price of 400L.
The sale will take place on the Marketplace as well as in the mainstore.
[Oh Deer] Mainstore: Teleport
Beautiful weeping willow tree on the waterfront trail of Lake Ontario near Ingrid road in Squires beach , photograph converted to black and white using Flickr weathered filter , Martin’s photographs , Pickering , Ontario , Canada , March 26. 2019
weeping willow tree
photograph converted to black and white using Flickr weathered filter
Photograph converted to black and white
Zwart wit foto
Black and white
Monochrome
Flickr weathered filter
Beached driftwood log
burned driftwood log
lakeshore of Lake Ontario
Rotary park
waterfront trail in Squires beach
Rotary park shore
icicles on the ice covered rocks
March 2019
Path
Puddles
Photograph converted to black and white
Black and white
Converted to black and white
Monochrome
Sign Board
Reflections of trees in puddles
Reflections
Trees
Tree stumps
Fallen trees
Information sign boards
Sign boards
Sunset over Duffins Marsh
Rod iron railings
boat launch
canoe
canoe boat launch
Ontario
Ajax
Canada
Pickering
Martin’s photographs
Discovery Bay
Tall grasses
Sunset
March 2020
Favourites
IPhone XR
Squires Beach
Duffins Creek
Duffins Marsh
Waterfront Trail
Rotary Park
Discover bay
Lake Ontario
Rod iron fence
Bridge
Bridge across Duffins Creek
Twilight
Sticks
Stones
Fallen trees
Fallen tree
Fungi
Mushrooms
Sand
Beach
Reflections
Reflection
Dogwood
Tall grasses
IPhone 6
In Explore
fotografiert zum Thema: "single use" in "Macro Mondays"
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allen Besuchern und Freunden meines Fotostreams ein herzliches Dankeschön für eure Kommentare und Kritiken, Einladungen und Favoriten.
all visitors and friends of my photostream, a heartfelt thank you for your comments and reviews, invitations and favorite
www.youtube.com/watch?v=LDAmnSlmvW4
Please don't use this image on websites, blogs or other media without my explicit permission. © All rights reserved
WOOOHOOOOOOOOOOOO
It´s doooooone :))) My next sim i created for someone. It´s a 16000 sqm homestead sim with 937 prim . I used about 480 including house and now look how this little paradise turnt out........i´m veryyyyyy satisfied.....and my client too hehe.
If you like have a pretty home too just call me in world and we can talk about ;-)
Check out my FB album for more piccy´s ;-)
Lollipop sticks are usually a single use item that is discarded (Hopefully into a waste bin.) once the lolly has been finished.
These coloured lollipop sticks are primarily used for crafting, however I have used them for photography a few times, even this time I have kept the half sticks for future use.
This 1 inch lensball is showing an inversed image of lollipop sticks stuck to an old CD. The CD is 1.5 inches behind the lensball, the result reminds me of an eyeball.
Macro Monday theme; Single Use
Happy Macro Monday folks !!
Camera used: Pinhole homemade camera 6X6
Estenopeica, hecha en casa.
San Juan, Puerto Rico
Mi galeria en Color www.flickr.com/photos/samycolor
Mi Galeria en B&N www.flickr.com/photos/samycollazo
Fomapan Classic 100
Exposure: 8 sec
Pinhole-15 (6X6)
Pinhole .3mm
F.L. 37mm
F:123
Nik Silver Efex Pro 2
The train is a green Pullman carriage that was armored and weighed 83 tons. Stalin used the train for travel starting in 1941, including trips to the Yalta and Tehran Conferences. Stalin had a phobia about flying so instead he travelled from place to place in the Soviet Union using this train carriage. The train was recovered from the railway yards in Rostov-on-Don in 1985 and is now on display at the Stalin Museum in Gori, Georgia.
Using a 10-stop ND filter in the middle of the day to create a 15-second-long exposure.
(Spanish: Utilizando un filtro de densidad neutra de 10 pasos para crear una larga exposicion de 15 segundos en pleno dia bajo el sol).
Old Digital Camera: Canon 5D mkII (2008)
Vintage Analog Lens: Canon EF 28-105mm f/3.5-4.5 II USM (2000)
Edit & film simulation with: Google Nik Silver Efex Pro 2.
Location: Lake Monroe, Riverfront Park, Sanford, Florida
(Press "L" or "Z" or Click on the image for a large view).
Image ID: 02__MG_8158
Email: photobysamuel@gmail.com
Thank for your visits and comments
I used to live for about ten years in Haute-Savoie, near Bonneville. So I was already familiar with the superb rocky ridge formed by the Bargy massif. But here on the Solaison plateau, at an altitude of 1,500 meters (4921 feet), we have a spectacular view on this massif, the surrounding mountains, and, cherry on the top, on the Arve valley below with Cluses, more than 1,000 meters (3,281 feet) lower.
The nearest peaks are Grand Bargy (2,301 m / 7,549 ft) in the center, then Pointe du Midi (2,364 m / 7,756 ft) to the right and Pointe Blanche (2,438 m / 7,799 ft) to the far right.
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Panorama grandiose
J'ai habité une dizaine d'années en Haute-Savoie, à coté de Bonneville. Je connaissais donc déjà la superbe barre rocheuse constituée par le massif du Bargy. Mais ici au plateau de Solaison, à 1500 m d'altitude, on a une vue grandiose sur ce massif, sur les montagnes environnantes, et, cerise sur le gâteau, sur la vallée de l'Arve en contrebas avec Cluses, plus de 1000 m plus bas.
Les sommets culminants les plus proches sont le grand Bargy (2301 m) au centre , puis sur la droite la Pointe du Midi (2364 m) et la Pointe Blanche (2438 m) à l'extrême droite.
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Brison - Plateau de Solaison - Haute-Savoie - France