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My "niece". I uses quotes because we aren't related by blood, but by the bond of life long friendship that we have. Ava's mommy (Alexis) is the younger sister of my very first best friend ever (Brea).We've been friends for so long in fact that Brea's first word was "Burda", what she could muster of my name at age 2. I've known her family for 25+ years and now were starting our 3rd generation.
Cardiff 10K Run - 2nd September 2018.
Copyright: © _NiallS on flickr 2018
Licence: Creative commons - Attribute, non-commercial & no derivatives
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#RunTheDiff #Cardiff10K #Cardiff #10K #run #running
Use this image without my permission is illegal. All Rights Reserved ste.t.©
My job's ain't a job - it's a damn good time
City to city - I'm running my rhymes
On location - touring around the nation
Beastie Boys always on vacation
Beastie Boys
No Sleep Till Brooklyn
Used to make soup, then removed before eating.
==Food Market==
After a four course lunch in a traditional Armenian Restaurant, we visited the food market. If we'd known how friendly the stall holders are, we needn't have had lunch – at every stand we were given bits of fruits and nuts to taste. Mostly dried, but also fresh. The most interesting was probably the dried tomato stuffed with walnuts in honey. There were also some intriguing elongated grapes known as 'goat's nipples', and everyone wanted us to try something, insisting even when we said we were full and weren't going to buy anything. Lots of greens – the Armenians are so keen on greens (we saw parsley, sorrel, chives, coriander, celery, basil and more), there is a saying that if the Armenians stopped eating greens, it would grow to waist height all over the country.
***PRODUCTS USED***
~~FACE~~
Make Up For Ever (MUFE) HD Primer
MUFE HD Foundation - Color 125
MUFE 5 Camoflage Cream Palette (2nd concealer from left)
MAC Sculpting Powder - Sculpt
MAC Mineralize Blush - Nuance
~~EYES~~
Urban Decay Primer Potion
MAC White Frost Eyeshadow
MAC Golden Olive Pigment
MAC Humid Eyeshadow
NARS Night Porter Eyeshadow
MAC Feline Eye Kohl
Maybelline Colossal mascara - Glam Black
MAC Spiked Brow Pencil
Ardell Fun Eye Lashes (without the "fun")
Duo Lash Glue (black)
Two random glitters from the craft store
~~LIPS~~
Styli-Style Line & Seal Lipliner - Sand
MAC Pink Grapefruit Lipglass
Using the last days with beautiful autmn sun I went to the forest nearby and took some photos.
Most of my other photos are made from the other side where you can the bench. check it out ;-)
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Used a speedlight off camera with a diffuser, 1/160th shutter speed, f/16 aperture, Voigtlander 58mm f/1.4 lens and a macro extension tube.
I am Using the Nikon 18-300m lens in my journey in London 2012, it is a great lens for outdoor and daily walking use.
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عذرا، سيتم حذف التعليق المحتوي على صور او وصلة الكترونية لصورة
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used here
copyright © 2009 sean dreilinger
view precocious trail runner - _MG_2161 on a black background.
Used tracking platform on long exposure to diminish star elongation Film Camera Photo - T-Max 100 Film
Use as you wish. All I ask is for a credit in the description of your artwork and post a small size image of your work under the texture.
Peace.
TA
Using a bright light to judge egg interiors at the poultry pilot plant. (UA System Division of Agriculture photo by Fred Miller)
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Tornano i Green Day in Italia nel 2013 con ben quattro concerti a Milano, Trieste, Roma e Bologna: dopo il pacco tirato ai fan italiani lo scorso settembre in seguito al malore di Billie Joe Armstrong che fece annullare all’ultimo istante la data dell’I-Day Festival, la band californiana si rifà alla grande regalando al nostro Paese quattro imperdibili show in altrettante prestigiose location dello Stivale.
I Green Day sono un gruppo musicale pop punk statunitense, formatosi a Berkeley nel 1987 e composto da quattro membri: Billie Joe Armstrong (chitarra e voce), Mike Dirnt (basso e voce secondaria), Tre Cool (batteria) e Jason White (chitarra). Tre Cool sostituì l'originario batterista Al Sobrante nel 1990, il quale abbandonò la band a causa dei suoi impegni nello studio. Jason White, lo storico sideman del gruppo, viene ormai considerato come quarto membro, dal 2012.
¡UNO, DOS, TRÉ, TOUR! farà tappa, tra maggio e giugno, in diverse città europee, toccando alcuni tra i più importanti festival estivi.
Il tour segue la pubblicazione della trilogia ¡UNO! - ¡DOS! - ¡TRÉ!, composta dai tre album ¡UNO!, ¡DOS! e ¡TRÉ!, usciti rispettivamente il 25 settembre (entrato direttamente al numero 1 della classifica di vendita), il 13 novembre (entrato nella Top 5) e l’11 dicembre.
Billie Joe Armstrong - voce, chitarra ritmica
Mike Dirnt - basso, cori
Tre Cool - batteria, percussioni
Jason White - chitarra solista, cori
Do not use without permission!
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If any performers, characters or cast members that would like photos for personal or portfolio reasons, you may have any photo of themselves for a higher resolution or with a smaller watermark. Please either contact me through Twitter.
Doncaster Lakeside is the town’s most prestigious market ready, mixed-use development site. It lies just one and a half miles from the town centre and less than five minutes from junction 3 of the M18.
Originally conceived in the early 1990s, the centrepiece 20 hectare man-made lake is now complete, along with the principal infrastructure costing £20m. With this advance spending and an award winning public realm strategy, the development is already occupied by over 500 quality apartments and homes, as well as businesses including BT, EWS (English, Welsh and Scottish Railways), Direct Line Group and Beresfords Solicitors. Other features include a well established leisure park including: the Dome - one of Europe’s largest leisure centres, multiplex cinema, bowling alley, restaurants and supermarket.
3D has been responsible for securing the highest quality of development for this prime location, and has recently completed a deal with GMI Rovinian for the development of 110,000 sq ft of office space. 3D is also close to completing a deal with David Wilson Homes for the development of around 400 high quality executive homes and lake-edge apartments, complimenting the current residential facilitates.
Over the next few years, several sites will be brought to the market, including 8 hectares for lake-front residential development, 4.5 hectares for commercial uses, and 7.7 hectares of industrial land
Use your imagination. Move into the far distant future and imagine furniture in this room someday, with tables over the floor receptacles and the receptacles in use
I've been experimenting using HDR image as a light source in Blender and rendering with Yafray. I've used the Biotrust tutorial to set up this scene, with additional info about HDR image setup from Blender noob to pro wiki.
HDR(i) stands for High Dynamic Range (imaging). Normally digital images, eg like jpg's, are just using whole numbers between 0 and 255 to represent one of the RGB colors, this gives about (256*256*256) 16777216 different colors. Such images are also called LDR (Low Dynamic Images). HDR images are using decimal (floating point) numbers to represent their values, and gives a lot more information about the image. That would be like using a value between 0 and 4294967296 to represent just one of the RGB colors.
With digital image processing programs (eg. photoshop or cinepaint) this gives a lot of editing opportunities. It will bring colors out from even quite dark areas of the image. This is why HDR images often are so colorful.
HDR images in computer rendered images (and movies) are for this reason used as light source (like in my image above), and gives the scene a much better and natural lightening of rendered objects. This is especially useful when rendered object are mixed with real images. The HDR image used in scenes are therefore taken from reflections from a Chrome ball where the scene is to be rendered. This technique is called light probening.
HDR images can also be produced by taking several pictures of the same scene using different exposures and composing them together. In this way details in both the bright and dark areas of an image can be seen. Try to search flickr with the keyword 'hdr', and you will discover a whole new world of digital images.
The hdr image used in this rendering was taken from Paul Debevec's homepage.
(please add comments, I am after all a noob at this subject.....)
Added: 4. jan. 2007, another experiment similar to this found on flickr: HDR Balls.
www.recyclart.org/2015/04/art-using-upcycled-nespresso-ca...
My passion for materials and conceptual art melted together in the collection “Throw Away Gold”. I use Nespresso capsules given to me by friends and anyone who really cares. Each piece is unique and designed by me. The process is very time consuming and requires patience, but I love it. The preparation of one individual capsule can take up to ONE hour. To my huge surprise, I am still discovering new shapes and forms...it is already 5 years since I have first used Nespresso capsules in my work.
What is next? Making a custom personalized jewellery piece, where the customer collects and chooses his/her own capsules. That is Recyclart in its core :) If you are interested please visit my website Noliashakti or contact me on: noliashakti@gmail.com
[symple_box color="gray" fade_in="false" float="center" text_align="left" width="100%"]
Website: Noliashakti !
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Use of these images in any form without permission is illegal. If you wish to use or license any images please contact mel@mudkissphotography.co.uk
All work copyright Melanie Smith/ Mudkiss Photography All Rights Reserved
A former neighbor of mine used to be a wedding photographer. She asked me if I'd be interested in buying her old Bronica SQ-A from her as she no longer uses it. I took it out one day a few weeks ago to see how it handles. Here are some of the results.
YWCA
Redford, Michigan
A day out in London of a Saturday morning requires planning. Jools arranged for shopping to be dropped on Thursday afternoon, meaning we did not have to go on Saturday morning.
Then setting alarms so that we got to Priory station at half seven ready for the quarter to eight train.
Jools went to get tickets, and I went to the corner greasy spoon to get sausage and bacon sticks and brews. So that when the train rolled at twenty to, we climbed on board, sitting at a table and starting on our breakfast.
Leaving at that time meant it was already light, so we could see the countryside rolling by until we got to Ashford, then flash by once we got on the high speed line, zooming up to Ebbsfleet and then under the Thames into Essex and on to Stratford.
We got out at Stratford, caught the DLR to the regional station, then changing DLR lines for the trains heading for Lewisham.
At Pudding Mill Lane, where we used to watch steam tours on the Great Eastern Main Line, a new station has been built to allow for the entrances to the Elizabeth Line tunnels, and next door is the Abba theatre.
We have been talking about going, so Jools checks prices for the show, and amazed that some are nearly £200! Prices next June are £99, but still for seeing a video recreation rather than the band themselves.
The train rattled on, turning south where the old Bryant and May match factory used to be. The building is still there but seems to be business units or flats now.
Passing the old factory used to be the cue for my Granddad to get us standing up and gathering our coats and bags as we were five minutes from Liverpool Street.
Instead, we took the line south through Bow and towards the crystal towers of Docklands and Canary and other Wharves.
I texted Graham to say we were on our way, and he replied to say he was 5 minutes from Canary Wharf. I said we would be there in a few minutes, maybe we would meet there?
Through Poplar and into the 21st century hellscape that is Docklands, we get off on platform 1, and our next train is waiting on platform 2. Jools walks over, I lag behind, scouring the platform for Graham.
Then as I reach the doors, and the electronic bleeps announcing departure, Graham reaches us and comes on board.
Doors close and the train departs, taking tight turns around the skyscrapers before heading to the river, and after Mudschute, dives under the river for Greenwich.
We get off at Cutty Sark, so named after a tea clipper, and find the way out signed to a flight of 125 steps to street level.
I sigh and follow Jools and Graham up, regretting my life choices.
But I made it to the top, and a short walk we called in at a coffee shop for a refill and wait for the Cutty Sark itself to open.
Although the story of the Cutty Sark and the other tea clippers is very interesting, I wanted to come for purely photographic reasons, to snap the prow and the glazed roof that protects the old dry dock.
We pay to go on, and enter the ship, going up two flights of steps onto the deck, where the masts and rigging tower high above. Remember, sailors used to have to climb up these and gather in sails, and all weathers and on all seas, no matter their state.
Hardy buggers.
Cabins were small and on deck, as all space down below was for cases of tea only, to keep them dry and in perfect condition.
Then down through the visitor centre to the bottom of the dry dock, and the copper bottom of the ship, suspended so that shots looking along and up the prow could be taken.
Which I took plenty of.
Above the roofs of the shops and pubs,the tower of the parish church, St Alphage, Greenwich, which is an usual dedication, but turns out this was the site where the titular Saint was martyred in the 11th century.
Graham had never found it open, but I had checked online and it was due to open at eleven, ten minutes ago. So we walked towards the church, dodging through the traffic and arrived at the church gate.
The south doors were closed, as were the north, so I began to doubt myself. But a nearby sight indicated that the main entrance was on the south side, so we went back round.
And one of the doors was indeed ajar.
Bingo.
Bango.
Bongo.
We climbed the steps and went in, and were met my quiet the most friendly and informative volunteer I think I have ever met.
Interesting details were pointed out, and those hidden were shown, including the location of the font where King Henry XIII was christened, and the last surviving part of the second church's wall.
The church, which is after Hawksmoor, is a delight, though gutted during the blitz, so most glass is now lost, though the Victorian is of good quality.
We were here for the Mars display in the Painted Hall at the Greenwich Naval College.
We have been here before, but some 15 years back at least, so a return was overdue, though the sumptuous painting would be partly hidden by the 7m model of the planet Mars.
We have seen the artist's Moon work at the Maritime Museum nearby, but also in Denver back in 2017. But seemed to have missed his "Earth", I'm sure it'll come round again.
We walked through the college grounds, into the painted hall, exchanged vouchers for tickets and climbed the two sets of stairs into the hall itself.
The view opened out, and the first impression was amazing, Mars at the far end, suspended and slowly turning, with the painted hall as a background. And a helmeted Mar looking down at the planet named after him, a great juxtaposition.
We took and hour to take it all in, then talked about going to the Chapel, which we were not sure was open.
At the base of the stairs, we found the entrance to a passageway, with sign pointing to the Chapel, could this lead all the way under the formal gardens?
Yes. Yes it could. And did.
Up spiral staircases to the lobby, then up a formal stairway flanked by statues of Faith, Hope, Charity and Meekness, into the church, a delight, without much in the way of painting to match the hall opposite, but stunning all the same, and few folks had made it over, so we soaked up the building and details, and fittings.
Time was getting on, and thoughts turned to food. So, we left and headed out to the narrow path beside the river, where high tide meant water was lapping at our feet, but we powered back towards the High Road, and the cluster of pubs and other eateries.
Beside the Cutty Sark was the Gipsy Moth pub, but that was full, so we walked on and found a table beside the fire in the Spanish Galleon, a Shepherd Neame's pub, but they had tables and a great looking menu.
We got pints of Whitstable Bay, and ordered burgers each, all in a great end to the trip where we did all we set out to do, and now rounded it off with a pub lunch.
We ate the burgers with pints of Bishop's Finger, now a timid 5.2% rather than the 7% in days of yore, but still full of flavour.
Time to go home. Back to Cutty Sark DLR station, down in the lift this time, and straight on a train heading north. Change at Canary Wharf, where our train to Stratford was also waiting.
We said goodbye to Graham, hopped on, and the doors closed, so we moved off north.
Back at Stratford, down the steps to the concourse, and straight onto a train going to the International Station, we got on, and so were on the platforms for Kent a full ten minutes before the train was due.
When it came, there were a few seats, so I got to sit and rest by back after the 11,000 steps done, so while darkness fell outside, I kept up to date with the football, Norwich 2-2 with Luton at half time, but scoring twice in the second half to win 4-2, and make it 12 goals scored in three games over seven days.
By the time final whistle went, we were back home, and supping fresh brews as we rested, taking our shoes off.
A brilliant day out.
The West Ham fans we had seen on the DLR were going to their home game against Arsenal, which was on TV at half five. Not the game they were hoping for, as Arsenal were 5-2 by halftime, though no more goals scored in the second half, but worthy of that first half to have watched.
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St Alfege Church is an Anglican church in the centre of Greenwich, part of the Royal Borough of Greenwich in London. It is of medieval origin and was rebuilt in 1712–1714 to the designs of Nicholas Hawksmoor.
The church is dedicated to Alfege (also spelt "Alphege"), Archbishop of Canterbury, and reputedly marks the place where he was martyred on 19 April 1012, having been taken prisoner during the sack of Canterbury by Danish raiders the previous year. The Danes took him to their camp at Greenwich and killed him when the large ransom they demanded was not forthcoming.[1]
The church was rebuilt in around 1290, and Henry VIII was baptized there in 1491.
The patronage of the church was given to the abbey at Ghent during the 13th century. Following the suppression of alien priories under Henry V, it was granted to the priory at Sheen with which it remained until transferred to the Crown by exchange under Henry VIII in 1530.[1]
During a storm in 1710 the medieval church collapsed, its foundations having been weakened by burials both inside and outside.
Following the collapse of the medieval church, the present building was constructed, funded by a grant from the Commission for Building Fifty New Churches, to the designs of Nicholas Hawksmoor, one of the commission's two surveyors. The first church to be built by the commissioners, it was begun in 1712 and basic construction was completed in 1714;[2] it was not, however, consecrated until 1718.[3] The church was built by Edward Strong the Younger a friend of Christopher Wren the Younger.
The church is rectangular in plan with a flat ceiling and a small apse serving as a chancel. The east front, towards the street, has a portico in the Tuscan order, with a central arch cutting through the entablature and pediment—a motif used in Wren's "Great Model" for St Paul's Cathedral.[3] A giant order of pilasters runs around the rest of the church, a feature Kerry Downes suggests may have been added by Thomas Archer, who, according to the minutes of the commission, "improved" Hawksmoor's plans.[2] On the north and south sides of the churchwide projecting vestibules rise to the full height of the building, with steps leading up to the doors.[3]
Hawksmoor planned a west tower, in the position of the existing one, which had survived the collapse. However the commission was reluctant to fund it, and the medieval tower was retained. In 1730 John James refaced it, and added a spire. Hawksmoor's design, published in an engraving in 1714, had an octagonal lantern at the top, a motif he was later to use at St George in the East.
The crypt served as an air-raid shelter during World War II. During the Blitz on 19 March 1941, incendiary bombs landed on the roof causing it to collapse, burning into the nave. The walls and the tower remained standing but much of the interior was gutted. The church was restored by Sir Albert Richardson in 1953. As part of the post-war restorations, stencils of Mary the Mother of Jesus and St John the Evangelist were installed either side of the Cross (forming a traditional rood) in the side chapel of St Alfege with St Peter by the tempera artist Augustus Lunn.
The present organ was installed in 2001, having been relocated from the Lower Chapel at Eton College, with some minor changes.[6] It is an 1891 Lewis & Co instrument, with modifications in 1927 by A. Hunter & Son and 1970 by Harrison & Harrison.[7]
Additionally, there is a small, six-stop moveable organ located in the north aisle, by W & A Boggis of Diss from c 1960, with a later restoration by Mander Organs.
he previous organ had a long history. It dated from the 16th century (when St Alfege was recorded as having a pair of organs). The National Pipe Organ Register does not record its present whereabouts. However, a three manual drawstop console is on display at the West End of the South aisle. This may incorporate keys from the time of the composer Thomas Tallis,[9] who was buried in the chancel of the medieval church in the 16th century. The organ was restored in 1706 by Thomas Swarbrick, with further restorations and modifications by Dallam (1765), George England (1770) and J. W. Walker & Sons Ltd (1840, 1853 and 1863).[9][10] It was further restored and rebuilt in 1875 by Joseph Robson and Benjamin Flight,[11] modified by Lewis & Co in 1910[12] and rebuilt by R. Spurden Rutt & Co in 1934. By this point it had grown to 47 stops.[13] It survived the bomb damage of 1941 and was rebuilt, again by R Spurden Rutt, in 1953, with 55 stops.
Friend made the cake and I did the decorating. Use the Patchwork Cutters for this. Love Marion Frosts Inspirational Books .
At Live to Move Physical Therapy & Wellness, we believe you to encourage your journey toward a lifestyle of wellness, personal training, and therapeutic yoga classes with manual therapy. Manual therapists provide top-notch percussive therapy for an effective massage and quick recovery. For more details, visit our website now!
The Landing Craft, Vehicle, Personnel (LCVP) or Higgins boat was a landing craft used extensively in amphibious landings in World War II. The craft was designed by Andrew Higgins of Louisiana, United States, based on boats made for operating in swamps and marshes. More than 20,000 were built, by Higgins Industries and licensees.
Typically constructed from plywood, this shallow-draft, barge-like boat could ferry a platoon-sized complement of 36 men to shore at 9 knots (17 km/h). Men generally entered the boat by climbing down a cargo net hung from the side of their troop transport; they exited by charging down the boat's bow ramp.
Cantigny Park, Wheaton, Illinois
August 2010
COPYRIGHT 2010 by JimFrazier All Rights Reserved. This may NOT be used for ANY reason without written consent.
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