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I used to be an avid Chess player, but as I gotten older and my being a physician took over most of my brain (trust me, not much space up there), I haven't played a game in years.
My dad found one of my older Chess boards, complete with all the pieces, and gave it to me just for keeps.
And well, I knew I wanted to photograph.
Shooting Information:
•Nikon D7200 with MB-D15 Battery Grip
•Sigma 17-50mm f/2.8 EX DC OS HSM
•Aperture Priority
•1/60th @ 50mm zoom, f/11
•ISO 200
•1x Off Shoe Nikon Speedlight SB-910 Flash Fired
Off Shoe Flash Information:
•Commander/Trigger: Nikon SU-800 Wireless Speedlight Commander
•Flash 1: Nikon Speedlight SB-910 with no flash modifiers, on the right, pointed towards the subject, 1/64th power
Post Processing Information:
•Phase One Capture One Pro
•DxO Nik Collection Silver Efex Pro 2
•Not Cropped
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Using ND1000 ten stop filter with sigma 10-20mm at F12 with 25 seconds exposure. ND4 grad filter used for sky (hand held as couldn't be arsed)
Just created a new set for North Berwick as going to have a few images from here...
Images used:
aarontyree
elegant
www.flickr.com/photos/aarontyree/8284772038/in/faves-1443...
creativecommons.org/licenses/by-nc/2.0/
Image by kien virak from Pixabay
pixabay.com/photos/landscape-beautiful-nature-forest-5272...
landscape 52
Edting By : Me
Taken By : Me
Useing : Canon digital camera ixus 960 is
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تضيق بي الدنيا بكبرها من معابيس الوجيه
وهذاك لامنه تبسـم شفـت للدنيـا طـرف
مني وليه أحببته وهو حبنـي منـه وليـه
من غير لانا اعترف ومن غير لاهو يعترف
ليه أتحاكى وكلوبي يعـرف غايـة كلبيـه
اليا فرح افرح ودمعـه لاذرف دمعـي ذرف
أغليه يعني أعشقه ,أعشقه يعني أموت فيـه
يعني أنا ميت مااعشقـه ومرتبـه الشـرف
ميت واعشقه والسبب مافي داعي أني أحاكيه
الغيب في الدنيا هو وهـو لحالـه محتـرف
أمشي معه من غير لااين ولاكيـف وليـه
من حيث مايثرفني أغمض عيوني وانجـرف
الشامخ اللي لأقبل وحضن أيدني في أيديـه
تراعدته فرايصه من الغنج واتصافق تـرف
ان قال لا أقول لا وان قال إيه أقول ايـه
مااسمع ماأعرف ماأرى ارى ماسمع ماعرف
اللي اعرفه أني أبيـه يجمـل بـي وأبيـه
وان العدل في صدته سجلني اكبر منحـرف
يغفـرلي الله والله يديمـه ويرحـم والـديـه
علمني ان البعد نكسه حال وفي صده قـرف
للشاعر : سعد علوش
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Some say love it is a river
that drowns the tender reed
Some say love it is a razer
that leaves your soul to blead
Some say love it is a hunger
an endless aching need
I say love it is a flower
and you it's only seed
It's the heart afraid of breaking
that never learns to dance
It's the dream afraid of wakingthat never takes the chance
It's the one who won't be taken
who cannot seem to give
and the soul afraid of dyingthat never learns to live
When the night has been too lonely
and the road has been too long
and you think that love is only
for the lucky and the strong
Just remember in the winterfar beneath the bitter snows
lies the seed
that with the sun's love
in the spring
becomes the rose
Using a little fill flash here softened with the translucent dome cap turned 90 degrees out, then shooting just off angle to the sun. This is my eldest daughter back from a year in Spain.
If you are wondering how I was able to take this capture using the lens wide open and the fill flash (which really works best below 1/200 second) ... achieved that using the 6 & 4 Stop ND filters to get the shutter speed where I wanted with the light varying in the scenes for the portraits.
Here the fill flash setting was around -1eV as well, to limit the fill light and make it look more natural.
Astronomers use the term perigee to describe the moon’s closest point to Earth, from Greek words peri meaning “near” and gee meaning “Earth.” What’s more, given the change in distance between the moon’s farthest and closest points, the full moon can appear as much as 14% larger in the sky and 30% brighter to our eyes than at minimum size and brightness. So the question becomes, how much does the moon’s gravitational influence on Earth vary from minimum (apogee, or farthest point from the planet) to maximum (perigee)? More importantly from an astrological perspective would be the effect on a human being. Consider an 80-kilogram (176-pound) human being. The maximum difference between apogean and perigean moons is about 73 milligrams, or about 1/14th the mass of an ordinary paper clip. IMG_4706
ODC-I used to.....
I used to paint watercolors years ago and have since traded in my paints and brush for a camera! I may paint again someday. This is one of my last watercolors I did.
© All rights reserved. Use without permission is illegal.
La zona, posta a metà strada tra la montagna e la pianura e punto di passaggio per raggiungere il Friuli, fu da sempre un sito strategico. Attorno al X secolo fu eretta una fortezza controllata dai vescovi di Belluno, ma di probabili origini romane. Lo stesso toponimo sembra derivare dal latino cuniculus indicante i passaggi sotterranei del castello[6].
Conegliano "nacque" però nel XII secolo, quando un gruppo di famiglie nobili si organizzò creando un governo di tipo comunale attorno alla bastia, con la conseguente formazione di un borgo. Il Castello di Conegliano rimase sempre il centro del potere, sia civile (con la sede della podesteria) che religioso (con la collegiata di San Leonardo). Le attività artigianali ed agricole furono incentivate dalla fondazione di numerosi monasteri: Santa Maria in Mater Domini (1231), il convento dei Padri Umiliati di San Polo (1316), Sant'Antonio, San Francesco dei Frati Minori (1231), per non parlare degli ospizi e delle congregazioni di laici.
Con il sanguinoso assalto del 1153, Conegliano fu però subito sottomessa al comune di Treviso che ne potenziò le difese, ricostruendo il castello, vista la posizione chiave verso il Friuli con i domini del Patriarcato di Aquileia. La cittadina seguì le sorti della Marca e passò agli Ezzelini e agli Scaligeri, che la munirono di nuove fortificazioni. Anche con la Repubblica di Venezia, a cui Treviso passò nel 1337, e la breve parentesi dei Carraresi (1384-1388) l'opera fu continuata e venne innalzata una cinta muraria che racchiudesse il borgo. I lavori di fortificazione e di ampliamento si protrassero anche nei secoli successivi, nonostante il rovinoso attacco degli Ungari del 1411. Il paese si abbellì anche di palazzi signorili e istituzionali ma la decadenza si fece sentire già dopo la guerra della Lega di Cambrai.
Nel Settecento il castello, già da tempo in rovina, fu in gran parte demolito per fornire materiale di recupero utile alle nuove costruzioni, tra cui il Palazzo Comunale (1744).
Come tutto il Veneto, la città passò a Napoleone e infine agli Austriaci che ne svilupparono l'economia e le infrastrutture. Con la costruzione della Strada Maestra d'Italia e della ferrovia (1858) il centro vitale del paese si spostò più a sud, attorno alla stazione. Nel 1866 passò con tutto il Veneto al Regno d'Italia. Nel 1917, dopo la Disfatta di Caporetto, Conegliano fu occupata dagli Imperi Centrali e subì notevoli danni. La città riuscì successivamente a risollevarsi grazie alle ferventi attività economiche (prodotti caseari, vinicoli, officine meccaniche ecc.).
it.wikipedia.org/wiki/Conegliano
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An old farm across the street from the flower shot. 21 shots HDR/Pano stitched/ Silver Efex to convert to B&W
I used my 135mm 2.8 Super Paragon PMC.
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© All rights reserved — Any use, reproduction or curation requires prior written permission via Flickr mail.
Goldcrest, Holding the Light - I couldn’t reach the snow-covered Bradgate I had imagined.But I went anyway.
A cold, sunlit morning. No coffee. A longer walk than planned.
Goldcrests stayed mostly hidden, refusing the perfect flight I had in mind — yet they gave me presence.
The deer crossed my path with quiet urgency, carrying winter on their backs.
I returned home tired, cold, and strangely light.
Some mornings don’t give you what you plan —
they give you what you need.
I've captured some unforgettable moments with my camera, and I hope you feel the same joy viewing these images as I did while shooting them.
Thank you so much for visiting my gallery, whether you leave a comment, add it to your favorites, or simply take a moment to look around. Your support means a lot to me, and I wish you good luck and beautiful light in all your endeavors.
© All rights belong to R.Ertuğ. Please refrain from using these images without my express written permission. If you are interested in purchasing or using them, feel free to contact me via Flickr mail.
Lens - hand held or Monopod and definitely SPORT VR on. Aperture is f5.6 and full length or f6.3. All my images have been converted from RAW to JPEG.
I started using Nikon Cross-Body Strap or Monopod on long walks. Here is my Carbon Monopod details : Gitzo GM2542 Series 2 4S Carbon Monopod - Really Right Stuff MH-01 Monopod Head with Standard Lever - Really Right Stuff LCF-11 Replacement Foot for Nikon AF-S 500mm /5.6E PF Lense -
Your comments and criticism are always appreciated.
Thanks for stopping by and taking the time to explore! 😊
self-portrait (1465-1474) - Andrea Mantegna (1431-1506) The Bridal Chamber - Mantova
La Camera degli Sposi, chiamata nelle cronache antiche Camera picta ("camera dipinta"), è una stanza collocata nel torrione nord-est del Castello di San Giorgio di Mantova. È celebre per il ciclo di affreschi che ricopre le sue pareti, capolavoro di Andrea Mantegna, realizzato tra il 1465 e il 1474.
Mantegna studiò una decorazione ad affresco che investisse tutte le pareti e le volte del soffitto, adeguandosi ai limiti architettonici dell'ambiente, ma al tempo stesso sfondando illusionisticamente le pareti con la pittura, come se lo spazio fosse dilatato ben oltre i limiti fisici della stanza. Il tema generale è una celebrazione politico-dinastica dell'intera famiglia Gonzaga, con l'occasione dell'elezione a cardinale di Francesco Gonzaga.
La decorazione della stanza venne commissionata da Ludovico Gonzaga a Mantegna, pittore di corte dal 1460. La sala aveva originariamente una duplice funzione: quella di sala delle udienze (dove il marchese trattava affari pubblici) e quella di camera da letto di rappresentanza, dove Ludovico si riuniva coi familiari.
Originally known as Camera Picta (Painted Room) it is in the north-eastern tower of St. George’s Castle in Mantua. Renowned for the cycle of frescos around the walls it is the masterpiece of Andrea Mantegna, painted between 1465 and 1474. Mantegna studied the fresco decoration so that it would cover the entire surface of the walls as well as the ceiling.
The decoration is adapted to the limits of the setting but at the same time breaks free with a virtual opening of the walls as if the space were enlarged far beyond the room. The theme is the political-dynastic celebration of the whole Gonzaga family, on the occasion of the election of Francesco Gonzaga as a Cardinal.
The work was commissioned by Ludovico Gonzaga to Mantegna, court painter since 1460. The room once had two functions: it was used as a state room where the Marquis would receive ambassadors and do business and as official bedroom where Ludovico would meet with his family.
I used a Schneider Kreuznach Xenar 1:2.8/50 lens with a 39mm thread for the Braun Paxette rangefinder on a KMZ Zenit 3M SLR, which also has a M39 mount. As the Zenit has a larger flange distance than the Paxette, the lens automatically becomes a macro lens, but it cannot be focused to infinity.
The Xenar is Schneider's variant of the classic Tessar design - in my opinion one of the best ever.
Camera: KMZ Zenit 3M
Lens: Schneider Kreuznach Xenar 1:2.8/50 for Braun Paxette
Kodak TMAX 400 black&white negative film
Developed and scanned by www.meinfilmlab.de
Studio equipment used:
1 light source - Elinchrom ELC Pro HD 500, key light with Elinchrome Rotalux Deep Octa (deep octa - 100cm) light modifier up-front-right to the model, another ligth source - Elinchrom ELC Pro HD 500 fill light with strip boxon the left side, the whole scene was syncronized with Elinchrome EL Skyport remote used on camera, Light Blue canvas background - approx. 2 meters behind the model
***
Description:
Fashion photoshot with Ksenia in studio "State" at Saint Petersburg. This photosession was inspired by a previous one, which I made with an actress. When Ksenia saw pictures we made, she asked me to shoot her in fashion style as well. The result of our efforts you can see above.
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Model: Ksenia (@grey.ks)
Mua: Ksenia (@grey.ks)
Photo & retouch: mine
***
Date: October 26, 2019
Camera: Sony a99
Lens: Carl Zeiss Planar 85mm f/1.4
Exposure: 1/200 at f/5.6, ISO 200
This used to be the office of the Communication Workers Union but it has now been repurposed as accommodation.
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Francisco Aragão© 2016. All Rights Reserved.
Use without permission is illegal.
Attention please !
If you are interested in my photos, they are available for sale. Please contact me by email: aragaofrancisco@gmail.com. Do not use without permission.
Many images are available for license on Getty Images
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Portuguese
O Parque do Retiro de Madrid ou os Jardins do Bom Retiro é um parque da cidade de Madrid, na Espanha. Foi criado entre 1630 e 1640 e tem uma área de 118 hectares.
Os jardins foram concebidos entre 1630 e 1640, quando o Conde-Duque de Olivares, vassalo atencioso do rei Filipe IV (1621 - 1665), ofereceu ao monarca alguns terrenos para o lazer da Corte em redor do Covento de San Jerónimo el Real. Quando se começou a adaptar esse complexo, conhecido Palácio do Bom Retiro, a área de 145 hectares que o envolvia foi toda ajardinada. Esses jardins foram concebidos pelo cenógrafo italiano Cosme Lotti.
Ao longo dos anos foram feitas muitas modificações, nem sempre planeadas, que alteraram os jardins, como por exemplo a Real Fábrica de Porcelana do Bom Retiro, durante o reinado de Carlos III (1759 - 1788), ou o Observatório Astronómico, durante o reinado de Carlos IV (1788 - 1808). O rei D. Carlos III foi o primeiro monarca a permitir que os cidadãos tivessem acesso ao recinto, desde que estivessem "bem vestidos e lavados".
Durante a invasão francesa, em 1808, os jardins ficaram parcialmente destruídos devido ao facto do complexo ter sido utilizado como quartel das tropas de Napoleão; o palácio foi igualmente destruído. Depois da Guerra Peninsular, Fernando VII) (1814 - 1833) iniciou a reconstrução do jardim e abriu-o ao público. O monarca reservou uma zona onde construíu uma série de edifícios para fins lúdicos característicos da época. No reinado de Isabel II (1833 - 1868) parte dos jardins foi vendido para aí se construirem habitações particulares. Após a revolução de 1868, a Gloriosa, os jardins passaram a propriedade municipal e as suas portas abriram-se para todos os cidadãos. Foram feitas as fontes das Galápagos, da Alcachofra e ainda a Fonte do Anjo Caído, obra de Ricardo Bellver. No Campo Grande foram construídos o Palácio de Cristal e o Palácio de Velázquez, obra de Ricardo Velázquez Bosco.
Spanish
El Parque del Retiro (no confundir con los Jardines del Buen Retiro), popularmente conocido como El Retiro, es un parque de 118 hectáreas (1 180 000 m²) situado en Madrid. Es uno de los lugares más significativos de la capital española.
Los jardines tienen su origen entre los años 1630 y 1640, cuando el Conde-Duque de Olivares (Gaspar de Guzmán y Pimentel), valido de Felipe IV (1621–1665), le regaló al Rey unos terrenos que le habían sido cedidos por el duque de Fernán Núñez para el recreo de la Corte en torno al Monasterio de los Jerónimos de Madrid. Así, con la reforma del Cuarto Real que había junto al monasterio, se inició la construcción del Palacio del Buen Retiro. Contaba entonces con unas 145 hectáreas. Aunque esta segunda residencia real iba a estar en lo que en aquellos tiempos eran las afueras de la villa de Madrid, no estaba excesivamente lejos del Real Alcázar y resultó ser un lugar muy agradable, por estar en una zona muy boscosa y fresca.
Bajo la dirección de los arquitectos Giovanni Battista Crescenzi y Alonso Carbonell se construyeron diversos edificios, entre ellos el Teatro del Buen Retiro, que acogió representaciones de los dramaturgos españoles del Siglo de Oro, entre ellos Calderón de la Barca y Lope de Vega. Perduran aún el Casón del Buen Retiro, antiguo Salón de Baile con frescos de Lucas Jordán, y el llamado Salón de Reinos, un ala del Palacio del Buen Retiro decorado antaño con pinturas de Velázquez y Zurbarán, entre otros; y los jardines de la posesión real.
Éstos se formaron al mismo tiempo que el palacio, trabajando en ellos, entre otros, Cosme Lotti, escenógrafo del Gran Duque de Toscana, y edificándose una leonera para la exhibición de animales salvajes y una pajarera de aves exóticas. El Estanque grande, escenario de naumaquias y espectáculos acuáticos, el Estanque ochavado o de las campanillas y la Ría chica pertenecen a este período inicial.
A lo largo de la historia, el conjunto sufrió modificaciones, no siempre planificadas, que cambiaron la fisonomía del jardín, como el Parterre, diseñado durante el reinado de Felipe V (1700–1746), la Real Fábrica de Porcelana del Buen Retiro en tiempos de Carlos III (1759–1788) o el Observatorio Astronómico, obra de Juan de Villanueva, reinando Carlos IV (1788–1808). El rey Carlos III fue el primero en permitir el acceso de los ciudadanos al recinto, siempre que cumpliesen con la condición de ir bien aseados y vestidos.
Durante la invasión francesa, en 1808, los jardines quedaron parcialmente destruidos al ser utilizados como fortificación por las tropas de Napoleón. El palacio fue casi totalmente destruido.
Tras la contienda, Fernando VII (1814–1833) inició su reconstrucción y abrió una parte del jardín al pueblo, como ya hiciera Carlos III. El monarca se reservó una zona, entre las calles de O'Donnell y Menéndez Pelayo, donde construyó una serie de edificios de recreo, siguiendo la moda paisajística de la época, que aún se conservan, como la Casita del Pescador, la Casa del Contrabandista y la Montaña artificial.
Reinando Isabel II (1833–1868) se abrió la calle de Granada, que más tarde se llamaría de Alfonso XII, vendiéndose al estado los terrenos comprendidos entre ésta y el Paseo del Prado que fueron urbanizados por particulares.
Tras la revolución de 1868, (la Gloriosa), los jardines pasan a ser propiedad municipal y sus puertas se abrieron a todos los ciudadanos, comenzando una época en la cual, la Ría grande y el Estanque de san Antonio de los Portugueses se transformaron en Paseo de Coches. Se colocaron las fuentes de los Galápagos y de la Alcachofa, erigiéndose también la fuente del Ángel Caído en lo que fueron terrenos de la Fábrica de Porcelanas, obra de Ricardo Bellver. En el Campo Grande se edificaron el Palacio de Cristal y el Palacio de Velázquez, obra de Ricardo Velázquez Bosco. En esta época, concretamente a finales del siglo XIX, transcurre la novela que Pío Baroja tituló Los Jardines del Buen Retiro, en la que se narra la vida de la capital en torno a este enclave.
Las últimas obras de ajardinamiento fueron las ejecutadas por el jardinero mayor Cecilio Rodríguez, que diseñó la rosaleda y los jardines que llevan su nombre.
El maestro Manuel Lillo compuso el pasodoble «Quiosco del Retiro» dedicado al lugar de conciertos matutinos en el que la Banda Sinfónica Municipal de Madrid actúa durante el verano.
El alcalde Enrique Tierno Galván designó a Antonio Mingote como Alcalde Honorario del Parque de El Retiro.
English
The Buen Retiro Park (Spanish: Parque del Buen Retiro, literally "Park of the Pleasant Retreat", or simply El Retiro) is the one of the largest parks of the city of Madrid, Spain. The park belonged to the Spanish Monarchy until the late 19th century, when it became a public park.
The Buen Retiro Park is a large and popular 1.4 km2 (350 acres) park at the edge of the city center, very close to the Puerta de Alcalá and not far from the Prado Museum. A magnificent park, filled with beautiful sculpture and monuments, galleries, a peaceful lake and host to a variety of events, it is one of Madrid's premier attractions. The park is entirely surrounded by the present-day city.
Wikipedia
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Can face masks help slow the spread of the coronavirus (SARS-CoV-2) that causes COVID-19? Yes. Face masks combined with other preventive measures, such as getting vaccinated, frequent hand-washing and physical distancing, can help slow the spread of the virus. The U.S. Centers for Disease Control and Prevention (CDC) recommends fabric masks for the general public. People who haven’t been fully vaccinated should continue to wear face masks in indoor public places and outdoors where there is a high risk of COVID-19 transmission, such as crowded events or large gatherings. The CDC says that N95 masks should be reserved for health care providers. How do the different types of masks work? Medical masks Also called surgical masks, these are loosefitting disposable masks. They're meant to protect the wearer from contact with droplets and sprays that may contain germs. A medical mask also filters out large particles in the air when the wearer breathes in. To make medical masks more form-fitting, knot the ear loops where they attach to the mask. Then fold and tuck the unneeded material under the edges.
An N95 mask is a type of respirator. It offers more protection than a medical mask does because it filters out both large and small particles when the wearer inhales. Because N95 masks have been in short supply, the CDC has said they should be reserved for health care providers. Health care providers must be trained and pass a fit test before using an N95 mask. Like surgical masks, N95 masks are intended to be disposable. However, researchers are testing ways to disinfect and reuse them. Some N95 masks, and even some cloth masks, have valves that make them easier to breathe through. Unfortunately, these masks don't filter the air the wearer breathes out. For this reason, they've been banned in some places. A cloth mask is intended to trap respiratory droplets that are released when the wearer talks, coughs or sneezes. It also acts as a barrier to protect the wearer from inhaling droplets released by others.
The most effective cloths masks are made of multiple layers of tightly woven fabric like cotton. A mask with layers will stop more droplets from getting through your mask or escaping from it. How to get the most from your mask; The effectiveness of cloth and medical masks can be improved by ensuring that the masks are well fitted to the contours of your face to prevent leakage of air around the masks' edges. Masks should be snug over the nose, mouth and chin, with no gaps. You should feel warm air coming through the front of the mask when you breathe out. You shouldn't feel air coming out under the edges of the mask. Masks that have a bendable nose strip help prevent air from leaking out of the top of the mask. Some people choose to wear a disposable mask under their cloth mask. In that case, the cloth mask should press the edges of the disposable mask against the face. Don't add layers if they make it hard to breathe or obstruct your vision. Proper use, storage and cleaning of masks also affects how well they protect you. Follow these steps for putting on and taking off your mask: Wash or sanitize your hands before and after putting on your mask. Place your mask over your mouth and nose and chin. Tie it behind your head or use ear loops. Make sure it's snug.,Don't touch your mask while wearing it. If you accidentally touch your mask, wash or sanitize your hands. If your mask becomes wet or dirty, switch to a clean one. Put the used mask in a sealable bag until you can get rid of it or wash it. Remove the mask by untying it or lifting off the ear loops without touching the front of the mask or your face.
Wash your hands immediately after removing your mask.
Regularly wash cloth masks in the washing machine or by hand. (They can be washed along with other laundry.)
And don't forget these precautions: Don't put masks on anyone who has trouble breathing or is unconscious or otherwise unable to remove the mask without help. Don't put masks on children under 2 years of age. Don't use face masks as a substitute for physical distancing. What about face shields? The CDC doesn't recommend using face shields instead of masks because it's unclear how much protection shields provide. However, wearing a face mask may not be possible in every situation. If you must use a face shield instead of a mask, choose one that wraps around the sides of your face and extends below your chin.
Do you still need to wear a facemask after you’re fully vaccinated? After you're fully vaccinated, the CDC recommends that it's ok not to wear a mask except where required by a rule or law. However, if you are in an area with a high number of new COVID-19 cases in the last week, the CDC recommends wearing a mask indoors in public and outdoors in crowded areas or when you are in close contact with unvaccinated people. If you are fully vaccinated and have a condition or are taking medications that weaken your immune system, you may need to keep wearing a mask. You're considered fully vaccinated 2 weeks after you get a second dose of an mRNA COVID-19 vaccine or 2 weeks after you get a single dose of the Janssen/Johnson & Johnson COVID-19 vaccine. In the U.S., everyone also needs to wear a mask while on planes, buses, trains and other forms of public transportation. The World Health Organization (WHO) recommends medical masks for health care workers as well as for anyone who has or may have COVID-19 or who is caring for someone who has or may have COVID-19.``
www.mayoclinic.org/diseases-conditions/coronavirus/in-dep...
The Covid-19 pandemic seems to have sorted us into three types based on our attitudes toward masking: Call them nervous maskers, never-maskers and uncertain maskers. The first feel guilty or nervous about unmasking, so they tend to default to wearing masks; the second feel angry and resentful about being told to mask, so they often refuse entirely. And the third group is just trying to do the right thing without a lot of certainty one way or another. Winter is coming, with its continued battles against delta or mu or another variant. We have better protections now (vaccinations, natural antibodies) but also are returning to higher-risk environments (nightclubs, offices, schools). To complicate matters, there are additional factors to consider such as waning immunity from vaccines and the potential of a bad flu season.
Fortunately, there have been a number of important studies on the efficacy of masking over the past 18 months. The good news is that the research suggests most of us can actually de-mask without guilt or worry in many instances — and not just outdoors. It tells us, for example, that plexiglass dividers are in most cases useless or worse. But relaxed refuseniks need a rethink, too — we shouldn’t be ditching masks entirely. On the contrary, the more people adopt a policy of tactical masking, taking situational factors into account, the lower the infection risk and the more freedoms we can enjoy again. As the probability of infection increases, mask wearers lower the risk of catching the virus compared with no masking. For N95 or FFP2 masks, the protection is far greater. Note: Relative reduction in risk-of-infection figures are for an infection probability of 4%.
It’s no wonder we’re either nervous, angry or confused about masks when you consider how masking guidance and conventions have been all over the map. It seems amazing now that the Centers for Disease Control and Prevention, the World Health Organization and various governments had warned against using masks in the early days of the pandemic. When Thomas Nitzsche, mayor of Jena, Germany, made the decision to require masks in public in early April 2020, his city became one of the first to do so. Infections dropped by up to 75% over the next few weeks. In May, the CDC said fully vaccinated people no longer needed to wear masks in most public settings. Two months later, as delta variant cases rose, the CDC revised that guidance. Now seven U.S. states — Hawaii, Illinois, Louisiana, Nevada, New Mexico, Oregon and Washington — require most people to wear masks indoors in public places. Some states, including Texas and Florida, bar local authorities from imposing Covid-19 restrictions, including mask-wearing. In places that view masking as an affront to liberty, university professors can’t even ask students to wear masks during office hours without putting their jobs at risk. In England, there was a general lifting of restrictions in July, though U.K. Health Secretary Sajid Javid said last week that masking may become mandatory again in some indoor settings this winter, depending mainly on whether hospitalizations from Covid spike. While masks are required on public transport, I’d say about half or fewer comply during my journeys. Many offices require workers to mask while walking around, but few Tory lawmakers are wearing them in the House of Commons. Scotland still requires masks to be worn in shops and restaurants while not seated, as well as on public transport. Berlin requires the medical-grade FFP2 masks on public transport. Certain regions of France also have masking requirements in place. But if you care about what the evidence says (and some people don’t), the jury is in: Masks help a lot. Take, for example, the study that shows most U.S. states that had high mask usage in one month avoided high Covid rates in the subsequent month, even after adjusting for masking policy, social-distancing policy and demographic factors. The majority of states with low mask usage ended up with high Covid case rates. Note: Low mask adherence means states that fall below the 25th percentile; high adherence are those states above the 75th percentile. Study analyzed data from April to October 2020.
The largest study yet on the effectiveness of masking, posted online in pre-print earlier this month, was a randomize trial conducted in 600 villages across Bangladesh covering a population of more than 340,000 adults. It offered strong evidence that masks, and surgical masks in particular, reduce virus transmission. Researchers found that a 29 percentage-point increase in mask adoption led to an 11% reduction in symptomatic SARS-CoV-2 prevalence, where surgical masks were distributed; and a 35% reduction in people over 60. Symptom reductions using surgical masks were not statistically significant in younger age groups. While vaccines have largely broken the link between infections and hospitalizations (and death), they haven’t eliminated the need for mask-wearing. Data released last week showed that two doses of the Oxford/AstraZeneca vaccine were 67% effective against delta-variant infections (compared with 80% for two doses of Pfizer/BioNTech’s). Infections can still be nasty; long Covid remains another reason for vigilance. Not only can fully vaccinated people catch and transmit the virus, but it is unvaccinated adults who are more mask-resistant. Since it’s estimated that around half of all transmissions come from asymptomatic persons, masks are still key to preventing infections. But masking shouldn’t be performative, as it often is with those uncertain maskers who just want to show they are being thoughtful. Which masks we wear, and especially how they fit, is important. Mind the Gap . While N95s offer a higher level of protection, a well-fitted surgical mask blocks most particles.
More particles get through mask; Of course, not all masks are created equal, as a recent study published in the journal Nature highlighted. The authors measured the thermal behavior of face masks in real time during inhalation and exhalation to determine the relationship between the fabric structure of the masks and their performance. Their experiment helped shed light on how aerosol-containing bacteria and coronaviruses penetrate three different kinds of masks — reusable face masks, disposable surgical masks and the N95 — and how we can evaluate air filtration performance.Reusable masks have longer, thicker fibers with a larger average pore diameter. Unsurprisingly, they have
higher levels of permeability, with the surgical mask coming second, followed by the F95 (similar to the FFP2 in Europe). Those findings should even help manufacturers create a new generation of masks that offer more breathability while also improving filtration. The CDC doesn’t recommend scarves and other headwear because they tend to be made from loosely woven fabrics. Loosely Denser fabrics such as cotton with a 600 thread count compared with cotton that is woven with 80 threads per inch, are much more effective. Mixed fabrics also tend to have better results. A study on masks with and without gaps shows that leaks can significantly reduce their effectiveness. In addition to materials, layering them can also improve efficacy. New lab evidence on different kinds of masks showed that a three-ply surgical mask blocked 42% of particles from a simulated cough; a three-ply cloth mask was pretty similar. But the protection jumped to 92% when a cloth mask was worn over a surgical mask. Comfort is important to being able to wear a mask for long periods of time. In addition to metal nose-bridge strips that can help a mask stay on better, straps that tie behind the head and mask extenders can help reduce soreness around the ears. Insertable filters can be replaced when masks get wet.
Masks will also help prevent more vaccine-resistant variants from emerging as well as higher rates of flu infections, which can also cause serious illness and even death. Even so, the research strips away some of the mask myths and can help all categories of maskers — nervous, nevers and uncertains — be more tactical and aware. To know whether a mask is a must-have, a good idea or entirely superfluous, check the risk factors the way you might a weather report in the mountains: How densely packed and how well-ventilated is the space you are entering? Will you be moving around or stationary? It’s certainly good to mask up in an elevator or on public transport where people are pretty close together. It’s probably not necessary in an open-planned, well-ventilated office, provided people observe a measure of social distancing. Then be mindful of the infection and vaccination rates where you are. If you are in Broward County, Florida, where 70% of over-18s are vaccinated, you’d be justified in having a more relaxed approach; drive next door to Glades County, where only 31% are vaccinated and infection rates are high, and you’ll want to be more vigilant. Similarly only 16% of over-65s in King County, Texas, are vaccinated compared with 70% next door in Knox County, where the CDC recommends even vaccinated people mask. By moving beyond the “hygiene theater” of practices that don’t offer much benefit while also accepting that there are many different levels of risk tolerance and factors that increase or lower situational risk, we can treat masking a little like checking the weather forecast. Some days require a little more covering up than others.
www.bloomberg.com/graphics/2021-opinion-how-to-wear-face-...
shooting warbonnets on the KCT used to be easy but nowdays not so much! Sure its a fake bonnet but BNSF # 789 still looks good leading a Eola, IL to Carlsbad, NM sand load over the KCT at Kansas City, MO Feb 7th 2018
Using some parts to come up with this guy, and YELLOW! ZOMG! Sometimes there's more of a versatility with yellow, no wonder why Kalon does yellow. The mod is a Stoner LMG, a lot of you have probably seen that mod before from me. I bought a lot of these parts from a Civilian about 3 months ago.
They all look the same, dress the same way, use the same facial expressions and body language but each will tell you he's "doing his own thing" Interactions, mirroring consists of the parent imitating the infant's expressions while vocalizing the emotion implied by the expression. This imitation helps the infant to associate the emotion with their expression, as well as feel validated in their own emotions as the parent shows approval through imitation. Studies have demonstrated that mirroring is an important part of child and infant development. According to Kohut's theories of self-psychology, individuals need a sense of validation and belonging in order to establish their concepts of self. When parents mirror their infants, the action may help the child develop a greater sense of self-awareness and self-control, as they can see their emotions within their parent's faces. Additionally, infants may learn and experience new emotions, facial expressions, and gestures by mirroring expressions that their parents utilize. The process of mirroring may help infants establish connections of expressions to emotions and thus promote social communication later in life. Infants also learn to feel secure and valid in their own emotions through mirroring, as the parent's imitation of their emotions may help the child recognize their own thoughts and feelings more readily.When we meet others for the first time, we need to assess quickly whether they are positive or negative towards us, just as most other animals do for survival reasons. We do this by scanning the other person's body to see if they will move or gesture the same way we do in what is known as 'mirroring'. We mirror each other's body language as a way of bonding, being accepted and creating rapport, but we are usually oblivious to the fact that we are doing it. In ancient times, mirroring was also a social device which helped our ancestors fit in successfully with larger groups; it is also a left-over from a primitive method of learning which involved imitation.Additionally, individuals are likely to mirror the person of higher status or power within the situation. Mirroring individuals of higher power may create an illusion of higher status, or create rapport with the individual in power, thus allowing the person to gain favor with the individual in power. This mechanism may be helpful for individuals in situations where they are in a position of bargaining with an individual who possesses more power, as the rapport that mirroring creates may help to persuade the higher status individual to help the person of lower status. These situations include job interviews, other work situations such as requesting promotions, parent-child interactions, and asking professors for favors. Each of these situations involve one party who is in a more powerless position for bargaining, and another party who has the ability to fulfill the person of lower status's needs, but may not necessarily wish to. Thus, mirroring can be a useful tool for individuals of lower status in order to persuade the other party to relinquish goods or privileges for the lower status party.Mirroring generally takes place subconsciously as individuals react with the situation. Mirroring is common in conversation, as the listeners will typically smile or frown along with the speaker, as well as imitate body posture or attitude about the topic. Individuals may be more willing to empathize with and accept people whom they believe hold similar interests and beliefs, and thus mirroring the person with whom one is speaking may establish connections between the individuals involved.
One of the most noticeable forms of mirroring is yawning - one person starts and it sets everyone off. Dr. Robert Provine found that yawning is so contagious you don't even need to see another person yawn - the sight of a wide-open mouth is enough to do it. It was once thought that the purpose of yawning was to oxygenate the body but we now know that it's a form of mirroring that serves to create rapport with others and to avoid aggression - just as it also does for this pictured boat and yawning building.
Wearing the same outfit as another woman is a mirroring no-no. But if two men show up at a party wearing the same outfit, they could become lifelong friends.
Non-verbally, mirroring says 'Look at me; I'm the same as you. I feel the same way and share the same attitudes.' This is why people at a rock concert will all jump to their feet and applaud simultaneously or give a 'Mexican Wave' together. The synchronicity of the crowd promotes a secure feeling in the participants. Similarly, people in an angry mob will mirror aggressive attitudes and this explains why many usually calm people can lose their cool in this situation.
The urge to mirror is also the basis on which a queue works. In a queue, people willingly co-operate with people they have never met and will never see again, obeying an unwritten set of behavioral rules while waiting for a bus, at an art gallery, in a bank or side by side in war. Professor Joseph Heinrich from the University of Michigan found that the urges to mirror others are hardwired into the brain because co-operation leads to more food, better health and economic growth for communities. It also offers an explanation as to why societies that are highly disciplined in mirroring, such as the British, Germans and ancient Romans successfully dominated the world for many years. Mirroring the other person's body language and appearance shows a united front and doesn't let either get one-up on the other
Mirroring makes others feel 'at ease'. It's such a powerful rapport-building tool that slow-motion video research reveals that it even extends to simultaneous blinking, nostril-flaring, eyebrow-raising and even pupil dilation, which is remarkable as these micro-gestures cannot be consciously imitated.
Creating the Right Vibes
Studies into synchronous body language behavior show that people who feel similar emotions, or are on the same wavelength and are likely to be experiencing a rapport, will also begin to match each other's body language and expressions. Being 'in sync' to bond with another person begins early in the womb when our body functions and heartbeat match the rhythm of our mother, so mirroring is a state to which we are naturally inclined.
When a couple are in the early stages of courtship it's common to see them behave with synchronous movements, almost as if they are dancing. For example, when a woman takes a mouthful of food the man wipes the corner of his mouth; or he begins a sentence and she finishes it for him. When she gets PMT, he develops a strong desire for chocolate; and when she feels bloated, he farts.
When a person says 'the vibes are right' or that they 'feel right' around another person, they are unknowingly referring to mirroring and synchronous behavior. For example, at a restaurant, one person can be reluctant to eat or drink alone for fear of being out of sync with the others. When it comes to ordering the meal, each may check with the others before ordering. 'What are you having?' they ask as they try to mirror their meals. This is one of the reasons why playing background music during a date is so effective - the music gets a couple to beat and tap in time together. Mirroring on a Cellular Level
American heart surgeon, Dr Memhet Oz, reported some remarkable findings from heart recipients. He found that, as with most other body organs, the heart appears to retain cellular memories, and this allows some patients to experience some of the emotions experienced by the heart donor. Even more remarkably, he found some recipients also assume the same gestures and posture of the donor even though they have never seen the donor. His conclusion was that it appears that the heart cells instruct the recipient's brains to take on the donor's body language. Conversely, people suffering from disorders such as autism have no ability to mirror or match the behavior of others, which makes it difficult for two-way communication with others. The same goes for drunk people whose gestures are out of sync with their words, making it impossible for any mirroring to occur.
Because of the phenomenon of cause and effect, if you intentionally assume certain body language positions you will begin to experience the emotions associated with those gestures. For example, if you feel confident, you may unconsciously assume the Steeple gesture to reflect your confidence, but if you intentionally Steeple you will not only begin to feel more confident, others will perceive that you're confident. This, then, becomes a powerful way to create a rapport with others by intentionally matching their body language and posture.
Mirroring Differences Between Men and Women
Geoffrey Beattie, at the University of Manchester, found that a woman is instinctively four times more likely to mirror another woman than a man is to mirror another man. He also found that women mirror men's body language too, but men are reluctant to mirror a woman's gestures or posture - unless he is in courtship mode.
When a woman says she can 'see' that someone doesn't agree with the group opinion she is actually 'seeing' the disagreement. She's picked up that someone's body language is out of sync with group opinion and they are showing their disagreement by not mirroring the group's body language. How women can 'see' disagreement, anger, lying or feeling hurt has always been a source of amazement to most men. It's because most men's brains are simply not well equipped to read the fine detail of others' body language and don't consciously notice mirroring discrepancies.
Men and women's brains are programmed differently to express emotions through facial expressions and body language. Typically, a woman can use an average of six main facial expressions in a ten-second listening period to reflect and then feed back the speaker's emotions. Her face will mirror the emotions being expressed by the speaker. To someone watching, it can look as if the events being discussed are happening to both women.
A woman reads the meaning of what is being said through the speaker's voice tone and his emotional condition through his body language. This is exactly what a man needs to do to capture a woman's attention and to keep her interested and listening. Most men are daunted by the prospect of using facial feedback while listening, but it pays big dividends for the man who becomes good at it.
Some men say 'She'll think I'm effeminate!', but research with these techniques shows that when a man mirrors a woman's facial expressions as she talks she will describe him as caring, intelligent, interesting and attractive.
Men, on the other hand, can make fewer than a third of the facial expressions a woman can make. Men usually hold expressionless faces, especially in public, because of the evolutionary need to withhold emotion to stave off possible attack from strangers and to appear to be in control of their emotions. This is why most men look as if they are statues when they listen.
The emotionless mask that men wear while listening allows them to feel in control of the situation, but does not mean men don't experience emotions. Brain scans reveal that men can feel emotion as strongly as women, but avoid showing it publicly.
What to Do About It if You're Female
The key to mirroring a man's behavior is in understanding that he doesn't use his face to signal his attitudes - he uses his body. Most women find it difficult to mirror an expressionless man but with males this is not required. If you're a woman, it means that you need to reduce your facial expressions so that you don't come across as overwhelming or intimidating. Most importantly, don't mirror what you think he might be feeling. That can be disastrous if you've got it wrong and you may be described as 'dizzy' or 'scatterbrained'. Women in business who listen with a more serious face are described by men as more intelligent, astute and sensible.
When Men and Women Start to Look Alike
When two people live together for a long time and have a good working relationship, they often begin to look alike. This is because they are constantly mirroring each other's facial expressions, which, over time, builds muscle definition in the same areas of the face. Even couples who don't look facially similar can appear similar in a photograph because they use the same smile.
n 2000, psychologist Dr John Gottman of the University of Washington, Seattle, and his colleagues, discovered that marriages are more likely to fail when one partner not only does not mirror the other's expressions of happiness, but instead shows expressions of contempt. Instead, this opposite behavior affects the smiling partner, even when they are not consciously aware of what is happening.
Do We Resemble Our Pets?
You can also see mirroring occur in the pets some people choose. Without realizing it, we unconsciously tend to favor pets that physically resemble us, or that appear to reflect our attitudes. To demonstrate the point, here are a couple of examples: too far and presume that our model of body language and social interpretation applies to a dog's body language.
Be careful however not to extrapolate the metaphor too far and presume that our model of body language and social interpretation applies to a dog's body language.
Monkey See, Monkey Do
The next time you attend a social function or go to a place where people meet and interact, notice the number of people who have taken the identical gestures and posture of the person with whom they're talking. Mirroring is the way one person tells another that he is in agreement with his ideas and attitudes. One is non-verbally saying to the other, 'As you can see, I think the same as you.' The person with the highest status often makes the first moves and the others copy, usually in pecking order.
In the image above it is apparent by virtue of the facial expressions and other body language that there is a good rapport between the US President's wife Michelle Obama, of informally superior status, and a university president. If Michelle changes her body posture, one might expect there is a reasonably good chance the gentleman will unconsciously emulate her posture, indirectly demonstrating they are of the same mind. Mirroring happens among friends or between people of the same status and it is common to see married couples walk, stand, sit and move in identical ways. Albert Scheflen found that people who are strangers studiously avoid holding mirror positions.
Matching Voices
Intonation, voice inflection, speed of speaking and even accents also synchronize during the mirroring process to further establish mutual attitudes and build rapport. This is known as 'pacing' and it can almost seem as if the two people are singing in tune. You will often see a speaker beating time with his hands while the listener matches the rhythm with head nods. As a relationship grows over time, the mirroring of the main body language positions becomes less as each person begins to anticipate the other's attitudes, and vocal pacing with the other person becomes a main medium for maintaining rapport.
Never speak at a faster rate than the other person. Studies reveal that others describe feeling 'pressured' when someone speaks more quickly than they do. A person's speed of speech shows the rate at which their brain can consciously analyze information. Speak at the same rate or slightly slower than the other person and mirror their inflection and intonation. Pacing is critical when attempting to make appointments by telephone because voice is your only communication medium.
Intentionally Creating Rapport
The significance of mirroring is one of the most important body language lessons you can learn because it's a clear way in which others tell us that they agree with us or like us. It is also a way for us to tell others that we like them, by simply mirroring their body language.
If a boss wants to develop a rapport and create a relaxed atmosphere with a nervous employee, he could copy the employee's posture to achieve this end. Similarly, an up-and-coming employee may be seen copying his boss's gestures in an attempt to show agreement when the boss is giving his opinion. Using this knowledge, it is possible to influence others by mirroring their positive gestures and posture. This has the effect of putting the other person in a receptive and relaxed frame of mind, because he can 'see' that you understand his point of view. Before you mirror someone's body language, however, you must take into consideration your relationship with that person. Let's say, for example, a corporate employee has asked for a pay rise and is called into his manager's office. The employee enters the office, the manager asks him to sit down and assumes the Catapult with a Figure-Four showing the employee a superior, dominant attitude. But what would happen if the subordinate then instinctively copied the manager's dominant body language while discussing the potential salary increase? A boss might perceive a subordinate's mirroring behavior as being pushy or impertinent
Even if the employee's manner of speaking and phrasing was typical of a subordinate, the manager could feel affronted by the employee's body language, placing the employee's pay increase request in doubt and perhaps posing a threat to his future promotability. Mirroring is also effective for intimidating or disarming people who deem themselves 'superior' and try to take control of situations. Accountants, lawyers and managers are notorious for using superiority body language clusters around people they consider inferior. By mirroring, you can disconcert them and force a change of position. But never do it to the boss. Through mirrored multi-tasking, these business associates are taking their minds off what can seem an awkward encroachment on their personal zones.
Who Mirrors Whom?
Research shows that when the leader of a group assumes certain gestures and positions, subordinates will copy, usually in pecking order. Leaders also tend to be the first of a group to walk through a doorway and they like to sit on the end of a sofa, table or bench seat rather than in the center. When a group of executives walks into a room, the person with the highest status usually goes first. When executives are seated in the boardroom, the boss usually sits at the head of the table, often furthest from the door. If the boss sits in the Catapult, his subordinates are likely to copy in order of their importance within the group You can see this in a meeting where people 'take sides' with others by mirroring their body language. This lets you see who will vote with you and who will vote against you.
Mirroring is a good strategy to use if you are part of a presentation team. Decide, in advance, that when the team spokesperson makes a gesture or takes a posture when speaking, the entire team will mirror. This not only gives your team the powerful appearance of being cohesive, it can frighten the hell out of competitors who suspect something is up, even though they can't quite figure out what it is. When presenting ideas, products and services to couples, watching who mirrors whom reveals where the ultimate power or final decision-making ability lies. If the woman makes the initial movements, however small, such as crossing her feet, lacing her fingers or using a Critical Evaluation cluster and the man copies, there is little point in asking him for a decision - he doesn't have the authority to make it. When we rub both of our eyes simultaneously, it is as if we are telling our psyches, "I wish I never saw that", or "I can't believe he did that". We are trying to wipe it from our minds. People will also display this body language tell when recalling a past event in the "mind's eye".
Group Mirroring
It happens on fall season Sundays in American football stadiums around the country. Suddenly, 50,000 individuals became a single unit, almost a single mind, focused intently on what was happening on the field - that particular touchdown grab or dive into the end zone. Somehow, virtually simultaneously, each of those 50,000 people tuned into what the other 49,999 were looking at.
Becoming part of a crowd can be exhilarating or terrifying: The same mechanisms that make people fans can just as easily make them fanatics. And throughout human history we have constructed institutions that provide that dangerous, enthralling thrill. The Coliseum-like stadiums that host American football games or soccer games throughout the world are, after all, just modern knockoffs of the massive theater that housed Roman crowds cheering their favorite gladiators 2,000 years ago.
In fact, recent studies suggest that our sensitivity to crowds is built into our perceptual system and operates in a remarkably swift and automatic way. In a 2012 paper in the Proceedings of the National Academy of Sciences, A.C. Gallup, then at Princeton University, and colleagues looked at the crowds that gather in shopping centers and train stations.
In one study, a few ringers simply joined the crowd and stared up at a spot in the sky for 60 seconds. Then the researchers recorded and analyzed the movements of the people around them. The scientists found that within seconds hundreds of people coordinated their attention in a highly systematic way. People consistently stopped to look toward exactly the same spot as the ringers.
The number of ringers ranged from one to 15. People turn out to be very sensitive to how many other people are looking at something, as well as to where they look. Individuals were much more likely to follow the gaze of several people than just a few, so there was a cascade of looking as more people joined in.
In a study in Psychological Science, Timothy Sweeny at the University of Denver and David Whitney at the University of California, Berkeley, looked at the mechanisms that let us follow a crowd in this way. They showed people a set of four faces, each looking in a slightly different direction. Then the researchers asked people to indicate where the whole group was looking (the observers had to swivel the eyes on a face on a computer screen to match the direction of the group).
Because we combine head and eye direction in calculating a gaze, the participants couldn't tell where each face was looking by tracking either the eyes or the head alone; they had to combine the two. The subjects saw the faces for less than a quarter of a second. That's much too short a time to look at each face individually, one by one.
It sounds impossibly hard. If you try the experiment, you can barely be sure of what you saw at all. But in fact, people were amazingly accurate. Somehow, in that split-second, they put all the faces together and worked out the average direction where the whole group was looking.
In other studies, Dr. Whitney has shown that people can swiftly calculate how happy or sad a crowd is in much the same way.
Other social animals have dedicated brain mechanisms for coordinating their action - that's what's behind the graceful rhythms of a flock of birds or a school of fish.
Summary
Mirroring someone's body language makes them feel accepted and creates a bond and is a phenomenon that occurs naturally between friends and people of equal status. Conversely, we make a point of not mirroring those we don't like or strangers, such as those riding with us in a lift or standing in the queue at the cinema.
Mirroring the other person's body language and speech patterns is one of the most powerful ways to build rapport quickly. In a new meeting with someone, mirror his seating position, posture, body angle, gestures, expressions and tone of voice. Before long, they'll start to feel that there's something about you they like - they'll describe you as 'easy to be with'. This is because they see themselves reflected in you. A word of warning, however: don't do it too early in a new encounter as many people have become aware of mirroring strategies. When someone takes a position you have one of three choices - ignore it, do something else or mirror it. Mirroring pays big dividends. But never mirror a person's negative signals.
westsidetoastmasters.com/resources/book_of_body_language/...
Fallout 3 - downsampled from 4k, using SRWE; Midhrastic WIP ENB (.249 binary) w/ boulotaur's SweetFX.
Using a villain's shield requires a significantly different torso, and the rock theme doesn't work all that well on a mech, but I think this is still interesting enough to share.
Using our sunroom as a different vantage point to do a little bird watching, these two Mourning Doves caught my eye, silhouetted together in the tree tops.
old farm machine, Zilker Botanical Garden, Austin, TX. Sony A6000 and Nikonos 35/2.5 underwater lens.
Using Specially integrated steam technology, Solix has created its first ever steam powered Semi- Automatic Sniper Rifle. It is entirely shell-less making it super light weight. It has built in shifting weights that while barely weighing the gun down, they minimize recoil and enhance accuracy ten fold. It also has a thin coat of Cyteks-4 for endurance and to prevent rusting.
It also comes with an 18 round mag, and can be extended to 20, 22, and 30 rounds.
Computers and electronic technology are in the classrooms for good. Many schools have 1 to 1 initiatives that put a computing device into the hands of each student. This graphic is a challenge for teachers to move beyond the obvious and traditional uses of computers (browsing, clicking, chatting, and gaming) to inventing, designing, creating, building, sharing. Inspired by a Mitch Resnick Lifelong Kindergarten video. www.youtube.com/watch?v=z7rlLml5ReQ
We don't just browse, click, chat, game, we invent, we design, we create, we build, we share.