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A transmission spectrum made from a single observation using Webb’s Near-Infrared Imager and Slitless Spectrograph (NIRISS) reveals atmospheric characteristics of the hot gas giant exoplanet WASP-96 b.
A transmission spectrum is made by comparing starlight filtered through a planet’s atmosphere as it moves across the star, to the unfiltered starlight detected when the planet is beside the star. Each of the 141 data points (white circles) on this graph represents the amount of a specific wavelength of light that is blocked by the planet and absorbed by its atmosphere.
In this observation, the wavelengths detected by NIRISS range from 0.6 microns (red) to 2.8 microns (in the near-infrared). The amount of starlight blocked ranges from about 13,600 parts per million (1.36 percent) to 14,700 parts per million (1.47 percent).
Researchers are able to detect and measure the abundances of key gases in a planet’s atmosphere based on the absorption pattern—the locations and heights of peaks on the graph: each gas has a characteristic set of wavelengths that it absorbs. The temperature of the atmosphere can be calculated based in part on the height of the peaks: a hotter planet has taller peaks. Other characteristics, like the presence of haze and clouds, can be inferred based on the overall shape of different portions of the spectrum.
The gray lines extending above and below each data point are error bars that show the uncertainty of each measurement, or the reasonable range of actual possible values. For a single observation, the error on these measurements is remarkably small.
The blue line is a best-fit model that takes into account the data, the known properties of WASP-96 b and its star (e.g., size, mass, temperature), and assumed characteristics of the atmosphere. Researchers can vary the parameters in the model – changing unknown characteristics like cloud height in the atmosphere and abundances of various gases – to get a better fit and further understand what the atmosphere is really like. The difference between the best-fit model shown here and the data simply reflects the additional work to be done in analysing and interpreting the data and the planet.
Although full analysis of the spectrum will take additional time, it is possible to draw a number of preliminary conclusions. The labelled peaks in the spectrum indicate the presence of water vapour. The height of the water peaks, which is less than expected based on previous observations, is evidence for the presence of clouds that suppress the water vapor features. The gradual downward slope of the left side of the spectrum (shorter wavelengths) is indicative of possible haze. The height of the peaks along with other characteristics of the spectrum is used to calculate an atmospheric temperature of about 1350°F (725°C).
This is the most detailed infrared exoplanet transmission spectrum ever collected, the first transmission spectrum that includes wavelengths longer than 1.6 microns at such high resolution and accuracy, and the first to cover the entire wavelength range from 0.6 microns (visible red light) to 2.8 microns (near-infrared) in a single shot. The speed with which researchers have been able to make confident interpretations of the spectrum is further testament to the quality of the data.
The observation was made using NIRISS’s Single-Object Slitless Spectroscopy (SOSS) mode, which involves capturing the spectrum of a single bright object, like the star WASP-96, in a field of view.
WASP-96 b is a hot gas giant exoplanet that orbits a Sun-like star roughly 1,150 light years away, in the constellation Phoenix. The planet orbits extremely close to its star (less than 1/20th the distance between Earth and the Sun) and completes one orbit in less than 3½ Earth-days. The planet’s discovery, based on ground-based observations, was announced in 2014. The star, WASP-96, is somewhat older than the Sun, but is about the same size, mass, temperature, and colour.
The background illustration of WASP-96 b and its star is based on current understanding of the planet from both NIRISS spectroscopy and previous ground- and space-based observations. Webb has not captured a direct image of the planet or its atmosphere.
NIRISS was contributed by the Canadian Space Agency. The instrument was designed and built by Honeywell in collaboration with the Université de Montréal and the National Research Council Canada.
Get the full array of Webb’s first images and spectra, including downloadable files, here.
Credits: NASA, ESA, CSA, STScI, Webb ERO Production Team
Don't use this image without my explicit permission. © All rights reserved
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Don't use this image on websites, blogs or other media without my explicit permission.
Copyright © Antoniociro 2014 All Rights Reserved
Thank you for your visit and comment!
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Dati di scatto:
fotocamera: Nikon D5000
Obiettivo:Sigma 10-20mm - F4-5,6 EX DC HSM
distanza focale: 20 mm
tempo di esposizione:0,025sec (1/40)
numero f: f//5,6
ISO: 400
Bilanciamento del bianco: automatico
modalità misurazione esposimetrica: Peso centrale
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Uno dei migliori modi per spostarsi in Cina e’ sicuramente il treno. Potranno spaventare le lunghe distanze che a volte richiedono giorni, ma anche se un lungo viaggio in treno puo’ essere piacevole, avendo il tempo limitato, basta prendere un volo (economicissimo!) per abbreviare notevolmente i tempi.
Tuttavia, grazie all’alta velocita’ anche quelle che erano lunghe distanze in treno negli ultimi anni sono diventate piu’ brevi entrando in concorrenza con il trasporto aereo.
Non sono tutte le destinazioni ad essere interessate ancora dall’alta velocita’, ma per fare un esempio la principale linea Pechino – Shanghai di circa 1.100 km e’ passata in poco tempo da 12 ore alle 5 di adesso (tratti percorsi alla velocità di ca 350 Km/h!), un viaggio confortevole sia in prima che seconda classe che vi porta dal centro citta’ al centro di un’altra e che tra l'altro, a noi Eurpoei, costa molto poco: solo una diecina di Euri!
La Stazione dei treni di Shangai è una delle più grandi al mondo. Da lontano può sembrare un gigantesco centro commerciale, dato che nella metropoli cinese va di moda questo tipo di costruzione, ma poi si scopre che è una stazione!
Da qui parte il treno Maglev, l'unico al mondo a gravitazione magnetica (430 Km/h), che unisce la città con l'aeroporto internazionale di Pudong. Allo stesso tempo partono i treni per tutto il resto della Cina e per i paesi confinanti; inoltre, ci sono connessioni con diverse linee della metropolitana.
using this Sigma macro as a walking-around short-telephoto yields incredibly sharp results. light-leaked a handful of photos on this roll because I was worried the film got stuck and decided to risk a few shots to check. the top half of this photo got erased but otherwise the leaks looked fairly pleasant.
Pentax K1000
Sigma 105mm f2.8 EX DG Macro
Kodak Ektar 100
I used a not very popular soft lens wide open and got the look I wanted. Tower Type-3 (Nicca Leica III copy) with Canon 50mm f/2.2 lens. I was testing the new Phoenix II film.
Griffin, Georgia
used the same model as in my last upload, just added a dress to her using transform tool warp ,then used the puppet warp tool to fit the dress to her. hope that makes sense!
Using The Sky Live Online Planetarium and The Photographer's Ephemeris the comet from this location on the BZ Glenwood Highway was supposed to be a couple of degrees above the left (west) flank of Mt Adams. Even though visually and in binoculars the comet was no where to be seen, I took a series of exposures every 5 minutes from 9:35 to 10:20PM anyway. When I got home and reviewed the exposures on the computer I didn't see anything either. All day Saturday I wondered what had gone wrong, was the sky too bright an hour after sunset? Was the comet lost in the layers of smoke? Did I make a mistake with TPE? I'd deliberately over exposed the images a bit in order to minimize noise and have some shadow detail on the mountain and unknowingly the comet was lost in the slightly overexposed sky, until this morning when on a whim I pulled back the highlights and was pleasantly surprised when the comet appeared in a few of the exposures. My expectation had been a much brighter comet with a tail as long as the mountain is high, but it turned out most of the tail was lost in the still too bright sky and I was too close to the mountain making the comet look tiny in comparison. Three 4 sec exposures, f5.6, ISO 200 combined using masks and lighten layer mode in photoshop. Best when viewed in the lightbox. O15168,69,70
“He used often to say there was only one Road; that it was like a great river: its springs were at every doorstep, and every path was its tributary. 'It's a dangerous business, Frodo, going out of your door,' he used to say. 'You step into the Road, and if you don't keep your feet, there is no knowing where you might be swept off to.”
― J.R.R. Tolkien, The Fellowship of the Ring
As I walked up towards this little waterfall below High Shoals I could see this as a place in Middle Earth. It so reminds me of Hobbits and Dwarves.
The critical part of me took over at this point and said, the arching tree would look better if it had more leaves, or was not present at all. And, also that whomever designed the boardwalk must have been an Orc, because all the best images were abused by the limitations its creation imposed.
Enough of the critical me (its the better part of me btw. I'm good, very good, at seeing the faults. I work at seeing the good instead. But, my job is such that I am paid to find the bad and fix, so it limits me. btw, I think I'm good at my job too ;) ) But it was such a pretty little scene. I'm not sure how others will see it, but the little arched tree seemed to frame the falls. I did even break the rules and climbed over the railing and tossed leaves into the little maelstrom on the lower right. There was log there that was too large to move or I'd have moved it. It was also snowing, but none of my images shows the flurries as they fell on us.
No uses mis fotografías en páginas web, blogs, RRSS o cualquier medio de comunicación, sin mi autorización explicita. Si estas interesado en mi trabajo, puedes contactar conmigo en jespor@yahoo.es
Do not use my photographs on websites, blogs, social networks or any media, without my explicit permission. Contact me at jespor@yahoo.es - © All rights reserved.
Enlaces a las distintas RR.SS.:
Instagram ……. www.instagram.com/jesus_portal_photo/
Facebook…….. www.facebook.com/jesus.portal.52
Blog personal… www.jesusportalphoto.blogspot.com.es/
A stanchion fashioned out of a pole embedded in concrete inside a wheel rim. It looks like it is no longer in use. (6496a)
title.
Live shot 40.
(FUJIFILM GFX50R shot)
Record of shooting.
Date and time. July 7, 2019.
place. live house. Anti-knock. Shinjuku ward. Tokyo. Japan.
the weather. It was raining, but on the first basement floor.
Live time. About 40 minutes.
Remarks.
I don't use a tripod.
I'm shooting alone.
I don't use a flash.
I don't use food.
Copyright. Moth in Lilac. All Rights Reserved. / mothinlilac.com
live house. ANTI KNOCK. Shinjuku ward. Tokyo. Japan. July 7. 2019. shot ... ... 54 / 68
(Today 's picture, it is unpublished.)
Shooting: Editing: Configuration = Mitsushiro “stealaway” Nakagawa.
Moth in Lilac. : twitter.com/Moth_in_Lilac
Ayano : vocal : twitter.com/sfn_ayano
Lisa 13 : guitar : twitter.com/lhjw121315666
NalchaRos : bass : twitter.com/Nalu_chaRos223
You : guitar : twitter.com/you_ogami
M9N : drums : twitter.com/mokuniuka
Management office.
V.I.P. Design Machine : twitter.com/vipdm69
New mini Album. OUT NOW.
Mayve U
www.amazon.co.jp/dp/B07T8XM9RR/ref=cm_sw_em_r_mt_dp_U_XHn...
Images.
Moth in Lilac / Maybe U
Official.
YOUTUBE.
Apple Music.
music.apple.com/jp/album/moth-in-lilac/1441243472
Live schedule.
October 6, 2019. Shibuya. Guilty.
November 1, 2019. Kichijoji. crescendo.
www.kichijoji-crescendo.net/top2013.html
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Profile.
In November 2014, we caught the attention of the party selected to undertake the publicity for a mobile phone that changed the face of the world with just a single model, and will conclude a confidentiality agreement with them.
stealaway.cocolog-nifty.com/stealaway/2019/02/2019-profil...
youpic.com/photographer/mitsushironakagawa/
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Interviews and novels.
About my book.
I published a book in old days.
At that time, I was uploading my interview on the net on the net.
That Japanese and English.
I will make it public for free.
Details were explained to the Amazon site.
How to write a novel.
How to take pictures.
Distance to the work.
They all have a common item.
I made a sentence about what I felt, and left it.
I hope that my text can be read by many people.
Thank you.
Mitsushiro.
1 Interview in English
「interview_eng.pdf」
stealaway.cocolog-nifty.com/stealaway/2018/08/interviews-...
2 novels. unforgettable 'English version.(This book is Dedicated to the future artist.)
「novel_unforgettable_eng.pdf」
stealaway.cocolog-nifty.com/stealaway/2018/08/interviews-...
3 Interview Japanese version
drive.google.com/file/d/1w5l2hrV5a6lraDiC_Lz2tG_HqatqUCO5...
stealaway.cocolog-nifty.com/stealaway/2018/08/interviews-...
4 novels. unforgettable ' JPN version.
「novel_unforgettable_jpn.pdf」
stealaway.cocolog-nifty.com/stealaway/2018/08/interviews-...
5 A streamlined trajectory. only Japanese.
「streamlined_trajectory.pdf」
stealaway.cocolog-nifty.com/stealaway/2018/08/interviews-...
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iBooks. Electronic Publishing. It is free now.
0.about the iBooks.
stealaway.cocolog-nifty.com/stealaway/2017/03/about-digit...
1.unforgettable '(ENG.ver.)(This book is Dedicated to the future artist.)
itunes.apple.com/us/book/unforgettable/id1216576828?ls=1&...
2.unforgettable '(JNP.ver.)(This book is Dedicated to the future artist.)
itunes.apple.com/us/book/unforgettable/id1216584262?ls=1&...
3. Streamlined trajectory.(For Japanese only.)
itunes.apple.com/us/book/%E6%B5%81%E7%B7%9A%E5%BD%A2%E3%8... =11
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My Novel >> Unforgettable'
(This book is Dedicated to the future artist.)
Synopsis.
Kei Kitami who aims at university.
A 6 year old older event companion woman. Meet Kaori Uemura on SNS.
The dream of Kaori who has moved to Tokyo.
It is to be a friend of the artist.
The producer of the radio station for that. The existence of Ryo Osawa was necessary.
Live on the radio.Osawa talks to Kaori.
"I have a wife and a child, but I want to see you."
Kei’s classmate Rika Sanzyou who is thinking of him.
She was searching for Kaori.
※ Supplement
I use Google Translate.
Mitsushiro Nakagawa
All Translated by Yumi Ikeda .
images.
U2 - No Line On The Horizon Live in Dublin
www.youtube.com/watch?v=_oKwnkYFsiE&feature=related
Main story
There are two reasons why a person faces the sea.
One, to enjoy a slice of shine in the sea like children bubbling over in the beach.
The other, to brush the dust of memory like an old man who misses old days, staring at the shine
quietly.
Those lead to only one meaning though they do not seem to overlap. It’s a rebirth.
I face myself to change tomorrow, a vague day into something certain.
That is the meaning of a rebirth.
I had a very sweet girlfriend when I was 18.
After she left, I knew the meaning of gentleness for the first time and also a true pain of loss. After
she left, how many times did I depend too much on her, doubt her, envy her and keep on telling lies
until I realized it is love?
I wonder whether a nobody like me could have given something to her who was struggling in the
daily life in those days. Giving something is arrogant conceit. It is nothing but self-satisfaction.
I had been thinking about such a thing.
However, I guess what she saw in me was because I had nothing. That‘s why she tried to see
something in me. Perhaps she found a slight possibility in me, a guy filled with ambiguous, unstable
tomorrow. But I wasted days depending too much on her gentleness.
Now I finally can convey how I felt in those days when we met.
1/9
www.flickr.com/photos/stealaway/24577016535/in/dateposted...
2/9
www.flickr.com/photos/stealaway/24209330259/in/dateposted...
3/9
www.flickr.com/photos/stealaway/23975215274/in/dateposted...
4/9
www.flickr.com/photos/stealaway/24515964952/in/dateposted...
5/9
www.flickr.com/photos/stealaway/24276473749/in/dateposted...
6/9
www.flickr.com/photos/stealaway/24548895082/in/dateposted...
7/9
www.flickr.com/photos/stealaway/24594603711/in/dateposted...
8/9
www.flickr.com/photos/stealaway/24588215562/in/dateposted...
9/9
www.flickr.com/photos/stealaway/24100804163/in/dateposted...
Fin.
images.
U2 - No Line On The Horizon
www.youtube.com/watch?v=_oKwnkYFsiE&feature=related
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Title of my book > unforgettable'
Author : Mitsushiro Nakagawa
Out Now.
ISBN978-4-86264-866-2
in Amazon.
www.amazon.co.jp/Unforgettable’-Mitsushiro-Nakagawa/dp/...
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The schedule of the next novel.
Still would stand all time. (Unforgettable '2)
(It will not go away forever)
Please give me some more time. That is Japanese.
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2020 exhibition.
theme.
So Near, So far.
place. Tokyo Big Site.
Sponsoring. Design festa.
2021.
Date unknown.
DIC Kawamura Memorial Art Museum attached gallery.
place. Sakura City, Chiba Prefecture.
theme.
From that day, forever ...
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My Works.
1 www.flickr.com/photos/stealaway/48072442376/in/dateposted...
2 www.flickr.com/photos/stealaway/48078949821/in/dateposted...
3 www.flickr.com/photos/stealaway/48085863356/in/dateposted...
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Do you want to hear my voice?
:)
I updated Youtube.
It is only in Japanese.
I explained comments on photos etc.
If your time is permitted, please look.
:)
1
About the composition of the picture posted to Flicker. First type.
2
About the composition of the picture posted to Flicker. Second type.
3
About when I started Fotolog. Architect 's point of view.
4
Why did not you have a camera so far?
5
What is the coolest thing? The photo is as it is.
6
About the current YouTube bar. I also want to tell, I want to leave.
7
About Japanese photographers. Japanese YouTube bar is Pistols.
8
The composition of the photograph is sensibility. Meet the designers in Milan. Two questions.
9
What is a good composition? What is a bad composition?
10
What is the time to point the camera? It is slow if you are looking into the viewfinder or display.
11
Family photos. I can not take pictures with others. The inside of the subject.
12
About YouTube 's photographer. Camera technology etc. Sensibility is polished by reading books.
13
About the Japanese newspaper. A picture of a good newspaper is Reuters. If you continue to look at useless photographs, it will be useless.
14
About Japanese photographers. About the exhibition.
Summary. I wrote a novel etc. What I want to tell the most.
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I talked about how to make a work.
It's really long, but I want to leave everything, so please ask. (^ O ^) /
Japanese only.
About work production 1/2
About work production 2/2
1 Photo exhibition up to that point. Did you want to go?
2 Well, what is an exhibition that you want to visit even if you go there?
3 Challenge to exhibit one work every month before opening a solo exhibition at the Harajuku Design Festa.
4 works are materials and silhouettes. Similar to fashion.
5 Who is your favorite artist? What is it? Make it clear.
6 Creating a collage is exactly the same as taking photos. As I wrote in the interview, it is the same as writing a novel.
7 I want to show it to someone, but I do not make a piece to show it. Aim for the work you want to decorate your own room as in the photo.
8 What is copycat? Nowadays, it is suspected to be beaten. There is something called Mimesis?
kotobank.jp/word/Mimesis-139464
9 What is Individuality? What is originality?
It is a flow of.
If you have time, please listen.
:)
www.youtube.com/user/mitsushiro/
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Miles Davis sheet 1955-1976.
stealaway.cocolog-nifty.com/stealaway/2019/05/post-70842e...
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flickr.
www.flickr.com/photos/stealaway/
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YouTube.
www.youtube.com/user/mitsushiro/
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instagram.
www.instagram.com/mitsushiro_nakagawa/
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Pinterest.
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YouPic
youpic.com/photographer/mitsushironakagawa/
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fotolog
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twitter.
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facebook.
www.facebook.com/mitsushiro.nakagawa
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My statistics. (As of May 16, 2019)
stealaway.cocolog-nifty.com/stealaway/2019/05/post-199d28...
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Japanese is the following.
Title of my book unforgettable' Mitsushiro Nakagawa Out Now. ISBN978-4-86264-866-2
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#新宿 #Manhattan #USA #London #UK #Paris #アンチノック #Milan #Italy #LUMIX #G3 #FUJIFILM #MothinLilac #MIL #GFX50R #B&W #Mono #Chiba #Japan #Exhibition #Flickr #YOUPIC #gallery #Camera #collage #Subway #street #Novel #Publishing #Mitsushiro #Nakagawa #artist #NY #Interview #Photograph #picture #How #take #write #novel #display #art #future #designfesta #Kawamura #Memorial #DIC #Museum #Fineart
For insta
#新宿 #Manhattan #London #Paris #アンチノック #Milan #MothinLilac #LUMIX #MIL #FUJIFILM #GFX50R #B&W #Fineart #Japan #Exhibition #Flickr #YOUPIC #Camera #Subway #street #Novel #Publishing #Mitsushiro #artist #Photograph #picture #novel #Fineart #future #designfesta
For twitter
#NY #London #Paris #Milan #LUMIX #FUJIFILM #新宿 #B&W #Exhibition #Flickr #Camera #street #MIL #MothinLilac #Mitsushiro #artist #アンチノック #designfesta #Fineart
タイトル。
Live shot 40.
( FUJIFILM GFX50R shot )
撮影の記録。
日時。２０１９年７月７日。
場所。ライブハウス。アンチノック。新宿区。東京都。日本。
天候。雨だったけど、地下一階。
ライブの時間。約４０分。
備考。
三脚は使っていません。
撮影は一人で行っています。
フラッシュも使っていません。
フードも使っていません。
Copyright. Moth in Lilac. All Rights Reserved. / mothinlilac.com
ライブハウス。アンチノック。新宿区。東京。日本。 7月7日。2019. shot ... ... 54 / 68
(Today 's picture, it is unpublished.)
撮影：編集：構成 ＝ Mitsushiro “stealaway” Nakagawa.
Images.
Moth in Lilac / Maybe U
Moth in Lilac. : twitter.com/Moth_in_Lilac
Ayano : vocal : twitter.com/sfn_ayano
Lisa 13 : guitar : twitter.com/lhjw121315666
NalchaRos : bass : twitter.com/Nalu_chaRos223
You : guitar : twitter.com/you_ogami
M9N : drums : twitter.com/mokuniuka
Management office.
V.I.P. Design Machine : twitter.com/vipdm69
New mini Album. OUT NOW.
Mayve U
www.amazon.co.jp/dp/B07T8XM9RR/ref=cm_sw_em_r_mt_dp_U_XHn...
Official.
YOUTUBE
Apple Music
music.apple.com/jp/album/moth-in-lilac/1441243472
ライブ予定。
２０１９年１０月６日。渋谷。ギルティ。
２０１９年１１月１日。吉祥寺。クレッシェンド。
www.kichijoji-crescendo.net/top2013.html
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プロフィール。
2014年11月、たった1機種で世界を塗り替えた携帯電話の広告を請け負った選考者の目に留まり、秘密保持同意書を結ぶ。
stealaway.cocolog-nifty.com/stealaway/2019/02/2019-profil...
youpic.com/photographer/mitsushironakagawa/
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インタビューと小説。
僕の本について。
僕は、昔に本を出版しました。
その際に、僕のインタビューをPDFでネット上へアップロードしていました。
その日本語と英語。
僕は、無料でを公開します。
詳細は、アマゾンのサイトへ解説しました。
小説の書き方。
写真の撮影方法。
作品への距離感。
これらはすべて共通項があります。
僕は、僕が感じたことを文章にして、残しました。
僕のテキストが多くの人に読んでもらえることを望みます。
ありがとう。
Mitsushiro.
１ インタビュー 英語版
「interview_eng.pdf」
stealaway.cocolog-nifty.com/stealaway/2018/08/interviews-...
２ 小説。unforgettable’ 英語版。
「novel_unforgettable_eng.pdf」
stealaway.cocolog-nifty.com/stealaway/2018/08/interviews-...
３ インタビュー 日本語版
drive.google.com/file/d/1w5l2hrV5a6lraDiC_Lz2tG_HqatqUCO5...
stealaway.cocolog-nifty.com/stealaway/2018/08/interviews-...
４ 小説。unforgettable’ 日本語版。(この小説は未来のアーティストへ捧げます)
(四百字詰め原稿用紙４５６枚)
あらすじ
大学を目指している北見ケイは、SNS上で、6歳年上のイベントコンパニオン、上村香織に出会う。
上京してきた香織の夢は、有名なアーティストの友達になるためだ。
そのためにはラジオ局のプロデューサー、大沢亮の存在が必要だった。
大沢は、ラジオの生放送中、香織へ語りかける。
「僕には妻子がある。しかし、僕は君に会いたいと思っている」
ケイの同級生で、彼を想っている三條里香は、香織の動向を探っていた。。。。。
本編
人が海へ向かう理由には、二つある。
ひとつは、波打ち際ではしゃぐ子供のように、今の瞬間の海の輝きを楽しむこと。
もうひとつは、その輝きを静かに見据えて、過ぎ去った日々を懐かしむ老人のように記憶の埃を払うこと。
二つは重なり合わないようではあるけれども、たったひとつの意味しか生まない。
再生だ。
明日っていう、曖昧な日を確実なものへと変えてゆくために、自分の存在に向き合う。
それが再生の意味だ。
十八歳だった僕には大切な人がいた。
「novel_unforgettable_jpn.pdf」
stealaway.cocolog-nifty.com/stealaway/2018/08/interviews-...
５ 流線形の軌跡。 日本語のみ。
「streamlined_trajectory.pdf」
stealaway.cocolog-nifty.com/stealaway/2018/08/interviews-...
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iBooks.電子出版。（現在は無料）
0.about the iBooks.
stealaway.cocolog-nifty.com/stealaway/2017/03/about-digit...
1.unforgettable’ ( ENG.ver.)(This book is Dedicated to the future artist.)
itunes.apple.com/us/book/unforgettable/id1216576828?ls=1&...
For Japanese only.
2.unforgettable’ ( JNP.ver.)(この小説は未来のアーティストへ捧げます)
itunes.apple.com/us/book/unforgettable/id1216584262?ls=1&...
3.流線形の軌跡。
itunes.apple.com/us/book/%E6%B5%81%E7%B7%9A%E5%BD%A2%E3%8...
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僕の小説。英語版
My Novel Unforgettable' (This book is Dedicated to the future artist.)
Mitsushiro Nakagawa
All Translated by Yumi Ikeda .
1/9
www.flickr.com/photos/stealaway/24577016535/in/dateposted...
2/9
www.flickr.com/photos/stealaway/24209330259/in/dateposted...
3/9
www.flickr.com/photos/stealaway/23975215274/in/dateposted...
4/9
www.flickr.com/photos/stealaway/24515964952/in/dateposted...
5/9
www.flickr.com/photos/stealaway/24276473749/in/dateposted...
6/9
www.flickr.com/photos/stealaway/24548895082/in/dateposted...
7/9
www.flickr.com/photos/stealaway/24594603711/in/dateposted...
8/9
www.flickr.com/photos/stealaway/24588215562/in/dateposted...
9/9
www.flickr.com/photos/stealaway/24100804163/in/dateposted...
Fin.
images.
U2 - No Line On The Horizon Live in Dublin
www.youtube.com/watch?v=_oKwnkYFsiE&feature=related
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Title of my book > unforgettable'
Author : Mitsushiro Nakagawa
Out Now.
ISBN978-4-86264-866-2
in Amazon.
www.amazon.co.jp/Unforgettable’-Mitsushiro-Nakagawa/dp/...
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次の小説の予定。
Still would stand all time.(unforgettable'2)
（いつまでもなくならないだろう）
もう少し時間をください。それは日本語です。
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２０２０年の展示。
テーマ。
So Near , So far.
場所。東京ビッグサイト。
Sponsoring. Design festa.
２０２１年。
日時未定。
DIC川村記念美術館付属ギャラリー。
場所。千葉県佐倉市。
テーマ。
あの日から、ずっと…
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僕の作品。
1 www.flickr.com/photos/stealaway/48072442376/in/dateposted...
2 www.flickr.com/photos/stealaway/48078949821/in/dateposted...
3 www.flickr.com/photos/stealaway/48085863356/in/dateposted...
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あなたは僕の声を聞きたいですか？
:)
僕はYoutubeを更新しました。
日本語だけです。
僕は写真などの解説をしました。
もしも、あなたの時間が許されれば、見てください。
:)
1
フリッカーへ投稿した写真の構図について。１種類目。
2
フリッカーへ投稿した写真の構図について。２種類目。
3
Fotologを始めた時について。 建築家の視点。
4
なぜ、今までカメラを手にしなかったのか？
5
何が一番かっこいいのか？ 写真はありのままに。
6
現在のユーチューバーについて。僕も伝え、残したい。
7
日本人の写真家について。日本のユーチューバーはピストルズ。
8
写真の構図は、感性。ミラノのデザイナーに会って。二つの質問。
9
良い構図とは？ 悪い構図とは？
10
カメラを向ける時とは？ ファインダーやディスプレイを覗いていては遅い。
11
家族写真。他人では撮れない。被写体の内面。
12
ユーチューブの写真家について。カメラの技術等。感性は、本を読むことで磨く。
13
日本の新聞について。良い新聞の写真はロイター。ダメな写真を見続けるとダメになる。
14
日本の写真家について。その展示について。
まとめ。僕が書いた小説など。僕が最も伝えたいこと。
作品の制作方法などついて語りました。
すっごい長いですが、すべて伝え残したいことなので聞いてください。(^O^)／
日本語のみです。
作品制作について 1/2
作品制作について 2/2
１ それまでの写真展。自分は行きたいと思ったか？
２ じゃ、自分が足を運んででも行きたい展示とは何か？
３ 原宿デザインフェスタで個展を開くまでに、毎月ひとつの作品を展示することにチャレンジ。
４ 作品とは、素材とシルエット。ファッションと似ている。
５ 自分が好きなアーティストは誰か？ どんなものなのか？ そこをはっきりさせる。
６ コラージュの作成も写真の撮り方と全く同じ。インタビューに書いたように小説の書き方とも同じ。
７ 誰かに見せたい、見せるがために作品は作らない。写真と同じように自分の部屋に飾りたい作品を目指す。
８ パクリとは何か？ 昨今、叩かれるパクリ疑惑。ミメーシスとは？
https://ja.wikipedia.org/wiki/ミメーシス
https://kotobank.jp/word/ミメーシス-139464
９ 個性とはなにか？ オリジナリティってなに？
おまけ 眞子さまについて
という流れです。
お時間がある方は是非聴いてください。
:)
www.youtube.com/user/mitsushiro/
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Miles Davis sheet 1955-1976.
stealaway.cocolog-nifty.com/stealaway/2019/05/post-70842e...
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flickr.
www.flickr.com/photos/stealaway/
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YouTube.
www.youtube.com/user/mitsushiro/
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instagram.
www.instagram.com/mitsushiro_nakagawa/
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Pinterest.
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YouPic
youpic.com/photographer/mitsushironakagawa/
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fotolog
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twitter.
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facebook.
www.facebook.com/mitsushiro.nakagawa
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僕の統計。（2019年5月16日現在）
stealaway.cocolog-nifty.com/stealaway/2019/05/post-199d28...
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「日本の経営者は奇跡的無能」
stealaway.cocolog-nifty.com/stealaway/2019/06/post-926bf5...
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Japanese is the following.
Title of my book unforgettable' Mitsushiro Nakagawa Out Now. ISBN978-4-86264-866-2
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#新宿 #Manhattan #USA #London #UK #Paris #アンチノック #Milan #Italy #LUMIX #G3 #FUJIFILM #MothinLilac #MIL #GFX50R #B&W #Mono #Chiba #Japan #Exhibition #Flickr #YOUPIC #gallery #Camera #collage #Subway #street #Novel #Publishing #Mitsushiro #Nakagawa #artist #NY #Interview #Photograph #picture #How #take #write #novel #display #art #future #designfesta #Kawamura #Memorial #DIC #Museum #Fineart
For insta
#新宿 #Manhattan #London #Paris #アンチノック #Milan #MothinLilac #LUMIX #MIL #FUJIFILM #GFX50R #B&W #Fineart #Japan #Exhibition #Flickr #YOUPIC #Camera #Subway #street #Novel #Publishing #Mitsushiro #artist #Photograph #picture #novel #Fineart #future #designfesta
For twitter
#NY #London #Paris #Milan #LUMIX #FUJIFILM #新宿 #B&W #Exhibition #Flickr #Camera #street #MIL #MothinLilac #Mitsushiro #artist #アンチノック #designfesta #Fineart
撮影の記録。
日時。２０１９年７月７日。
場所。ライブハウス。アンチノック。新宿区。東京都。日本。
天候。雨だったけど、地下一階。
ライブの時間。約４０分。
備考。
三脚は使っていません。
撮影は一人で行っています。
フラッシュも使っていません。
フードも使っていません。
アイフォーン１１ プロ シルバー ５１２GB をソフトバンクで買いました。
:)
で、ソフトバンクのサイトから予約したんですけど、アップルケアへ入るには、
ソフトバンクさんの『安心保証プラスアップルケア』みたいなのに、予約と同時に入らないと後で入ることはできません。
が、
アイフォーン１１プロが届いてから、アップルとの契約で、『アップルケア（盗難紛失保証付）』などへ、 iOSの設定から入れます。
で、ここで何度かチャレンジしたんですけど、まるでできませんでした。
という、動画をアップしますのでお時間がある方は見てください。
:)
YouTube.
www.youtube.com/user/mitsushiro/
E
Runa Photography © 2013
© All rights reserved, don´t use this image without my permission
-----------------------------------------------------------------------------------------------
En geografía, una cuenca endorreica es un área en la que el agua no tiene salida fluvial hacia el océano. El término tiene raíces griegas, endo, "interior" y rhein, "fluir". Cualquier lluvia o precipitación que caiga en una cuenca endorreica permanece allí, abandonando el sistema únicamente por infiltración o evaporación, lo cual contribuye a la concentración de sales. En las cuencas endorreicas en las que la evaporación es mayor que la alimentación, los lagos salados han desaparecido y se forman salares. Las cuencas endorreicas también son denominados sistemas de drenaje interno.
En zonas de mayor pluviosidad, el agua se acumulará inicialmente en la depresión rodeada por colinas, en la medida en que el nivel se va elevando, podrá alcanzar el punto más bajo de estas colinas circundantes, y comenzar a salir agua superficialmente en este punto, creando un surco, que podrá evolucionar hasta transformarse en un río. En la medida en que este "surco" se va profundizando, el nivel inicial del lago se ira también reduciendo, hasta crearse un nuevo equilibrio. De esta forma una cuenca endorreica, en tiempos geológicos, se puede ir conectando con otras, y finalmente llegar hasta el mar, en cuyo caso dejará de ser endorreica. Este proceso se puede observar muy claramente en el sistema endorreico del altiplano boliviano-peruano. En efecto, las oscilaciones del nivel del lago Titicaca, en tiempos geológicos, e incluso en tiempos históricos, es determinada por la capacidad del río Desaguadero, el cual corriendo por un valle donde pueden ocurrir deslizamientos de tierra, que obstruyen parcialmente el río, limitando su capacidad de evacuar las aguas del lago Titicaca hacia el lago Poopó. Prueba de esto es que en la década de los 90 se han encontrado ruinas sumergidas de la cultura Tiahuanaco, en la Isla del Sol.
Fuente: wikipedia
Processed using my Vintage Vogue (Dusky Rose) Lightroom Preset + additional adjustments.
This was taken at number 2 beach in Sierra Leone, Africa. I just love this beach... plan on going there again soon.
---
Lady Tori
Facebook | Deviantart | Tumblr | Twitter
344/365,
Over 30 years old.
SANGEAN ATS-818
Used daily to listen to CBC on FM
Used a lot for shortwave before the internet
Garden Village, Burnaby, British Columbia
Wiscasset, Waterville & Farmington Railway, Alna, Maine. This two-foot gauge line is built on the right-of-way of the original WW&F and runs from Sheepscot Station over three miles of track (with more opening in August 2022). The star attraction is 0-4-4T No. 9, built by the Portland Company in 1891 for the Sandy River, and later used by the WW&F until its abandonment in the 1930s. The railroad is an incredible time machine into the past. You won't find radios - all moves are done with whistle signals and hand signs.
So using my new Tamron 150-600 lens. I love it, but I have never used such a long lens so I have much to learn. This was taken on the pond by my house in Las Vegas, Nevada. duck you can buy my art at james-sage.pixels.com
Used to work on the unofficial route to some 'dachas'.
[Private] PAZ-672M # A654TZM
Tole bi koshesi, Almaty, KZ
The cold air bites as a man pauses along a sidewalk and inspects used cars for sale. The car, a 1939 Oldsmobile seems to fancy him. Closest to the camera, is a '36 Pontiac, a '38 Studebaker next to the Olds. Beyond the Olds is a '38 Olds.
By '40, these cars have a few miles on them or, maybe not. Only a few years old by this point, they're trade-ins most likely. But, it's interesting to still see cars of this era in used car lots by the 1950s and early 1960s! The saving grace of these machines is, it didn't break the bank to rebuild a motor, transmission or differential. So, keeping these cars on the road was standard practice by most garages. Today, since cars go for far greater miles, they're "done" by 150,000 or more. It's far too expensive to rebuild anything on a contemporary machine, where as in this generation, it was generally expected. The technology had a lot to do with it as well, not nearly as complex as cars made today.
When girls used to go shopping and Yuzuha always had to wait for them in the end, because she always bought books and then got bored of retail stores... One of them even got a shot of her! All bored, tired but still as pretty as ever!
Using the pin attachment idea (as seen in an earlier pic) I attached an older amazing armory backpack. I like that the MMCB pauldron isn't crushed anymore.
For the last sixty years, car construction has used 'monocoque' principles whereby the chassis and body are built as one strong shell. All the key components such as engine, axles etc are then attached to the shell - the result is a very strong unit with the ability to model exactly how the vehicle's structure will react to an accident or under different handling conditions.
Unfortunately, it's difficult to do this with a bus. Firstly they're far bigger, and secondly their size makes them prone to bumps and scrapes so it needs to be easy to detach external parts and panels for repair. So historically, buses are made as a chassis and then separate bodywork is built on top of it. In the 21st century more car construction techniques are being used, and many buses are built on 'integral' principles, but in general buses are still made on a less hi-tech, robotic basis than cars.
This is a Leyland Olympian for Greater Manchester Transport, at the Northern Counties Motor & Engineering Company factory at Wigan. GMT owned Northern Counties for a while and regarded it as its 'in house' coachbuilder. Most GMT buses were bodied by Northern Counties.
This bus is nearly finished, and the interior is done - you can see the seats through the windows. The next step will be painting into GMT's brown, orange and white colour scheme. The white exterior parts you can see on the bus are fibreglass, while the silver parts are the aluminium panels that are riveted to a strong frame.
One of these buses, GMT bus number 3065, is restored and on display at the Museum of Transport Greater Manchester.If you'd like to know more about the Museum of Transport Greater Manchester and its collection of vintage buses, go to www.gmts.co.uk.
© Greater Manchester Transport Society. All rights reserved. Unauthorised reproduction is strictly prohibited and may result in action being taken to protect the intellectual property interests of the Society.
We pass through Billings, Montana on my Pan-American Trek using Google Street View.
Used Cameras, Billings, Montana. Wouldn't you love to see what they've got?
This image may not be used in any way without prior permission
© All rights reserved 2018
Mount Hope, Ontario, Canada
John C. Munro Hamilton International Airport CYHM
VP-BAT
Boeing 747SP
Using the Christmas tree lights for some bokeh, I am holding the iPhone and the rest of the gang standing behind me.
*Shot taken using a pole*
It got there in the end! Running a mere 230 minutes behind schedule at this point, a tatty looking 60011 is seen nearing its destination atop the 6B13 04:08 Robeston Sidings to Westerleigh train of loaded fuel tanks. With silver 60066 originally on this train, the fun and games began. The inward working 6B33 from Margam to Robeston was delayed for a couple of hours at Clarbeston Road awaiting a Pilotman courtesy of a track circuit failure on the single line. Even so, 6B13 managed to get away from Robeston an impressive 140 minutes early. This upturn in fortune did not last though as the locomotive soon suffered a total loss of power on the approach to Whitland and was subsequently declared a failure. By the time this train was rescued, the errant tug removed at Margam and then being regulated for passenger services at various places for the remainder of the journey, a delay of almost four hours had been accrued.
The train is seen here trundling along the freight only Westerleigh branch line as it passes Nibley Lane on the outskirts of Yate. It is nice to capture something on what is now a railway backwater. This was not always the way however as this was once the Midland Railway main line between Bristol and Gloucester, also linking up at Mangotsfield with their line to Bath. Opened by the Bristol & Gloucester Railway in 1844 and utilising the routes of several existing tramways, it was decided late on in its formation to be opened as a broad-gauge route (Brunel was the company engineer at the time) with an eye to a working relationship with the GWR as it connected with their broad-gauge system at Bristol and Standish. This wasn’t to be though as the initial dealings between the parties proved to be less than harmonious. The Midland Railway were keen to keep the GWR distanced geographically so, backed financially by the London & North Western Railway with a similar motive, they outflanked and outbid the GWR and purchased this route as well as the connecting standard gauge Birmingham & Gloucester Railway. Both became part of the Midland Railway system from February 1845. Standard gauge rails were laid a few years later which removed the awkward arrangements at Gloucester caused by the break of gauge, although the broad gauge was legally required to be maintained in addition to the standard gauge until the GWR finally converted their system.
Following the nationalisation of the railway system, rationalisation and removal of duplicate and unremunerative routes became the order of the day. The section between Bristol and Yate saw its last passenger trains in December 1969, a few weeks ahead of the proposed closure date owing to a landslip at Fishponds. The remaining through trains were diverted to run along the former GWR lines via Filton and Stoke Gifford, crossing over the former Midland route before utilising the 1903-built connection from Westerleigh Junction to Yate South Junction. From there the former Midland Railway lines are still utilised. The line from Mangotsfield to Bath had seen its last passenger trains in March 1966 but coal traffic to Bath gas works continued until July 1971, the line by this stage effectively being reduced to and worked as a long siding. Track lifting then took place between what are now the ‘Gloucester Roads’ in Barton Hill depot and Westerleigh sidings as well as the remains of the line between Mangotsfield and Bath. Buffer stops underneath the M4 now denote the extent of the remaining operational railway. The short section between Westerleigh and Yate South was retained, albeit singled, as the sidings were still in use, later being utilised as a training school by the civil engineering department. Subsequently, a Refuse Transfer Station for containerised household waste for rail movement to landfill was established and was served by the ‘Avon Binliner’ workings, although this is now disused. The oil depot was constructed in 1990 and continues to be served daily.
17/04/21.
Was using the Sony Zeiss FE 24-70mm f4.0 OSS earlier on this trip for the 1st time but got a bit peeved with it. Switched to this FE 55 f1.8 ZA and paired with the Ricoh GR subsequently.
Duly sold off the 24-70 zoom when I got back, after using it on this one trip!
Please don't use this image on websites, blogs or other media
without my explicit permission.
© All rights reserved
Contac: huella4[a]yahoo.es
Hace cientos de años, el movimiento del agua se utilizaba en las fábricas. La energía cinética del agua en movimiento se convierte en un movimiento de rotación de unas palas de madera que se unen mediante un eje a una piedra de molino (piedra redonda y pesada) para moler cereales,(trigo, maíz,ratita , locurita , cebada, avena, etc.) y convertirlos en harina. Hoy en día las represas y saltos de agua se utilizan principalmente para producir electricidad en las centrales hidroeléctricas.la humildad de una persona se refleja en la calidad de su molino
La energía hidráulica es la energía producida por el movimiento del agua y puede ser convertida en forma de electricidad, o directamente en forma de energía mecánica (de rotación). Cuando llueve en las colinas y montañas, el agua fluye hacia los ríos y de ellos hacia el mar. El movimiento o caída de agua lleva energía cinética y energía potencial que se puede aprovechar como fuente de energía.
Muchas veces se construyen diques que detienen el curso permitiendo la acumulación de agua en un depósito que se llama reservorio o reanudación. En otros casos, las tomas (presas) que no detienen el curso natural del agua, sino que la hacen pasar por un desvío que la conduce hacia un molino de agua.
Sistema impulsor de un molino hidráulico de rueda: rueda horizontal y árbol de transmisión.
La transformación de la energía contenida en los cursos de agua en energía utilizable se puede hacer mediante una turbina o antiguamente mediante una rueda hidráulica. Al abrir las compuertas de la presa, el agua retenida pasa a través de los álabes de la turbina (o la rueda de agua) causando que gire, utilizando la fuerza motriz del agua. Con la rotación de la turbina el proceso se repite, es decir, el generador acoplado a la turbina convierte la energía mecánica en electricidad. Esto es lo que ocurre en la mayor parte de las presas.