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Using the Nightsea blue light to add some blue fill light underwater
Location: Maeda, Okinawa
Canon 70d 60mm macro
1 sola 600 and 1 nightsea blue light combined ambient light
note- no barrier filter
okinawanaturephotography.com/fluoro-diving-in-okinawa-japan/
*No use esta foto sin mi autorizacion
*Don´t use this photo without my permisivamente
© All rights reserved
------------------------------------------
Thanks to all for all the comments, notes & faves!
Gracias a todos por los comentarios, notas y favoritos!
Nikon D60
Used 2 seperate photos for textures on this (both my own), overlay on both, converted to B&W. This is the lighthouse in Two Harbors, MN.
Olympus Trip 35
Olympus D.Zuiko 40mm f/2.1
Kentmere 400, 35BHT1C02/02, Nov 2020
Adox Adonal, 1:25, 7:00 minutes @ 20℃
Canon CanoScan 9000F MarkII
Sri Mookambika temple, Kollur (11)
I have never heard about leaves of trees being used for rituals in temple. For the first time I saw in this temple leaves of a wild tree being offered instead of flowers during bali but done only during annual temple festival.
The wild tree here is Rose sandalwood or wild olive [Botanical name: Olea dioica Family: Oleaceae (Jasmine family)]. A small tree growing upto 15 m, seen disturbed throughout the Western Ghats in evergreen and moist deciduous forests.
The tree is having medicinal property; bark and leaves of it is used to treat fever.
indiabiodiversity.org/species/show/31607
www.biotik.org/india/species/o/oleadioi/oleadioi_en.html
Sree bhootha bali is a ritual performed thrice every day when cooked rice is offered to bhootha or body guard of the presiding deity represented by bali kallu (shaped granite stones) placed in different locations along the first and second circle around the sanctum sanctorum of the temple. This is done by the chief priest of the temple with the utsava vigraha or seeveli moorthy carried on hand or palanquin or chariot. Belief is that the presiding deity HIMSELF/HERSELF is offering food to HIS/HER dependents.
Used software:
Capture One
Affinity Photo
Silver Efex
Color Efex
Stacked from 2 images.
Visit my blog to see more photos of this trip in the Ardennes
© Copyright : You can not use my photos !
© Copyright : No se pueden utilizar mis fotos !
© Copyright :Sie können nicht meine Fotos !
© Copyright : Vous ne pouvez pas utiliser mes photos !
© Copyright : Non è possibile utilizzare le mie foto!
© Copyright : ! لا يمكنك استخدام الصور الخاصة بي
© Copyright : ! איר קענען ניט נוצן מיין פאָטאָס
© Copyright : 你不能用我的照片！
© Copyright : あなたは私の写真を使用することはできません！
© Copyright : तुम मेरे फ़ोटो का उपयोग नहीं कर सकते हैं!
© Copyright : Вы не можете использовать мои фотографии!
used different backgrounds
mermaid tail .... Linzee777.deviantart.com/art/Mermaid-Tail-VIIII-135121000
used mostly japanese scraps, most of them from my lovely online friends.:) Mixed up with some vintage scraps.
Used the square in a square pattern.
Measures abt 22" x 17" so it's tiny.
tks my dear friends! yr gifts have been put to good use! I hope :S
I used to think “Oh no I need to perfectly split this torso by the seams to swap out limbs to get an articulated doll” but nowadays I find it’s much easier to cut the torso up and ensure the articulated limbs already fit well in their sockets.
I keep forgetting how ridiculous the Liv torso joint is but it’s super big and annoying but I managed to pry the body apart so that’s a thing now and glued it onto the mermaid tail stump.
It’s mostly a proof of concept with my rerooted PJ head but as you can see I want to put a Mod era head on this body and make cute little mod dresses and stuff for her.
I have been experimenting with the use of infrared filters and have been really happy with the results so far.
It means I can get out during the bright sunshine of the afternoon and still capture some pleasing images. As always I would love to hear your thoughts. Good or bad.
Photographed using the Kodak Stylelite, and Lomography's "Tiger" 110 format film.
Taken at a car show held at Caribbean Market in Scoresby, Victoria, Australia.
Note: this was an Australian made car.
It used to be I shot black and white film for the boring stuff. Color film was expensive for me In those days Southern Pacific (SP) SD45's and UP SD40's were considered boring, like GEVOs today. SP 9076, UP 3049, SP 9195 and possibly others lead a freight around the wye at Davis, California on an unrecorded date around 1973. The train is coming off the CalP and heading up what now is the California Northern. Then, it was the West Valley Line of the Southern Pacific. According to WAF, (This train) "is the OPS from Oakland, the general merchandise train (mostly lumber empties) between Oakland and Portland. Whether it actually went all the way to Portland is unknown. I suspect it got humped in Eugene and its Portland/Seattle cars forwarded to Portland."
SP 9076 is an EMD SD45, SP Class EF636-5. Reportedly: it built in 1969 builders number 34911. This locomotive was upgraded in 1984 emerging as SP 7489 SD45R, SP Class EF636LR-1.
The disposition of this locomotive is, sold 1994 to Helm Atlantic Leasing, HATX 915. Rebuilt to SD40-2M HLCX 6413.
This image was taken way back on 12th June 2015.
Today - (20th Nov 2019) - is the very first time I've attempted to process it !
The lovely lady was actually cutting that loaf to toast me a slice in front the open coal fire ... butter and homemade jam too !
😋
Image taken at the Blaenavon Heritage Railway Re-enactment
COMMENT: Of Bots and Bad Pandas
After trying to log in to Flickr numerous times without success earlier today, I gave up. Too many Bad Pandas. No point posting photos if half the people can't get on to see them. I don't know why this platform is the only one we know that goes down so regularly. Looking at the Help Forum this is a worldwide problem. But that happens to be the least of our problems on Flickr.
There is something more important existentially that goes on every single day on everyone's page that far too many people are turning a blind eye to. I'm talking about bot use. For those who still live in a prelapsarian social media world, bots are either (1) pieces of internet code written specifically to trawl the pages of Flickr faving and in some cases commenting (generically) in order to garner reciprocal visits - you can buy them, or (2) humans behaving in a bot-like manner, simply faving and following as many people as possible in the hope of achieving the same goals - inflated views, faves and followers. Frankly I'm sick of it.
So much so that I will block any person I see that exhibits this bot-like tendency. My list of blocks is hundreds long. Of course this has seen a falloff in my own view numbers. We don't seriously think that all those views of our old photos are real do we? If say you post 3 photos a day and each of them gets 500 views in 24 hours and your total view count for the day is 5,000. I would argue a good percentage of all those extra 3,500 views are in fact unblocked bots.
Opponents of bots on social media platforms (and Flickr is by no means the worst here) estimate that up to 50 percent of all traffic on these sites is bot-driven. Now bots are easy to understand when the corruption of monetarization comes into play. That is not the case on Flickr. But ego is. And it seems to me that ego will drive some people to do very bad things to attract attention to themselves.
Have you ever wondered why that awful out of focus picture of the Grand Canyon has attracted 65,000 views and 1,500 faves? Well very likely this person is using a massive bot. And many people fave unthinkingly. Go to the Activities Feed and press the fave star and you don't even need to visit a person's page. You can fave thousands in an hour or two doing that. But what a hollow feeling. And what does it do for the photography community?
Explore is another area rife with gaming strategies. How many times do you see the usual suspects turn up on a person's page with "Congrats on Explore"? That's the only time they'll visit your page by the way (that's if you're lucky enough to ever get Explored because it seems only magic accounts do every 16-19 days). These are a group of people who fave (or by proxy their bot does) every one of the 500 Explored photos each day, in the belief it will garner them more "followers" (how I hate that word - CONTACTS is so much better). So if you have been in the habit of doing that there is an excellent chance I will have blocked you.
Of course the most dangerous bots of all are the ones pretending to comment. People think they are real, but AI is very clever now. And one in particular has been at the centre of attention during this week. Banned by Flickr after being clearly outed by a "bot catcher". He gets banned, and then the whistleblower gets banned too for exposing the biggest bot commenter on Flickr. All this ended up with the whistleblower rightly being restored, but also the return of the bot user. Some of you will have followed proceedings very closely.
Frankly I've advocated for a long time for view counts to be discontinued. Thousands of views do not make a good photograph. Social media has been bad for photography in that regard. It's made photographers complacent, and even worse, made them conform to particular styles or genres that "succeed" - as if that matters. Photography is an individual art and everyone is unique.
Always remember that not another soul saw Vivian Maier's photographs before she died. And I dare say you rarely see photographs on Flickr even half as good as the ones she spent a lifetime taking.
So if you feel like I do about the integrity of Flickr and bot use, please join us at this group:
....don't like bot-comments/faves? Join us, post your photos there.
Please post it to the Anti-Bots and Anti-Fake group.
* A final point. Mr Ed was a talking horse and not a bot user.
Toni Duarte Freelance Photographer
Please don't use this image on websites, blogs or other media
without my explicit permission.
© All rights reserved
Contac: toniduarte[a]cmail.cat
Wikipedia:
Vilafamés (en valencià i oficialment, Vilafamés) és un municipi de la Comunitat Valenciana, Espanya. Situat a la província de Castelló, a la comarca de la Plana Alta.
Les primeres evidències d'ocupació de l'entorn de Vilafamés se centren en les troballes arqueològiques realitzades en l'anomenat "Homo erectus vilafamensis", on es van localitzar restes antropològiques Els seus orígens es remunten al Plistocè Mitjà, segons el descobriment de les restes de l'anomenat "homo erectus vilafamensis "a la Cova de Dalt del Tossal de la Font amb una antiguitat de 80.000 anys. Una continuïtat en l'ocupació del medi estaria reflectida en la Cova del Matutano, jaciment del Paleolític Superior. Les primeres manifestacions artístiques apareixen amb les pintures esquemàtiques de l'Edat del Bronze.
Pel que fa al nucli urbà, el mateix topònim AVilahameç, ABeniffamez, denota el seu origen en època musulmana. D'aquest període es conserven entre altres elements, la fonamentació del castell que corona el turó sobre el qual s'assenta el municipi i el traçat urbà de la zona contigua a aquest, d'estrets carrerons tortuosos. Queden així mateix vestigis de les antigues fortificacions constituïdes per llenços de muralla i restes de torres.
És amb la conquesta de la musulmana Beni-Hamez pel rei Jaume I d'Aragó quan Vilafamés pren identitat històrica pròpia. Aquest fet porta a que, el 30 de agost de 1241, Jaume I comissions a Guillem Ramon de Vielha per donar a poblar el castell a Diumenge Ballester, A. Cabrera i altres, carta de població que s'estableix a fur de Saragossa. Aquesta donació serà confirmada posteriorment pel propi monarca a Lleida el 21 de febrer de 1242.
Posteriorment s'incorpora al patrimoni dels Hospitalaris de Sant Joan a 1264, després d'una permuta real amb aquests per la vila d'Olocau del Rei, que seran els seus amos fins 1317, data en què la vila i el castell queden annexionats a la recentment creada Ordre de Montesa. En 1343, Pere IV el Cerimoniós, s'entesta a l'ordre el mer i mixt imperi, amb les corresponents jurisdiccions, drets i emoluments que pertanyien a la corona.
Joan I d'Aragó, en 1393, concedeix a Vilafamés el privilegi pel qual el Consell pot fer i ordenar tot tipus de establemientos i ordenacions que consideri convenients d'acord amb els furs generals del regne.
En les Corts celebrades a València durant l'any 1403, Martí I l'Humà disposa donar possessió al mestre de Montesa del mer i mixt imperi de la població, aquest fet provocarà la protesta irada del Consell en 1404.
Ja al segle XVI, en 1519, Carlos I d'Espanya promet no separar de la corona la jurisdicció civil i criminal, i el mer i mixt imperi de la vila. Quan en 1635 culminen les desavinences sorgides entre els Justícies, per una banda i l'ordre d'una altra, el "Consell" creu arribat el moment de demanar del Papa Innocenci XII autorització per comprar la jurisdicció alfonsina, adquisició que porta a terme el 16 d'abril pel preu de sis mil lliures. A partir d'aquesta data, Vilafamés queda incorporada plenament al patrimoni real, reservant-Montesa la percepció de certes primícies i el dret d'habitació sobre el castillo.Será al segle XIX, amb els enfrontaments civils que segueixen a la mort de Ferran VII, quan el nom de Vilafamés sonarà de nou dins de l'àmbit històric com plaça inexpugnable. Al març de 1837 pateix el primer intent d'assalt de les tropes carlines. El 29 octubre 1838 la guarnició de la plaça rebutja una segona intentona, que es repetirà de nou el 3 de gener del següent any, aquesta vegada amb Cabrera al capdavant de les tropes, que des de les muntanyes que dominen la vila comencen a assetjar a la població, trencant foc contra la ciutadella. En aquesta ocasió es va fer front al setge per part dels veïns a més de comptar amb l'ajuda d'una columna mòbil enviada per l'Ajuntament de Castelló i un destacament d'artilleria de marina, molt poc nombrós. Cinc dies van durar els continus enfrontaments, rebutjant la població tots els atacs de Cabrera, fins que el dia 7 l'arribada de tropes reals va obligar al general carlista a aixecar el lloc. Amb el més selecte de les seves tropes i recorrent a l'auxili de les de Forcadell, Cabrera intentarà el cop definitiu l'abril del mateix any, establint un campament davant la població. El dia 16 s'obre una bretxa en les muralles, encara que els atacants són rebutjats i resulten infructuosos tots els esforços de prendre la plaça que va resultar semi derruïda.
ESP:
Villafamés (en valenciano y oficialmente, Vilafamés) es un municipio de la Comunidad Valenciana, España. Situado en la provincia de Castellón, en la comarca de la Plana Alta.
Las primeras evidencias de ocupación del entorno de Villafamés se centran en los hallazgos arqueológicos realizados en el llamado “Homo erectus vilafamensis”, donde se localizaron restos antropológicos Sus orígenes se remontan al Pleistoceno Medio, según el descubrimiento de los restos del llamado "homo erectus vilafamensis" en la Cova de Dalt del Tossal de la Font con una antigüedad de 80.000 años. Una continuidad en la ocupación del medio estaría reflejada en la Cueva del Matutano, yacimiento del Paleolítico Superior. Las primeras manifestaciones artísticas aparecen con las pinturas esquemáticas de la Edad del Bronce.
Por lo que respecta al núcleo urbano, el mismo topónimo AVilahameç, ABeniffamez, denota su origen en época musulmana. De este periodo se conservan entre otros elementos, la cimentación del castillo que corona el cerro sobre el que se asienta el municipio y el trazado urbano de la zona contigua al mismo, de estrechas callejuelas tortuosas. Quedan asimismo vestigios de las antiguas fortificaciones constituidas por lienzos de muralla y restos de torres.
Es con la conquista de la musulmana Beni-Hamez por el rey Jaime I de Aragón cuando Villafamés toma identidad histórica propia. Este hecho lleva a que, en 30 de agosto de 1241, Jaime I comisione a Guillem Ramón de Viella para dar a poblar el castillo a Domingo Ballester, A. Cabrera y otros, carta de población que se establece a fuero de Zaragoza. Esta donación será confirmada posteriormente por el propio monarca en Lérida el 21 de febrero de 1242.
Posteriormente se incorpora al patrimonio de los Hospitalarios de San Juan en 1264, tras una permuta real con estos por la villa de Olocau del Rey, que serán sus dueños hasta 1317, fecha en que la villa y el castillo quedan anexionados a la recién creada Orden de Montesa. En 1343, Pedro IV el Ceremonioso, empeña a la orden el mero y mixto imperio, con las correspondientes jurisdicciones, derechos y emolumentos que pertenecían a la corona.
Juan I de Aragón, en 1393, concede a Villafamés el privilegio por el cual el Consejo puede hacer y ordenar todo tipo de establemientos y ordenaciones que considere convenientes con arreglo a los fueros generales del reino.
En las Cortes celebradas en Valencia durante el año 1403, Martín I el Humano dispone dar posesión al maestre de Montesa del mero y mixto imperio de la población, este hecho provocará la protesta airada del Consejo en 1404.
Ya en el siglo XVI, en 1519, Carlos I de España promete no separar de la corona la jurisdicción civil y criminal, y el mero y mixto imperio de la villa. Cuando en 1635 culminan las desavenencias surgidas entre los Justicias, de una parte y la orden de otra, el "Consejo" cree llegado el momento de solicitar del Papa Inocencio XII autorización para comprar la jurisdicción alfonsina, adquisición que lleva a cabo el 16 de abril por el precio de seis mil libras. A partir de esta fecha, Vilafamés queda incorporada plenamente al patrimonio real, reservándose Montesa la percepción de ciertas primicias y el derecho de habitación sobre el castillo.Será en el siglo XIX, con los enfrentamientos civiles que siguen a la muerte de Fernando VII, cuando el nombre de Villafamés sonará de nuevo dentro del ámbito histórico como plaza inexpugnable. En marzo de 1837 sufre el primer intento de asalto de las tropas carlistas. El 29 de octubre de 1838 la guarnición de la plaza rechaza una segunda intentona, que se repetirá de nuevo el 3 de enero del siguiente año, esta vez con Cabrera al frente de las tropas, que desde las montañas que dominan la villa comienzan a hostigar a la población, rompiendo fuego contra la ciudadela. En esta ocasión se hizo frente al asedio por parte de los vecinos además de contar con la ayuda de una columna móvil enviada por el Ayuntamiento de Castellón y un destacamento de artillería de marina, muy poco numeroso. Cinco días duraron los continuos enfrentamientos, rechazando la población todos los ataques de Cabrera, hasta que el día 7 la llegada de tropas reales obligó al general carlista a levantar el sitio. Con lo más selecto de sus tropas y recurriendo al auxilio de las de Forcadell, Cabrera intentará el golpe definitivo en abril del mismo año, estableciendo un campamento ante la población. El día 16 se abre una brecha en las murallas, aunque los atacantes son rechazados y resultan infructuosos todos los esfuerzos de tomar la plaza que resultó semi derruida.
Squirrely clearly thought that I looked quite useless standing around with my camera and wanted to let me know that the feeder could use a refill.
(for ODC) when you're tired you need to rest :o) This wise Swallow recognised the need for a rest, so I used my head and crept up close and didn't disturb it ;o)
[Harry Potter Minifigs #02] from Harry Potter - Minifigs Series
L-R:
Mad-Eye Moody (Yule Ball)
Viktor Krum (Yule Ball)
Ginny Weasley (HBP)
Neville Longbottom (DH)
Aberforth Dumbledore (DH)
Lavender Brown (HBP)
Props again to @wizarding_bricks on Instagram for influencing a lot of these figs. Check them out! www.instagram.com/wizarding_bricks/
Read my LEGO Blog? Check out my Instagram? Follow my Twitter?
Camera: Panasonic Lumix DMC-FZ28 Editing: www.watermark.ws
Please credit and comment! Feedback always appreciated! :D
Tried something a little bit different then I'm used to...
italic- Ghost Rider
bold- Satan/ the Devil
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I bet you're expecting a man full of sin, one who doesn't care for moral rights or laws. One who can walk the line of both worlds, and still not be scarred. If this is what you predicted, then you're dead wrong. I do walk both lines, but both lead to different trails.
It all started with her death. Imagine a perfect day, one that makes birds sing, and you can smell the dew in the air. Two people sit under a tree, as they usually did on a Sunday evening.
Her father always wanted her to go to church. She never went until I told her to. We went together, and after ever mass, we walked to that tree, and sat just listening to the world around us.
On that day, she said those words which I could never forget.
"I love you."
This is what kills me. These words were my undoing. Fear of what could happen if I took her under my wing. I said some stupid excuse, and went home. Then I decided that I could handle it. I could love her, and that I always would.
Well, you can probably guess what happened from there.
I ran back to the tree, like I was in some kind of movie, the guy chasing after the girl. But I was too late. She wasn't at the tree. I sat down on the ground, leaning on the tree. Then, I remember seeing smoke, coming from one of the streets.
It must have been a car accident I thought to myself. It had to be. But being that "good" man I thought I was, I ran down the hill again.
Once I got down to the street, I saw that it was a car crash. A stupid biker had crashed into a red Honda Civic.
This car accident meant nothing to anyone else around me. It was just a regular crash. But I remember seeing two bodies on the ground, painted with crimson liquid.
I felt something come out of my eye. Something I couldn't fell anymore. There she was, in the middle of the street, laying lifeless. The other victim was there also.
I used to be afraid of the sight of blood. But this was her. I ran into the street, nothing mattered anymore. Cars honking, rushing by me, while I was cradling her.
I yelled to see if anyone had called the police. I screamed it. I broke out into tears. Even though it felt like forever, waiting there, they finally arrived. The men that were supposed to help the citizens were finally here.
They couldn't help her though, no. She was "totaled" in car language.
They said there was a note in the car. They guessed she was writing it while she was driving.
I looked at the letter, and saw tears all over it. I unwrinkled the paper to see this:
John. I know you've been good to me, and I thank you for this. But, you seemed like you couldn't handle a marriage, and that's when I figured out I couldn't handle one either. I figured I couldn't handle anything. We were young, that's all. For lust, I believe. I'm not even sure I ever loved you. Did you ever lov.....
That's when it stopped. A pen mark went across the page from where it stopped. They said she was speeding. A death note.
The doctor said there was nothing he could do, but yet, I knew there was. I was a religious man. Prayer was my way of getting her back. It was the only way.
I prayed on and off for months. I never left the chapel, I slept there. I prayed for answers, but none returned.
One fateful day, I awoke to see a note. No a waver. The only words on the paper were,
Love is forever, but not without a soul.
Then, a place to sign was under it. I looked around, trying to find the person who gave the note. No one was around, and frankly, I was there for years. Time flew by, and I had no idea. The church had been destroyed, but the chapel remained. And the note. To sign the note, my fate was unknown. But love fueled me. It always had.
I signed.
Have you ever felt the feelings of butterflies in your stomach? Imagine it times twelve. Then the feeling of my eyes burning, like pepper spray, but instead of the spray, I got the seeds. I saw flames form around my eyes, and skin peel from my hands.
But then she appeared. She was alive, and she was confused. I approached her, pain still in my body. She saw me once, and fled. I screamed her name, and noticed my voice was changing. More, raspy.
My clothes burned away, and the feel of leather wrapped around me. A chain made of flames slung around my shoulder.
Time to come visit.
The voice dragged me down deep into the chapel.
It seems your prayers were answered.
The voice was like sandpaper rubbing against metal. I couldn't see at the moment, everything was dark. But then I saw red. All of it. The whole world was red. It had seemed like I fell, as I was on my face. I stood up, and saw the chain on my shoulder. It was heavy.
Come John.
The voice could be heard from a distance. I didn't want to go, but my feet were moving. I dragged the chain on the ground, up the hills, and down the hills. This was the Hell he made for me. I finally saw a figure, and it stood out. White and black, while everything else was red.
John... lets see... loved Geneviève Rosa... signed the contract. Yep, you're here. Welcome to Hell.
"What is this place?"
Hm. Duh, I just said Hell.
"This is a lot worse than expected."
So you expected to come down her?
"No... that's not what I... meant."
Well, you sold your soul to... me.
"That's what that note was?"
Yeah. Sorry, the big guy wasn't responding. I tried to help you.
"You can't help me. You're the... devil."
Oh come on. What are you? Human? Wait, never mind, you aren't that anymore.
"What did you do to me?"
A holy man turned Rider. I like irony John. Oh by the way...
He whistled, and I could hear a bike. I still remember hearing that sound. Tires scratching on the sands of Hell. It arrived, and I recognized it immediately. It was the same bike that had killed her.
"Ironic."
Quite. Get on.
"I'm not your faithful believer."
Well you are for Him.
"Let me guess... Ironic."
Look, just get on. You're my Rider now. My Ghost Rider. One who walks Earth, and Hell, making people pay for their sins, and bringing them down here for me. Simple.
I tried to reason with him, saying it was unfair. She had left me, even when I saved her. She took my soul, and threw me away. It not only hurt me, but fueled me with something worse than love.
Hatred. It's what will fuel you through your journeys.
I looked at him, and I remember him smiling.
"What is your bidding."
Perfect. There is a man who brings people back from the dead. I want him... I want Otto Octavious.
I hopped on the bike, and started the bike. Flames appeared from the bike, as I fueled the bike. My hatred could fuel all of Hell. But I had a job to do. I rode my bike up a ramp (ha it's still there) and went back onto Earth. As I said, I had a job to do.
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Yes, that was pretty long, but I really wanted to get the emotion in there. Anyways, you guys wanted this, so hopefully you like it!
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El efecto de la estética en la utilidad describe un fenómeno según el cual los diseños más estéticos nos parecen más fáciles de manejar que los menos estéticos.
Aunque, en realidad, no sea así.
I've been roaming around
Always looking down at all i see
Painted faces fill the places i can't reach
You know that i could use somebody
You know that i could use somebody
Someone like you
And all you know
And how you speak
I hope it's gonna make you notice
Someone like me
-Kings of Leon ♥♥
hi! :) i was in a park today and i took lots of photos, hehe :) i'm gonna upload them the next days! this is my first upload from today and i hope you like it (:
school starts on wednesday ._.
have a nice weekend! <3
I chatted a bit about pens, inks and stuff over at "The Tools Artists Use" (thanks Bill Turner) Its severe art nerdy as I go on about my favourite pens and what I carry around with me ;)
Türbeschläge an einer alten Tür eines Hauses in Kappadokien - hier wohnt ein Rechtshänder - der ständige Gebrauch hat den Griff zwar poliert, aber auch völlig ausgeleiert.
You cannot use this picture without my permission. If you want to use this picture, please ask me first, it´s very simple. If you want this picture for anti-captivity purposes, then, don´t waste your time trying to convince me because I won´t give you authorization. If I let you use my content, you need to give me FULL credits (DFN it´s ok).
If I see this picture posted in another social media without credits and used for complaining about captivity, then I´ll report you and block you.
Reconstruction using our artificial intelligence model from 2 photos captured by Perseverance at SOL 1268 (September 13, 2024) at 12:40:29 LMST using both (left & right) MastCam-Z. This is an extreme enlargement of the previous image with focus on the particular rock found by the rover.
The file is available at 9 millions of pixels for download at a resolution of 3000x3000 pixels.
Credit: NASA/JPL-Caltech/ASU/PipploIMP.
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