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The use of the snoot underwater opens up a wide range of lighting possibilities, leaving the final result to your creativity and technique.
This cheeky little blenny was just poking its head out of its rock shelter, so I was able to isolate it well with the snoot.
Photograph taken in the cove of Tio Ximo (Benidorm-Spain). Copyright @2023 José Salmerón. All rights reserved.
La utilización del snoot bajo el agua, abre un gran abanico de posibilidades en la iluminación, dejando a tu creatividad y técnica el resultado final.
Este pequeño y atrevido blenio solo asomaba su cabeza de su refugio en la roca, por lo que pude aislarlo bien con el snoot.
Fotografía tomada en la cala del Tio Ximo (Benidorm-España). Copyright @2023 José Salmerón. Todos los derechos reservados.
Processed in Lightroom, using Rainbow Lightroom Preset. See details here (bottom of the page): www.oliviabellphotography.com/2012/01/20/my-lightroom-jou...
Jump #53 of #100
"I love you THIS much!"
Really can't believe how lucky we have been so far in the last few weeks... apart from some bad spells of weather, we're had a lot of sunsets, which have given us wonderful lighting for jumps!
I've had this idea written down for ages, although when we tried it, it looked really flat and boring. Originally I had planned to have Rosanna Bell standing with her arms reaching out, and then to have Sasha Bell flying into her arms... that type of thing!
Well when we tried it, it looked really boring... so we thought trying the same idea, but with Rosanna in the air too would be better and I'm so pleased we did it this way because I love the movement of them meeting mid-jump!
The Bell Sisters - Facebook - Twitter - Olivia Bell Photography (website)
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Olivia Bell
Use of this image on websites, blogs or other media is prohibited unless you have my specific and written permission. ©2011 Dawn Grace
For more information or to make an appointment, please contact me at www.dawngrace.com
Using some cool stuff from Payton's "Urban Soldier" figure (excellently designed), I've concocted a decent fig, with help from an IRL bro. Yeah.
Omnomnom, chocolate chip.
Using parts from one of the PM figs.
Yep, I know i'm not the first to do this. But I don't remember who was...
National Express Platinum 6956 passes Ringway Whitefriars whilst carrying a 12X service into Coventry
Vehicle Details
Operator: National Express Coventry
Fleet Details: 6956 'Lindsey Jillian'
Registration: YX68 USE
Vehicle Type: Alexander Dennis Enviro 400 MMC
Vehicle History
New to Coventry 12/18
Feeling a bit blond, feeling a bit mean girl.
✣Head✣
➭ Imperia - Abigal +lake head+ *I used my own body shape*
➭ LeL/ HEAD / lel evox / Lake 4.0
➭ MAENA RENATA SKIN FROST (NB) @ @ Skin Fair
➭ Stealthic - Arrival @ @ Kustom9
➭ Just Magnetized - Astoria Eyebrows - Medium - Ombre @ ASTROPHE
➭ AFFLICTSINS Face Essential Piercings
➭ Martyr + Wounded Doll Set @ THE CRYPTID EVENT
➭ AFFLICTSINS - "Spiked Septum"
➭ MAENA/RUE LIPPIES @ Skin Fair
➭ AFFLICTSINS - "Spiked Neck"
➭ Just Magnetized Ghoul contouring
✣Body✣
➭ REBORN by eBODY
➭ Velour. MODELESQUE/FROST 2k
➭ AFFLICTSINS - "Chipped Nails
➭ Macabra - Belethia Full Tattoo v1 - Light
➭ Izzie's - 01 Body Hickeys (all combined) 50%
➭ Rekt Royalty - Rough Scene
➭ VUDU TATTOO - Scar Thighs Scratches
➭ THIS IS WRONG Human shine 3D @ Skin Fair
✣Outfit/Accessories✣
➭ EQUAL - London Shades
➭ Epitome. Desolate Cuff
➭ hive // nicotine & caffeine
➭ mellowcute magma dress @ Cosmopolitan Event
➭ LEPUNK Fishnet Tights Maze
➭ EQUAL - Mariana Socks
➭ EQUAL - Itzel Boots
I am on Primfeed , follow me or don't its whatever. lol
I am also using my Facebook again, follow me there if you aren't already.
Use of this image on websites, blogs or other media is prohibited unless you have my specific and written permission. ©2011 Dawn Grace
For more information or to make an appointment, please contact me at www.dawngrace.com
Camera used: Pinhole homemade camera 6X6
Camara Estenopeica, hecha en casa.
San Juan, Puerto Rico
Mi galeria en Color www.flickr.com/photos/samycolor
Mi Galeria en B&N www.flickr.com/photos/samycollazo
Kodak BW400CN (exp. 2007)
Pinhole-21 (6X6)
Exp. 12 sec.
Pinhole .25mm
F.L. 27mm
F:92
Nik Silver Efex Pro 2
LIghtroom 3
Using the GS/OS app SAFE2 to FTP a newly created disk image from the Apple IIgs to my Mac Pro across the LAN via ethernet, thanks to the IIgs' Uthernet card in slot 2.
Transfer speed was about 8K/sec.
Cam Used : Canon 500D
Lens Used : Canon 18-55mm f3.6-5.6 IS
Editing Used : Dynamic Photo HDR
I Hope you all enjoy it : )
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Attention : Please do not use this picture without my permission.
Copyright © Received to Khaled Al-Gannas
I could not use many 15-minute exposure frames due to malfunction of my equipment at the first night in this period.
equipmnent: Takahashi FSQ-130ED and Canon EOS 5Dmk3-sp4, modified by Seo-san on Takahashi EM-200FG-Temma 2Z-BL, autoguided with Fujinon 1:2.8/75mm C-Mount Lens, Pentax x2 Extender, Starlight Xpress Lodestar Autoguider, and PHD2 Guiding
exposure: 3 times x 15 minutes, 4 x 4 min, and 4 x 1 minute at ISO 3,200 and f/5.0
site: 2,430m above sea level at lat. 24 39 52 South and long. 70 16 11 West near Cerro Armazones Chile
Taken using : Nikon D700 + Nikon 16-35mm f4 + Schneider 10 stops ND filter.
Appreciate if you can show your support by clicking the 'Like'
button on my facebook page. www.facebook.com/zulhatfiazizphotography
This is my official website & twitter
I hope you're not using this image on any websites, blogs or any media
without my permission. © All rights reserved. This picture is taken in
only single shot. No HDR technique in this image.
I have used the analogy when speaking to large groups about how the teen years can be like a leaf floating down a stream and how it's our job as adults to cause gentle ripples in the water to guide their way so that they don't get caught in side eddies, riptides or anything else that would slow down their progress as they journey down their "stream" of life. This capture reminded me of this analogy.
One of the cool things I love about Kauai is that there are so many little roads that you can follow for miles, never seeing another soul, and happen upon little grass knolls and gently rolling streams like this.
On day #5 of our little virtual vacation I hope that you are able to find places in your own life to sit calmly, listen to the gentle waters of your travels and reflect on the journey.
This is the part of the vacation that I hate... knowing that I only have two days left and I'm just starting to relax )-:
Tomorrow it's time for a little "tubular dude!!!" Don't guess... you'll be wrong (-:
I used to see lots more of these on my local patch but only see occasionally now. I got great views of this beauty as the cold weather bought them very close to the edge of the reed bed.
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© Jerry T Patterson - All Rights Reserved Worldwide In Perpetuity - No Unauthorized Use. Absolutely no permission is granted in any form, fashion or way, digital or otherwise, to use my Flickr images on blogs, personal or professional websites or any other media form without my direct written permission.
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Authorized Permittee of the National Park Service
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Location: Diamond Beach Jökulsárlon, Iceland
Over the third week in July 2016, I visited Iceland for the first time and spent a crazy short 7 days there.
As many who know who have been there, it is a photographer's paradise and offers so much. I found it so crazy that their blue hour at that time of the year can last over an hour instead of the 20 minutes I have where I live in the States.
So one of the sites I had to visit was Jökulsárlón Glacial Lagoon and of course right across the road from the lagoon Diamond Beach where all the different size chunks of ice was ashore after leaving the narrow passage from the lagoon.
So now, I am prepared to do 6 day Iceland photography workshop. I plan to return to Iceland this year but this time for at least 3 weeks. The time frame I'm looking at now is July 1 through July 22.
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Time to chill out to the Audiomachine's epic cinematic album Tree of Life
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You may also find me at: .. Smashwords || 500px || 72dpi || Google+ || facebook || Instagram
Thanks for stopping by.
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You may follow me on Instagram: @pattersonjerryt
#iceland #diamondbeach #glacierlagoon #waterfalls #beach
Used a Nikon 55mm manual macro with Metabones Adapter on my Olympus M 1. A fun walk around day. Gives a nostalgic look to this image.
scotland - november 23-27, 2002
copyright (c) 2002-11-23 sean dreilinger
view texting on the train to scotland - dscf3371 on a black background.
*No use esta foto sin mi autorizacion
*Don´t use this photo without my permisivamente
© All rights reserved
Verla en mejor calidad / High Quality
PhotoAwardsCounter
Click here to see the awards count for this photo. (?)
Using call-sign 'Cobra 53' Royal Air Force BAE Typhoon FGR.4 ZK319 returns to Coningsby whilst 29 Squadron's ZK321 turns finals to land after
276A2265
I was looking to use the shadows to my absolute full advantage while here at night. There's a certain mystic element to this angle, as if someone is supposed to be in that light, but all you see is the path ahead of you. These toriis can convey any atmosphere if you do it right. All you need is the proper vision.
I didn't try that hard to get this one. This lantern is in one of the opening paths. From the get-go at the foot of Mount Inari the path diverts into 2 paths, likely 1 for going up and 1 for returning though people can just choose any path they want in reality. You've likely seen this composition already as a result.
But a common consequence with long exposures (especially at night) is a simple inability for the photo to process so much darkness. I've never seen so many dead pixels in one shot. In fact, I spent more time getting rid of those then revising the tone of the image itself. Now that I'm seeing this I wish I raised my F-stop for a better sunburst. It was hard to have a tripod here cause some people were still walking by at this time (it was a little past 10 I think). I changed the path to make it match the red aesthetic of the shot. Last week I uploaded a largely green and a largely blue shot, I just thought I'd complete the trinity and open up this week with a red shot so here we are.
I was fully ready to tell another historic tale, but most of my searches brought me to Fushimi castle, not this torii labyrinth. I'll keep looking and when the time is right I'll talk a little more.
I used to wear this ring a lot in my working days because it was very comfortable. I'm not sure why I still have it really, but at least it's come in useful for this week's theme. The stone is Labradorite, so in different light or at a different angle it sometimes looks much more blue. It's next to a tiny hand-thrown raw porcelain ring dish, which is only about 1" across. The dried Hydrangea flowers, which I seem to rely on a lot at this time of year, are dyed. Your eyes are not deceiving you. :)
For this week's Macro Mondays group theme, Ring.
Image used for the former New Zealand Historic Places Trust Register - now Heritage New Zealand Pouhere Taonga List
List Number: 7664
Construction date: 1905
The site of today’s Victoria Park Markets was once the central refuse collection area for Auckland City. Disposal of refuse was a pungent city issue throughout the latter part of the 19th century. In the 1870s collection was contracted out and dumping occurred ‘out of the sight and smell of citizens’. In the 1890s however, citizens were required to dispose of their own rubbish and vacant allotments became convenient, informal tips. Fear of the bubonic plague in 1900 prompted the council to consider a municipal refuse destruction plant and in 1904 a tender of £16,840 was accepted from J Barre Johnston Ltd of Sydney for the construction of a Meldrum destructor, completed in 1905.
The complex of polychromatic brick construction included the council’s Works’ Depot, blacksmith’s and carpenter’s shops, stables and a 38m high chimney. Alfred Wrigg (City Engineer from 1899 to 1906) probably supervised construction. He was also responsible for supervising the Auckland electric trams and for paving Queen Street with asphalt.
The capacity of the destructor was increased during the 1920s and 1930s, but by 1960, as controlled dumping grew in popularity, it was disposing of a mere 10% of the city’s rubbish. The plant was closed in 1972 and it was subsequently converted into the Victoria Park Markets.
As Auckland grew, so did its requirement for electricity. The council was vested with the public supply of electricity by the Auckland City Electric Lighting Act 1900 and an Australian engineer, W T G Goodman, was employed to report on the feasibility of using the destructor to generate electricity in 1906. His proposals were accepted, although he criticised the council for failing to incorporate a generating plant in the original design, despite a series of earlier reports endorsing the potential of electricity.
The electrical contract was won by Turnbull & Jones for £11,808. The cost subsequently escalated with revisions in potential demand and the provision of additional boilers and new feeders. In 1908, electricity was provided to the first 12 customers. Within four months demand exceeded supply and coal was used to supplement the burning of rubbish. It was replaced in 1913 by the Kings Wharf coal fired power station, again built by the council.
Information sourced from the excellent booklet, "Heritage Walks - The Engineering Heritage of Auckland" produced by Tourism Auckland.
© Jerry T Patterson - All Rights Reserved Worldwide In Perpetuity - No Unauthorized Use. Absolutely no permission is granted in any form, fashion or way, digital or otherwise, to use my Flickr images on blogs, personal or professional websites or any other media form without my direct written permission.
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Equipment: Canon 5D Mark III, Canon 16-35mm f2.8L II USM lens
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In September 2015, I was scouting out and photographing numerous sites around Lake Tahoe, California and many sites in the Eastern Sierras for a short 5 days.
One the night of September 17, I took the Bonsai Rock Milky Way shot with the moon just above the distant mountain peaks.
The next day we moved down into the Eastern Sierras where I had been planning to photograph the iconic bristlecone pine tree with the Milky Way. Little did I know on the way down how well the moon would come into play with my night sky photography work there.
I used a long established technique to get the moon rays in this shoot while I light painted the bristlecone pine tree with my special light.
In 2017, I will have two 5 day Milky Way photography workshop in Arches National Park in Moab, Utah, one over the 3rd week in March and one over the 3rd week in April.
During each of the two workshops, I will conduct 3 4+ hour Milky Way Photoshop post processing session where I teach all the techniques I used to create this final photo but this time it will be more of what is called a "Deep Dive" PS post processing session and workshop participants will need a laptop with Photoshop CS 2017. Lightroom will work but lacks some functionality used in what I will teach.
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My Milky Way night sky photography workshops
In 2017, I will be leading two 4 day photography workshops in Jackson Hole. During both workshops, I will take my group out for 3 nights of my Milky Way night sky workshop.
My 2017 4-5 day photography workshop schedule:
ANP, Canyonlands & Monument Valley - March 24-29
Icons of the Southwest w/Ryan Smith - April 23-28
Jackson Hole, Wyoming spring - June 21-25
Jackson Hole, Wyoming fall - September 19-23
The great part is that in 2017 I will return to Jackson Hole for the incredible wildflowers throughout the valley and the surrounding mountains.
Do you shoot the Milky Way but need a little help in getting the Milky Way to jump out of your photos ? If so, take a look at my ebook A Photographer's Milky Way Processing Guide - A Photoshop HowTo
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You may also find me at: .. Amazon || Smashwords || 500px || 72dpi || Google+ || facebook || Instagram
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Time to chill out to Adele's song ... Hello.
Thanks for stopping by.
Camera used: Pinhole homemade camera 6X6
Camara Estenopeica, hecha en casa.
San Juan, Puerto Rico
Mi galeria en Color www.flickr.com/photos/samycolor
Mi Galeria en B&N www.flickr.com/photos/samycollazo
Kodak BW400CN (exp. 2007)
Exposure: 10 sec.
Pinhole-8 (6X6)
Pinhole .3mm
F.L. 33mm
F:110
Nik Silver Efex Pro 2
Lightroom 3
Provided for use as pictures and wallpapers by The Reporter Times:
www.thereportertimes.com/news/rosh-hashanah-2015-images-p...
using Deadwool Polar coat excellent quality and Deadwool Oxford shoes just empressed by the quality of products
No uses mis fotografías en Páginas Web, blogs, RR.SS. o cualquier medio de comunicación digital o impreso, sin mi autorización explicita. Si estas interesado en mi trabajo y deseas utilizar mis fotografías, puedes contactar conmigo en el siguiente correo electrónico jespor@yahoo.es y te contestare en un breve plazo de tiempo.
Do not use my photographs on websites, blogs, social networks. or any digital or printed media, without my explicit authorization. If you are interested in my work and want to use my photographs, you can contact me at the following email jespor@yahoo.es and I will respond to you within a short period of time.
2024 - © All rights reserved - ©JesusPortal
Blog personal y RR.SS. / Links to my websites and personal Blog:
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I used to swim here as a teenager.... These days, I prefer to sit in the shade and watch as the young ones have their fun in the water.
It's a very popular spot. There's a huge barbecue area, a foot bridge to cross to the other side for a walk, lots of ducks in the water, and it has also become a very popular spot for weddings.
Just near here is the Axeman's Hall of Fame, where our own champion axeman David Foster is heavily featured.
An astronaut aboard the International Space Station (ISS) used a long lens to document what crews have termed one of the most spectacular features of the planet: the dunes of the Namib Sand Sea.
Looking inland (from an ISS position over the South Atlantic) near sunset, the highest linear dunes show smaller linear dunes riding along their crests. Linear dunes are generally aligned parallel to the formative wind—in this case, strong winds from the south. Southerly winds explain the parallel north-aligned linear dunes on the left side of the image.
But this simple pattern is disrupted near the Tsondab valley. The valley acts as a funnel for winds from the east. These less frequent but strong winter winds are channeled down the valley and usually carry large amounts of sand, similar to the Santa Ana winds in California. These strong easterly winds significantly deflect all the linear dunes near the valley so that they point downwind (image center).
Further inland (right), the north-pointing and west-pointing patterns appear superimposed, making a rectangular pattern. Because the Namib Desert is very old—dating from the time when the cold, desert-forming Benguela ocean current started to flow about 37 million years ago—wind patterns and dune patterns have shifted over time. North-oriented dunes have shifted north and east with drier climates and stronger winds, overriding but not removing earlier dune chains and making the rectangular dune network we see today.
The Tsondab River is a well-known Namib Desert river because it is blocked by linear dunes (just outside the left margin of the image) 100 kilometers (60 miles) from the Atlantic Ocean. Research has shown that during wetter times, it did reach the ocean. The name Tsondab means “that which is running is suddenly stopped” in the local Khoisan language.
Along the edge of the dune-free Tsondab River valley, we can see star dunes, which are smaller and display multiple arms (top left).
Astronaut photograph ISS047-E-23405 was acquired on March 27, 2016, with a Nikon D4 digital camera using a 500 millimeter lens, and is provided by the ISS Crew Earth Observations Facility and the Earth Science and Remote Sensing Unit, Johnson Space Center. The image was taken by a member of the Expedition 47 crew. The image has been cropped and enhanced to improve contrast, and lens artifacts have been removed.
Image Credit: NASA
Camera used: Pinhole homemade camera 2 1/4 X 2/ 1/4
Estenopeica, hecha en casa.
Jardin Botanico, Puerto Rico
Mi galeria en Color www.flickr.com/photos/samycolor
Mi Galeria en B&N www.flickr.com/photos/samycollazo
Arista Edu 400
Exposure: 5 sec.
Pinhole-8 (2 1/4 X 2 1/4)
Pinhole .3mm
Nik Silver Efex Pro 2
Not a conventional title, but I have to admit that this beauty is from last year and that is why I called it a used bird. A couple of these beauties have returned this year, but they were extremely skittish and I had little luck yesterday on the bayou. The winds were a bit higher as I made a rare visit to the bayou in the afternoon. In some places the trees blocked the wind and it was quite pleasant, but it caused issues in other areas. I’ll get to the photos from yesterday in due time. This Roseate Spoonbill was foraging in an area that we call the flats and was a bit more cooperative. Photo taken on Horsepen Bayou and a bit of a change of pace from the usual characters that we usually see.
DSC05624uls
We used to call into this hide each afternoon on our way out of Pilanesberg Game Park. There were always many birds roosting and on one occasion we spotted a huge crocodile stalking some of the birds. He had a couple of lunges at the birds on lower branches, without success.
This clock used to be near the old entrance on Orange Avenue. It is relocated to the new entrance. It is not as prominent.
thecoronadonews.com/2025/02/hotel-del-coronado-nears-comp...
For 137 years, the Hotel del Coronado has stood as a monument to Gilded Age opulence, a place where presidents brushed shoulders with Hollywood’s glitterati, its Victorian architecture a timeless symbol of grandeur.
Following a $160 million restoration on track to be completed by June, the hotel’s historic Victorian neighborhood will be revitalized, blending its 1888 heritage with contemporary luxury.
The Victorian neighborhood’s restoration is part of a $550 million project, a transformation extending across its five distinct neighborhoods — bringing the resort’s total accommodations to 938 guest rooms — as well as its culinary offerings, front porch and lobby, ballrooms and more.
. . . . .
“People think they want an 1888 room,” Petrone remarked, “but I tell them, ‘No, you don’t.’”
The original rooms were sparsely furnished, with hard wooden chairs, small beds and minimal conveniences.
The redesigned interiors now feature botanical-inspired artwork, round mirrors, period-appropriate headboards, plush bedding and expanded bathrooms, marrying historical charm with contemporary luxury.
en.wikipedia.org/wiki/Hotel_del_Coronado
The Hotel del Coronado, also known as The Del and Hotel Del, is a historic beachfront hotel in Coronado, California, just across San Diego Bay from San Diego. A rare surviving example of an American architectural genre—the wooden Victorian beach resort—it was designated a California Historical Landmark in 1970[4] and a National Historic Landmark in 1977.[3][5] It is the second-largest wooden structure in the United States (after the Tillamook Air Museum in Tillamook, Oregon).
When the hotel opened in 1888, it was the largest resort hotel in the world.[6] It has hosted presidents, royalty, and celebrities, and been featured in numerous films and books.[7]
San Diego 2025
Happy Bench Monday, HBM,
-->> .. My teacher used to blame me for 'Literal Thinking' .. gee whizz..
.. i was moron !! Way to literal.. Yankee is riding on the word 'Pony' .. into the word 'TOWN' .. the ghost is confused !! Yankee looks like Forest Wittaker..
no i mean Forest Gump ..
Why are there ghosts all over these sheets..
..man i got hit in the noggin' with the frying pan way to much .. that's not how you sing the lyrics to 'Old Gray Mare' ..
.. CCC DEEDEDC..DDCDCB .. ~~**
.. d4mm dyslexic.. grr.. that n' too much Tang .. i didn't need to drink all that d4mm Tang .. all those elecrolytes damaged brain mine damaged !!
Grrr.. !!
The ol' Gray mare really ain' what she used to be.. and why is she wearing Cloggs ?? O gawd.. !! Maybe they are Nike's .. maybe she dreams of running Races with Barberow again. Maybe it's part of her drag act .. i can't tell.
(Actually this is a sheet i believe my Sister had for her Piano classes and the Teacher er summin' wrote down the corresponding Notes to match the keys so she could learn to play the song. I'm not sure why i decorated them..) ..