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My understanding is that after the war, the damaged palace that stood here was demolished and a 'modern' symbol of Communist governance was built in it's stead. After the fall of the wall - debate raged whether to retain the building as a monument, or rebuild the palace. Apparently, the large quantities of asbestos used in the construction of the building, and cost of rehabilitation swung the decision to the rebuilding of the palace. The existing building is slowly being demolished - construction due to start in April 2007....
Interim Minister Dan Hooper of Hollywood Lutheran Church spoke on Saturday, Sept. 15 about prision ministry that his congregation does.
Photo by Courtney Bassler | Southwest California Synod
There is an inherent beauty within structural design and engineering. Some of the best structures ever created still can be seen today. When building the components for a long lasting structure, it's always best to start with a solid foundation. Written by Richard Black, Director of Engineering Operations, along with the assistance of many on his team, here are some of the steps necessary during the structural design phase and represent one of the most complex and dynamic tasks in the life-cycle of a project.
For More Info: www.veetechnologies.com/industries/engineering-services-a...
Conferencia pública con expertos internacionales sobre Rusia, el régimen de Vladimir Putin y los retos socioeconómicos del país. El evento tuvo lugar en la Asociación de la Prensa de Madrid el 2 de julio de 2015.
Memorandum of Understanding between UNIMAS & Universiti Teknologi Petronas (UTP)
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2022-09-12: Vincent Nmehielle, Secretary-General, African Development Bank sharing a frame with (L-R), Rami Abulnaga, Egypt (CBE)’s Sub Governor for Markets and Foreign Relations Sector; Hassan Abdallah, Governor of the Central Bank of Egypt and Ahmed Zayed, Dean of the AfDB Group Board of Directors during the Signing Ceremony of a Memorandum of Understanding between the AfDB and Egypt.
HANDS Seminar on impact assessment of MARVI workers at Mövenpick Hotel, Karachi.Wherein Prof.A G Billoo, Dr.Shaikh Tanveer Ahmed, Senator Dr Karim Ahmed Khawaja, Mr. Iqbal Hussain Durrani. Secretary, Health Department,Prof.Rasheed Juma, Dr.Yasmeen Qazi and other dignitaries from Health and Population Welfare Department, Development partners, Diplomats, Public Health Professionals, NGOs representatives, Professional Associations and Media Professionals took part.
Edwidge Danticat read from her work and then joined with Aja Monet in a conversation as part of the Lannan Foundation's Readings and Conversations series live at the Lensic Theater.
Wednesday 27 March 2019
Santa Fe, New Mexico
Learn more about this event here.
Subscribe to Lannan Podcasts here.
Photo copyright Don Usner. For use, contact donusner@lannan.org.
Conferencia pública con expertos internacionales sobre Rusia, el régimen de Vladimir Putin y los retos socioeconómicos del país. El evento tuvo lugar en la Asociación de la Prensa de Madrid el 2 de julio de 2015.
Food Fest 2015, An International Understanding project for the year 2015 organized by the Interact District 3220 was held on 31st of May 2015 from 9.00am onwards at Kandy City Centre premises.
©KandyZone | Isuru Gimhana | Ushan Malshika |Editing, reproducing and re-using the images for commercial purpose or otherwise, without permission of KandyZone, are strictly prohibited and considered as intended copyright infringement
Costa Rica and Rwanda have signed a Memorandum of Understanding to cooperation on payment for ecosystem services and natural capital accounting. The signing ceremony took place on the sidelines of the United Nations Environment Assembly in Nairobi, Kenya.
The 2012 Centrum Jazz Port Townsend Workshop "Blowout Friday" included a class by pianist Eric Reed called "Understanding Jazz." The perfect introduction is you're relatively new to Jazz, or if you just want to solidify what you already know.
It is okay to talk to dogs like humans. Understanding humans is one of the things dogs are good at. They read emotions, predict what their owners want and follow instructions.
Directly speaking to dogs makes them want to spend more time with their owner. Giving dogs treats have side effects like weight gain, but talking with them won’t make them gain excessive weight.
Like giving them treats, speaking with them is another way to show your dog love. And it helps your mental and physical health and the dogs.
A lack of understanding of a dog’s body language can lead to an unhealthy relationship between the dog and the owner.
Dogs always do things to engage with their owners, so if you can’t talk to your dog, use body language.
7 Ways To Talk To A Dog
Be Calm And Relaxed
when you are relaxed, take a deep breath, and you should understand that your dog is not acting up on purpose.
Be aware that boredom can cause your dog not to understand your language. Don’t be tense; your dog can sense that and will most likely not take your instructions seriously.
Avoid being mad when you are with your dog; it will make him stressed out. Practice deep breathing exercises or deep yawning and help your dog calm down when he is overly excited or anxious.
Be moderate with how your treat your dog, or it may be difficult for your dog to obey instructions or calm down. Make your dog happy, play with your dog, and take him out to avoid getting bored.
Teach
Benjamin Wigfall 1930 - 2017
Chimneys - 1951
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Southern / Modern - Rediscovering Southern Art from the First Half of the Twentieth Century - October 26, 2024 - February 2, 2025
The first exhibition to present a comprehensive survey of works by artists working in the American South in the first half of the 20th century
Created in collaboration with Georgia Museum of Art, the exhibition includes more than 100 paintings and works on paper by artists working in states below the Mason-Dixon line and as far west as those bordering the Mississippi River, as well as some artists living outside of the region who made significant bodies of work during visits.
Curated by the Mint’s Senior Curator of American Art Jonathan Stuhlman, PhD, and independent scholar Martha Severens, Southern/Modern: Rediscovering Southern Art From the First Half of the Twentieth Century takes a broad view of the South and is structured around key themes that traverse geographic regions, including time and place, race, family ties, and social struggles. It also takes a broad, inclusive view of the art of the region, incorporating the creativity and talent of women artists and artists of color across its various thematic sections to provide a fuller, richer, and more accurate overview of the artistic activity in the American South at the time.
"The names Jackson Pollock and Mark Rothko flash to mind when thinking about the U.S. as the modern art epicenter at mid-20th century. What do Zelda Fitzgerald of Montgomery, Alabama or Dusti Bongé of Biloxi have to do with that history? More than any art narrative has said until now. A rich book published in conjunction with the exhibit “Southern/Modern” makes the case that modernism flourished in the South despite less recognition then and systemic exclusion since. The volume’s cover is Bongé’s “Where the Shrimp Pickers Live,” a 1940 oil fed by Bongé’s rent-collecting job on the Biloxi Back Bay.
The South’s painting legacy is hardly the most crucial part of southern history now under hard examination. Our era is retelling—make that telling for the first time—the truth of slavery, white supremacy and labor exploitation in the region’s DNA. Yet who paints and what is painted are questions overlapping the general reckoning. The Southern/Modern project attempts and delivers answers.
Do I, a lifelong Mississippian, sound thin-skinned that southern artists were shortchanged? Well, I am, but it’s also true. Consider the famous 1949 proclamation by the American Wing curator of the Metropolitan Museum of Art: “Little of artistic merit was made south of Baltimore.” Southern/Modern counters that verdict.
True, there have been shows on individual modernist southern artists, but Southern/Modern is the first to examine the region’s strand as part of the national modern fabric. The exhibit of about 100 paintings and prints centers on southern works between 1913 and 1955.
This kind of project is not just a real-time event, although “The New York Times” named the “daring and revisionist” show a Critic’s Choice. The ambition of Southern/Modern is to establish a basis for future art scholarship. Shows, after all, formulate our understanding of art movements. The understanding of Impressionism coalesced with the 1863 Paris Salon des Refusés. Participation in the 1951 9th Street Art Exhibition qualified a painter for the New York School abstract expressionist canon.
The essays in “Southern/Modern” define modern with a big M and small one, according to Jonathan Stuhlman, senior curator of American art at the Mint Museum in Charlotte, North Carolina and co-editor of the book. As an art term, modern means presenting artists who are “moving away from realism and toward abstraction,” he writes. But this project also includes painters modern in the sense that they frankly depict life around them. Regionalism versus modern is a false choice."
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