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TEDxStuttgart 2017 "New Understanding" am 23. September 2017 in der Phoenixhalle im Römerkastell.
Foto: Martin Naujocks
14 June 2017, Rome Italy - Signing ceremony of the Memorandum of Understanding (MoU) between the Gen. Tullio Del Sette, Arma dei Carabinieri of the Italian Republic and FAO Director-General Jose' Graziano da Silva, FAO headquarters (Australia Room).
Photo credit must be given: ©FAO/Giuseppe Carotenuto. Editorial use only. Copyright ©FAO.
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Understanding Exposure and Understanding Close-Up Photography together with the perfect picture...
... signed by Bryan Peterson.......
Yipeeeeeeeeeeeeeeee!!!!!
Committing to Collaboration: David Turnbull, chairman of RSA-US Student Design Awards, looks on as Shashi Caan and David Turner, Presidents of International Federation of Interior Architects/Designers (IFI) and RSA United States (RSA-US), sign a memorandum of understanding. The two organizations will work together to further design education and cultural development for the benefit of their respective members and society as a whole.
RSA-US Student Design Awards aka #SDAUS, is an award program to inspire collaborative and multi-disciplinary design-led social by connecting design students and faculty with industry needs.
Why do we need SDA-US? Why now?
“It is a pivotal moment in the field of socially responsible design. More than ever, design professionals are involved in projects that have a social impact. Student enrolment in educational programs or social innovation is growing exponentially.” Bill Moggridge, RSA Royal Designer for Industry, co-founder of IDEO and Director, Cooper-Hewitt, National Design Museum 2010-12.
How can I participate?
The awards are open to design students at US accredited schools. Faculty should oversee the students’ work, ideally by building the brief into the curriculum, by setting up workshops, and/or by individual mentoring. We'll announce the 2014 briefs and key dates in May 2013- so stay tuned:
Find us on Facebook
Follow us on Twitter
See FAQ on the website: sda.rsa-us.org/program-goals-and-timeline/faq-for-schools/ .
I'm inspired - and I'd like to talk about designing or sponsoring a brief for 2014
A practical illustration of the above in action.
Frederike Kaltheuner - University of Amsterdam
The increasing prevalence of analytics and Big Data in both the private and public sector present novel challenges for privacy. In this presentation, an example of the concept of predictive privacy harms will be provided. What does it actually mean to predict (individual) behaviour? How do predictive analytics work? And how can predictive analytics turn into predictive privacy harms?
One of the most clichéd examples to illustrate the novel nature of this challenge is the notorious case of the Target pregnancy case. In 2012, the New York Times reported how the retail chain Target uses data mining to predict pregnancies in its female customers - regardless of whether this information has been shared with friends or family. While this example has been exhausted to such an extent that it almost amounts to a cliché, it is nonetheless an interesting starting point to investigate how we talk about and interpret predictive privacy harms in public discourse.
"WE LIVE BEYOND OUR MEANS Of Understanding"--Wyatt Matturs--/ OSAW (OneStrokeArtWater) MRI (MysteryRepeatsItself) The World's First Bowhammer Cymbalom CD "Radically Repurposed" For Surreal Form, Spectral Figure, & Haunted Face-Lift From 'Flared' Bodies Of Water (Sea, Lake, Creek, Puddle) Still, Or Moving, In Conditions Of Light (Street, Moon, Sun) --This One: Strawberry Creek / Berkeley California
MAIN GALLERY CURATION IN PROGRESS (From Thousands)
For the past two decades, Alaska’s National Wildlife Refuges have worked alongside local communities to provide science and culture summer camps for rural youth. During these camps, students spend time outside exploring their wild backyards with teachers, mentors and elders, while gaining a better understanding of natural resource issues impacting their lives, and practicing cultural traditions with guidance from village elders.
IFPRI Director General Shenggen Fan signs a memorandum of understanding between IFPRI and Central Asia Regional Economic Cooperation (CAREC) as Senior Research Fellow Kevin Chen stands witness.
5 June, 2016, Beijing, China
Photo credit: Katrin Park / International Food Policy Research Institute
Talented and Gifted 7th grade students from Harding Middle School visited University of Iowa Health Care to explore careers in Medicine and gain a better understanding of what working in the medical field looks like. Students first visited with a Neonatologist, who showed them how to intubate a baby and shared his experiences of being a Neonatologist with the students. Students then visited Air Care where they met some members of the flight crew and had the opportunity to go behind the scenes and take a look inside the helicopter. Students also had an up-close view to watch a helicopter land on the helipad. Finally, students met with a couple of current Carver College of Medicine students who talked about what it is like to be in medical school as well as taught some basic anatomy of the heart, lungs and brain. Students were able to touch human plastinated organs for a better understanding of the anatomical parts they were learning about.
University of Iowa Health Care is committed partners with formal and informal educators and community organizations across the state to advance STEM literacy to inspire the next generation of health care professionals and build a foundation for children to understanding their own health. In FY2015, more than 16,000 school age children were engaged in hands on learning provided by 260 faculty, staff and students.
Hi there,
I temporarily opened my commission thread again.
Please read this first. Thanks very much for your understanding:
Three face-up slots are available.
MSD or SD dolls only please.
No manicure, pedicure, bodyblush or mods. I only have time for face-ups right now.
The slots are for people who can send a doll right now. I can't do any reservations at the moment, since I am not sure when I can take commissions again, and I already have a few reservations going on. Sorry for any inconvenience, but again thanks for your understanding.
My latest work can be reviewed at my Flickr account.
[URL="http://www.flickr.com/photos/sweetlytwisted/collections/72157613931585910/"]Click[/URL]
More information about my prices: www.sweetlytwisted.com
Marco Sosa, the Danteum. 3/4 Study model for a conceptual model of the danteum. Out of purgatory comes heaven, a very light, open space [he needs to fix that grey plane in the 'clean' model]. Heaven has a golden section relation to purgatory.
The incredible quantity of psychological and physical stress put in upon a lady’s mind and also body while pregnant is absolutely not rather a preferred moment yet it deserves sustaining. The gift so cute as well as usually mystical in the experience of neo-mothers do not just gone along with labor, which is just an […]
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This ancient unknown North American culture not only held the technologies to create drawings and pigment applications on stone similar to a permanent ceramic glaze; they were also masters at understanding and manipulating light from a single and/or multiple sources like our single sun, capable of creating dual images from a single stone simply by altering and manipulating the surface of a stone.
This ancient culture held the technologies and mind capacity to use the three-dimensional aspects of physical space of a single object on earth and create dual converging projected images simply by manipulating the physical surface of a single stone: "A Single Surface of One Stone; Two Converging Interfacing Images".
Native American Indigenous Peoples were and are known to have mastered the art of creating "Shadow Puppets/Images" in Sun light during the day time or Moon light by the fire in darkness; perhaps it was this ancient culture who was responsible for teaching our Native American Ancestors this "Art of Multi-Dimensional Light Imagery" (Shadow Puppets)???
This ancient culture held the intellectual ability to consider light as a fourth dimension taking into consideration the rotation of Planetary bodies serving as light and energy sources that travel through the Dark Matter of Open Space; within our atmosphere and beyond.
Our Modern World is taught that the three-dimensional physical space on Earth is a substance; yet the air we breathe that keeps us alive exists only within a plasma of existence that is not visible to the naked human eye???
The Dark Matter of our World extends far into every corner and presence of our Universe containing all of the energy ribbons and non-physical plasma necessary for all life within our Universe; yet humans are erroneously taught that this Dark-non physical matter of our world is without substance to our existence on Earth. Without this plasma of Dark Matter existing within our Universe, we would not exist: plain and simple.
The guest speaker was Mr John Hoddinott, Deputy Director in IFPRI’s Poverty Health and Nutrition Division. He engaged participants in dialogue about resilience in general and shared his own experiences and observations in Ethiopia, and a cash/food/voucher study with which he is involved.
Find more information about the speaker here:
Based on the information collected during my ethnographic work focusing my attention on the everyday understandings of dengue fever, and paying particular attention to the different ways in which the subjects that have had dengue described the experience of being unwell, I decided to re-work (collaboratively) all the information gathered so far, to create elements that reflect the ideas of how dengue fever is understood in various different contexts.
Promoters of public health have not taken into consideration the points of view of the patients or those who have had the disease. They design campaigns based on an entomological and clinical point of view, following a standard template where you see health staff –dressed in laboratory coats– talking about environmental hygiene and the purposes of sanitation. In addition, humour doesn’t play a role in the design of the campaigns.
In order to collaboratively create an intervention that reproduces the way Luis Fernando and Sara experienced the disease (you can find information about the ways in which they described the experience of being unwell by accessing my PhD blog: www.anthropologyartscience.blogspot.com), we asked Alejandro Uribe, Sarita Álvarez and Juan Camilo Ortega for their help. They are part of Bimana, a collective of artist that creates a variety of large-scale interventions and performances combining a solar balloon, plastic bags, kites, makeup, prosthetics design, and special effects. The idea was to create a fictional character, or a comic anti-hero, that would appear in the public space of the city, creating an active dialogue with different peoples.
Acknowledgments:
I am extremely grateful with the subjects of this ethnography Sara and Luis Fernando. Special thanks to the ‘Bimana Producciones’ team (Alejandro Uribe, Sarita Álvarez and Juan Camilo Ortega), the kite-flyer Andrés Ramírez and the actor Emilio Arango. I would also like to thank the rest of the people that helped during the public experiment: Pablo López, Lucía Tobón, Sara Ibarra, Susana Valencia, Hernán Marín, Mario Valencia, and Gustavo Ramírez.
To see more about this project, please refer to these websites:
Artificial Intelligence is becoming increasingly human-like and it is now proficient in a key human activity: musical creativity. But what does this mean? How does creative AI change our notions of art, culture, and society? These are the questions that the Intelligent Instruments Lab explores through practice-based research and critical reflection in the experimental humanities. As new machine learning technologies begin to mirror ourselves, we need to look into that mirror and ask how this is changing us.
Photo: Esther Thorvarldsdottir
Based on the information collected during my ethnographic work focusing my attention on the everyday understandings of dengue fever, and paying particular attention to the different ways in which the subjects that have had dengue described the experience of being unwell, I decided to re-work (collaboratively) all the information gathered so far, to create elements that reflect the ideas of how dengue fever is understood in various different contexts.
Promoters of public health have not taken into consideration the points of view of the patients or those who have had the disease. They design campaigns based on an entomological and clinical point of view, following a standard template where you see health staff –dressed in laboratory coats– talking about environmental hygiene and the purposes of sanitation. In addition, humour doesn’t play a role in the design of the campaigns.
In order to collaboratively create an intervention that reproduces the way Luis Fernando and Sara experienced the disease (you can find information about the ways in which they described the experience of being unwell by accessing my PhD blog: www.anthropologyartscience.blogspot.com), we asked Alejandro Uribe, Sarita Álvarez and Juan Camilo Ortega for their help. They are part of Bimana, a collective of artist that creates a variety of large-scale interventions and performances combining a solar balloon, plastic bags, kites, makeup, prosthetics design, and special effects. The idea was to create a fictional character, or a comic anti-hero, that would appear in the public space of the city, creating an active dialogue with different peoples.
Acknowledgments:
I am extremely grateful with the subjects of this ethnography Sara and Luis Fernando. Special thanks to the ‘Bimana Producciones’ team (Alejandro Uribe, Sarita Álvarez and Juan Camilo Ortega), the kite-flyer Andrés Ramírez and the actor Emilio Arango. I would also like to thank the rest of the people that helped during the public experiment: Pablo López, Lucía Tobón, Sara Ibarram, Susana Valencia, Hernán Marín, Mario Valencia, and Gustavo Ramírez.
To see more about this project, please refer to these websites: