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Kids From Randolph School, Huntsville, AL
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★What IS THE INTERNATIONAL FIBER COLLABORATIVE?
As the leading voice for collaborative public art projects around the world, the International Fiber Collaborative is dedicated to promoting understanding and appreciation of contemporary art & craft through educational experiences. We are committed to developing vital education programs that elevate, expand, modernize and enhance the image of collaboration and education today.
★WHAT IS THE DREAM ROCKET PROJECT?
The Dream Rocket Team is collecting nearly 8,000 artworks from participants around the globe. The artwork will be assembled together to create a massive cover in which will wrap a 37 story Saturn V Moon Rocket at the U.S. Space & Rocket Center in Huntsville, Alabama. We will also be displaying submitted artwork in dozens of national venues prior to the wrapping of the Saturn V. Additionally, we are posting images of submitted artwork & their stories on our Website, Flickr, and Facebook.The Dream Rocket project uses the Saturn V Moon Rocket as a symbolism of universal values of the human spirit. Optimism, hope,
caring for our natural resources, scientific exploration, and harnessing technological advancements for a better quality of life while safeguarding our communities, are all common desires across national and international boundaries. Participants are able to express and learn about these values through this creative collaboration. With the completion of each artwork, participants are asked to write an essay explaining their artwork, and the dream theme in which they chose.
★How can I Participate & Have my Artwork Displayed?
The Dream Rocket project would like to challenge you to ‘Dare to Dream’. To dream about your future and the future of our world through dream themes such as health, community, conservation, science, technology, space, peace, and so on. We would like you to use your selected Dream Theme to express, explore, and create your vision on your section of the wrap. We hope that you are able to express and learn through this creative collaboration. With the completion of each artwork, you are asked to write a brief essay explaining your artwork, and the dream theme in which you chose.
“The Saturn V is the ideal icon to represent a big dream. This rocket was designed and built as a collaboration of nearly half-a-million people and allowed our human species to venture beyond our world and stand on ANOTHER - SURELY one of the biggest dreams of all time. ENABLING THE DREAMS of young people to touch this mighty rocket sends a powerful message in conjunction with creating an educational curriculum to engage students to embrace the power of learning through many important subjects”
-Neil deGrasse Tyson, Director of the Hayden Planetarium, New York
★I VALUE THE ARTS!!!!
The International Fiber Collaborative is able to share the power of a collaboration and art, thanks to the support of generous individual donors. We welcome any amount of donations and remember the International Fiber Collaborative is exempt under Section 501(c)(3) of the Internal Revenue Code, making this gift tax deductible.
Donate Today at: www.thedreamrocket.com/support-the-dream-rocket
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Secretary of State Antony J. Blinken participates in a memorandum of understanding signing ceremony with the Tent Partnership for Refugees, at the Department of State in Washington, D.C. on December 12, 2022. [State Department photo by Ron Przysucha/ Public Domain]
much more than understandingly. it was one of those rare smiles with a quality of eternal reassurance in it, that you may come across four or five times in life.
(Left to right) Maryland's Governor Martin O’Malley, Senator Barbara Mikulski and NASA Goddard Center Director Chris Scolese, talking to media after signing a Memorandum of Understanding at NASA Goddard Space Flight Center on Nov 25, 2013.
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On Monday, Nov. 25, 2013, representatives from the State of Maryland and NASA’s Goddard Space Flight Center signed an agreement to pave the way in attracting high tech companies to Maryland that will be key in enabling both future missions of NASA and the economic future of Maryland.
Participants in the signing event will include Senator Barbara Mikulski, Governor Martin O’Malley and Goddard Center Director Chris Scolese. The event took place at the Goddard visitor center.
Invitees to the event include Kevin F. Kelly, chairman of the Federal Facilities Advisory Board, Dr. Antonio Busallachi, Director, Earth System Science Interdisciplinary Center, University of Maryland College Park and Anoop Mehta, President of the Maryland Space Business Roundtable,
Credit: NASA/Goddard/Debbie Mccallum
NASA Goddard Space Flight Center enables NASA’s mission through four scientific endeavors: Earth Science, Heliophysics, Solar System Exploration, and Astrophysics. Goddard plays a leading role in NASA’s accomplishments by contributing compelling scientific knowledge to advance the Agency’s mission.
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PACC is a biennial executive defense forum for the Army Chiefs of Staff from countries throughout the Indo-Asia Pacific region, North America and parts of Europe. This iteration is co-chaired by Gen. Mulyono, Indonesian Army Chief of Staff, and Gen. Mark A. Milley, U.S. Army Chief of Staff. PAMS is an annual seminar with three to four-star general officers, or equivalent, that helps to build regional understanding through shared dialogue and experiences. This year, PAMS is co-chaired by Lt. Gen. Erwin Syafitri, Indonesian Army Vice Chief of Staff, and Gen. Vincent K. Brooks, U.S. Army Pacific Commanding General.
A panel of students and experts discuss Islamophobia in the U.S. and its role in this election cycle.
Photographer: Jonathan Heisler, Hofstra University Photographer
Wildlife and the outdoors are woven into Latino culture, and to strengthen those ties the Service today signed a Memorandum of Understanding with the League of United Latin American Citizens, (LULAC). Together, we will work to increase participation by Latino families in fishing and other outdoor recreation, and engage Latinos in monarch butterfly conservation.
The Complete Beginner's Guide To Model Trains
Discover all the “Closely Guarded” model railroading tips and tricks you need to plan & build your dream model railroad. This guide starts with a clear understanding that building a model railway is not just setting up a simple model train set around the Christmas tree. You are creating an entire scaled model railway which includes hills, rivers, fields, buildings, houses, roads, cars, people and whatever else your imagination dreams up. modeltrains.best-online-solution.com
Artificial intelligence versus natural intelligence – what are the differences and what do they have in common? How do machines “think,” how do they learn, and what distinguishes us humans from machines? Artificial intelligence in all its complexity is a central focus of the new Ars Electronica Center; after all, this technology is setting off a revolution that will affect our lives in ways that cannot be overestimated. Our goal with the exhibition “Understanding Artificial Intelligence” is to make our visitors “AI savvy” and give them all a basic idea of what artificial intelligence is, how it is already being applied, and what it can already do. The exhibition shows how neural networks are constructed and even offers visitors an opportunity to train them at a number of interactive stations.
Credit: Magdalena Sick-Leitner
Expanding and strengthening trading relationships abroad means real jobs here at home. The Government of British Columbia is acting to make sure that B.C. businesses are first in line to take advantage of the growing market opportunities in Asia. The upcoming Jobs and Trade Mission to China, Japan and Korea will open up new doors, connect B.C. businesses with Asian demand, and keep B.C.’s economy strong and growing.
Learn more: www.newsroom.gov.bc.ca/2013/10/growing-markets-in-asia-an...
Artificial intelligence versus natural intelligence – what are the differences and what do they have in common? How do machines “think,” how do they learn, and what distinguishes us humans from machines? Artificial intelligence in all its complexity is a central focus of the new Ars Electronica Center; after all, this technology is setting off a revolution that will affect our lives in ways that cannot be overestimated. Our goal with the exhibition “Understanding Artificial Intelligence” is to make our visitors “AI savvy” and give them all a basic idea of what artificial intelligence is, how it is already being applied, and what it can already do. The exhibition shows how neural networks are constructed and even offers visitors an opportunity to train them at a number of interactive stations.
Credit: Magdalena Sick-Leitner
The only way to prevent earthquake damage is to equip local masons and homeowners with information on seismic-safe construction practices.
Learn more about UNDP's work to promote earthquake safety in Uzbekistan
Standard grade pupils need to be able to discuss the process of casting aluminium in the SQA exam. This is part of the KU element of the course.
This sequence of photos goes through the entire process from the preparation of the cope and drag through the prep of the runner and riser using sprue pins through to the final pour and removal of the casting.
We encountered problems at the last stage. The internal channels were not cut deeply enough and the molten aluminium did not have a clear passage through the mould cavity. The pattern was made prom expanded polystyrene. This material just vaporises on contact with the aluminium heated to 650 degrees C.
We'll update these photos when we get a better pour.
KIGALI, December 16, 2020: Rwanda Development Board has signed a Memorandum of Understanding (MoU) with trade enabler-DP World to launch its new global B2B and B2C e-commerce platform, Dubuy.com, in Rwanda early next year. The vision of the MoU is to make it easier for Rwandan businesses to engage in international trade.
Rwanda will become DP World’s hub for expanding e-commerce across the East Africa Community and beyond. Rwandan businesses will also benefit from broader DP World services and investment that will help to facilitate and develop trade. This includes the promotion of Rwandan exports of coffee, tea, and horticulture on Dubuy.com, the modernising of Rwanda’s supply chain logistics including in rural areas, and access to digital tools to help businesses save money and expand their reach to local, regional, and global markets.
The decision to launch Dubuy.com in Rwanda follows the country’s consistent superior annual rating in the World Bank’s global “Ease of Doing Business” rankings and its commitment to international trade and investment.
The e-commerce site will bring Rwandan products to global markets and help enterprises from around the world to invest in Rwanda. In turn, Rwandans will have greater access to international products.
DP World has already invested in world-class port and logistics facilities in Kigali, demonstrating its strong belief in Rwanda’s future.
Expanding and strengthening trading relationships abroad means real jobs here at home. The Government of British Columbia is acting to make sure that B.C. businesses are first in line to take advantage of the growing market opportunities in Asia. The upcoming Jobs and Trade Mission to China, Japan and Korea will open up new doors, connect B.C. businesses with Asian demand, and keep B.C.’s economy strong and growing.
Learn more: www.newsroom.gov.bc.ca/2013/10/growing-markets-in-asia-an...
Understanding first-hand how the bulk electric system operates can be a challenge for those who don’t work with it every day. So in addition to offering NERC-certified course to utility industry professionals, the Electric Power Training Center can provide simulated training for anyone with an interest in learning about the principles and operation of power generation, transmission and interconnected system operations. On March 18, Alex McDonough, senior policy advisor to Senator Harry Reid (NV-D), received a hands-on demonstration of EPTC’s self-contained, fully operational miniature power system that includes three generators, two substations, many hundreds of miles of transmission lines, a dispatch center and a variety of loads spread throughout the system. EPTC Manager Steve Yexley, right, answered McDonough's questions. (Photo by Jen Neville)
Forex Market Understanding the Basics of Fundamental Analysis
Traders usually strategy monetary Markets within one of two methods: possibly via specialized evaluation or even basic evaluation. The truth is which background is actually filled with Traders who've experienced really prosperous...
marketforexbitcoin.info/2016/01/21/forex-market-understan...
U.S Secretary of State John Kerry and Georgian Prime Minister Giorgi Kvirikashvili sign a memorandum of understanding on July 6, 2016, at the Chancellery in Tbilisi, Georgia, before a news conference that followed their joint attendance at the U.S. Georgia Strategic Partnership Commission Meeting and a conversation between the Secretary and Georgian Foreign Minister Mikhail Janelidze. [State Department Photo/ Public Domain]
Video Mapping Philipp Geist_Ano da Alemanha no Brasil - Santa Marta 2014
„VideoInstallation by Philipp Geist“, "Philipp Geist", „Copyright 2014 Philipp Geist / VG Bildkunst 2014", www.videogeist.de, mail@videogeist.de, „Rio de Janeiro“, "Santa Marta“, „Cristo Redentor“, „Dona Marta“, „Deutschland + Brasilien 2013-2014“, “Alemanha + Brasil 2013-2014”
Photo by Fred Pacífico
©2014 Philipp Geist / VG BIldkunst Bonn
Rio de Janeiro / Brazil 2014
Christ statue (Cristo Redentor) – May 12
Dona Marta favela – May 15 and 16,2014
Light Art-Video-Mapping-Installations Philipp Geist in Rio de Janeiro / Brazil 2014
on the Christ statue (Cristo Redentor) - May 12 and in the Dona Marta favela - May 15 and 16,
2014
Installation Philipp Geist Year of Germany in Brazil 2013/2014
Concept Time Drifts May 2014
At the end of the Year of Germany in Brazil 2013/2014, the artist Philipp Geist (Berlin, 1976)
develops two light installations in Rio this year; the first one on the world-famous Christ statue
(Cristo Redentor) and the other installation in the Santa Marta favela. For the installation the
artist presents artistic-liberal and poetic German and Brazilian themes and develops a building
and floor light installation of colored words and phrases in Portuguese, German, and in other
international languages. The installation deals with cultural characteristics and achievements of
both countries and visualizes the issues of time and space, volatility and presence in a free
artistic style. The two projects are in fact a double project which is combined. The installation
on the symbol of Rio and Brazil, the Christ statue, is recorded and projected onto the small
buildings and huts of the favela. The Christ statue, which has been built to protect the city and
the sailors, is symbolically projected on the shantytown, the favela, in a protective way. The
installation in the favela will be seen not only on a facade as a large cinema projection or as a
static image, but on several winding buildings, the roofs, the floor and on the steps. Thus, the
visitor becomes a part of the installation and can immerse into the projection and the light and
introduce himself. Chalk crayons are put out on the streets in the favela and the young and old
residents and visitors can write and paint words on the street, the ground, the stairs or even on
the house walls. The residents and several institutions should be addressed to submit words and
associations dealing with Rio, Brazil and Germany.
For the installation, which was shown at the Luminale in 2012, the artist Philipp Geist won the
German Lighting Design Award 2013 (Deutscher Lichtdesign-Preis 2013) in the category Light Art.
The series 'Time Drifts' is characterized by the complex and subtle way of visualizing various
currents and voices in cultural contexts and to provide institutions and visitors with the
opportunity of substantive participation: different personalities, visitors and institutions may be
addressed in advance and then contribute words and associations. Current and historico-cultural
topics are researched in advance by the artist and then integrated in a sensitive and subtle way.
The projection dismisses the use of screens, because concepts and associations are projected on
a large area onto the floor surface on several facades and in theater fog. Over the course of two
days, the installation can be seen on-site in the favela on May 15 and 16 and on the Cristo
Redentor on May 12 for a day.
Short, tall, young and old visitors can interactively participate in the installation by tracing and
adding words with colored chalk crayons available on the streets. Thus, over the period of the
installation, a carpet of words is evolved with terms that are contributed locally by the visitors
by means of the temporary and volatile 'medium' of chalk crayons. Philipp Geist develops in this
way a dialogue between the place, the visitors and his artistic work.
The concrete, tangible projection of the architecture and the static terms on the floor area
represents the facts and visible relics that are responsible for our understanding of history. The
transparent and volatile projection in the fog reminds us that part of the history can not be
preserved and that it is created in our individual imagination in a single moment. Words are
briefly visible as a metaphor for transience and then disappear again. This interplay of the
various text and image layers in the space refers to the location and the history/-ies of Brazil
and Germany and the cultural exchange between the two countries. The visitors themselves are
part of the installation: they dive into the large floor projection. In this way, different
perspectives and experiences of space are unified. Abstract passages which are created, then
overlapped and displaced by each other symbolize the constant changes in history, the passage
of time and the transience of existence. Even the understanding of the past is in the flux. The
modern writings and formations created on the computer establish a connection to the present
and the possibilities of today's technology and show that the perception of history and culture
depends always on the possibilities and constraints of the present.
'Time Drifts - Words of Berlin' is part of a series of installations, which has been shown in recent
years by Philipp Geist, and which are always re-developed site-specifically and adapted to the
local conditions: In October 2012, Philipp Geist showed the installation on the entire Potsdamer
Platz (public square) and the Kolhoff Tower and Renzo Piano Tower skyscrapers. In April 2012
the installation was shown at the Luminale in Frankfurt where it was seen by more than 40,000
visitors and thus the main project of the Luminale 2012. In 2011, Philipp Geist presented the
'Time Drifts' installation in Vancouver at the Jack Poole Plaza, as well as in Montreal on the
Place des Arts in 2010. The 'Timing' installation was shown at the 2009 Glow Festival in
Eindhoven. In the end of 2009, on the occasion of the birthday of the King of Thailand, 2-3
million visitors saw his facade installation at the royal throne in Bangkok. Other projects
include: 'Timelines' at the prestigious Pallazzio delle Esposizioni (Rome, 2007), 'Time Fades'
at the Cultural Forum of Berlin and 'Broken Time Lines' at the old spa Kurhaus Ahrenshoop
(Germany, 2008).
Geist's projects are primarily characterized by their complexity concerning the integration of
space, sound and motion images. His video mapping installations waive screens and transform a
wide range of architectures in moving, picturesque light sculptures which challenge the viewer's
perception of two- and three-dimensionality.
www.alemanha-brasil.org/br/node/8542
www.alemanha-brasil.org/Programme/Dia/2014-05-12
www.alemanha-brasil.org/Programme/Dia/2014-05-15
www.alemanha-brasil.org/Programme/Dia/2014-05-16
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Arte de luz - Instalações de Mapeamento de Vídeo por Philipp Geist no Rio de Janeiro / Brasil
2014 no Cristo Redentor no dia 12 de maio e na favela Santa Marta nos dias 15 e 16 de maio de
2014
Instalação Philipp Geist Ano Alemanha + Brasil 2013/2014
Conceito Time Drifts Maio 2014
No final do ano Alemnaha + Brasil 2013/2014, o artista Philipp Geist (1976, Berlim) desenvolverá
duas instalações de luz no Rio; uma delas será exibida na mundialmente famosa estátua do
Cristo Redentor, e a outra na favela Santa Marta. Para a instalação, o artista traz temas teutobrasileiros
de maneira liberal-artística e poética desenvolvendo instalações de luz em edifícios e
no solo a partir de palavras e conceitos coloridos em Português, Alemão e em outros idiomas
internacionais. A instalação lida com as peculiaridades e realizações culturais de ambos os países
e visualiza as questões de tempo e espaço e de volatilidade e presença no estilo liberal-artístico.
Os dois projetos em questão representam um projeto duplo que é combinado. A instalação na
estátua do Cristo Redentor, como um símbolo do Rio e do Brasil, será gravada e projetada nos
pequenos prédios e barracos da favela. A estátua do Cristo Redentor, que foi erguida para
proteger a cidade e os marinheiros, será então projetada como um símbolo de proteção em uma
favela. A instalação na favela é visto não apenas em uma fachada como uma projeção grande de
cinema ou como uma imagem estática, mas em vários prédios sinuosos, em telhados, no solo e
nas escadas. Desta maneira, o visitante conseguirá ser parte da instalação e imergir e mergulhar
na projeção e na luz. Na favela, será distribuído giz para pintura de rua, e os moradores e
visitantes, tanto jovens quanto velhos, podem escrever e pintar conceitos na rua, no solo, nas
escadas ou até mesmo nas paredes das casas. Os moradores e diversas instituições serão
convidados a contribuir com conceitos e associações que representam o Rio, o Brasil e a
Alemanha.
Para as instalações apresentadas na Luminal em 2012, o artista Philipp Geist ganhou o
'Deutscher Lichtdesign-Preis 2013” (Prêmio Alemão de Desenho de Luz de 2013) na categoria
Arte de Luz. A série Time Drifts caracteriza-se pela forma complexa e sutil de visualizar várias
correntes e vozes em contextos culturais e de oferecer a instituições e aos visitantes a
oportunidade de participar: diferentes personalidades, visitantes e instituições podem ser
contatados antecipadamente para contribuir com termos e associações. Temas atuais, históricos
e culturais serão previamente pesquisados pelo artista e, depois, integrados de uma forma
sensível e sutil. A projeção é realizada sem o uso de telas porque conceitos e associações são
projetados, em grande estilo, sobre a superfície do solo, em diversas frentes e envolvidos em
fumaça. Ao longo de dois dias, a instalação estará em exibição em 15 e 16 de maio na favela, e
em 12 de maio, por um dia, no Cristo Redentor.
Visitantes jovens e velhos podem envolver-se na instalação e traçar ou adicionar palavras com
giz colorido, que será distribuído, e assim participar interativamente na instalação. Desta
maneira, durante a duração da instalação, será desenvolvido um tapete de palavras. As palavras
serão fornecidas, no próprio local, pelos visitantes usando o giz, um meio temporário e volátil.
Philipp Geist desenvolve assim um diálogo entre o local, os visitantes e seu trabalho artístico.
A área de projeção concreta e tangível da arquitetura e os termos estáticos sobre a superfície do
solo representam os fatos e as relíquias visíveis que compõem a nossa compreensão da história. A
área de projeção transparente e sumindo por dentro da fumaça lembra que parte da história não
pode ser preservada e que ela é criada na nossa imaginação individual momentaneamente.
Conceitos são brevemente visíveis, como uma metáfora para a transitoriedade e, logo mais,
desaparecem. Esta interação entre as várias camadas de texto e de imagens no espaço refere-se
à localização e a(s) história(s) do Brasil e da Alemanha e o intercâmbio cultural entre os dois
países. Os próprios visitantes tornam-se parte da instalação: eles imergem na grande projeção
do solo. Desta forma, diferentes perspectivas e experiências de espaço são unidas. Passagens
abstratas que são formadas, sobrepostas e suprimidas pela próxima simbolizam as mudanças
contínuas na história, a passagem do tempo e a transitoriedade da existência. A compreensão do
passado também está no fluxo. As fontes e formações modernas criadas no computador
estabelecem uma conexão com o presente e com as possibilidades da tecnologia de hoje: a
percepção da história e da cultura sempre dependende das capacidades e limitações do
presente.
'Time Drifts - Words of Berlin' faz parte de uma série de instalações, que foram apresentadas
durante os últimos anos por Philipp Geist e que são sempre redesenvolvidas para as condições
locais específicas: em outubro de 2012, Philipp Geist exibiu a instalação em toda a praça
Potsdamer Platz (Berlim) e nos dois arranha-céus Kolhoff Tower (Berlim) e Renzo Piano Tower
(Londres). Em abril de 2012, a instalação foi apresentada no evento da Luminal em Frankfurt
onde foi vista por mais de 40.000 visitantes sendo o principal projeto da Luminal de 2012. Em
2011, Philipp Geist mostrou a instalação Time Drifts na praça Jack Poole Plaza em Vancouver
bem como em Montreal, Canadá, no centro de arte Place des Arts, em 2010. A instalação Timing
foi exibida no Glow Festival de 2009 in Eindhoven, Holanda. No final de 2009 e por ocasião do
aniversário do rei tailandês, aprox. 2 a 3 milhões de visitantes viram a instalação de fachada do
artista no trono real em Banguecoque. Seus outros projetos incluem: Time Lines, no prestigiado
museu Palazzio delle Esposizioni (Roma, 2007); Time Fades, no Fórum Cultural de Berlim;
Broken Time Lines, no antigo spa Kurhaus Ahrenshoop (Alemanha, 2008).
Os projetos de Geist são principalmente caracterizados por sua complexidade na integração de
espaço, som e imagens de movimento. Suas instalações de mapeamento de vídeo renunciam
telas e transformam uma ampla gama de arquiteturas em esculturas móveis e pitorescas que
desafiam a percepção do espectador de duas e três dimensões.
www.alemanha-brasil.org/br/node/8542
www.alemanha-brasil.org/Programme/Dia/2014-05-12
www.alemanha-brasil.org/Programme/Dia/2014-05-15
www.alemanha-brasil.org/Programme/Dia/2014-05-16
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Lichtkunst-VideoMappingInstallationen Philipp Geist in Rio de Janeiro / Brasilien 2014
an der Christstatue (Cristo Redender) 12.5 und in der Favela Santa Marta 15./16.5.2014
Installation Philipp Geist Deutsch-Brasilianisches Jahr 2013/2014
Konzept Time Drifts Mai 2014
Zum Abschluss des Deutsch-Brasilianischen-Jahres 2013/2014 entwickelt der Berliner Künstler
Philipp Geist (1976) zwei Lichtinstallation in Rio d.J.; eine an der weltbekannten Christstatue
(Cristo Redender) und in die andere Installation in der Favela Santa Marta. Bei der Installation
greift der Künstler künstlerisch frei und poetisch deutsch brasilianische Themen auf und
entwickelt eine Gebäude- und Boden-Lichtinstallation aus farbigen Wörtern und Begriffen in
portugiesischer, deutscher, und in weiteren internationalen Sprachen. Die Installation thematisiert
kulturelle Besonderheiten und Errungenschaften beider Länder und visualisiert die Themen Zeit
und Raum, Flüchtigkeit und Präsenz in freien künstlerischen Art. Bei den beiden Projekten handelt
es sich um ein Doppelprojekt welches kombiniert wird. Die Installation auf das Wahrzeichen von
Rio und Brasilien die Christstatue, wird aufgenommen und auf die kleinen Gebäude und Hütten
der Favela projiziert. Die Christstatue die errichtet worden ist um die Stadt und Seeleute zu
schützen, wird so symbolisch schützend über ein Armenviertel die Favela projiziert. Dabei ist die
Installation in der Favela nicht nur auf einer Fassade als große Kinoprojektion oder als statisches
Bild zu sehen, sondern auf mehreren verwinkelten Gebäuden, den Dächern, den Boden und auf
den Stufen. Der Besucher wird vielmehr auf diese Weise selbst Teil der Installation und kann in die
Projektion und das Licht eintauchen und sich einbringen. In der Favela werden Strassenmalkreide
ausgelegt und die Bewohner und Besucher ob jung oder alt können Begriffe auf die Strasse, den
Boden, die Treppenstufen oder sogar auf die Hauswände schreiben und malen. Die Bewohner und
verschiedene Institutionen sollen angesprochen werden Assoziationen und Begriffe die für Rio,
Brasilien und Deutschland stehen einzureichen.
Für die 2012 bei der Luminale gezeigten Installation hat der Künstler Philipp Geist den Deutschen
Lichtdesign-Preis 2013 in der der Kategorie Lichtkunst gewonnen. Die Serie 'Time Drifts' zeichnet
sich aus durch die komplexe und die subtile Möglichkeit, verschiedenste Strömungen und
Stimmen in kulturellen Kontexten sichtbar zu machen und Institutionen und Besuchern die
Möglichkeit zur inhaltlichen Partizipation zu geben: Es können verschiedene Persönlichkeiten,
Besucher und Institute im Vorfeld angesprochen werden, die Begriffe und Assoziationen
beisteuern. Aktuelle und kulturhistorische Themen werden im Vorfeld vom Künstler recherchiert
und auf sensible und subtile Weise integriert. Die Projektion verzichtet auf den Einsatz von
Leinwänden, denn Begriffe und Assoziationen werden grossflächig auf die Bodenfläche, auf
mehrere Fassaden und in Theaternebel projiziert. Über den Zeitraum von 2 Tagen wird die
Installation vor Ort in der Favela am 15/16.Mai und die Installation am Cristo Redentor am 12.Mai
für einen Tag zu sehen sein.!
Kleine, große, junge und alte Besucher können sich einbringen in die Installation und mit farbiger
Straßenmalkreide, die ausgelegt wird, Wörter nachzeichnen und hinzufügen und so interaktiv an
der Installation teilnehmen. Über die Installationsdauer entsteht somit ein Wörterteppich aus
Begriffen, die vor Ort von den Besuchern selbst mittels dem temporären und flüchtigen 'Medium'
der Strassenmalkreide beigesteuert werden. Geist entwickelt auf diese Weise einen Dialog
zwischen dem Ort, den Besuchern und seiner künstlerischen Arbeit. ! !
Die konkrete, greifbare Projektionsfläche der Architektur und die statischen Begriffe auf der
Bodenfläche stehen für die Fakten und sichtbaren Relikte, welche unser Geschichtsverständnis
ausmachen. Die transparente, sich verflüchtigende Projektionsfläche im Nebel erinnert daran,
dass ein Teil der Geschichte nicht konserviert werden kann und im Moment in unserer individuellen
Vorstellung entsteht. Begriffe werden als Metapher für die Vergänglichkeit kurzzeitig sichtbar und
verschwinden sofort wieder. Dieses Zusammenspiel der verschiedenen Text- und Bildschichten im
Raum verweist auf den Ort und die Geschichte(n) Brasiliens und Deutschlands und den kulturellen
Austausch beider Länder. Die Besucher selbst werden Teil der Installation: sie tauchen in die
großflächige Bodenprojektion ein. Auf diese Weise vereinen sich unterschiedliche Perspektiven
und Raumerfahrungen. Abstrakte Passagen, die sich aufbauen, überlagern und gegenseitig
verdrängen, symbolisieren die ständigen Veränderungen in der Geschichte, den Lauf der Zeit und
die Flüchtigkeit des Seins. Auch das Verständnis von der Vergangenheit ist im Fluss. Die
modernen Schriften und Formationen, die am Computer entstanden sind, stellen eine Verbindung
zur Gegenwart und den Möglichkeiten der heutigen Technik her und zeigen, dass die Erfahrbarkeit
von Geschichte und Kultur immer von den Möglichkeiten und Rahmenbedingungen der Gegenwart
abhängig ist.
'Time Drifts - Words of Berlin' ist Teil einer Serie von Installationen, die Philipp Geist in den letzten
Jahren gezeigt hat, und die dabei immer wieder neu an die örtlichen Gegebenheiten ortsspezifisch
weiterentwickelt wird: Im Oktober 2012 zeigte Geist die Installation auf dem gesamten Potsdamer
Platz und den beiden Hochhäusern Kolhoff Tower und Renzo Piano Tower. Im April 2012 wurde die
Installation in Frankfurt auf der Luminale gezeigt, wurde von mehr als 40.000 Besuchern gesehen
und war das Hauptprojekt der Luminale 2012. Im Jahr 2011 zeigte Geist die Installation Time Drifts
in Vancouver am Jack-Poole Plaza, ebenso wie in Montreal am Place des Arts in 2010. Die
Installation 'Timing' war 2009 auf dem Glow Festival in Eindhoven zu sehen. Ende 2009 sahen
anlässlich des Geburtstages des thailändischen Königs ca. 2-3 Millionen Besucher seine
Fassadeninstallation am königlichen Thron in Bangkok. Andere Projekte waren u.a.: 'Time Lines'
am renommierten Museum delle Esposizioni (2007), 'Time Fades' am Berliner Kulturforum,
'Broken Time Lines' am alten Kurhaus Ahrenshoop (2008).
Geists Projekte sind in erster Linie gekennzeichnet durch ihre Komplexität in der Integration von
Raum, Ton und Bewegbild. Seine Video-Mapping-Installationen verzichten auf Leinwände und
verwandeln verschiedenste Architekturen in bewegte, malerische Lichtskulpturen, die die
Wahrnehmung der Betrachter von Zwei- und Dreidimensionalität herausfordern.
NEW LONDON, Conn. — Cadet Stephen Horvath talks to Rear Adm. Sandra Stosz, the superintendent of the Coast Guard Academy, Kurt Colella, Dean of Academics, and Alina Zapalska, professor of economics, about how he earned the 2015 Fulbright Scholarship at the Academy, March 19, 2015.
The Fulbright Program is the flagship international educational exchange program sponsored by the U.S. government and is designed to increase mutual understanding between the people of the United States and the people of other countries.
U.S. Coast Guard photos by Petty Officer 2nd Class Richard Brahm.
Rubrics from different grade levels' units of inquiry. Developed using Wiggins and McTighe's "Six Facet Rubric", these rubrics are designed to help students and teachers assess the development of enduring understandings during units of inquiry.
Global Understanding & Friendship Beyond Borders
Being in Rotary is not a part in our life. It’s our life
It was a great feeling when you have the opportunity to wear rotary logo on your shirt. It’s time to take responsibility on your shoulders to serve your community.
When I joined rotaract movement way back in 2024, I never realized that I will represent RI Dist. 3230 as a goodwill ambassador to become a Member of the GSE Team to RI Dist 1880, North Bavaria & Saxony, Germany, during May /Jun. 2013
We the GSE team Sasi, Sharanya, Soundarya and myself Dinesh headed by Rtn. Sabu Balagopal had many meetings to sketch ourselves from Jan to May 2013 before our departure to Germany. We discussed over mails, regular meetings, get together with Rtns, dist conference thought us how big is the opportunity for us and how should we prepare ourselves to take our 3230 brand to fly high with colors.
40 to 4
Departed from Chennai with 40 degree summer and landed in Leipzig via Frankfurt and cool 4 degree of Germany welcomed us. Wow how cool it was…
We received warm welcome from Albrecht Hartge, GSE chair of RI Dist 1880,Germany with his team. We enthusiastic 5 people was looking forward to our next 30 days. Yes we were much excited.
We experienced and learned many things in Germany starting from history. architecture, historical churches, museums, city visits etc.
We had good opportunity to visit World Headquarters of Audi where they hosted our Indian National flag to welcome us. Rotary power is great. We extended our visits to
Vocational Visits and Networking opportunities
•Berlin- Parliament, Indian Embassy,Charlie Point,Historic wall, Olympic Stadium etc.
•Hosted by TV stations, Radio channels. Our show in German O+TV (www.otv.de/ambergweiden-rotary-club-verbindet-kontinente-...)
•Companies and manufacturing units of Volkswagen, Porshe,
•Great experience by spending in a silver mine
•Visits to University of Leipzig, Regensburg, Frieberg, Bayreuth, Erlangen-Nurnberg to initiate International Youth Exchnage and youth forum
•Joint rotary meetings with Leipzig, Frieburg, Dresden, Bayreuth, widen, Cham,Schwandoff, Regensburg, Erlangen, Nurnmberg etc
•Visits to German Supreme Court and meeting with Judges
•Meeting Mayor and deputy mayors
Home stays- The home away from home
One of the life time experience where sharing proud things about country, learning the new culture and family values of the hosts, late night dinner talks, going out like one family. Overall we never missed our Indian hospitality in Germany.
Rotaractors
As a rotaractor from our district I had good opportunities to visit all the rotaractors in host clubs, I have received invitation to speak in President elect training seminar(PETS) where I had the opportunites to share about our RI dist 3230 Rotaract council and I shared our flag with all the rotaract club members. They were very kind to us and interested to hear about our rotaract activities and they felt excited to hear our numbers 23000 rtrs.
1880 Dist conference, Culture and arts
We presented our 3230 GSE team in a grand manner where we showed about video of India and Tamilnadu and also we performed cultural activities of India with Vande Matharam song by Saranya and Soundarya followed by solo folk dance by Dinesh and karate performance by Sasi. Finally audience felt happy when we performed our group dance with Tamil folk, Bollywood and Hollywood where our team leader also joined in dance performance. On seeing this we received warm invitations from all the rotary clubs . We performed in 7 clubs
Rotary and team Spirit
We had good chance to show our sporting skills. Yes Sasi and me (Dinesh) participated in Dragon Boat Race as part of Rotary clubs of Erlangen Fundraising efforts and finished 2nd in one of the race. Rotary raised 24000 euros for community projects
Future after GSE
We had great time in Germany studying vocation, experiencing culture, learning professionalism etc. It will be a starting point to shape my future . GSE created a platform to think beyond our comfort zone, hard work, team work, communication, networking etc. I believe in sharing and learning and this journey never ends
Coming year I am planning to create strategy to work with our RI 3230 District rotaract council to strengthen our rotaract zone in city plus and upcountry where lot of young people like me longing for opportunities. They need a platform.. I am willing to provide that. Also will build up IT assistance, social networking, planning New generation projects with my Parent club RC of Gudiyattam
After the GSE experience I expanded my Sports for Development Projects to Serve Young People with curriculum like Life skills, Service Learning, Adolescent health, Physical recreation and social learning to reach 10000 kids in 2 years. This will be my next major project and I would like to joint with other rotary clubs to spread the word to reach the unreached
The St. Louis Regional Freightway, Plaquemines Port Harbor & Terminal District and four ports in the St. Louis region entered into a Memorandum of Understanding on March 27 to establish and grow an alliance to generate new business by promoting international and inland trade routes at strategic locations along the Mississippi River.
History of the Museum
Scientific research and gathering in Austria found relatively late understanding and promotion. Indeed contained the chambers of art and curiosities of the Habsburgs also natural produce but for a long time they have been regarded as mere oddities, not as objects of scientific importance. It was not until Emperor Franz I. (Francis Stephen of Lorraine, 1745-1765), the husband of Maria Theresia, founded in 1748 with the purchase of the famous collection of Johann Baillous a private Naturalienkabinett. It was put up in accordance to Baillous' own scientific system in the Hofburg and was initially managed by this self.
The main emphasis was put on minerals and fossils as well as snail and mussel shells and corals. Plants and animals with soft parts were then (mainly because of the preparation problems) yet little appreciated as collector's items. They were held alive in botanical gardens and menageries.
After the death of Francis I the collection in which the Emperor had invested large sums of money was transferred into state ownership, reorganized and made twice a week accessible to the public. 1776 appointed Maria Theresa, particularly dear to her being mainly the earth sciences as a basis for mining and industry, the excellent mineralogist and montanist Ignaz von Born to Vienna and entrusted him with the systematic expansion of the collection. Born was a leader of the Enlightenment and Freemasonry, he might even have given the model for Sarastro in Mozart's "Magic Flute". With him for "Austria", definitely, dawned the scientific-technological age. The Naturalienkabinett (a cabinet of curiosities) then became a center of mineralogical research in Europe.
The nature-loving Emperor Franz II (I, 1792-1835) expanded the natural history collection for a private animal cabinet. The foundation for this were the trophies of the Habsburgs, which date back to Emperor Maximilian II (1564-1576), as well as the famous collection of prepared native vertebrates and insects of the falconer Joseph Natterer. After several reclassifications followed in 1807 the foundation of a separate plants cabinet. The Emperor lay with the gift of his Privatherbars (private plant collection) the foundation.
The exhibition practice around 1800 was marked by an often curious juxtaposition of little scientific and very progressive tendencies. The stuffed animals were shown in artificial landscape dioramas, ie already in ecological context. Alongside, however, stood also Stopfpräparate (stuffed compounds) of people of non-native breeds such as the "high princely Moor' Angelo Soliman, who came to literary fame.
The eminent scholar and organizer Carl Schreibers who from 1806 until 1851 headed the Natural History Collection, provided for key reforms in all areas. He extented all departments to major research centers and was supported not only by the museum officials, but also by a number of often highly skilled, unpaid volunteers.
On the occasion of the marriage of his daughter Leopoldina with the Brazilian crown prince Dom Pedro in 1817 sent Emperor Franz also well-known researchers to South America. Through their collecting activities, the growth of the museum's experienced a glorious climax. So stayed the zoologist Johann Natterer for 18 years in South America and established an in an exemplary manner documented collection of scientific and ethnographic objects for Vienna. This contributed significantly to the worldwide reputation of the museum, but also led to a decades-long lack of space.
With various, not always felicitous chosen emergency solutions on tried in vain to handle space problems sussesfully. During the revolutionary turmoil of 1848, the Imperial Palace was bombarded by imperial troops and partially set on fire. A part of the collection was destroyed, tragically, also many irreplaceable objects from the Brazilian material.
In the years after the Revolution, the collection was converted into an independent zoological, botanical and mineralogical Hofkabinett (Court cabinet). These cabinets with their extremely rich stocks offered not only ideal possibilities to explore, they contributed to the establishment of scientific disciplines in the university sector in 1870 also considerably to the formation of young scientists. The collections have been enhanced through exchange and purchases, by the collecting activities of the researchers as well as legacies, especially of scientifically inclined travelers, constantly . In addition, the by the Imperial Court generously funded cooperation with the Austrian navy became very important: Especially the circumnavigation of the world of the frigate "Novara" (1857-1859), which was attended by numerous excellent naturalist, gave an exceedingly rich collection of new material to the museum. The scientific word off should take decades.
This scientific Poiniergeist (pioneering spirit), reflecting the general belief in progress in the second half of the 18th Century, was facing the more and more oppressive need of space. Although Emperor Franz Joseph had already in 1857 the razing of the fortification lines around the city center ordered. On the cleared area should along a boulevard alongside other representative public buildings also new museums emerge. Up to the completion of this project, however, it was still a long way to go.
The liberal bourgeoisie then undergoing a steep political and economic upswing was inclined to replace the old cabinets through research and education centers for broad strata of the population and thus make its own cultural advancement clearly visible. But the neo-absolutist empire of the gradually decaying Habsburg monarchy, too, wanted erect itself a modern, artistically accomplished monument: A monumental Imperial Forum following the ancient example was planned, that should be reaching from the Imperial Palace to the royal stables. Realized of it was only a torso: the New Castle and Maria Theresa Square with Museum of Art History and Museum of Natural History.
The internal organization of the new 'Imperial and Royal Natural History Court Museum", which on 10 August was officially opened in 1889, goes back to the great geologist, New Zealand researcher and first director of the museum, Ferdinand von Hochstetter, and has been preserved largely in its clear systematic today. However, the proliferation of resources and new demands on the research and display collection activities required new spatial and structural solutions. Thus, an underground storage was created in 1990, which extends under the building on four levels and in fully air-conditioned rooms keeps a portion of the collection material. Due to the roof extension (1991 to 1995) further collection, but also numerous new working rooms were gained.
The research, the preservation and completing of the major scientific collections and the presentation of selected natural objects to this day have not lost any of their topicalities. In a time of increasingly rapid destruction of our environment, they are more important than ever. Just as the white patches have become smaller on the map, penetrates the science into ever smaller areas. Long scanning electron microscope and X-ray equipment have replaced hand magnifier. In the permanent exhibition area visitors also have access to advanced optical devices, especially in "Microcosmos" ( Hall 21). The preservation of collection, too, follows modern conservation knowledge.
Over a century ago, the Museum hace been created for the systematic presentation - the diversity of nature sorted strung together, the palace-like building, the interplay of means and objects as well as the historic atmosphere giving it a distinctive character.
Even with the redesign of many exhibition halls systematic classification was basically retained to make the visitors aware of the immense diversity of life. However, the presentation is successively adapted to the museological requirements and needs of the 21st century. Also presented are interesting topics and new contents in a contemporary didactic form.
Copyright Museum of Natural History
www.wien-konkret.at/kultur/museum/naturhistorisches-museu...
Sunshine Benbelkacem during the Session: Understanding Neural and Digital Networks with Princeton University at the Annual Meeting 2018 of the World Economic Forum in Davos, January 25, 2018. Copyright by World Economic Forum / Walter Duerst
Rafael Mariano Grossi, IAEA Director General, and Numar Alfonso Blanco Bonilla, Executive Secretary OLADE, signs the Memorandum of Understanding between the International Atomic Energy Agency and The Latin American Energy Organization (OLADE) on the Cooperation in the Area of Energy at the Agency headquarters in Vienna, Austria. 9 September 2022.
Photo Credit: Dean Calma / IAEA
OLADE:
Numar Alfonso Blanco Bonilla, Executive Secretary
Medardo Cadena, Director of Energy Projects and Studies
Guillermo Koutoudjian, Director of Energy Security, Integration and Access
Gabriela Malvasio, Press and Communications
IAEA:
Rafael Mariano Grossi, IAEA Director-General
Diego Candano Laris, Senior Advisor to the Director-General
Marlyce Burkardt-Neal, owner of Marlyce's Place bakery in Clarksville, shares her story of losing two children to prescription drug overdoses.
Understanding Obsessive Compulsive Disorder || Image Source: 4.bp.blogspot.com/-TgUp7O09nyM/WOylvJB504I/AAAAAAAACI8/Q_...
Leipziger Buchmesse 2017 / Leipzig Book Fair 2017
2017-03-24 (Friday)
2017_018
2017#304
JakCosplay (Jaqueline) ____ as Effie Trinked from The Hunger Games / Tribute von Panem
Thank you for any group invites which I'd be glad to accept. However, if I can't check the content of such groups ("This group is not available to you") I'd rather not add any of my photos. Thank you for your understanding.
Understanding first-hand how the bulk electric system operates can be a challenge for those who don’t work with it every day. So in addition to offering NERC-certified course to utility industry professionals, the Electric Power Training Center can provide simulated training for anyone with an interest in learning about the principles and operation of power generation, transmission and interconnected system operations. On March 18, Alex McDonough, senior policy advisor to Senator Harry Reid (NV-D), received a hands-on demonstration of EPTC’s self-contained, fully operational miniature power system that includes three generators, two substations, many hundreds of miles of transmission lines, a dispatch center and a variety of loads spread throughout the system. EPTC Manager Steve Yexley, left, answered McDonough's questions. (Photo by Jen Neville)
Sirin Payzin, Anchor, CNN Türk, Turkey, Fatih Birol, Chief Economist, International Energy Agency, Paris; Global Agenda Council on the Future of Electricity, Taner Yildiz, Minister of Energy and Natural Resources of Turkey, Kamel Bennaceur, Minister of Industry, Energy and Mines of Tunisia and Majid Jafar, Chief Executive Officer, Crescent Petroleum, United Arab Emirates at the World Economic Forum - Special Meeting on Unlocking Resources for Regional Development 2014 / Benedikt von Loebell