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Images from the two night dinner event for Trust America with Jeb Bush. Joel Silverman Photography, serving the Denver Metro area.
This is the family home of the poet William Wordsworth and his sister Dorothy.
Their father, John, had rent-free use of the house thanks to his job as and agent for local bigwig Sir James Lowther. The family lived here until John's death in 1783.
The house had a fine kitchen, with a smoke-jack for spit-roasting meat, a copper to heat the water, and even an oven.
An image of the popular Sergeant of Blue Lance taken at the Lions Winter Parliment 1105 on Orlagnon.
TRUST YOUR OWN INNER VOICE/GUT/ FEELING /INTUITION. each person has their own wisdom. I guess the reason why I'm on every single social media platform I can find including alternative ones mainstream, alternative, whatever I'm on every single one that I can find that's free in addition to having my own website Shannon Kringen dot com since 2000... and then I share my photos on Flickr and my videos on YouTube. And I have several blogs and the reason why I maintain all of this is because in case they- whoever's in charge- decides to delete it or eliminate it all together. I cross post my art on every single website that I possibly can so that I can keep my creative expression published in the universe online as well as recording my voice making music and publishing poetry books and art books. That's my way of creative expression and keeping my voice literally expressed in the community online and I try to ignore all of the drama if i cannot personally do anything to "solve" it... and all of the people arguing about every topic imaginable. Everything we say and do online has been curated in some way and its being "collected as data to train machines etc anyway ha ha right? what a GAME. in the last several years especially, and it's kind of creepy like humans are being trained to think a certain way and act a certain way. And I am continuously trying to figure out how I can keep creating in some kind of inspirational way and not react with anger to all the things that I think are BS + downright abusive and disgusting and disruptive and negative/manipulative/mostly wanting to sell ideas and agendas and literally products... and blah blah blah blah blah. And I don't want to argue or debate with anybody who has different opinions than mine- and i want the world to have variety. I just want to keep creating from a place of joy and love and whatever Freedom we have left as humans. heres a collages i just made of my art book, poetry book i self published along with the article seattle magazine and the everett herald published on my art car. thank you everyone involved in this- this gives me joy and hopefully spreads positive eNeRgY to others in the community reminding them of playful fun aspects of life. i am inspired by Pippi Longstocking and Willy Wonka Oompa Loompa Boopity Do su·per·ca·li·fra·gil·is·tic·ex·pi·a·li·do·cious KringFlower Goddess KRING Music. Shannon Nicole Kringen is me.
Taken on a day trip on 10th October 2014. For more information about Mottisfont, Visit www.nationaltrust.org.uk/mottisfont/
Kedleston Hall, Derbyshire, 1758-65.
The National Trust.
By Matthew Brettingham (1699-1769), James Paine (1717-1789) & Robert Adam (1728-1792).
Interiors complete by the 1780s.
For Nathaniel Curzon, 1st Baron Scarsdale (1726-1804).
Grade l listed.
State Bedroom.
The Kedleston State Bed.
James Gravenor (fl.1741-1768).
A mahogany and giltwood carved tester bedstead, completed in 1768. The bed posts formed as palm trees with gilt roots forming the feet. Large gilt foliage sprays support the canopy, which is surmounted by large foliage sprays, the corners with plumes of grey ostrich feathers. The underside of the canopy applied with giltwood foliate designs on a ground of pale blue flowered silk brocade, the back of the bed with foliage sprays, a coronet and monogram on similar brocade.
Kedleston Hall is an extravagant temple to the arts. Commissioned in the 1750s by Nathaniel Curzon whose ancestors had resided at Kedleston since the 12th century. The house is framed by historic parkland and boasts opulent interiors intended to impress.
Designed for lavish entertaining, Kedleston Hall displays an extensive collection of paintings, sculpture and original furnishings, reflecting both the tastes of its creators and their fascination with the classical world of the Roman Empire.
Inherited by George Nathaniel Curzon, Viceroy of India between 1899 and 1905, the hall also houses the many objects he amassed during his travels in South Asia and the Middle East, and in his role leading British rule in India.
Ankerwycke (or Ankerwick) is on the opposite side of the Thames from Runnymede.
Once the site of a Benedictine priory, the water meadows are now in the hands of the National Trust.
Why are we stopping here, Elroy? I thought we were going to a movie.
We are, Sylvia, we are.
Well I don't see the theater.
Actually, I thought we'd park here for a little while. You don't mind, do you?
Stop for what?
Oh, you know.
I get it. Let me be completely frank, ok? This is our first date. I don't know you, and don't trust you.
Gee. I'm hurt. Deeply hurt.
You'll get over it. Now put your seat belt back on and turn this thing around.
Knole, Sevenoaks, Kent.
The National Trust.
The Orangery.
Roundel.
The plaques around the walls of the orangery are a mixture of casts of ancient originals, maquettes and test-casts and finished commissioned pieces. The plaster friezes and roundels were probably made by John Flaxman RA (1755-1826).
The Orangery, which now forms the south range of Green Court, was created in 1823 at the direction of Arabella Cope, widow of the 3rd Duke of Dorset, and her second husband, Lord Whitworth. It was converted from a much earlier space in an effort to bring an element of the Gothic Revival style, so popular at the beginning of the 19th century, to Knole.
The Orangery may have been planned as a gallery for the display of Classical sculptures as well as plants. An extensive collection of bas-reliefs, inscriptions and sculpture, both antique marble pieces and much later plaster casts, is fixed to the interior walls of the Orangery and may have been part of Cope and Whitworth’s original presentation of the building. They are mentioned in John Brady’s 1839 The Visitors Guide to Knole and may have been sourced from the Continent specifically for display here. Photographs reveal that by the mid-20th century the Orangery was used for the storage of other kinds of objects too. A black and white photo from 1945 shows the three-tiered Buzaglo stove, which dates to 1774 and previously stood in the Great Hall, had been moved to the Orangery. Before it was opened to the public in 2010, the Orangery was used for garden storage.
Images from the two night dinner event for Trust America with Jeb Bush. Joel Silverman Photography, serving the Denver Metro area.
cragside national trust northurmbria glass
Wonderful iconic hose and magnificent estate - spend a day there.
The trees which have to be felled at Calke Abbey, a National Trust property, are left to decay thereby providing a home and food for a wide range of insects. The end of this log attracted me by its texture and the process of decay has already begun.
Erddig, Wrexham - 252.06ha (622.85acres) A late 17th century house, containing much of the furniture and textiles supplied for it in the 1720s, with an early 18th century formal garden. The magnificent state bedroom is decorated in the Chinese taste. An unusually rich history of master/servant relations includes a servants' hall with 18th century portraits of estate and household staff and there is a complete range of outbuildings with smithy, joiner's shop and bakery still in operation. The property was extensively restored in 1973-77 following severe mining subsidence. Given in 1973 with an extensive area of land, by Mr P.S.Yorke.