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Both of them love to be in front of the camera.. :)) Perfect Aquarians..!! :)
Thats my sis and Sraddha..! (Kausthub's lovely lil daughter!)
Two SB600s, triggered with Nikon CLS by the D200. Left set to -0.6, right to -1.3. Sun behind model. Shot at 1/250, f/11 with 50mm.
STROBIST: One hand-held YN-560, RF triggered via YN-602. I used a little Honl 8 inch softbox, fixated to my flash, then I put the cam on a tripod and did four shots with the hand-held flash in different positions.
So you have only one flash, but nevertheless, you want interesting shots?
Easy! Just do multiple exposures and combine these in Photoshop in layer mode "Lighten".
That's the whole trick here.
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Result:
Dear UserThanks for choosing our Network DVR.This email is recorded and sent automatically by DVR.Reason as follows:Motion detection.Triggered channel:1,Time:2016-01-24 02:36:18You are suggested to check the recorded files, thanks for cooperation.
...So Christmas ornaments were 1/2 off and I decided to buy some for the sole purpose of breaking them! I used a toy gun (that shoots plastic bb's) to break them and my sound trigger to trigger my flash which captures the shots (the camera is actually set on a long exposure).
The first few photos seemed a little boring, so I started filling the ornaments- some with sugar, some with flour and finally a few with water. I think the water worked the best and it yielded this shot - my favorite of the set
I just can't resist uploading these Trigger images as she is so full of personality and gets a lot of different expressions with all those wrinkles..
My first most epic poster yet for Once Upon A Kill la Kill
Synopsis:
An epic and thrilling re-imagining adaptation of the critically acclaimed 2013 anime title, 'KILL la KILL', is the epic saga of the wandering vagrant, Ryuko Matoi; the iron-willed Student Council President of Honnouji Academy, Satsuki Kiryuin; and their two larger-than-life Kamuis, Senketsu and Junketsu, that are the key to humanity's future!
Their epic rivalry that had almost wreaked havoc onto Honnouji Academy began when Ryuko, trying to find out the truth about her father and find his murderer, crosses paths with Satsuki and the students of Honnouji Academy.
Sensing Ryuko's anger toward Satsuki nor anyone who stood in her way, a Kamui - made of mysterious alien parasites called Life Fibers - bonded with her. She named it Senketsu, and the two became the most lethal adversary Satsuki had ever seen! (Like Venom from Spider-Man).
But Satsuki bonded with her own Kamui named Junketsu, and that's how their rivalry came to be.
But when the truth about their connected past is revealed, Ryuko and Satsuki, with the help of their trusted friends and allies, including Mako Mankanshoku and her family; the Student Council's Elite Four; the Anti-Goku Uniform organization called Nudist Beach, led by Aikuro Mikisugi; and (of course) some musical numbers, will have to do the impossible: Put their rivalry aside to deal with the madness of their birth mother, Ragyo Kiryuin.
Kill la Kill (c) owned by Hiroyuki Imaishi, Kazuki Nakashima, and Studio Trigger. Licensed by Aniplex. Please support the official release.
SB800 @ 1/32 triggered via CLS through IKEA cutting board camera right.
Lumiquest tabletop reflector camera left.
Same setup as this one
Changes from old V2s:
No tilt design, allowing more stability
Horizontal design
AAA batteries (vs expensive CR2 batts)
External channel selectors
Strobist info for two smaller photos: 18" light box with Pentax AF360FGZ from camera left and Vivitar 285HV from above. Flashes fired with Cactus V2s wireless triggers.
Strobist info for flash head photo: Camera set to "bulb" shutter speed (approx 5 sec time), and f/22. Pentax AF360FGZ fired four times into 18" light box at 1/2 power from low camera left, above, camera right (at farther distance than camera left) and from high front. Room was dark, so virtually no ambient light. First flash pop was fired with Cactus V2s wireless triggers, others by hand. (I had to get a little creative with this shot because one of my two flashes was busy modeling for the camera. It was kind of fun!)
Blogged: www.scotthawker.com/blog/ladyhawker/2009/02/11/Published-...
Technical for Strobist:
Two softboxes with 150 W/S strobe camera left and 110 W/S for camera right.
On the portraits of Tara alone, I added a shoot through umbrella to the camera right with another 150 W/S strobe, and a hair light with barn doors - 110 W/S behind and above to her right. Triggered by inexpensive e-bay radio triggers.
A group of us from the San Diego photo club, Polyphoto, went to Borrego Springs this past weekend to see what we could find to photograph. As you drive around the town of Borrego Springs you will see wonderful metal sculptures scattered around like Easter Eggs. They were created by Peris, California artist Ricardo Breceda commissioned by Dennis Avery. Here's a link to more information
www.galletameadows.com/index.php.
This was taken right after sunrise, and I positioned my self so that it appeared to me that the dinosaur was eating the sun. To throw a little light on the foreground sculpture I placed a strobe on a light stand (light on a stick) off to the right. The bare YN560-II was in manual mode and was triggered by a Yongnuo RF-603N radio trigger. I played with the output until I got the result I wanted.
Other desert pictures that I've taken over the years, can be seen, logically enough, in my Desert Set. www.flickr.com/photos/9422878@N08/sets/72157612841897129/
This looks best when viewed large on a black background, and you can see it in that enlightened manner by pressing "L" on you keyboard.
My Pug Trigger was getting tired of posing for all the headshots and wanted me to do a picture of her tail. So I did!
An old friend came to visit recently. It's over 30 years since we last got drunk together, and it took a good tumbler of whisky to start remembering the good times. I have no idea what triggered the memories but it came quite suddenly, "Do you remember 'the barbecue' at "Tally-Ho"?
I no longer remember what the occasion was or who's idea it was, but it was decided we should have a barbecue. At the time I shared a house in Three Bridges, near Crawley, with two air hostesses (British Caledonian and Dan Air) and a leisure centre manager. About six miles away lived my widowed grandmother, Grannie Eileen, in Felbridge near East Grinstead. Grannie was a product of the Victorian era and style and substance, how you spoke, who you spoke to and how you behaved were everything. She lived at "Tally-Ho", in an amazing timber framed and wattle Tudor style cottage that had at one time been "Show House of the Year" back in the early 1900's. With Charles, her husband, it had been their pride and joy, like a little fairy-tale ginger-bread cottage. It sat in 10 acres of land in upmarket Felbridge, with formal laid out gardens of immaculately trimmed and sculpted hedges, rose gardens, fountains, patios, croquet lawn and numerous sheds and green houses for all things horticultural. Charles, ably assisted by Ron (an honest) baggage handler at nearby Gatwick airport), manicured and preened the gardens every day extending their efforts to the tall pine forest at the bottom of Tally-Ho's gardens that ran through the woods to the pig farm at the end. They created paths through the pines, clearing the undergrowth, and in the centre built a large brick barbeque. And around the barbecue they built plank benches between the trees in circles between the tall pines and wooden trestles for the food and drink. And they strung coloured lights amongst the trunks and branches to create a delightful party venue in the forest. Of course, Charles and Eileen became popular members of the local wine society and Conservative Club for allowing them to hold regular events there.
Perhaps it was my idea. I suppose it must have been. After all, none of my friends had advance notice that Grannie Eileen was going on holiday. Having mentioned it I imagine I got overtaken by the idea. It was out, and everyone else had decided we would have a barbecue at "Tally-Ho". And so loads of people were invited. I can't really remember who they were, and I don't think at the time I had much idea who many of them were. But I remember we made hundreds of home made burgers. And bought hundreds of sausages. Someone made trays of cucumber sandwiches. And we bought two large galvanised steel buckets into which we poured bottles of gin, vodka, Pimms and orange juice with no concept of what we were making, except that it was alcoholic. And as we did that bubbles rose in the buckets to form a brownish frothy scum on its surface.
Dare I say it, memories of the party were a blur. I do remember a lot of people, loud music, Bird's Eye beef burgers being thrown across the clearing like frisbees to land on the barbeque, people I didn't recognise emerging out of shadows, and at the end of it all watching people stagger off down the path from whence they came. When they had all gone we made sure the barbeque was well extinguished and headed down through the darkness, checking the little Tudor house was all safe on the way, until we came to my car which was by now the only one on the long gravel driveway. But Mad Ian was waiting down by the gates. Somehow Mad Ian (so called as he had one eye that looked right and one that looked left at the same time) had managed to get nine adults in his company Ford Escort estate and he wanted to follow me back to our house. This I think I accomplished quite responsibly considering the amount I think I might have drunk, for the six miles back to Three Bridges, but problems arose when I turned into Woodend Close. To get to our house you entered the close and then turned right, our house being at the end on the right. Mad Ian didn't bother to turn right but instead went straight on, hitting the pavement at the perpendicular, bumping across it, and proceeding through the flower bed and shrubs and into the front garden of the house three along from ours. Pulling on the handbrake he climbed out, abandoning the car in the middle of a neighbour's lawn and commanded the stragglers still trying to get out of the car towards the beer in our house.
It was probably half an hour later when my now old friend said, "Has anyone seen Julie?" That was his sister. After much asking around someone said they last saw her going into the woods for a wee..................at Tally-Ho.
Reluctantly I accepted we would have to go and look for her, and leaping into the car, we sped back to Tally-Ho. Turning in through the gates and heading down the gravel drive the headlights picked out a body lying on the ground. Thankfully she was alive and later said she had been quite comfortable sleeping where she was.
Now this is the tricky part of the story. It wasn't easy to get three people in my car. It only had two seats and a fixed roof and the space behind the seats was, well, about three inches. The roof was low, and the transmission hump bulges up into the passenger cabin. It was some squeeze to get three people in it. No, you will think I exaggerate, but, no. You see I had a....um....gulp....don't really want to admit it....a Triumph TR...um 6, ...hey cool!...no, a 7, Yes, a TR7. OK I've admitted it now, but it was probably one of the most horrible wedge shaped sports cars ever conceived apart from that Reliant Scimitar SS1 thing (Actual TR7 is pictured!)
Anyhow, struggling to remove the handbrake, change gear, turn the steering wheel or see out of the windscreen because of Julie's feet and lower legs across the dashboard we headed towards Three Bridges once more. After two miles in the blackness I came to the new roundabout. I was sure I picked the right exit but I really could not understand which prankster had put orange cones across the road. Being so cramped in the car it was some challenge to manoeuvre around the cones and onto the road, but I managed it, dodging a JCB tractor parked at a careless angle. I really could not comprehend what was going on that night and thought someone ought to complain to the Council as I passed various unlit road rollers, diggers and road making machinery supposedly abandoned along the length of road. Once again I found I had to navigate around orange cones to get on to the next roundabout before completing the final stretch to Three Bridges. There were cheers when we got home having saved my friend's sister and I really do forget how much more alcohol was consumed in what was left of the night.
Next day, after taking the right road to Tally-Ho to tidy up from the night before I discovered I had probably been the first member of the public to enjoy the new by-pass which was not due to be opened for a couple more months. We also discovered that our galvanised bucket punch had been 'good stuff'. It appeared many guests had been so inebriated they had not been aware there were neat archways you could go through and had simply walked through the ten foot high hedges without noticing. The TR7 is something I should never have bought. How I ever lived long enough to sell it I will never know, but I can't look at it now, it is so awful..
Trigger. Giant. Majestic. Photographed in 1985 at the Roy Rogers and Dale Evans Museum in Victorville, CA. The museum is now located in Branson, MO. Scan of a photo print.
Back to doing another Blazblue shoot & as Noel back on the roster again. Was a hassle trying to get this night shoot to work w/o my lightstand or my triggers at that moment, but I made it work out somehow.
Noel Vermillion | Blazblue
Cosplayed by: www.facebook.com/ichigeicosplay
credit to Leo @ IM www.flickr.com/photos/59315881@N08/5492356225/ who came up with the basic concept and some good values, which I expanded upon my personal experience.
Phottix Strato is added to the list.
Finally I finished the enclosure and the breadboard for my own HIVIZ Multi-trigger.
I changed the enclosure a little bit by making 3 sectors for the functionality.
For the Dutch panel lay-out, I used an aluminum offset plate (for printing).
If you want to make yours, find all info on www.hiviz.com.
Look here for a setup and see this trigger "at work"
TS-H120
Swivel Holder K
CL-TX/FT-16
Cactus V6
YN-622c TX
YN-622c
Godox RT-16
Having this on a stand next to me while shooting, I can control any flash trigger. If I want HSS i put the yn-622tx on my camera and plug the yn-622 into the sync jack and fire any of the other triggers. If I just want a dumb trigger set up pictures above I can fire all the other triggers.
This setup allows me to use any of my crap triggers and better triggers to work all together without having to buy all the same or extras of just one kind.