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Took an incense stick out to the garage (my wife hates the smell) and started playing with smoke again. I haven't done this for a while, but I always enjoy it, because the results are so unpredictable. I colored the smoke in post processing with a filter from Nik Software's Color Efex Pro.
Strobist info: One YN560-II bare, camera left at 1/2 power. Triggered by a Tiny Trigger.
If you like this kind of abstract imagery, you might not hate my Smoke set .......... www.flickr.com/photos/9422878@N08/sets/72157625415055236/...
It's worth pointing out that this looks better large, and that you can see it in that enlightened manner by pressing "L" on your keyboard.
//What a disaster
William Saunderson-Meyer says the floods just another blow to a province that was already on its knees
KwaZulu-Natal has declared a provincial state of disaster to try to cope with the devastating floods of the past week.
This is normally a temporary mechanism of which the primary purpose is to facilitate speedy national government assistance to hard-pressed provincial and local authorities. It also triggers the release of emergency funds from the National Treasury.
But in KZN’s case, they might as well make it permanent. This is a province that has been on its knees for some time and it ain’t getting up any time soon.
After all, KZN hasn’t even staunched the bloodied nose it suffered nine months ago. That’s when one wing of the African National Congress government — the Radical Economic Transformation followers of former president Jacob Zuma — tried to bury the other — the so-called reformists led by President Cyril Ramaphosa.
KZN hasn’t even properly tallied the body blows it suffered then. The official estimates for the insurrection were 45,000 businesses affected, R50bn in economic damage, 129,000 jobs lost, and 354 killed.
These estimates are probably on the low side. For example, the number of people who were killed in the mayhem doesn’t include the many whose bodies were simply never found and counted.
And the true economic cost is incalculable. There’s been substantially increased emigration of minorities, cancelled investment, and the loss of international confidence in KZN as a safe tourist destination. In at least a dozen small, country towns, all the business infrastructure was destroyed, paradoxically by the very people who worked and shopped in those buildings.
Now the floods. The death toll is over 300 and still rising. Some 6,000 homes have been destroyed and road, water sewage and electrical infrastructure uprooted. As I write this, roaming mobs are opportunistically plundering container depots, stranded trucks, abandoned homes and vulnerable businesses, reportedly unhindered — as was the case during last year’s riots — by the police and army.
Naturally, no disaster is complete without a scapegoat. Ramaphosa, as is his style, was quick off the mark to finger the culprit — climate change.
“This disaster is part of climate change. It is telling us that climate change is serious, it is here,” Ramaphosa told reporters while inspecting a devastated Durban. “We no longer can postpone what we need to do, and the measures we need to take to deal with climate change.”
What balderdash. Whatever role climate change may or may not have played in the larger scheme of things, it’s nonsense to pin on it responsibility for the plight of KZN. That lies with the ANC government.
First, this was not an unforeseeable bolt from the heavens. The forecasters warned months back that this was likely to be an exceptionally wet summer because of the La Niña weather pattern that occurs every few years.
There are also historical precedents for extreme weather in KZN, which a prudent administration would have taken note of.
In 1984, Tropical Storm Domoina wreaked havoc in a swathe from Mozambique, through Swaziland to KZN. Although the current downpour is worse, the scale is nevertheless in the same ballpark.
This latest storm — as yet unnamed — dumped 450mm of rain on Durban in 48 hours. Domoina let loose 615mm in 24 hours on Swaziland and northern KZN.
But the true difference between those events, 38 years apart, lies in the lack of preparedness on the part of today’s authorities. In 1984 the SA Air Force deployed 25 helicopters to airlift people to safety. In the 2000 Mozambique floods, 17 SAAF helicopters rescued more than 14,000 people.
This time, according to a News24 report, the SA Police Service and the SAAF, combined, have been unable to put a single chopper in the air. The erosion of South Africa’s military means that of the SAAF’s 39 Oryx helicopters, only 17 are serviceable.
Durban-based 15 Squadron has not a single helicopter available for search and rescue — they are reportedly primarily used as VIP transport — but two SAAF choppers supposedly have been despatched from Gqeberha to help. The SAPS airwing has only one serviceable helicopter but “the pilot on duty has been booked off sick”.
Second, throughout the province, local government is also in a state of disaster and unable to do its job. The scale of the KZN impairment can be measured in the flood destruction of homes.
Some 4,000 shanties have been destroyed, many because officialdom was too lax to forbid building on the floodplain and against precariously unstable hillsides. Another 2,000 of the homes swept away were so-called RDP houses, shoddily built during the kickback-and-steal bonanza of the government’s Reconstruction and Development Programme of the late 1990s.
In Durban, the eThekwini metro is bloated and inert. It carries a rates and services debt of R17bn, of which R1bn is owed by the national government.
Durban is also infamously corrupt. Former mayor Zandile Gumede — along with 21 co-accused — is facing fraud, corruption and money-laundering charges in connection with a R320m municipal tender.
Yet at the weekend, even as the rain was bucketing down, she won the ANC’s regional leadership contest hands-down, despite the party’s supposed “step-aside when accused” rule.
The ANC-aligned Ahmed Kathrada Foundation has no illusions about the party it supports. It issued a statement calling on the government to ensure that unlike the plundering of Covid-19 emergency relief funds, the KZN disaster funds were not stolen or misused.
Fat chance. The ANC has already announced that its parliamentary constituency offices in KZN would become “hubs for humanitarian support” and appealed for the donation of relief supplies. Watch the trousering by the ANC’s public representatives of anything that the public is dumb enough to leave with them.
It’s in KZN where the ANC’s brazen indifference to the law and antipathy towards the Constitution is at its most obvious and most destructive.
On Monday, Zuma's corruption trial once again failed to take off in the Pietermaritzburg High Court when he successfully blocked the process with another round of delaying legal actions. His lawyers also had some carefully threatening words for the judiciary in a separate Supreme Court of Appeal action.
They urged SCA President Mandisa Maya to reconsider the dismissal of his latest corruption prosecution challenges. They warned that last year’s deadly July unrest was “in part, traceable to a perceived erroneous and unjust judicial outcome” that put Zuma briefly in prison for contempt of court.
“When such conceived mistakes are committed, the citizens (wrongly) feel entitled to resort to self-help…”
Floods, fires and locusts are devastating but at least happen relatively rarely. The ANC, alas, is a seemingly unending plague.
The cable to the Hall sensor is a LIYY 3x0.14 and the cable to bnc trigger and from the usb cable is a LIYY 2x0.25
Harley Quinn Mayhem #80425
Strobist: Sunpak 120J barebulb into Phottix Easy-up foldable softbox to camera left. Triggered with PT-04TM wireless trigger.
Wednesday, 1/13/2010, I had surgery on my hand for a condition known as trigger finger. The middle, ring and little fingers on my left hand would stick in the position shown in the image on the left. While on some days it was worse than others, often it was bad enough I could only straighten my fingers by pulling them out with my right hand. Occasionally it was so severe that I could not straighten them at all without incurring extreme pain. Even on good days my hand would usually ache.
The surgery was done on an outpatient basis with mild anesthesia, and took only a few minutes. Immediately after surgery I was able to move my fingers in a normal manner. In less than 24 hours the pain was gone without the aid of pain medication.
Monday, 1/18/2010, I return to the doctor to have the bandage removed.
To see a video showing how the surgery is done follow this link.
www.youtube.com/watch?v=DISCFr0YeiM
IMG_6229_6234_comp_wTxt_Web
01/14/2010
Trigger doesn't look as majestic as he did alive. Stuffed and on display at the Victorville Roy Rogers and Dale Evans Museum, this famous horse wears a silver-trimmed saddle, bridle and breastplate.
Just practicing getting a 'flashed out' type background and doing some product shots. Used a cardboard box, a bit of white sheet, some £10 wireless triggers and an old olympus flash to take this shot. Outcome isn't that bad for my first time and mega low budget 'studio'.
I also used some kitchen foil as a reflector haha. Need to buy a new flash asap.
Strobist info: One flash above to the left, triggered by wireless eBay slaves with reflector used as fill flash on right hand side.
"Avtopusk" shutter trigger. (Autoknipps)
"c.1974. Modernized version of Kiev-10.
24X36 automatic SLR with TTL metering. CDS exposure meter with needle. No art-deco design, but with the unique metallic fan-bladed focal shutter.
Synchronization X at 1/60 sec. Specialized Bayonet Mount. Aperture selection dial on the front of the body." /rus-camera dot com/
"Tee" - Through The Lens (TTL) metering.
Kiev-15TEE was produced by "Arsenal" 1973-80
Camera has fan-shaped metal blade focal plane shutter.
Before the early postwar years, Salford Corporation buses were painted a bright red and ivory livery. The colour scheme included yards and yards and ornate lining out and the effect was very smart. Crossley was pleased to supply a batch of 'Mancunian' double deckers to the city, and this advert appeared in trade press magazines of the time. No doubt customers understood that an ad announcing an order for Stockport was illustrated with a Salford bus...
Sadly, behind the shiny paintwork not all was well with Salford. Its maintenance systems were dubious to non-existent: and its General Manager had some quirky ideas about how his fleet should be run.
The troubles came to a head during the second world war, when shortages of parts and labour, plus increased workload, almost broke Salford's buses. They got into a terrible state, under constant Ministry of War Transport supervision, and by the end of the war the city's buses were a disgrace.
Number 77's chassis was worn out, so a new postwar Crossley DD42 chassis was obtained and 77's body was mounted on it - creating a mismatch of monumental ugliness. But change was on the way - the city's council at last understood that changes had to be made, and appointed C. W. Baroth as the Transport Department's new General Manager. The new broom swept very clean indeed, and within a few years Salford's buses were one of the smarttest - no, THE smartest - municipal bnuses in the country.
When Mr Baroth spied this odd hybrid, his instruction was curt and clear - the body was removed for scrap, and an extra body was added to an existing order so that the nearly-new chassis could be used.
So number 77 (later 247) was a little like Trigger's favourite broom - two chassis and two bodies in its lifetime. But all that mattered was that Salfordians got to school, factory or home, and Mr Baroth saw that this was done efficiently and smartly.
Number 77 has long gone to the scrapyard, but you can still see a Salford bus in the red and ivory colour scheme - number 235, new in 1939, is restored and on display at the Museum of Transport Greater Manchester. If you'd like to know more about the Museum of Transport and its collection of vintage buses, go to www.motgm.uk.
© Greater Manchester Transport Society. All rights reserved. Unauthorised reproduction is strictly prohibited and may result in action being taken to protect the intellectual property interests of the Society.
Product shot of some steaming bread, just out of the oven. I made this for a local bakery, it was very fun and i also learned two very important things:
1. Never shoot food on an empty stomach (it's safe to say the loaf in the back has not been torn apart for the "artistic value" :D )
2. Trying to arrange flour by blowing at it might seem like a good idea at first, to my surprise, turned out it wasn't.
Strobist info:
Cactus KF36 camera left, fired into shoot through umbrella @ 1/16th power, triggered by cactus V4
Like Me on Facebook: www.facebook.com/melatphoto
*Under Construction
Did some promo shots for my highschool's talent show, Mr. Fairfax.
Camera info:
Canon T1i, Canon EF 135mm f/2L, f/4.0, 1/200s, ISO 100
Strobist Info:
-AlienBee B800 shot through a stripbox slightly camera right in front of subject. 5 feet high and 2 feet away from subject. 1/16 Power
-AlienBee B800 shot through a stripbox slightly camera left in front of subject. 5 feet high and 2 feet away from subject. 1/16 Power
-Flash trigged with Cactus V5 triggers
Comments? Crit?
It is well known that certain smells trigger memories… likewise I find this true for certain visuals.
To the naked eye, you basically see the ruins of a “silo room”… where, in the past, silage would end up in a pile after being thrown down the silo chute… and where the silage would be loaded into bushel baskets to be fed to the cattle.
However, here are some memories I encounter when I see this…
Filling the silo with corn silage was a major event on the farm. Raising and affixing the blower pipe involved pulleys, ropes, tractors and cussing… had to be at the right height to get up to the top, above the blower and level enough to connect to the blower. Then silage wagon after silage wagon were ushered to pay homage to the tractor/blower. The weight of the silage sometimes made it a challenge to get the wagon positioned right… cussing seemed to help when it was necessary to reposition the wagon. Such power you will seldom ever witness… two tractors side by side at full power as one’s PTO unloads the wagon and the other’s PTO runs the blower to send the silage up and into the silo. Though rare, the blower pipe would get plugged from time to time… and after lots of cussing and banging and shaking and lots more cussing, the plug would let loose. It would take several days to fill the silo, and before it got topped off a stinky brine would be seeping out of the bottom through the silo blocks as the silage on the bottom got squeezed by all the silage above... aka corn squeezins. You knew when the silo was full when silage eventually blew back outside and rained down on you until you could stop the wagon from unloading… NEVER stop the blower first, for a blower pipe plug could happen! After waiting a day or two, the silage would settle enough that a few more wagon loads could be added… and a repeat of the silage rain and shutdown would ensue. Since hills were plenty and money was not, starting tractors was accomplished by the coast-and-shove-into-gear method instead of new tractor batteries, so it was a common practice at Tipperary Farm to end each work day by parking the tractors on a hill before shutting them off.
Climbing the silo chute to throw silage down… the chute was snug when ya had lotsa winter clothes on and it always had plenty of spider webs to battle, especially for the annual first climb. The door handles were also the steps, and a handle/step was missing on a couple doors… making it a challenge to climb up and, invariably, a startling surprise coming down.
Throwing down the silage by hand… using a silage fork, about the size of a snow shovel with skinny tines about an inch apart… a great upper body workout! The tines were sharp, so care had to be taken to avoid putting one through your sh*tkickers… seemed like once a year it would still happen… one tine even went through my foot but it was so sharp it was painless!
When the winter got real cold, the outermost layer of silage around the silo got frozen, so an inner wall of frozen silage about 6 to 12 inches would form and get “taller” as the cold lingered and more silage got dug out of the center. Without the “wall”, silage would be thrown out the door into the chute until enough of the next door got uncovered and then that lower door got opened. However, the “wall” was so thick and so frozen at times that you couldn't dig through the “wall” to the lower door, so the silage had to be thrown up 2 or 3 doors into the chute… more upper body workout! Eventually when the temps went from bitter cold up to kinda cold, the “wall” would thaw enough that it could be dug apart and sometimes 3’ wide x 6’ high wall chunks would crash down.
Our silo room floor was about 6’ above the bottom of the silo, so the last of the silage each year had to be thrown up that high and out the “bottom” door. Because it did not take much of a pile to block the door, a second person would simultaneously be filling the bushel basket and feeding the cattle so that the door would not get blocked. At times when doing the chores alone, it was necessary for that unfortunate soul to repeat, multiple times, the process of going down into the silo to pitch up silage into a small pile, then climb up out of the silo to feed the cattle.
The bottom of the Tipperary Farm silo was a layer of silage of unknown depth, age and composition… and unearthly smell. There was never a doubt when you reached the bottom, from the smell alone. Now that I think about it, that smell reminds me of limburger cheese… and, not surprisingly, I like limburger cheese!
The acoustics in a silo are mesmerizing, and become more enchanting and haunting as the silo gets emptier. The pigeons that perched along the silo rooftop sounded as if they were next to you when they cooed and fluttered. The soft echoes of a near-empty concrete-block silo make any song you sing sound like it belongs at the Metropolitan Opera.
It was in the silo room with Dad and me feeding silage to the cattle that I recall my first real conversation about girls. I wanted to ask a girl to go steady and wanted to know what he thought about that. I might have been around 13 at the time. I think I caught Dad by surprise with my question, he didn't discourage me but he definitely didn't encourage me either… he left it up to me to figure out what to do. Ended up not going steady, looking back it seems like all worked out. Still trying to figure out women… still trying to figure out myself.
(for further pictures and information please contact the link at the end of page!)
Maria Theresa monument in Vienna
Maria Theresa Square
The Maria Theresa monument is the most important ruler monument of the Habsburg monarchy in Vienna. It is reminiscent of the Empress Maria Theresa, who ruled from 1740 to 1780, and is since 1888 on the Maria Theresa Square on the Vienna ring road (Castle Square - Burgring) between the then Imperial Museums, in 1891 opened the Kunsthistorisches Museum (Museum of Art History) and in 1889 opened the Natural History Museum (Naturhistorisches Museum), in front of the background of the Museum Quarter, then the imperial stables. This by Tritons and Najad Fountains accompanied Ensemble monument counts to the UNESCO World Heritage Site Historic Centre of Vienna.
Historical Background
View from the top (2010)
The Empire of Austria in 1859 and 1866 lost Lombardy and Veneto to the new Kingdom of Italy. It was in 1866 forced to resigne after the defeat of the German war, the Prussians had triggered by violation of the rules of the German Confederation from Germany, which in 1871 was constituted as German Empire under a new empire. In 1867 Emperor Franz Joseph I. in Compromise with Hungary had to agree to the formal division of the empire into a ruled from Vienna cisleithanian and ruled from Budapest transleithanian half of the Empire, with Hungary increasingly presenting itself not as a part of the empire, but as a largely independent state. en.wikipedia.org/wiki/Leitha
During the World Exhibition 1873 in Vienna an economic crisis had occurred, the "founders' crash - Gründerkrach" that devalued liberalism as the leading political movement and new mass parties, for the time being, the Christian Social Party, and later the Social Democrats, putting forth. In addition, more and more national movements were felt in the multiethnic state.
Those centrifugal and the imperial power eroding tendencies one would counteract by patriotic appeals to splendor and glory of the empire. At the since 1858 under construction and in 1865 opened new Vienna ring road around the old town was offered the chance. On the Maria Theresa Square the center facing adjoining Heldenplatz outside the Hofburg in 1860 and 1865 monuments of the two most important generals of the monarchy were built. For the Maria Theresa square, which with the Heldenplatz should form an Imperial Forum, it was a good occasion to erect a monument to the historical mother of the nation. She had by her marriage to Francis Stephen of Lorraine and his election as emperor, the Roman-German Empire brought back to Vienna and the continuation of the dynasty, now as House of Habsburg-Lorraine, secured. She referred to a time when the development of the monarchy was not dependent on any political party nor on national political considerations, but by the wisdom of the rulers. Her reputation and popularity should radiate to the current empire.
The monument
Gypsum model of a draft of the monument
Maria Theresa surrounded by the allegories of the cardinal virtues
For the execution of the sculptures in 1874 the three sculptors Johannes Benk, Carl Kundmann and Caspar Zumbusch submitted designs. Emperor Franz Joseph I decided for Zumbusch, with his student Anton Brenek around 13 years working on the bronze sculptures, which have a total weight of 44 tons. Carl von Hasenauer designed the architecture of the monument.
With the base, the monument covers an area of 632 square meters and is 19.36 m high, on top the seated figure of the Empress with 6 m height. Base and chain pedestal consist of Mauthausen granite from Enghagen in Upper Austria, pedestal and base of brown hornblende granite from Petersburg-Jeschitz at Pilsen in the Czech Republic, the columns of serpentinite from Wiesen near Sterzing in South Tyrol.
The program's content for the monument came from Alfred von Arneth, director of the Imperial House, Court and State Archives. The monarch herself sits on her throne at the top, in the left hand a scepter and the Pragmatic Sanction, the State and the Constitutional Treaty, her allowing the rule in the Habsburg lands as woman, saluting with the right hand the people. Around the throne on the cornice are sitting as allegorical personifications of the cardinal virtues of justice, strength, gentleness and wisdom four female figures .
At the four sides of the base each is located a circular field with a relief and before that a freestanding statue in thematic context:
The consultants of the Archduchess are represented by Wenzel Anton Kaunitz as a statue and Johann Christoph von Bartenstein, Gundakar Thomas Graf Starhemberg and Florimond Claude of Mercy-Argenteau in relief, the background shows the Gloriette in the garden of Schonbrunn Palace.
For the administration stand Friedrich Wilhelm von Haugwitz (statue) and Antal Grassalkovich I, Samuel Brukenthal, Paul Joseph of Riegger, Karl Anton von Martini and Joseph von Sonnenfels in a consulting room in the Imperial Palace.
For the military stand Joseph Wenzel I (statue) with Franz Moritz von Lacy, Andreas Hadik of Futak and Franz Leopold of Nádasdy in front of the castle in Wiener Neustadt, in which in 1752 the Theresa Military Academy was established.
Science and art are represented by the physician Gerard van Swieten (statue), the numismatist Joseph Hilarius Eckhel, the historian György Pray and the composer Christoph Willibald Gluck, Joseph Haydn and the as child represented Wolfgang Amadeus Mozart in front of the Old University.
Consultants
Management
Military
Science and Art
On the diagonal axes surround equestrian statues of four commanders from the era of Maria Theresa the monument: Leopold Joseph von Daun (1705-1766), Ludwig Andreas von Khevenhüller (1683-1744), Gideon Ernst von Laudon (1717-1790) and Otto Ferdinand von Abensperg and Traun (1677-1748).
Leopold Joseph von Daun
Ludwig Andreas von Khevenhüller
Gideon Ernst von Laudon
Otto Ferdinand von Abensperg and Traun
Open base during the renovation (2008)
The monument is being totally renovated since October 2008. In a first step, the base whose granite cladding and the foundation were restored. Under the monument in the course of the work a 600-square-foot brick vault was discovered as a supporting structure that is similar to already known components underneath the equestrian statues on Heroes' Square. In a second step, the stone and metal surfaces are being rehabilitated until probably October 2013.
Reception
The monument in 1888
Maria Theresa Square in 1900
Model: Leah
Photographer: Trevor Loken
Lens: Nikon 35mm f/2.5 Series E
Strobist:
AlienBees AB400 into 22R 22" Pan Reflector/Beauty Dish @ 1/8 power w/ diffusion sock, camera right and high, aimed downward
Cactus V4 trigger
Nikon D80, Manual Mode, Spot Metering, ISO 100, f/4.5 @ 1/25 sec.
Nikkor 18-135mm f/3.5-5.6G @ 48mm.
Nikon SB-26, Manual on various pwr settings, on stand to the left triggered via Cactus V4 radio trigger..
Nikon Capture NX 1.3.5 for processing.
With Melissa. Shot with a little softbox, from above, fronta, TTL-triggered via YN-622 ... In the softbox: Canon 580 EX II.
Canon Speedlite 580EX II @ 1/4 power shot through gridded Cheetah Qbox 24...triggered by Elinchrom Skyports.
彈丸論破 希望學園與絕望高中生 ダンガンロンパ 希望の学園と絶望の高校生 Danganronpa: Trigger Happy Havoc Cosplay
I am a cosplay photographer from Hong Kong.
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More information on my facebook page :
The Ailment – Sippy Downs, QLD Australia – Sunday, 8 March 2009
Strobist Info (this ordering may or may not have changed throughout the shoot):
- 1 x Bowens Gemini Esprit 500WS – shot bare camera left
- 1 x Bowens Gemini Esprit 500WS – shot bare camera right
- 1 x Bowens Gemini Esprit 500WS – shot through beauty dish camera right
- 1 x Bowens Gemini Esprit 500WS – shot bare from behind
- 2 x Bowens Travelpacks – powering 2 x 500WS strobes each
- Canon 5D Mark II w/ BG-E6
- Canon 28-135mm f/3.5-5.6 IS USM
- Elinchrom Skyport Universal Triggers
P.S. I’m not taking a rip on oli sykes or bring me the horizon I love his band and their music and they are awesome individuals, it’s just a running joke we had going with the singer josh and the rest of the band for the day…
I love abandoned houses like ridiculously love them to an extent no person should their character is awesome there is a sense of mystery and always a story as to how the place got that way and plus if we break something being absolute idiots getting the shot we want or getting black paint all over the shop because the guys don’t understand the fact I want it on them doesn’t really matter (keep your eyes peeled for the shots to come) and that to me makes for an awesome shoot…
The Ailment are an awesome band from the sunshine coast, I got the time to hang out with them and shoot their promo’s past Sunday and this is what I’ve come up with so far got a tonne more to edit two more locations slash themes figured I’d edit in the order I’ve taken the shots just to be easy, got a mad t-shirt tan slash camera tan from this location so hot sliced my legs up real bad too but it was fun, all the guys are really awesome dudes really genuine people and their music absolutely shreds, I’ll be working with them again soon on their forthcoming EP out later this year, you can go check them out here I strongly recommend you listen to their stuff (www.myspace.com/theailmentband) or stalk them at their shows…
4 Apr 2009 - Princess Theatre - signal, ATV, HOC, Shredded intestines, tomb of doom - Brisbane, Queensland
24 Apr 2009 - Gympie senior citizens hall - PROVOKE, PRIDE OF PLACE AND MORE - Gympie, Queensland
also cheers go out to my brother, josh’s girlfriend and his 8 week old puppy for helping me do the dirty work and assist me during the shoot it would have been a shocker without your help…
and alternatively feel free to stalk my life (http://thebakehousebne4000.wordpress.com)
(ez egy régebbi kép csak újraszínezve)
strobist info: a Nikon SB-800 @ 1/8 thur into 34" umbrella softbox at camera left. Triggered with a Phottix PT-04 TM Radio Trigger.
Please do not use logos or pool graphics in the comments because I delete it!!!
Original equipment S/A trigger shifter. Despite badly faded graphics and rusty hardware It works after decates of neglect.