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Trigger. Giant. Majestic. Photographed in 1985 at the Roy Rogers and Dale Evans Museum in Victorville, CA. The museum is now located in Branson, MO. Scan of a photo print.
Back to doing another Blazblue shoot & as Noel back on the roster again. Was a hassle trying to get this night shoot to work w/o my lightstand or my triggers at that moment, but I made it work out somehow.
Noel Vermillion | Blazblue
Cosplayed by: www.facebook.com/ichigeicosplay
I think I feel like this picture sometimes! And I don't mean in a bad way! ;-)
I haven't had time to play so I am uploading another shot from last week. Getting really serious about job hunting but have only found a few possibilities that might work. Going to dig some more tomorrow.
I have also been writing down a few ideas to add to the Precision High Speed Photography Trigger and related Tutorial to make one. I think I need to come up with a better name though... Since I will be adding some features that are not necessarily High speed or precision related. One idea is adding bulb ramping ability, and I have some other ideas as well bu they are more fun, party type things instead! ;-) Any suggestions? :-)
Just wanted to drop by to share a card I made for the Moxie Fab Tuesday Trigger last week using all Hero Arts stamps.
Details are at my blog here:
judyscardcorner.blogspot.com/2011/10/tuesday-trigger-fine...
Thanks for peeking!
Base B8301786
Camera 4 (X8111597)
Text 1: Two Pines Plot
Battery Level: 100%
Pics on camera: 0
camera4/p_001308.jpg: PIR Trigger
TS-H120
Swivel Holder K
CL-TX/FT-16
Cactus V6
YN-622c TX
YN-622c
Godox RT-16
Having this on a stand next to me while shooting, I can control any flash trigger. If I want HSS i put the yn-622tx on my camera and plug the yn-622 into the sync jack and fire any of the other triggers. If I just want a dumb trigger set up pictures above I can fire all the other triggers.
This setup allows me to use any of my crap triggers and better triggers to work all together without having to buy all the same or extras of just one kind.
AB800 camera right in Westcott Apollo 28" @ less than 1/8 power to achieve f2.8. Triggered with RF602.
Canon 7D
Canon 70-200mm f/4.0L
Strobist Info
Canon 430EX II + Yongnuo 460 II in Octobox Camera Right
Single Yongnuo 560 in softbox behind model camera left
Triggered by Yongnuo 622Cs
Strobist: Flashgun to the left, powered by wireless trigger.
This is a portrait I did as part of the Birmingham Loves Photographers portrait project. It is a photo of Jon Iles, a fellow Birmingham snapper whom I was paired with for this round. Jon and I were keen to avoid doing straight-up portraits and instead use this as an opportunity to take on a challenge.
This is my first attempt at this type of photo manipulation; I'm pleased with it other than one aspect but I'll keep that to myself for now :) I might tinker with it a little more when I get chance.
Comments welcomed as always.
NB: This round of the portrait project is just about over, however anyone wishing to take part in the next round please keep an eye on the blog as details will be out soon.
Rose Parade floats on display at Victory Park in Pasadena, CA.
January 3, 2012.
C'mon folks, let's all sing along together!
Happy trails to you, until we meet again
Happy trails to you, keep smilin' until then
Who cares about the clouds when we're together?
Just sing a song and bring the sunny weather
Happy trails to you, 'till we meet again
Some trails are happy ones
Others are blue
It's the way you ride the trail that counts
Here's a happy one for you
Happy trails to you, until we meet again.
Read about the float...
www.latimes.com/archives/la-xpm-2011-dec-30-la-et-roy-rog...
Emma
Facebook: www.facebook.com/SBDphotography
Flickr: www.flickr.com/photos/ruption/
Instagram: instagram.com/sbdphotography
Purpleport: purpleport.com/portfolio/sbdphotography
Model Mayhem: www.modelmayhem.com/SBDME
Canon 7D
Canon 50mm f/1.8
DIY Beauty Dish
DIY Tin Foil Reflector
Youngnuo triggers
Wigginton Grasshoppers fire a shot towards the Huntington Rovers goal during a 4-3 defeat in the Premier Division of the Minster Engineering York Football League. In-form Rovers fought back after conceding an early goal to score three times in 16 minutes at Huntington Sports & Social Club and lead 3-1 at half-time. Hoppers reduced the deficit close to the hour mark before both teams netted again near the end. At the expense of the 2017 and 2018 champions, victory extended to five games Rovers' 100 per cent start to the 2018-19 season.
Match statistics:
Admission: free. Programme: none. Attendance: 93. Scoring sequence: 0-1 (4mins, Jamie Willstrop); 1-1 (17mins, John-Paul Vass); 2-1 (30mins, Alex Burton); 3-1 (33mins, Chris Dyson); 3-2 (56mins, Jordan Holt); 4-2 (90mins, Will Edmond); 4-3 (90+3mins, Dale Holding). Bookings: 4-3. Referee: Sam Bayley (York).
Strobist Info: snoot behind model/right/top @ M1/32, softbox model/front-right @ M1/32, umbrella model/left @ M1/8, triggered via phottix wireless transmitter
Kudos to Annika
Apron Triggerplant
A tiny trigger plant discovered and described by Rica Erickson in the 1950's. It wasn't seen again until 2007 when Juliet Wege rediscovered it in Wandoo NP.
We have been searching for this elusive plant and have found it growing in large numbers in October to November over a wide area. It grows in winter wet areas along wetlands and creek lines.
It grows to 8cm.
Photo: Jean
after the trigger was remounted, the holder guides needed to be shimmed out (note the washers between the guide and hammer body), making the contact between the trigger-switch roller and the top edge and radius-ed corner just the right distance from one another.
Por fin.... después de mucho sudor y alguna que otra lágrima... Trigger acabado!!
Funciona en cuatro modos:
*Audio+instantáneo: Se dispara al mismo tiempo en que recibe el sonido.
*Audio+delay: Se dispara con retraso. El retraso se ajusta con un potenciómetro y va desde unos "ms" hasta varios segundos.
*Luz+instant..
*Luz+delay.
Los cuatro modos son seleccionables mediante dos pulsadores.
También tiene un potenciómetro para ajustar el nivel de sensibilidad del micro, una salida independiente para otro flash y una entrada para otro sensor (microfono, fotosensor, microinterruptor... en fin, casi cualquier tipo de sensor)
Love & Will Productions / The Cockpit present:
Cosmic Trigger Play by Daisy Eris Campbell
Adapted from Robert Anton Wilson’s seminal autobiography Cosmic Trigger: The Final Secret of The Illuminati
4th – 27th May 2017
The Cockpit - Gateforth St, Marylebone, London NW8 8EH
“Robert Anton Wilson’s 'Illuminatus!' had a profound effect on me and the Cosmic Trigger Play will no doubt do the same for a whole new generation.” Alan Moore, writer/author of V for Vendetta, Watchmen and Jerusalem
Turn On. Tune In. Find The Others
In 1976 revered maverick playwright and director Ken Campbell staged Robert Anton Wilson’s, Illuminatus! - a nine-hour stage epic play that helped launch the careers of Jim Broadbent and Bill Nighy. It also led to the backstage conception of a baby girl; Daisy Eris Campbell.
“one of the most original and unclassifiable talents in British theatre of the past half-century”
The Guardian obituary for Ken Campbell – 2008
Now Love & Will Productions and The Cockpit are delighted to announce the debut full run of Daisy Campbell’s adaptation of Wilson’s seminal countercultural text; Cosmic Trigger. Part sequel, part revisit, part homage, part new writing; this is the story behind the notorious conspiracy satire, 'Illuminatus!', the extraordinary life of the novel's author, Robert Anton Wilson, and the unstoppable force that was theatre legend Ken Campbell.
Daisy Campbell says; "Reading Cosmic Trigger changed my life and the lives of many others - and the book is dedicated to my dad! Wilson's uniquely optimistic and radically agnostic philosophy is incredibly relevant in these crazy times. We are absolutely thrilled to be working with The Cockpit on this production. They are the perfect co-conspirators to help us bring the wit and wisdom of Robert Anton Wilson back to life."
The original work reinterpreted world history as a giant conspiracy theory and Daisy’s new work gives a backstory to the original production, featuring the lives of Wilson and Campbell, as well as the counterculture figures Timothy Leary, Alan Watts and William Burroughs, whom Robert Anton Wilson befriended.
Set in the late sixties and early seventies, the play recounts the period of Wilson's life around the conception and writing of Illuminatus. During this time, he befriended heroes of counterculture, took LSD and experimented with the magical rituals of Aleister Crowley with predictably - and unpredictably - mind-blowing results.
With many of the original cast returning and Alan Moore appearing via specially recorded audio and morphed video projections Cosmic Trigger is a celebration of all that has gone before it as well as a vital venture in its own right. This is a highly ambitious production, with projections in the round, phantasmagorical multiple narratives, and a different actor performing as William Burroughs every night, it is designed to evoke the real-life hallucinogenic trip through conspiracy, paranoia and enlightenment that transformed Robert Anton Wilson from ‘Playboy’ editor to much-loved counter-cultural icon.
Dave Wybrow, Artistic Director of the Cockpit and co producer of Cosmic Trigger says; “We are putting together a venue, a tribe and new ways of networking and creating work. It’s about joining low tech to hi tech, low culture to high culture and low budgets to high levels of audience reach and social impact. This first venture looks at counter-cultural legacy. But the vision is an open artistic community for the future.”
Cosmic Trigger previously played for two days in November in Camp & Furnace in Liverpool and five days at Lost Theatre Vauxhall in London in 2014 – this is the play’s first full run.
Character: Lucca
Cosplayer: Evadoll
Photography by MikoBura
Facebook :: Deviantart :: Cospix :: 500px
Feel free to share and re-post the photos, but be sure to give proper credits to the photographer (me) and the cosplayer(s).
Please do not alter or modify my photos in any way. Do not reproduce my photos without my written consent. Thank you! \^^/
© MikoBura Photography
Triggertrap Balloon Pop using iPad connection/trigger. Used T1 trigger connected to one SB 600 camera left using software on iPad. Nikon D300s - one second.
Using a sound trigger, an attempt at capturing a light bulb as it's breaking. Was pretty close to the action.
Day 080 - #Photo365 - Near
Before the early postwar years, Salford Corporation buses were painted a bright red and ivory livery. The colour scheme included yards and yards and ornate lining out and the effect was very smart. Crossley was pleased to supply a batch of 'Mancunian' double deckers to the city, and this advert appeared in trade press magazines of the time. No doubt customers understood that an ad announcing an order for Stockport was illustrated with a Salford bus...
Sadly, behind the shiny paintwork not all was well with Salford. Its maintenance systems were dubious to non-existent: and its General Manager had some quirky ideas about how his fleet should be run.
The troubles came to a head during the second world war, when shortages of parts and labour, plus increased workload, almost broke Salford's buses. They got into a terrible state, under constant Ministry of War Transport supervision, and by the end of the war the city's buses were a disgrace.
Number 77's chassis was worn out, so a new postwar Crossley DD42 chassis was obtained and 77's body was mounted on it - creating a mismatch of monumental ugliness. But change was on the way - the city's council at last understood that changes had to be made, and appointed C. W. Baroth as the Transport Department's new General Manager. The new broom swept very clean indeed, and within a few years Salford's buses were one of the smarttest - no, THE smartest - municipal bnuses in the country.
When Mr Baroth spied this odd hybrid, his instruction was curt and clear - the body was removed for scrap, and an extra body was added to an existing order so that the nearly-new chassis could be used.
So number 77 (later 247) was a little like Trigger's favourite broom - two chassis and two bodies in its lifetime. But all that mattered was that Salfordians got to school, factory or home, and Mr Baroth saw that this was done efficiently and smartly.
Number 77 has long gone to the scrapyard, but you can still see a Salford bus in the red and ivory colour scheme - number 235, new in 1939, is restored and on display at the Museum of Transport Greater Manchester. If you'd like to know more about the Museum of Transport and its collection of vintage buses, go to www.motgm.uk.
© Greater Manchester Transport Society. All rights reserved. Unauthorised reproduction is strictly prohibited and may result in action being taken to protect the intellectual property interests of the Society.
First time I used my Hasselblad for portraiture...
Light: 1st flash from the left, slightly above with a white shoot through umbrella. 2nd flash from 45° right behind and above. 3rd flash to lighten the background from the floor facing upwards. All radio triggered.
Hasselblad 500c/m 150mm Carl Zeiss Sonnar 1/250s f5.6 (as far as I remember)
Rollei Retro 100 (Rodinal 1:50)
got my cactus triggers in the mail today. had to try them out on something!
music is my other "thing"...
strobist: Vivitar 285 on 1/4 power bare, nikkor 50mm 1.8d on my d200.
iso100, 250th @ f8 i believe, didn't look
Well, i neither have a hotshoe, nor do i have a pc jack. Using this gobo i can better trigger the optical slaves of the nikon guns, plus i dont hit the subject with the ugly oncamera flash.
Used cardboard, white paper and velcro.
strobist: sb24 & sb26 on 1/8 power, shootthrough printing paper
I made myself six optical slaves. I was tired of forgetting to turn off the power on my ebay triggers when I was done with them. I keep draining the batteries. So I decided I needed some optical triggers that were powered by the flash trigger voltage. These are designed to be used for low voltage low trigger voltage flashes. I have a Canon 420EZ that only has a trigger voltage of 4 volts and these work fine with it.
The case is a RJ11 cable joiner. I pulled out the guts and machined out the rest of the plastic. I then took some viewfinder lens assemblies for one time use cameras and machined the lens to match the window I made in the housing.
The electronic assembly was soldered together in point to point fashion.
I added a 1/8" mini jack as an output for longer cable use or as a input for a ebay trigger receiver. I can trigger the flash with the receiver and use the connected optical slave as a backup trigger in case the radio trigger didn't get the signal (as long as there was another flash that did fire).