View allAll Photos Tagged translucent
Falcate Orangetip - male
Anthocharis midea
These are tough butterflies to get pictures of - they rarely stop moving, and even when they do, their small size and birght white still make it a challenge.
This one is my favorite of the batch.
Part of a quick little set of experiments using long exposures in a dark room exposed to colorful light sources (leds on computers and optical mouse laser light).
Stirfry vegetables shredded by my new toy from Lakeland. And no, they still don't pay me for all the publicity I give them!
Oxidized sterling silver recycled custom chain links with many hand wired 5mm faceted labradorite and turquoise rondels on vintage brass head pins.
Part of a hat/coat stand as guessed by 'Mike' with credit also to fhuell. See comments below for wider views.
Chicago, Illinois
Cook County
A slightly different processing from me. I originally planned to not do any processing, then I wanted to do selective color on the flag, then I went with this. I guess it is desaturated selective color. This is one of those shots that's been done a lot, and I always tend to like it. The first time I saw it and it really grabbed my attention was a shot THE real Ryan Myers did. Then the first or second time I shot with Ward/Dustin he got a shot of a flag that I had struggled in vain to shoot for about ten minutes.
MSR & newly deboxed NP (with Simply Lilac scalp). Now they are pastel-haired sisters too. Both wearing Chuthings. Just had a hair wash here.
There it is.
There's something nice about the keys from that angle. I like the translucency and the bevel to them. I wonder though, if it would have been possible to make the tops smaller thus leaving a larger space between keys. It would still accomodate the OLED frame, and make keys feel more fitting. My guess would be that it was considered, but introduced distortion problems.
DETAIL
Material Mastery Exhibition
Chad Fonfara
Kearney, NE
Wind-borne
Glass, bronze
I didn't want to replicate a specific plant or insect form, but create something that looked both familiar and otherworldly—multivalent forms that don't have a singular identity. The viewer must decide: "What is it? Where does it come from? Was something growing in it? What is its story?" Glass allows me to play with conflicting fragility and heaviness, and its relationship to light with glass's varying opaqueness, translucency, transparency. I also enjoy negating the material: trying to make it look like it is not obviously glass, but an entity unto itself.
Strobist: One SB26 at 1/16th above and slightly behind subject against the white background. Small contrast mods in post.
These images are all about playing with translucency. The leaf has been placed on a piece of glass put between two tressles. A soft box is used to illuminate the leaf from below, with metering for the light, not the leaf.
I have had a lot of fun with these and will now try a few different scenarios.