View allAll Photos Tagged translucent
HDR shots of a Nikon D3X shooting HDR landscapes, shot with a Sony A77 (Alpha 77) with SLT translucent mirror technology, using the Sony's in-camera HDR set to + & - 3 EV.
Scenic Malibu landscapes! In the canyons & on the ocean!
High Dynamic Range (HDR) photorgaphy rocks in nature! It lets you capture the details found in the blacks and highlights of a scene, better matching the natural dynamic range of the human eye.
In the Malibu Canyons!
Using the Vanguard Alta Pro 264AT Alluminum Tripod with SBH-100 Ball Head. It's a highly-configurable rig which allows you to get low, unique angles!
Attached to the Nikon D3X is the wonderfully awesome Nikon 14-24mm f/2.8G ED AF-S Nikkor Wide Angle Zoom Lens
Attached to the Sony A77 is the Sony 16-50mm f/2.8 Standard Zoom Lens
A layer of translucent blue (Again, testors enamel) gives the surface an iridescent quality. Id recommend tossing the nozzles these cans come with and buying nice ones at an art supply store. They spit paint everywhere and it can ruin a nice basecoat
This paint job changes color drastically in every photo with each different camera...
HDR shots of a Nikon D3X shooting HDR landscapes, shot with a Sony A77 (Alpha 77) with SLT translucent mirror technology, using the Sony's in-camera HDR set to + & - 3 EV.
Scenic Malibu landscapes! In the canyons & on the ocean!
High Dynamic Range (HDR) photorgaphy rocks in nature! It lets you capture the details found in the blacks and highlights of a scene, better matching the natural dynamic range of the human eye.
In the Malibu Canyons!
Using the Vanguard Alta Pro 264AT Alluminum Tripod with SBH-100 Ball Head. It's a highly-configurable rig which allows you to get low, unique angles!
Attached to the Nikon D3X is the wonderfully awesome Nikon 14-24mm f/2.8G ED AF-S Nikkor Wide Angle Zoom Lens
Attached to the Sony A77 is the Sony 16-50mm f/2.8 Standard Zoom Lens
Astor Place, New York City. These were taken on a trip to New York that Gary, Anne and I took a month ago.
This particular building reflection caught my eye because it was so clear and because the left edge/corner of the newer building was sharp and shallow enough so that we could see through it. Also, it was dusk so there were lights on in the older building.
Thee's something about seeing the inside of a monolithic glass box from the outside that has an appeal for me. Sort of like finding out how airplanes are honeycomb structures covered with a thin skin of aluminum (or whatever material their skins are made of). Lastly, this large face of the building was facing due west, perfect for picking up the sky and fading light.
Sep 9 2017 - The new Manulife tower looks like a see through building.. so reflective of the sky it's like a total mirror to the outside world.
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The coolest part about San Miniato was these panels of very, very thin marble near the altar. When the sun shone on them outside, they glowed red — not enough light got through to illuminate the place, but just enough to give the walls a freaky red glow.
You can just spot the surface texture of the translucent glass. Shadowy waves fold over each other at deeper layers and a bubble even deeper. View On Black