View allAll Photos Tagged tools
Be part of the 1853 Turon Rebellion re-enactment and tremble through a weekend complete with cannons, floggings, shootings and duels, market stalls, exhibitions and more.
At any time bushrangers may stick you up for your gold (coin).
Gold was discovered on the banks of the Turon River at Sofala in 1851. In the first few months of the gold rush, miners complied with the law of the day, but those who were not striking it rich soon objected to paying the 30 shilling licence fee.
Throughout late 1851 and into 1852 there were hostilities in the booming settlement, with fierce words between miners and the government until things came to a head in 1853.
The rebellion includes a re-enactment of events of February 18 that year, when more than 1000 miners, heavily armed and singing Irish protest songs, marched on the banks of the river demanding rights for miners.
www.illawarramercury.com.au/story/5196417/revelry-aplenty...
Tool Wall and work bench in the 1910 vintage Central California Traction engine barn. Stockton California.
Ok, so trying to keep my whatever it is number of days in a row having a page, or more, to add to this collection, I ran into a time constraint and associated snag about what to draw. The drawing started with the toothpick, then evolved into the coffee cup, then the lawn mower (one of the very few drawings I have done with no reference), and then, to fill in the space left over, a pot of coleus plants. Then it was a struggle, but "Tools" came to mind as a kind of title for the page...whatever.
Ehren Tool, Occupation, performance view at Museum of Contemporary Craft, Gestures of Resistance. June 3, 2010. Photo: Heather Zinger
I liked the shot to begin with but liked it even better after the post processing. I did a little different processing on this one. I think it really shows the gritty texture and age of these. This was taken in my Dads workshop where he used to tinker around with various projects. These drawers were used to store all sorts of tools.
LEGGI #SENZATIMORE il BLOG di Michele Ficara - CLICCA QUIIl servizio fotografico completo del Backstage nell'ottimo ristorante di Spello e del Convegno Le Buone Pratiche organizzato dall'Editoriale Campi che edita il mitico Calendario Barbanera che nel 2012 festeggia 250 anni di vita. La conferenza si è tenuta nella sede dell'Editoriale Campi di Spello ed ha visto la partecipazione di Michele Ficara Presidente Assodigitale, Roberto Bonin Presidente Gsa, Francesco Morace future concept lab, Sandro Vitali sincado si Spello, Giulio Ceppi Total Tool, Raffaella Guidobono di Ted Palermo, Maria Sebregondi, Moleskine, Luca Baldini Amministratore delegato editoriale campi.
Cheaper than a Swiss army knife, but much better. Back to work sale: two for the price of one. || Photo info: Taken 2013-09-01 with Canon EOS 5D Mark III, EF100mm f/2.8 Macro USM, ¹⁄₁₂₅ sec at f/4.5, focal length 100 mm, ISO 400. Copyright 2013 .
An underground water main runs parallel to the trail. Occasionally there are places that allow access to some kind of pipe lid. Here, a workman is applying a fresh coat of paint to the lid after cleaning it up. I'm sure it will look nice when he is done though it will be hidden once he replaces the manhole cover and locks it in place.
Tools & Equipment Cages. All Welded Cages. Ideal to secure inventory, Tools and Equipment. Ships Assembled. Stocked in 4ga galvanied steel and poseder coat finishes. Free Layout assistance. P(732)489-3867.
Tools Equipment Cages. Dispatcher Cages, New Jersey, New York
My husband's shop is full of tools and each one has a home. No matter what size or type of screwdriver you need he has you covered.
By Tony Cragg
Tony Cragg (born 1949, UK) is one of the world’s foremost sculptors, constantly pushing to find new relations between people and the material world. In the 1980s, Cragg began to make sculptures suggestive of architecture...
These totemic piles of found objects and machined parts suggest an industrial counterpoint to the history of man-made achievements, while his other work nearby, Tools, made from sandstone, conveys the opposite, being hand wrought versions of mechanical aids, such as screwdrivers and mallets. Cragg sees no difference between the natural and the artificial, preferring to acknowledge the bridges between the two, the synthetic here acquiring figurative qualities in some of the bust-like tools, while his stacked turrets of spacers, washers and engine spares travel back through time to suggest archaeological accretions and geological strata.
[everythingatonce.com]
Part of Everything at Once
Presented by Lisson Gallery and The Vinyl Factory at the Store Studios, 180 The Strand
October-December 2017
Lisson Gallery opened on Bell Street in 1967, a year after John Cage’s pronouncement on the changing conditions of contemporary existence. In celebration of this anniversary, the gallery is partnering with The Vinyl Factory to stage ‘EVERYTHING AT ONCE’, an ambitious group exhibition inspired by these words, which could very well apply to our current anxiety-ridden age of ceaseless communication. Through new and historical works by 24 of the artists currently shown by Lisson Gallery (out of more than 150 to have had solo shows over the past 50 years), this extensive presentation aims to collapse half a century of artistic endeavour under one roof, while telescoping its original aims into an unknowable future.
As Cage predicted, we increasingly live in an all-at-once age, in which time and space are no longer rational or linear concepts and great distances can be traversed with an instantaneous click. More than ever before, contemporary art, like life, assaults us simultaneously from all angles and from anywhere on the globe, existing also as multisensory visions of an accelerated world.
In response, ‘EVERYTHING AT ONCE’ is neither a chronological exhibition nor an encyclopaedic history of the gallery’s activities since 1967, rather it is an interconnected journey incorporating 45 works exploring experience, effect and event, invoking immediacy and immutability. Ranging from text to installation, painting, sculpture, performance and sound, the selection presents some of Lisson’s leading artists, of both the past and present...
[Lisson Gallery]
For the budding Craftivist, our kits & tools are a great place to start. They’re designed to help get the cogs whirring on positive social change.
We believe craft can be a tool for gentle activism.
By using the quiet, reflective time it gives us to explore global issues and how they affect the world around us, we can create something beautiful, considered, positive and poignant.
Join us, together we can change our world, one stitch at a time…
www.craftivist-collective.com/shop
photos by Victoria Siddle