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Liverpool's 'Three Graces'. The Port of Liverpool Building, in the foreground, was the first to be built (1903-1907), the Royal Liver Building, furthest away, was the second (1908-1911) and the Cunard Building, in the centre, third (1914-1916). A century later they were joined, on the Pier Head, by the contrasting but impressive modern structure built to house the Museum of Liverpool (opened 2011) from which this view may be had (through glass).
[53.403484, -2.995566]
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“Life... is like these wooden chopsticks...”
“What does that mean?”
“....I don’t know.... have a drink...”
'Modified Hall; 4-6-0 6989 'Wightwick Hall' passes through the Three Arch Bridge on the Bluebell Railway during an excellent John Bowers photographic charter on 17th April 2023. A 'mini' Sonning Cutting with superbly maintained infrastructure. Highly commendable!
© Gordon Edgar - All rights reserved. Please do not use my images without my explicit permission
Randers, Denmark, 2020. Leica M2, 50/2.8 Elmar. Fomapan100 @400, developed in homemade MCM 1:1, normal dev.
Here the sun is beginning to shine through the slowly dissipating fog, bringing a more hazy look.
A very different image from me today as a change from my usual nature images.
I don't normally take photos of people or man made objects, but whilst out walking along Bridlington Harbour early on a sunny winter morning I watched some of the sailing vessels coming back.
The sea was flat calm and the sun was low in the sky so I decided to take a few shots.
This one is of a coble, which is a tradional flat bottomed fishing vessel that operated along the Yorkshire Coast. They traditionally have a square sail, although all the ones still in use have a motor.
This one is called "Three Brothers" and is the largest still operating and, as far as I'm aware, is the only one that still has the square sail.
I found these three Tawny Owlets in an Oak tree behind my house.
Lucky me.
I was head to toe fully camouflaged, So no disturbance !!!!!
The wind rolled across the desert like a sigh, reshaping the endless waves of golden dust. James Wren wiped the sweat from his brow and adjusted his pack. He had walked this road for three days in search of a gas station to refuel his car. His water was low. His hope, lower.
Then he heard it.
A faint, crackling melody, twisting through the wind. It was impossible — a tune that didn’t belong to the desert, something old, something ghostly. He looked ahead, searching for the source.
At first, he thought it was a trick of the heat. But there it was, abandoned on the road — a rusting car from another time. The windshield was shattered, the doors long eroded by sand and wind. But the radio, impossibly, still played.
James approached cautiously. The melody wavered and dipped, 1930’s jazz, the kind played in smoky speakeasies a century ago.
His fingers brushed against the corroded metal of the door. A whisper of a voice rose out of the music.
"…always knew you’d find me…"
James’ breath hitched. He stepped back, pulse hammering. The voice was thin, feminine, stretched with age. It wasn’t a recording. It was speaking.
"It’s been so long, Jimmy."
The desert was empty. No one had called him Jimmy since —
No.
He swallowed hard. He forced himself to look inside.
The dial of the radio glowed. The voice rose from the speaker.
"You promised me a drive to the coast, Jimmy. You never came back."
He remembered. A lifetime ago, or maybe a hundred lifetimes. The night he ran. The night he left her behind.
The music crackled, fading in and out.
"I waited. I waited, Jimmy."
The wind howled and the sand began to shift.
The radio let out one last, ghostly note before falling silent.
Midjourney, Photoshop
The Sheikh Zayed Grand Mosque in Abu Dhabi is truly staggering. In scale as well as intricacy. And it attracts a modern kind of pilgrimage: one made with a camera.
Hit L for a proper look.
Original section of U. S. Highway 101
Union Pacific Railroad
Modern and current U. S. Highway 101
Pentax MZ-S
Pentax smc P-F 35-105mm f/4-5.6
Kodak Color Plus 200
f/5.6 1/1000 ASA 200
Pacific Image Prime Film XA Slide & Negative Scanner
Tish Murtha I England 78 - 81
Benita Suchodrev - 48 Hours Blackpool
Distant Islands - Fotografien zum Brexit
Freundeskreis Willy-Brandt-Haus
Berlin