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Epic video of the day's bikini swimsuit model shoot:
www.youtube.com/watch?v=gZIq1Q2C8Wo
www.youtube.com/watch?v=Ildxu-9xPR0
A Gold 45 Goddess exalts the archetypal form of Athena--the Greek Goddess of wisdom, warfare, strategy, heroic endeavour, handicrafts and reason. A Gold 45 Goddess embodies 45SURF's motto "Virtus, Honoris, et Actio Pro Veritas, Amor, et Bellus, (Strength, Honor, and Action for Truth, Love, and Beauty," and she stands ready to inspire and guide you along your epic, heroic journey into art and mythology. It is Athena who descends to call Telemachus to Adventure in the first book of Homer's Odyssey--to man up, find news of his true father Odysseus, and rid his home of the false suitors, and too, it is Athena who descends in the first book of Homer's Iliad, to calm the Rage of Achilles who is about to draw his sword so as to slay his commander who just seized Achilles' prize, thusly robbing Achilles of his Honor--the higher prize Achilles fought for. And now Athena descends once again, assuming the form of a Gold 45 Goddess, to inspire you along your epic journey of heroic endeavour. Just like Helen of Troy, she's worth fighting a ten year war for! :)
Got a brand new Prime Lens--the Carl Zeiss Sony Alpha e-mount FE 55mm F/1.8 ZA Carl Zeiss Sonnar T* Lens! Let me know how you like it! :)
Sony A7 R Test Photos of Bikini Swimsuit Model Goddess! Pretty, pretty, pretty woman! Shot with the awesomely sharp, sharp Carl Zeiss Sony Sonnar Sony FE 55 mm F/1.8 ZA Carl Zeiss Sonnar T* Lens and finished in Lightroom 5.3 ! Was using the B W 49mm Kaesemann Circular Polarizer MRC Filter on bright, sunny day. Check out the low glare off the rocks and water and the bright blue sky! Super sharp images and crystal-clear pictures!
Here's some video shot at the same time as stills: youtu.be/Y7gq_gCk0jE
www.youtube.com/watch?v=RiOMrZIEzg8
Join my youtube channel for goddess video shot @ the same time as the stills with the Sony A7 !
www.youtube.com/user/bikiniswimsuitmodels
Beautiful swimsuit bikini model goddess on a beautiful January Malibu morning! Shot it yesterday. :) Love, love, love the new Sony A7 R 55mm F/1.8 lens combo!
Was a fun test shoot. Many, many more to come!
All the best on your Epic Hero's Journey from Johnny Ranger McCoy!
Modeling the black & gold Celtic Cross and "Gold 45 Revolver" Gold'N'Virtue swimsuits, shirts, & lingerie with the main equation to Moving Dimensions Theory on the swimsuits: dx4/dt=ic. Yes I have a Ph.D. in physics! :) You can read more about my research and Hero's Journey Physics here:
herosjourneyphysics.wordpress.com/ MDT PROOF#2: Einstein (1912 Man. on Rel.) and Minkowski wrote x4=ict. Ergo dx4/dt=ic--the foundational equation of all time and motion which is on all the shirts and swimsuits. Every photon that hits my Nikon D800e's sensor does it by surfing the fourth expanding dimension, which is moving at c relative to the three spatial dimensions, or dx4/dt=ic!
All The Best on your EPIC hero's journey from Johnny Ranger McCoy! :)
Falling in love with the full frame 36 megapixel e mount Sony A7R!
The books behind the pretty goddess on the Malibu beach hut and surfboard are The Decline and Fall of the Roman Empire by Edward Gibbon, Homer's Iliad, Homer's Odyssey, Shakespeare, and Herman Melville's Moby Dick! My favorite books! Will have some video of the pretty model reading them beside a campfire soon.
They're all collectors editions! My books cost as much as my surfboards!
And for those who always ask, I shoot in RAW! Always! :)
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Outlining a Theory of General Creativity . .
. . on a 'Pataphysical projectory
Entropy ≥ Memory ● Creativity ²
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L'individu suffoque sous la saturation du monde parce qu'il a le sentiment que ses subordinations outrepassent son autonomie, sa puissance d'être-en-soi au sein de la multitude, son conatus dirait Spinoza, l'élan de son individuation psychique dirait Simondon, sa liberté diraient ces libéraux qui la catéchisent en la confisquant à ceux qu'ils asservissent pour persévérer dans la leur.
Qu'en est-il de la puissance d'être-en-soi de la multitude, de ce conatus composé de multiples conatus ? Elle est la puissance de l'individuation collective qui réunit les conditions de possibilité des émancipations individuelles, autant que les conditions de possibilité de leurs apprivoisements, domestications, assujettissements, servitudes et asphyxies.
C'est ainsi que la multitude s'étouffe dans ses propres supports de mémoire collective, ses rétentions tertiaires désirées ou fortuites, ses hypomnemata. Grâce à eux, pendant tout le 20e siècle, les individus s'émancipèrent par plus de temps libre, de mobilité, de culture, par plus d'autonomie qu'ils n'eurent à le payer de soumission aux normes morales, marchandes, ou écologiques.
Mais ces indispensables hypomnemata, externalités anaboliques et cataboliques comprises, sont à la fois opportuns et importuns, sains et délétères, indissociablement. Ce sont des pharmaka, c'est à dire des remèdes autant que des poisons, des délivrances autant que des addictions, et des boucs émissaires dès que les équilibres homéostasiques se rompent.
Comment s'emparer de ces pharmaka pour prendre soin de nous autant que de la multitude ? Comment mener ce projet comme une thérapeutique ? A ce jeu, à somme non-nulle, seront créatifs ceux qui libèreront les capacités d'excédences individuelles au sein de projets collaboratifs, c'est à dire ceux qui relâcheront les servitudes sans déraciner les rhizomes sociaux.
Du fond de la globale saturation capitaliste, cette créativité ne doit plus être une sublimation bourgeoise mimétique, mais une émancipation co-errante cathartique. Cette créativité doit investir les résonances consensuelles de la multitude pour en infléchir les modes de production, que de nouveaux hypomnemata, objets, formes et figures, adviennent hors les dépotoires des surproductions mercantiles.
A cette fin, il s'agit moins de “faire de nos vies une oeuvre d'art” que “de faire de nos vies un flot d'événements”. Faire événement c'est dé(ré)inventer, dé(re)choisir, dé(re)construire, dé(re)territorialiser, dé(re)créoliser les singularités et les excentricités distribuables et résonnantes, pour que la multitude en algorYthme les récursions et en laisse émerger de nouvelles lignes de fuite.
Individué par jef safi, récursant les hypomnemata du multiple : Héraclite, Démocrite, Zhuangzi, Platon, Aristote, Spinoza, Bergson, Simondon, Debord, Deleuze, Guattari, Foucault, Castoriadis, Conway, Negri, Stiegler, Žižek, Badiou, Maffesoli, . . et de tant d'autres.
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The individual suffocates under the saturation of the world because he feels that his subordinations overstep his autonomy, his power to be-in-himself among the multitude, his conatus Spinoza would say, the surge of his psychic individuation Simondon would say, his freedom liberals would catechize, confiscating it to those they enslave to persevere in theirs.
What about the multitude's power of being-in-itself, of this conatus composed of multiple conatus ? It is the power of the collective individuation which brings together the conditions of possibility of individual individuations, as the conditions of possibility for their tamings, domestications, subjugations and asphyxiations.
Thus, the multitude smothers itself in its own collective memory supports, its tertiary retentions desired or unintended, its hypomnemata. Thanks to them, throughout the 20th century, people were emancipated by more leisure time, mobility, culture, by more autonomy which they had to pay it with submission to moral, commercial or ecological norms.
But these vital hypomnemata, including anabolic and catabolic externalities, are both opportune and unwelcome, healthy and harmful, indissociably. These are pharmaka, i.e. remedies as much as poisons, releases as much as addictions, and scapegoats as soon as the homeostatic balances break.
How to seize these pharmaka to take care of us as much as of the multitude ? How to conduct this project as therapeutics ? In this game, a non-zero-sum one, those who will be creative will be those who liberate the capacities of individual exceedences within collaborative projects, i.e. those who will loosen the servitudes without uprooting the social rhizomes.
From the bottom of the global capitalist saturation, this creativity should no longer aim bourgeois mimetic sublimations, but co-erring cathartic emancipations. This creativity must invest the consensual resonances of the multitude to change the modes of production, so that new hypomnemata, objects, shapes and figures, can befall outside the mercantile overproduction dumps.
To this end, it is less to "make our lives a work of art" than to "make our lives a thread of events". Let us de(re)invent, de(re)choose, de(re)construct, de(re)territorialize distributable singularities and eccentricities, so that the multitude can algorYthm their recursions allowing the emergence of new vanishing lines.
Individuated by jef safi, recursing hypomnemata of the multiple : Heraclitus, Democritus, Zhuangzi, Plato, Aristotle, Spinoza, Bergson, Simondon, Debord, Deleuze, Guattari, Foucault, Castoriadis, Conway, Negri, Stiegler, Žižek, Badiou, Maffesoli, . . and so many others.
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El individuo se ahoga en la saturación del mundo porque siente que sus subordinaciones sobrepasan su autonomía, su poder para ser-en-sí-mismo entre la multitud, su conatus, que diría Spinoza, el manantial de su individuación psíquica, que diría Simondon, su libertad, que catequizarían los liberales, confiscándosela a aquellos a los que esclavizan para perseverar en la suya.
¿Qué hay del poder de ser-en-sí-misma de la multitud, de este conatus compuesto de múltiples conatus? Es el poder de la individuación colectiva lo que reúne las condiciones de posibilidad de individuaciones individuales, así como las condiciones de posibilidad para sus domas, domesticaciones, subyugaciones y asfixias.
Así, la multitud se sofoca en sus propios soportes de memoria colectiva, sus retenciones terciarias deseadas o inintencionadas, sus hypomnemata. Gracias a ellos, a lo largo del siglo XX, las personas se vieron emancipadas a través de un mayor tiempo de ocio, movilidad, cultura, más autonomía que tuvieron que pagar con la sumisión a normas morales, comerciales o ecológicas.
Pero estos hypomnemata vitales, incluynedo externalidades anabólicas y catabólicas, son a la vez oportunas y no bienvenidas, saludables y nocivas, indisociablemente. Son pharmaka, esto es, remedios a la vez que venenos, liberaciones a la vez que adicciones, y chivos expiatorios en cuanto los equilibrios homeostáticos se rompen.
¿Cómo apoderarse de estos pharmaka para cuidar de nosotros mismos a la vez que de la multitud? ¿Cómo conducir este proyecto como una terapéutica? En este juego, de suma no-nula, serán creativos los que liberen las capacidades de las excedencias individuales dentro de proyectos colaborativos, es decir, aquellos que aflojen las servitudes sin desenraizar los rizomas sociales.
Desde el fondo de la saturación capitalista global, esta creatividad no debería ya tener como objetivo las sublimaciones miméticas burguesas, sino las emancipaciones catárticas co-errantes. Esta creatividad debe invertir las resonancias consensuales de la multitud para cambiar los modelos de producción, de modo que nuevos hypomnemata, objetos, formas y figuras puedan surgir fuera de los vertederos de la superproducción mercantil.
Para este fin, no se trata tanto de “hacer de nuestras vidas una obra de arte” como de “hacer de nuestras vidas un hilo de eventos”. Des(re)inventemos, des(re)escojamos, des(re)construyamos, des(re)territorialicemos singularidades y excentricidades distribuibles, de modo que la multitud pueda algorYtmar sus recursiones permitiendo la emergencia de nuevas "líneas de fuga".
Individuado por jef safi, recurriendo hypomnemata de múltiples: Heráclito, Demócrito, Zhuangzi, Platón, Aristóteles, Spinoza, Bergson, Simondon, Debord, Deleuze, Guattari, Foucault, Castoriadis, Conway, Negri, Stiegler, Žižek, Badiou, Maffesoli, . . y muchos otros.
Many thanks to Alicia Pallas, alias Alificacion, for her tra(ñ)slation.
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rectO-persO | E ≥ m.C² | co~errAnce | TiLt
Well I was shooting fall colors in Zion National PArk when I saw that they had forecast snow for Bryce Canyon, so instead of heading back to LA, I headed out to Bryce Canyon! And I was treated to snow, sun, clouds, snowstorm, and then a glorious sunrise over the s-capped hoo-doos in Bryce! :)
Sony A7RII Bryce Canyon & Zion National Park Autumn Dr. Elliot McGucken Fine Art Landscapes
Been busy traveling and shooting landscapes and working on my books The Golden Hero's Odyssey about the golden rectangle and divine proportion I use in a lot of my compositions! Also working on my physics book on Dynamic Dimensions Theory! The equation d4/dt=ic is on a lot of the 45surf swimsuit and shirts and all! :)
Follow me & 45surf!!
www.facebook.com/45surfAchillesOdysseyMythology/
www.facebook.com/elliot.mcgucken
My fine art landscape lenses for the A7RII are the Sony 16-35mm Vario-Tessar T FE F4 ZA OSS E-Mount Lens and the Sony FE 24-240mm f/3.5-6.3 OSS Lens ! Love the Carl Zeiss and super sharp Sony Glass!
Join us tomorrow @ Bell & Whistle for a night of Drum & Bass ヾ(⌐■_■)ノ♪
4PM - Babylon (TBD)
5PM - Misch
6PM - Thirteen
7PM - JenX
8PM - Kiteki
9PM - Ayame
See you there ♥
Fine Art Ballet Photography: Nikon D810 Elliot McGucken Fine Art Beautiful Ballerina Dancer Dancing Ballet in Pointe Shoes!
Dancing for Dynamic Dimensions Theory dx4/dt=ic: The fourth dimension is expanding relative to the three spatial dimensions at the rate of c!
New ballet & landscape instagrams!
www.instagram.com/elliotmcgucken/
Nikon D810 Epic Fine Art Ballerina Goddess Dancing Ballet! Dr. Elliot McGucken Fine Art Ballet!
Marrying epic landscape, nature, and urban photography to ballet!
Nikon D810 with the Nikon MB-D12 Multi Battery Power Pack / Grip for D800 and D810 Digital Cameras allows one to shoot at a high to catch the action FPS! Ballerina Dance Goddess Photos! Pretty, Tall Ballet Swimsuit Bikini Model Goddess! Captured with the AF-S NIKKOR 70-200mm f/2.8G ED VR II from Nikon, and the Sigma 50mm f/1.4 DG HSM Art Lens for Nikon! Love them both!
www.facebook.com/45surfAchillesOdysseyMythology
A pretty goddess straight out of Homer's Iliad & Odyssey!
New Instagram! instagram.com/45surf
New facebook: www.facebook.com/45surfAchillesOdysseyMythology
Join my new fine art ballet facebook page! www.facebook.com/fineartballet/
The 45EPIC landscapes and goddesses are straight out of Homer's Iliad & Odyssey!
I'm currently updating a translation with the Greek names for the gods and goddesses--will publish soon! :)
"RAGE--Sing, O goddess, the anger of Achilles son of Peleus, that brought countless ills upon the Achaeans. Many a brave soul did it send hurrying down to Hades, and many a hero did it yield a prey to dogs and vultures, for so were the counsels of Zeus fulfilled from the day on which the son of Atreus, king of men, and great Achilles, first fell out with one another. " --Homer's Iliad capturing the rage of the 45EPIC landscapes and seascapes! :)
Ludwig van Beethoven: "Music/poetry/art should strike fire from the heart of man, and bring tears from the eyes of woman."
Follow my Fine Art Ballet instagram!
Oh ya boys! BARRY IS SAVITAR! I was right! At first I thought it was HR but then I thought about it being Barry and I was right! Everyone after last weeks episode were like "oh Ronnie!" But it wasn't. I never for one second though that t was Ronnie. Why? Because this person knew everything about everyone! And Ronnie was only around for not even half a year before being killed. So he wouldn't know anything about Wally. But this person who was Savitar would of had to know everything and who does Catlin trust next up on her list? Barry. That was my theory about Savitar since about mid season and I was right! My only question is how far in the future is this Barry from? I though it would be a version of Barry from a possible future. But I think this one would of had to come after 2056, after the future message. Let me know what you think in the comments!
Photography using a DSLR Camera portraying the string theory that we are all connected by strings of energy that transfer emotion and feeling between each and every person on Earth. These strings create an aura and atmosphere in a room as the emotion is being transferred between all the people so they all subconsciously feel the same thing.
Photo and post-processing by Sheree Zielke.
Drakes Theory playing a gig out front of a coffee shop in Edmonton's trendy Whyte Avenue, Old Strathcona area.
Sorry, this was awhile in coming guys, but I finally got to it.
Blessings,
Sheree
When I spend a good deal of time w/ MsM, I look at J-man and think what a little guy he is. And then we spend some time w/ my brother and his family and I compare J-man w/ his cousin, Jack ... I think what a big boy he has become.
My theory of relativity is quite simple. If you want a sense of how old your children are becoming, have them interact with those younger than them. You'll be shocked how time has flown. And when you want to see how young and innocent they still are, surround them with older children. You'll be pleasantly surprised how much of their lives they have ahead of themselves.
Works every time. :)
Greetings mate! As many of you know, I love marrying art, science, and math in my fine art portrait and landscape photography!
The gold 45 revolver lingerie is designed in accordance with the golden ratio! More about the design and my philosophy of "no retouching" on the beautiful goddesses in my new book:
www.facebook.com/Photographing-Women-Models-Portrait-Swim...
"Photographing Women Models: Portrait, Swimsuit, Lingerie, Boudoir, Fine Art, & Fashion Photography Exalting the Venus Goddess Archetype"
If you would like a free review copy, message me!
And here's more on the golden ratio which appears in many of my landscape and portrait photographs (while shaping the proportions of the golden gun)!
www.facebook.com/goldennumberratio/
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The dx4/dt=ic above the gun on the lingerie derives from my new physics books devoted to Light, Time, Dimension Theory!
www.facebook.com/lightimedimensiontheory/
Thanks for being a fan! Would love to hears your thoughts on my philosophies and books! :)
http:/instagram.com/elliotmcgucken
instagram.com/goldennumberratio
Beautiful swimsuit bikini model goddess!
Golden Ratio Lingerie Model Goddess LTD Theory Lingerie dx4/dt=ic! The Birth of Venus, Athena, and Artemis! Girls and Guns!
Would you like to see the whole set? Comment below and let me know!
Follow me!
I am working on several books on "epic photography," and I recently finished a related one titled: The Golden Number Ratio Principle: Why the Fibonacci Numbers Exalt Beauty and How to Create PHI Compositions in Art, Design, & Photography: An Artistic and Scientific Introduction to the Golden Mean . Message me on facebook for a free review copy!
www.facebook.com/goldennumberratio/
The Golden Ratio informs a lot of my art and photographic composition. The Golden Ratio also informs the design of the golden revolver on all the swimsuits and lingerie, as well as the 45surf logo! Not so long ago, I came up with the Golden Ratio Principle which describes why The Golden Ratio is so beautiful.
The Golden Number Ratio Principle: Dr. E’s Golden Ratio Principle: The golden ratio exalts beauty because the number is a characteristic of the mathematically and physically most efficient manners of growth and distribution, on both evolutionary and purely physical levels. The golden ratio ensures that the proportions and structure of that which came before provide the proportions and structure of that which comes after. Robust, ordered growth is naturally associated with health and beauty, and thus we evolved to perceive the golden ratio harmonies as inherently beautiful, as we saw and felt their presence in all vital growth and life—in the salient features and proportions of humans and nature alike, from the distribution of our facial features and bones to the arrangements of petals, leaves, and sunflowers seeds. As ratios between Fibonacci Numbers offer the closest whole-number approximations to the golden ratio, and as seeds, cells, leaves, bones, and other physical entities appear in whole numbers, the Fibonacci Numbers oft appear in nature’s elements as “growth’s numbers.” From the dawn of time, humanity sought to salute their gods in art and temples exalting the same proportion by which all their vital sustenance and they themselves had been created—the golden ratio.
The Birth of Venus! Beautiful Golden Ratio Swimsuit Bikini Model Goddess! Helen of Troy! She was tall, thin, fit, and quite pretty!
Read all about how classical art such as The Birth of Venus inspires all my photography!
www.facebook.com/Photographing-Women-Models-Portrait-Swim...
"Photographing Women Models: Portrait, Swimsuit, Lingerie, Boudoir, Fine Art, & Fashion Photography Exalting the Venus Goddess Archetype"
They may not make you experts in physics, but these 2 new, science prints might make you a bit smarter than your friends.
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Outlining a Theory of General Creativity . .
. . on a 'Pataphysical projectory
Entropy ≥ Memory ● Creativity ²
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Study of the day :
Il y a donc, là, une crise que j’appelle écosophique, pour élargir la notion de pollution environnementale, non seulement aux dimensions matérielles de la pollution, mais aussi aux dimensions de la pollution sociale, de la pollution mass-médiatique et de la pollution mentale. C’est pour intégrer toutes ces dimensions écologiques que j’ai formé, que j’ai forgé, ce terme d’écosophie. Il y a le problème d’une réinvention de la vie sous tous ses aspects. Sous ses aspects matériels. Sous ses aspects sociaux et sous ses aspects incorporels. Il y a toute une problématique de l’écologie du virtuel à forger.
So there is, there, a crisis which I call ecosophic, to expand the concept of environmental pollution, not only to the material dimensions of pollution, but also to the social dimensions of pollution, of the massmediatical and mental pollution. This is to integrate all these ecological dimensions that I formed this term : ecosophy. There is the problem of a reinvention of life in all its aspects. In its material aspects. In its social aspects and in its intangible aspects. There is a whole problematics of the ecology of the virtual that have to be founded.
( Félix Guattari - An interview on greek TV 1992 )
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| . rectO-persO . | . E ≥ m.C² . | . co~errAnce . | . TiLt . |
