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Five images blended from a series shot over 4 minutes in Southern Arizona. Chaos Theory suggests that a minor difference at the start of a process can make a major change in it as time progresses. Weather systems are a great example.
The Lorenz attractor is, without a doubt, the emblematic figure of chaos theory and probably one of the most popular mathematical figures. It was at the beginning of the 60s when the mathematician Edward Lorenz discovered in his laboratory at the Massachusetts Institute of Technology in Boston that small variations in the initial conditions of a system of differential equations that simulated the state of the climate in a certain region, produced large divergences in the results. What he had discovered is what later became known as the "Butterfly Effect": a flap of a butterfly's wings would be enough to trigger a cyclone. The Lorenz attractor is the representation in space, through numerical methods, of the solution curves of the system of three differential equations with three variables studied by Lorenz.
This is a photograph showing the Lorenz attractor generated with a simple code from the free software Octave.
Photograph of the monitor taken with Nikon D5600, 55 mm.
Nene
Galileo Galilei was scolded by the Church. Stop it the Copernican theory. Galileo was frustrating. He said in a whisper ...E pur si muove
The "Crisis in Cosmology" conference was organized to develop criteria for creating alternatives to the "big bang" theory. September 10, 2008 ...... POP!
Chapter Two.
To Navigate Is Necessary
.........................................................................
In collaboration with bazsa
"Tonight, I can't sleep,
the heart's all wires
The moon is widowed,
the stars,
retired"
Piano Magic || Luxembourg Gardens
Its a bit like string theory but less dimensions
Starting to think about the group Arachtober
Last 2 (or maybe 3) years I managed to post a spider or spiderweb picture for each of the 31 days of the month. I assume/hope it will run again this year - it will be the 17th year of the group
the idea is to post spiders to Flickr during October. Spiders must be posted to Flickr during October and added to the group the day they are posted (so no pictures that have been posted to Flickr previously - they must be fresh posts (but can have been taken years previously))
If you only have a few spider pictures (or even just one) you can still participate in the group and feel the fun! Some great pictures, interesting facts and chat about spiders.
My pleasurable and mindful activity for the coming week will be to get some spider/web pictures so I have enough material for at least the first week or so.
Altered Images - Beckoning Strings
9351 arrives at Kidderminster Town during the Severn Valley 2022 Autumn Gala.
9351 is a 2-6-0 tender engine, but started life as 5193, a 2-6-2T tank loco. Purchased by the West Somerset Railway in scrapyard condition, they assessed that parts of the loco including the rear frames were heavily corroded, so the decision was made in 2000 to convert the loco to a tender engine. This ideally suited the needs of the WSR and their 20 mile line.
9351 closely resembles the original 9300 and 4300 class of GWR locomotives it is based on, but can be distinguished most obviously by its smaller diameter boiler.
An unused shot from last year, found while going through some folders.
°. ──── • ⌜sponsored
ʚ: the archive. | THEORY. : Aliana Set ( Available at Cakeday)
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is a contrived foothold in the chaos of living phenomena. (Wilhelm Reich) LOL
Uses textures from darkwood67.
en.wikipedia.org/wiki/Den_Burg
Den Burg is a town in the Dutch province of North Holland. It is a part of the municipality of Texel on the island of the same name, and lies about 12 km north of Den Helder.
Overview
Located in the middle of the island, Den Burg is the largest city of Texel. It features a historic centre and also the town hall. Outdoor markets are held each week in the main square. Nevertheless, Den Burg is the island's least touristic settlement.
In 2001, Den Burg had 6,160 inhabitants. The built-up area of the town covers 1.47 km² and contains 2,645 residences.[1] The slightly larger statistical district "Den Burg" has a population of around 6,380.[2]
Notable sites
A monument to the constructed language, Esperanto, is on the corner of Kogerstraat and De Zes. It was constructed in 1935 when Esperanto was widely spoken throughout the island.[3]
Notable people
Willem Eduard Bok (1846–1904), State Secretary of the South African Republic (Transvaal) 1880-1889.
Hans Kamp (born 1940), philosopher, creator of discourse representation theory (DRT).
Henk Zijm (born 1952), mathematician, professor and Rector Magnificus (2005–2008) at the University of Twente.
Dorian van Rijsselberghe (born 1988), windsurfer, winner of gold medal in the 2012 and 2016 Olympics.
Tectonic Asphalt Theory describes the small-scale movements of a road surface which causes it to drift apart over time.
So… that makes me wonder… if we wait long enough… will Smith street morph into West street… and will Adderly street one day lead us directly to Greenmarket Square!? Heh heh… I suspect NOT! :)
I still don’t have anything new to post… so I’m still scratching around in my archives… here’s hoping for a cloudy blue sky later this afternoon!!
Nikon D300, Sigma 18-200mm at 18mm, aperture of f11, with a 1/60th second exposure.
Click here to view this one large.
Click here to check out my Vertorama tutorial.
A picture from the small town Larvik in southern Norway.
The man on the wall is Thor Heyerdal, born in Larvik and who built and travelled on Kon-Tiki from South America to Tuamotu Islands in 1947 to prove his theory.
Ilford Delta 100 and Mamiya RB67.
Elements of theory :
five friends , they are linking by a friendship since a long time .
Text of theory :
'' the elements must be strongly attracted together and the mid of elements affect on the remaining elements '' .
The objective of theory :
every one have a friendship same that , he must interested in all elements in that relation to keep it as is and no change .
theory written by :
eng. mando
The broken windows theory, defined in 1982 by social scientists James Wilson and George Kelling, drawing on earlier research by Stanford University psychologist Philip Zimbardo, argues that no matter how rich or poor a neighborhood, one broken window would soon lead to many more windows being broken: “One unrepaired broken window is a signal that no one cares, and so breaking more windows costs nothing.” Disorder increases levels of fear among citizens, which leads them to withdraw from the community and decrease participation in informal social control.
193/365
This photo annoys me for so many reasons. Nothing is turning out the way I want it to lately & that boils my blood.
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Scientific Theories.
Comprendere le reazioni chimiche apprezzando i composti saturi di sistemi che approfondiscono composti organometallici più profondi diversi lati,
Siedepunkte starke Gruppen Ether intermolekulare Kräfte Löslichkeitseigenschaften Sauerstoffatom protonierte Säuren Elektrophile Sulfate verwendeten Chemikalien,
charges formelles synthèse de structures positives conversion d'électrons conjugués d'ions hydrogène spectres d'étirement composés aromatiques,
интеграция атомов связи упрощенная высота изобилия интенсивный квартет разные пики соседние атомы атомы водорода замещающие ключи,
καμπύλα βέλη ενδιάμεσα φορτία βασικά βήματα επίθεσης σε δεσμούς που μεταφέρουν τοποθεσίες υλικών ηλεκτροφίλων δευτερογενών αλκοολών,
共鳴構造作動メカニズムラジカル反応を形成する重要な要素ラジカル攻撃安定した秩序電子構造ツイストケミストリー動き方向を示すハイブリッド生成配信.
Steve.D.Hammond.
El Colegio de San Gregorio de Valladolid es la sede principal del Museo Nacional de Escultura. Es uno de los mejores ejemplos de la arquitectura del periodo de los Reyes Católicos. En particular, su patio y su portada son célebres por su refinada ornamentación, las elegantes proporciones y una ostensible simbología del poder.
Igualmente interesante es su historia como institución docente. Destinado a colegio de Teología para frailes dominicos, adquirió una notable autoridad doctrinal y actuó como un semillero espiritual y político de la España renacentista y barroca.
La Universidad de Valladolid fue fundada en el siglo XIII durante el reinado de Alfonso X el Sabio; como en otros países se potenció la aparición de centros colegiales, de modo que tardíamente se creó el Colegio de San Gregorio, que actuaron en paralelo o complementariamente con relación a la vida universitaria. En Valladolid se creó además el Colegio de Santa Cruz también a finales del siglo XV
La creación del Colegio, bajo la advocación del doctor de la Iglesia San Gregorio, fue obra del dominico Alonso de Burgos, obispo de la diócesis de Palencia y confesor de los Reyes Católicos. Alonso de Burgos condicionó su fundación a la obtención de la comunidad dominica de San Pablo de los terrenos para la construcción de su propia capilla funeraria, que serviría igualmente para el alumnado del Colegio. Tal petición se vio satisfecha en 1487: consigue el espacio necesario, lo cual fue confirmado por el Papa Inocencio VIII.
Las obras se iniciaron en 1488 aunque se había comenzado ya la construcción de la capilla funeraria, cuya puerta de entrada se percibe en el crucero sur de la Iglesia conventual de San Pablo.
La fachada fue concebida como un telón o estandarte (arquitectura suspendida). Su compartimentación se organiza con elementos vegetales que evocan los arcos triunfales construidos con madera y enramada, reforzándose su carácter civil y urbano. Dada su significación simbólica, la explicación de los diferentes motivos y elementos que la integran ofrece una gran dificultad, tanto individualmente como en su totalidad y en la relación entre los diferentes elementos.
En el tímpano principal y sobre el dintel decorado con flor de lis aparece la dedicatoria y la ofrenda del Colegio por parte del fraile dominico Alonso de Burgos a san Gregorio Magno en presencia de San Pablo y Santo Domingo.
Destacan las figuras de hombres silvestres cubiertos, o no, de pelo, y con garrotes y escudos; o bien aluden a la costumbre cortesana de disfrazar escuderos con ocasión de fiestas, o bien representan la imagen mítica del «hombre natural», tal como se discutió por esas fechas y entran en diálogo visual con esculturas de caballeros, vestidos con armaduras y portando lanzas y escudos, encarnando la Virtud.
La parte central superior está ocupada por un pilón hexagonal, rebosante de agua, que puede evocar la especulación intelectual como Fuente de la Vida. En torno al pilón, se arremolinan parejas de niños y de él arranca el tronco de un granado, en posible alusión a la Fuente de la Vida y al Árbol de la Ciencia, aparte de la celebración de la reciente conquista del Reino de Granada. Todo el relieve central de la fachada se constituye con esta representación simbólica de un microcosmos, a imagen del Paraíso, lugar hacia donde deberían dirigirse los hombres mediante el conocimiento de las Artes y la Teología.
La presencia del escudo de los Reyes Católicos, sostenido por leones y por el águila de San Juan podría tener una significación política o podría ser una alusión a la dedicación del edificio a la Monarquía, a la que Alonso de Burgos nombró heredera y patrona del Colegio.
El patio del Colegio es de planta cuadrada y representa una de las joyas de estilo hispanoflamenco. Sus dos pisos se levantan sobre pilares helicoidales decorados sus capiteles con medias bolas y lises separados ambos por el tema de la cadena.
En las arquerías del piso superior se encuentra toda la decoración mediante calados pretiles de tracería gótica y cortinas pétreas que al abrirse originan arcos geminados de guirnaldas y follaje, entre los que juguetean niños, concebido con una talla muy plana próxima al estilo renacentista. Un friso de yugos y flechas y las gárgolas es lo único que se conserva de su antiguo coronamiento.
El acceso al piso superior se realiza a través de una sola escalera con pretiles góticos a los que se suceden los paramentos almohadillados de su caja decorada también con el timbre heráldico del fundador y con un artesonado mudéjar, en cuyo friso se pueden observar las iniciales de los Reyes Católicos y que cierra todo su ámbito.
es.wikipedia.org/wiki/Colegio_de_San_Gregorio
es.wikipedia.org/wiki/Museo_Nacional_de_Escultura
The Colegio de San Gregorio is an Isabelline style building located in the city of Valladolid, in Castile and León, Spain, it was formerly a college and now is housing the Museo Nacional de Escultura museum. This building is one of the best examples of the architectural style known as Isabelline, which is the characteristic architectural style of the Crown of Castile region during the Catholic Monarchs' reign (late-15th century to early-16th century).
Among other sections highlights its courtyard and its facade for its refined decoration, elegant proportions and the number of symbologies. It was founded as a teaching institution. Aimed at College of Theology for Dominican friars, it has acquired a doctrinal authority and acted as a spiritual and political hotbed in the Central region of Spain's Renaissance and Baroque periods.
The University of Valladolid was founded in the 13th-century during the Alfonso X of Castile the Wise's reign; as in other countries, the emergence of college centers was potentiated, then belatedly was created the Colegio de San Gregorio, who performed in parallel or complementarily in relation to university life. In Valladolid the Colegio Mayor Santa Cruz was also created also in late 15th-century.
The creation of the College, under the title of the Doctor of the Church Saint Gregory the Great, was work of Dominican Alonso de Burgos, the Catholic Monarchs's confessor and Bishop of the dioceses of Córdoba, Cuenca and Palencia. The foundation of the college was confirmed by with Papal Bull of Pope Innocent VIII in 1487, and accepted as Royal patronage by Queen Isabella the Catholic in 1500, after the founder's death.
It attached to the Convento de San Pablo, which Friar Alonso had been its prior, its foundation was subject to the assignment of the Capilla del Crucifijo (Crucifix's chapel), attached to the Epistle's arm of the Dominican church, to become his own funeral chapel, which later acquired dual function to also serve as a chapel for college.
Work began in 1488 in a process from the inside to outside, being the main facade the last in lift. The Royal shields in the corners of the Large courtyard still do not present the Granada's symbol suggests that this part would be completed before 1492. The building is assumed to completed in 1496.
The facade, plain facing and topped with a crest, stands out above all for its spectacular main facade, which by its stylistic features it sets regarding the workshop of Gil de Siloé, a Flemish origin artist, who was at that time in Burgos dealing with the royal sepulchers of the Miraflores Charterhouse and is known to have been commissioned to make the defunct altarpiece of the chapel, very in connection with which the sculptor had made in the Conception's chapel or of Bishop Acuña in the Cathedral of Burgos and has obvious similarities to the upper of the main facade of San Gregorio.
Perhaps evoking the triumphal arches of the architectures at that time were developing in Central Europe, or perhaps the Islamic Madrasas, architects of this building applying an individually decorated of the Castilian late-Gothic (Isabelline), it has a complex symbolic significance in that mix contemporary figures, saints, allegories, wild men, abundant symbolic of power, etc.
It has two bodies framed by two buttresses. The lower hosts a vain lintel decorated with fleur-de-lys, the founder's symbol repeated often enough, covered with three-centered arch in turn covered by another ogee trefoil.
It draw attention to the "savage men" of the jambs and buttresses, a total of sixteen. Theories about the significance of these figures, present in many buildings of 15th-century, are varied and should be put in relation to the context in which these appear. One of its functions would be simple heraldry sculptures. It is also said that, dressed with shield and mace, were the guardians of the building, beastmen guaranteeing security. Or these could allude to the custom of disguising the squires and lackeys in Court (nobility) festivities in which it presented the "savage" as inferior, in relation, for example, the chivalric romances, which mentions hair covered wild men, degraded men, estranged from the civilized world, not Christianized, and could here be in visual confrontation with the knights who also appear on the main facade, with armor, spears and shields, that would be interpreted as allegories of Virtue. On the contrary, these could also be a positive allusion, the mythical image of man in nature, unpolluted, symbol of purity that evokes the time in a perfect and happy world, with prototype to John the Baptist.
Those on the lower part, flanking the main facade, are completely covered with long hair, carrying weapons and the shields are decorated with demonic figures except in one, which has a Knight order of Calatrava's cross, the same motifs of the soldiers's shields of the second floor, the same iconography already seen for over a century.
However, in the top of the main facade are completely different, with the same attributes but without hair on the body and even two hairless, with a more human aspect, and there are authors who consider the oldest representation in Castile of an American Native, reflecting the effect of the Americas's arrival in the European imagination.
The tympanum, on a lintel, seems to represent the offering of the college by Friar Alonso de Burgos to Saint Gregory the Great in the presence of Saints Dominic and Paul, patrons of the neighboring Dominican convent, a somewhat disconcerting scene, unbalanced, with disproportion between the figures and Saint Paul with a cruciferous nimbus, an exclusive attribute of Christ. It seems to be earlier work than the rest, or even reused from other site.
The upper body is divided into three sections, with the center occupied by a hexagonal pylon which starts a pomegranate tree, referring to the Nasrid Kingdom of Granada's conquest in 1492, swirling around putti playing and jumping. It could be a Fountain of Eternal Youth's representation, hence the children, of the Tree of Knowledge, in relation to the building dedicated to the study, an allegory of the Paradise, the place to which men aspire to reach through the knowledge, an allegory of the Golden Age, in relation to the historical moment that was occurring to the Spanish monarchy.
The pomegranate tree is topped by a big shield of the Catholic Monarchs with the St. John's eagle held by two attitude lions and below the Catholic Monarchs's symbols also appear: the beam and arrows. And the use of the royal heraldry with propaganda purposes in this period reached prominence hitherto unknown, present not only in buildings directly promoted by the Catholic Monarchs but also in many that of their closest collaborators, in that way showing participation and acceptance in the political project undertaken by Isabella I and Ferdinand II in relation to the establishment of a modern state with which to control and organize all their territories under their unique power.
Upper body's side sections have the founder's heraldic decoration and two kings of arms placed at height of the central shield.
Distributed among the distributed arboured throughout the main facade are seen multiple scenes related to the defects to be overcome with the study, in relation to the search for truth and rejection of heresy, the triumph of intelligence over force or the strength to overcome temptation.
(Large courtyard) The Patio Grande was the access to the most important stays of the set. It considered a Hispanic-Flemish (Isabelline) gem, is set in relation to Juan Guas for its similarities to Palacio del Infantado in Guadalajara, although have also located abundant motifs that Bartolomé Solórzano, an active artist at that time in the area, used in the Cathedral of Palencia, seat of the Friar Alonso's bishopric.
It is square with two floors, the lower with slender pillars, perhaps a Solomonic reference in relation to a building as a "temple of wisdom", with capitals of average balls and fleur-de-lis sustaining segmental arches, and the upper with one of the most decorative Isabelline galleries, with parapets openwork with Gothic tracery and geminare arches riddled with garlands and foliage among those appears children playing and where already shown Renassaince influence, of midpoint and a form that goes be more flat.
Then follows a frieze of yokes and arrows on highlighting the imaginative gargoyles.
It has abundant emblems of the Catholic Monarchs and the kingdoms of Navarre and Granada, incorporated into the Crown of Castile during the erection of the building.
The only staircase that connects both floors is rectangular of two sections, Isabelline base, decorated walls with padding of Renaissance influence with the founder's heraldry; an impressive Mudéjar roof on a frieze with the Catholic Monarchs's initials; and neo-Gothic parapets with same trace that the base, added in works in the 1860s to replace the wooden fence that had.
en.wikipedia.org/wiki/Colegio_de_San_Gregorio
en.wikipedia.org/wiki/Museo_Nacional_de_Escultura,_Vallad...
Set in the beautiful grounds of Cockington Court there has been a church on the ground where the present church stands from Saxon times. The original place of worship was a chapel thought to have been built by William de Falesia a Norman who had many areas of Devon and Somerset given to him after the Conquest of 1066.
The main structure
The first part of the church to be built was the Chancel in c.1069 followed by the castellated tower built in the Romanesque style in c.1236. in 1297 part of the northern isle was added which was further extended c.1400 along with the construction of the west porch parvise. Then prior to 1780 the chancel was added.
The tower stands 66 feet tall and with walls 6 feet thick in places. There are three floors which are believed to have been the accommodation for the priest in residence who would have been provided by the Canons at Torre Abbey. There is a fire place and drain in the first floor floor room (now the bell ringing chamber) which further support this theory.
There is also evidence of it being not just a church tower but a place of refuge from local pirates. By the front door there is an oak beam 6 feet 4 inches long that can be slid across when the door is closed to prevent any attempt to charge down the door and the walls of the tower contain several arrow slits.
what are you working on today, herr doktor?
my new project, my boy, having to do with string. . . .
string theory? great! the end of particle physics!
yes, well, you see. . .
so you've made a new breakthrough?
breakthrough? in a sense.
a new theory of relativity, no doubt?
er. . .
doktor, you are a genius!
yes, well, see, I have a this nice ball of string. see?
a ball of string? why are you mentioning that?
all my string. now in one ball. see?
what does this have to do with quantum field theory?
oh nothing. but the cat likes to play with it.
the cat?
isn't she cute?
totally