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Test sardegna 1 con TL in movimento, slider e effetto 360
Sardinian test 1 with TL in motion, slider and 360 effect
i didn't feel like making poses this week for FLF so i bought one of those mesh models to try something different. i just started playing with the texture today so it's in the early stages and no one is on rn, so... yay? nay? advice/constructive criticism is most welcome. if you'd like to try it in world, shoot me an IM.
personally, i'm on the fence about it, so i will start making some poses just incase. :P
raw shot, only cropped.
UPDATE: So, I made an entirely new texture (i'm still working on this one though), pictures tomorrow. I just hope all of you love it as much as Aria and I do. <3
The probability disruptor beta got a little out of hand, I'm afraid. The wavefront is propagating slowly; we all should have a fair amount of time before things...change.
Testing new Yashica Mat-124G and Reala 100. Processed in Unicolor C-41 kit.
I like the camera and the film! Used meter on camera. Slight post processing after scan to include a little crop, border and cleaned up spots.
Tilikum Crossing, Bridge of the People
Aesthetic Lighting Testing
iOS Photography
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Apple iPhone 6 Plus [testing]
Canon EOS 7D + Samyang 14mm f/2.8
Voir le test du Samyang 14mm ici:
www.steakhachai.fr/blog/2010-04-26-test-du-samyang-14mm-f...
Merci à Geek Trend pour le prêt de matériel
Just wanted to test out the new lens.
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Triple teleconverter, 3400mm, full frame, no-crop.
Basic retouch applied of course.
I'd expect a much blurry image. But the lens combo literally works. Wish i had a hood for the lens.
The pathfinder (or test) backplane of the James Webb Space Telescope is shown here at NASA Johnson. It's secondary mirror boom was extended in prep for cryogenic tests in NASA Johnson's giant Chamber A. Mounted on the pathfinder are two test primary mirror segments, and at the end of that boom structure, a test secondary mirror.
Image credit: NASA/Desiree Stover
D7000 + Nikkor AF-S DX 18-105mm ED VR
@Nikon Digital Live 2010 Akihabara
I failed to focus a camera...and I'm badly done...sorry.
The Board of Trade Inspection of the Irwell Viaduct over the developing Manchester Ship Canal. There are 10 locomotives of the Midland Railway and Manchester, Sheffield and Lincolnshire Railway standing on the bridge, giving a total of 750 tons. The date is said to be 1893, but I wonder if it might be a bit earlier. The site of Irlam Locks is in the distance and the old railway bridge just after the viaduct that will replace it. The River Mersey is running in on the right side of the image. The viaduct is still in use today but has been completely rebuilt with new steelwork and extra support pillars for the outside spans.
I built this for the guys over at tested.com, as a thank you for having me as a guest on Octobercast 2013.
A test shot done of Kina (renamed Gwendolyn Giang),that's why her hair is Blah. I wasn't planning on posting this; but the angles and little editing I did came out waayy too well not to.
More tests today. I'm learning how to control very light values. But first I did a little ink test in the upper left to see if you get green when you mix yellow and black ink. Yes, you do if you are very fast and mix them while they are still wet. I used a yellow Micron pen and a black Zig pen.
My main test was to slowly build up dilute colors. I had burnt sienna in one Kuretake Mini waterbrush and cobalt in another. I applied a wash, waited for it to dry completely, and added another. I did this four times to create four increasingly darker values. You have to be very patient, but it works. I learned this method from a book called "The Wash Method of Handling Water Colour" by Frank Forrest Frederick published in 1908. I found it for free on Archive.org
archive.org/details/washmethodofhand00freduoft
Where you can download it as a PDF, ePub, or Kindle file.
Finally I tried to get the lightest value possible with a number of colors. I used a wet round brush to pick up a little dried tube paint. I then quickly dipped the brush in water, tapped the brush against the inside of my water container (to dislodge a little water) and then made a brush mark down the dry page. This deposits very little pigment and is a good way to make beautiful, light colors. I also tried lifting some color out with a thirsty brush (in the cadmium red/lemon yellow mix), and I tried adding a little more color on top of the wet first stroke (ultramarine and cobalt - bottom left).
A modern day TV test pattern. Test patterns were first used to assist TV set owners with adjusting their sets, but today's are for studio use and are a rare sight over the air (a local station was airing this on an unused sub-channel until programming was added).
37608 and 37609 2q88 Powerhall - Derby RTC Test train 22/08/2012,photographed at Woodacre near Garstang
Testing out the new 50mm f/1.8 Nikon Lens that Mr. UPS man delivered to me today. Three words: I'm in Heaven.
That is all.