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When you own your own dark room one used to run little test before using a full piece of photo paper. Over the years, Dad created hundreds of these. These are few glued onto bristol board.
Photo by Allan Peden
This was frame #12 of the same roll of Sensia I scanned back in Nov 2005...
This was taken with a Canon EOS3 and a Zenitar 16 F2.8 Russian fisheye. This Russian fisheye is quite sharp and contrasty, however I could easily screw off the front element :-P (unintentionally, while focusing) See the vignetting here, it's because the front element was partly screwed off...
Seeing the world with a fisheye is quite a different experience.
Wish I could remember which of the three funky lenses I was testing made this image. I like what it did. Not a really good test if you don't keep good notes. D'oh!
Optika IIa with a petzvalesque projection lens.
Adox CHS 25 in Rodinal 1+50 for 8.5 minutes.
This is a Test Train that I was a Train Captain on at The Railway Test Centre Derby England. I am the Short one This coach mainly worked the UK but It also did some Track testing in Spain. Sadly it was cut up after I retired like me it was getting too old.
Test roll at 6x6 with a wide angle homemade pinhole camera, f90 18mm.
A few flash pinhole shots to finish the roll.
There's a saying "there's a light at the end of the tunnel", and this is the light. I am really enjoying every moment of it from the 3d tracking, live view, built, color rendition, fast FPS and etc..
Will post more pics and reviews... No PP.
D300
Sigma 70-200 2.8
This is a test. It is meant to illustrate the differences between this really old Mamiya Macro 60mm with 42mm threads with Canon adapter lens built during the 1960's and a really new 17-55 EF-S f/2.8 IS USM.
Both images were shot wide open at f/2.8. The Canon image also had image stabilization enabled. The Mamiya image is clearly sharper. There's something either wrong with the Canon optic, or my expectations of it's performance are not aligned with the reality of new "high performance" zoom lenses... and after much deliberation and several more tests, I'm convinced the problem is in the lens.
I tested the LumoPro LP907 Universal Hot Shoe Translator II by taking this photo. My old hot shoe adaptor is on the camera's hot shoe, and is connected to the LP907 by the audio cable visible at lower right (it came with a set of computer speakers I bought in 2000).
The LP907 fired the Yongnuo flash pictured here, which is lighting this image. (If the LP907 hadn't worked, then this image would have been dark.)
canon ae-1 program +
maginon-serie g mc 70-210mm f4 auto zoom +
fujifilm fujicolor c200
(at 105mm f/5.6 1/60, hand held)
no post processing or cropping, just as scanned.
taken at manual mode.
lensi tanımak amacıyla çekilen test fotoğraflarından biri.
herhangi bir oynama veya kırpma yok, tarayıcıdan ne çıktıysa o.
manuel modda çekildi.
Testing coping E6 transparencies with the a6000
Second post of this image but different technique ...
I used to get some nice radio programs from the ABC on my transistor during the day..
Tests conducted at the Materials Test Reactor, which operated from 1952 to 1970, influenced subsequent reactor design and fabrication around the world.
For more information about INL's history, visit the Proving the Principle section of www.inl.gov/publications/index.shtml.
Finally, I got a Pentax K 50/1.2 which I am testing at the moment. The light in this one was offered by a small lamp (40 watts) which is directed against a wall on the other side of the room... ;) The DOF is rrrrrreally small and I think it'll take a couple of shots until I am comfortable with it's fokussing.
(Ballpoint pen on paper) (BEST VIEWED LARGE?)
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I thought I'd give a demo of the standard vignette on the new 16-35 F4 IS L. In direct comparison to the 17-40 L which I also have, the vignette seems to be worse at first glance (back of camera) on the newer lens. However, once on screen, you can see that the newer lens is no worse at the corners than the old, and a big improvement towards the middle.
Once Lightroom releases a lens correction profile for the 16-35 F4 IS L, it should be great, as the new glass is definitely sharper, and the IS is massively useful in my opinion.
On a telephoto with IS, you're looking to get a shot with your aperture wide open, and the IS allows you to shoot at 1/30-1/100th all day. The huge benefit with IS on a wide angle for me, is that now, even though I could always hand hold at 1/15th, I can now crank up my aperture and get an even sharper image.
Overall thoroughly happy with my new glass... anyone want to buy a well loved Canon 17-40mm F4 L ?! hehe.
This is only test photo, i bought used brick ford the flash and mounted it under the camera, flash sync is working, now u must to learn how to point the flash.
Shoted with my TwinLens Reflex Camera Meopta Flexaret VII on film 120 Foma Fomapan 400 with mask on format 645 (6*4.5) and developed in Foma Fomadon R09. Scan with Canon Canoscan 9950F in original film holder, EXIF information added from ExifNotes via ExifTool Development details on FilmDev
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16 LEDs to show status on one channel of the Centipede Shield. So far they all seem to work...now, what application would be good for 64 outputs, or 64 inputs, or any mix of inputs and outputs?
Design contest to win a free Centipede Shield prototype: www.arduino.cc/cgi-bin/yabb2/YaBB.pl?num=1257672398/0