View allAll Photos Tagged temporary
Location: Berlin - 1078km from home.
Unlike the two other Maseratis, this Levante wasn't disguised.
L4 = Monza
Over Melbourne Cup Weekend 2012 the tram tracks were relaid in Riversdale Road, Camberwell; Melbourne Tram Route 70.
Line of temporary fencing leading down hill to Camberwell Junction.
In this photo; the old track and concrete have been removed, the trench is being prepared to receive the conduit, which will later contain tram communication cables etc., prior to installation of the new track.
At this time, I was challenged by PegBecks to ilustrate Andy Goldsworthy's art.
She loves Goldsworthy's work. On her words" His art is temporary - it is created, photographed and then (for many of his works) can be gone."
Because of the low temperatures we’ve been having, (minus 30 degrees Celsius right now ; with the wind chill it feels like minus 44 degrees Celsius), I really struggled with the challenge, the materials used in Andy Goldsworthy's art often include brightly-colored flowers, icicles, leaves, mud, pinecones, snow, stone, twigs, and thorns. He has been quoted as saying, "I think it's incredibly brave to be working with flowers and leaves and petals. But I have to: I can't edit the materials I work with. My remit is to work with nature as a whole." Goldsworthy is generally considered the founder of modern rock balancing. For his ephemeral works, Goldsworthy often uses only his bare hands, teeth, and found tools to prepare and arrange the materials; however, for his permanent sculptures he has also employed the use of machine tools.
Photography plays a crucial role in his art due to its often ephemeral and transient state. According to Goldsworthy, "Each work grows, stays, decays – integral parts of a cycle which the photograph shows at its heights, marking the moment when the work is most alive. There is intensity about a work at its peak that I hope is expressed in the image. Process and decay are implicit.
Goldsworthy produced a commissioned work for the entry courtyard of San Francisco's De Young Museum called "Drawn Stone", which echoes San Francisco's frequent earthquakes and their effects. His installation included a giant crack in the pavement that broke off into smaller cracks, and broken limestone, which could be used for benches. The smaller cracks were made with a hammer adding unpredictability to the work as he created it.
Peg, I would love to be an artist, but I know I am far for it… This is what I was able to come up with.
I'll also double dip it for ODC2 - Making tracks !
Best viewed in Light Box!
temporary city and regional area bus terminal - financial district south, san francisco, california. 2 stitched images.
From shaving that is. Nobody at work knows that I've been growing this horrible thing under the masks we must always wear. Usually, after a few weeks of this, I can't stand it and out comes the razor.
Olean, NY. July 2020.
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I am back again for a while ..so well catch up when I can.
On my walk around the city catching up on events. Christchurch September 27, 2015 New Zealand.
Piotr Łakomy
T – HOOD ( Temporary Hood )
Documentation of activities in public spaces in Łazarz & Jeżyce
Poznań, Poland 2009 – 2010
Cover text selection by Piotr Łakomy
Text selection by Paweł Kowzan
Edited & designed by Piotr Łakomy
Published by Bunk Edition
ISBN 978-2-9531409-7-2
21 x 14,8 cm
64 pages
One color offset
edition: 150
language: english
All rights reserved © 2011 Piotr Łakomy & Bunk Edition
• aka Hindu Palace, a private residence designed by Miami Beach architect August Geiger (1887-1968) • known for his Mediterranean Revival-style buildings & his projects w/ "Mr. Miami Beach," Carl Fisher • later the Dade County School Board architect
• the building's design was loosely based on a temporary set built for the motion picture Lucky Charm • the film, said to be one of the first shot in Miami, was produced by Fox, directed by Richard Stanton & starred William Farnum & Anna Luther
• part of the movie was shot at Spring Garden, a new residential development on the north bank of the Miami River • advertised as "the most exclusive subdivision in Miami" (and now the oldest on the river) • lot sales continued during the filming
• Spring Garden developer John Seybold (1872-1940), an immigrant from Germany, was a prominent Miami baker & businessman • knowing the publicity value of a Hollywood movie shooting in a small town of ~30,000 residents, he ran an ad in the Miami Metropolis inviting the public to visit the shoot (and hopefully check out the lots for sale) • a large crowd arrived & was horrified as the leading man, Farnum, narrowly escaped immolation when a grass hut collapsed in flames • the movie, now considered lost, was released in 1919 as The Jungle Trail
• after the shoot, with the film's large temple set still fresh in the town's collective memory, Seybold built this permanent version beside the Seybold Canal turning basin, where the temporary one had stood • the exotic new residence became a Spring Garden landmark, its signature cupolas soon echoed by the nearby 12th Ave. bridge tender houses
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• When Seybold purchased the Spring Garden property in 1913, it already had a colorful history • from the late 1890s to the early yrs. of the 20th c., the point at the junction of the Miami River & Wagner Creek – now Spring Garden Point Park — was the site of Alligator Joe's Crocodile and Alligator Farm, a tourist attraction owned by Warren Frazee (1873-1915), aka Alligator Joe • his main business was shipping animal hides & eggs to U.S. markets, e.g., 600 alligator hides & 2,892 alligator eggs shipped in 1898 • won $200 staging an alligator vs. crocodile fight (the gator won) —Florida's Warren Frazee — The Original Alligator Joe, Jim Broton, Tequesta, Issue 68, 2008
• when the Hindu Temple was completed, Seybold immediately sold it to Lillian and Charles O. Richardson, who had lived in Miami since 1897 • their new residence was close to a cluster of popular attractions on the north fork of the Miami River, one owned by Richardson • successive generations of the family occupied the house until 1990
• Charles O. Richardson (1868-1935), actor & theater operator, is said to have exhibited the state's first motion picture • his Miami tourist venue began as Richardson Grove (aka Richardson Plantation), founded in 1896 by his father, Otis Richardson (c. 1819-1901) • located on the S. bank of the river, close to today's 25th Ave. • in the renamed Musa Isle Fruit Farm, the word Musa being the botanical genus of bananas • became a favorite stop on river tours
• in 1907 Richardson sold the farm to John A. Roop (1866-1962), who dropped "Fruit Farm" from Musa Isle's name • Richardson returned to the theater business • purchased the Alcazar Theater & attempted to provide Miami's 1st air-conditioning by raising the floor & installing a fan to blow air, cooled by ice blocks, through holes under the seats —The Early Years Upriver by Donald C. Gaby, Tequesta 48 (1988)
• Musa Isle's new owner, erected an observation tower at what is now NW 22nd Ave • in 1919, he leased a section of the grove to a Seminole named Willie Willie (c. 1886-1929), presumably to compensate for reduced income following a 1917 hard freeze that wiped out the the crop & damaged his fruit trees • the move was also a response to a Coppinger's, a competitor on the river who had opened a Seminole village that was attracting the tourist boats • in 1921, on his newly leased land, Willie Willie established the Musa Isle Seminole Village & Trading Post, where trappers brought their bounty for sale to wholesalers
• Willie Willie was unique in that he was comfortable among whites & in fact married to a non-Indian • outside of the village he wore stylish clothes • his frequent speeding tickets warranted notices in the Miami Herald • profits from his various enterprises were an estimated $50K annually, equal to about $600K in 2016 dollars • “[He] had more money than he could use. He married outside his tribe and burned up the highways in his high priced car. However, Alan W. Davis, a hunter who became the foreman of the Musa Isle Indian Vilage, and Lucien A. Spencer, the special commissioner of the Seminole Agency, identified the sale of egret plumes as the business in which Willie Willie made his real money." —The Enduring Seminoles: From Alligator Wrestling to Ecotourism, Patsy West
• in 1911-12, Cardale Resort, with a skating rink, dance floor & the ~90 foot observation tower, opened in Cardale Grove (formerly Richardson Grove) at Musa Isle • the telescope-equipped tower offered expansive views of Miami & the adjacent Everglades • guests arrived at Cardale Landing via the Cardale boat (aka Car' dale, Car Dale)
• horticulturist & landscape designer Henry Coppinger Sr. (1848-1924), an Irish immigrant, arrived in S. Florida c. 1898 • in 1911 he purchased 10 acres of south bank riverfront property near Musa Isle • after trading for an adjacent, less rocky parcel at S.W. 19th Ave., he created a botanical garden to grow, hybridize & sell exotic plants • named the venture Coppinger's Tropical Gardens • Henry Coppinger hybrids soon decorated homes throughout the city
• in 1914 the attraction opened to tourists, featuring a Seminole camp that was already on the property when it was purchased • in the early 1900s, canals built to drain the Everglades had decimated hunting areas, diminishing the Seminoles' main source of income: animal hides & pelts • remaining as an exhibit at Coppinger's offered the Indians a decent living —Memories of Old South Florida, Don Boyd • —The Florida Anthropologist, Dec. 1981, Dorothy Downs
• the attraction expanded, becoming Coppinger's Tropical Gardens, Seminole Indian Village and Alligator Farm • Coppinger's Pirate's Cove added alligator wrestling in 1919, introduced by "The Alligator Boy," Henry Coppinger Jr. (1898-1976) • said to have been the second white child born in Miami —Henry Coppinger Jr." By Chris Mayhew, Palmpedia • video: Seminole Alligator Wrestling (2:28)
• "Chief" Jack Tigertail (1872-1922), a winter resident at Coppinger's, was murdered there in 1922 • this was big news in Miami because Jack was well known there, especially after leading a rescue team into the Everglades To find a missing surveying party • after a sensational trial, a white man was convicted of the crime, then acquitted on appeal • although the case was never solved, Indians at Coppinger's suspected Tigertail's cousin, Charlie Billie • the "Chief" was the first Miami Seminole buried in a white cemetery —The Enduring Seminoles: From Alligator Wrestling to Ecotourism, Patsy West
• after his death, the camp's name was changed to Tigertail Indian Village, & advertised as "home of the late Chief Tigertail," at least until 1926 • a towering image of Jack Tigertail soon greeted motorists entering the young city of Hialeah —The Long Sleep of Jack Tigertail, Stuart McIver, Sun Sentinel, August, 1993
• Hindu Temple designated a City of Miami Historic Site, 1991 • Spring Garden designated a City of Miami Historic District, 1997
Pennsdale (Muncy), PA. November 2019.
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Dagupan Bus Co. Inc.- 1208
Dagupan Bus Co. Inc.- 1010
Bus No: 1208
Year released: 2012
Capacity: 51; 2x2 seating configuration
Route: Cubao/Kamias-Dagupan/Manaoag via Dau/SCTEX-Concepcion/Capas/Tarlac/Gerona/Paniqui/Moncada/San Manuel/Carmen/Villasis/Urdaneta/Binalonan/Laoac/San Jacinto/Mangaldan
Body: Santarosa Motorworks Inc. (rehabbed by JACG Corp.)
Model: 2012 SR-Cityliner ORD RE Series
Chassis: Daewoo BV115
Engine: Daewoo DE12TiS-BA
Fare: Airconditioned
Transmission System: M/T
Suspension: Leaf-Spring Suspension
Taken on: May 17, 2016
Location: Mabalacat City Bus Terminal, Brgy. Dau, Mabalacat City, Pampanga
Behind the old M&S store in Stevenage there is extensive refurbishment that should improve the area. What was once retail outlets are being replaced with apartment starting at about £180000. Because of the way we shop now the shops that are being replaced were not very profitable and it was difficult to attract investors and retailers.
sunset in the Columbia Gorge is pretty fun this time of year, if you do not mind the cold! I really love the waterfalls...
or should I say ICEfalls?
This is one of many runoff waterfalls coming over the cliffs along Highway 14 just East of Bingen, Washington.
As always, my photos are all taken with a Canon Powershot A630
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my sets viewed on darckr (black backround)
Having passed on a number of other roads heading east, i finally turned onto US-6, to South Bend, figuring i would find a familiar road heading north would come our way before then. "I think we better stop and get some food, even if it's just a burger, because it is Sunday evening and there aren't a lot of people thrilled about working at this hour," Ash gently reminded me and then added more directly, "Also, I would hate to get so hungry that I started eating the macrame bag." Hint Accepted. i pulled off 6, an old 3-lane highway of death, into the next town, Hudson Lake. "I knew I should have brought my swimsuit, " Ash quipped. "Let's stop and ask those kids on the corner what's open." i pulled up next to a group of 3 teenage boys and 2 teenage girls. The boys were all wearing their varsity jackets, adorned with the letters "NP" and the name "COUGARS". They had tight "peg-leg" jeans and white socks, with Converse All-Star shoes. The girls had short hot pants, and sprayed-in-place hair, and were busily working their gum and popping bubbles with it. Ash pushed the button and lowered her window, then said: "Hi guys. Can you tell us where we could find a restaurant that's still open and has good food. The kids laughed and one of the girls answered, "Ain't no resterants in town, jes' a diner and that's closed already. The ice cream stand's still open, though." The stockiest boy added, "Thar's a new Burger Chef Drive-in on the other side of town and their burgers are jist a quarter, or 2 dimes and a nickle." They all broke into laughter in response. Ash asked how long they would be open. Again the stocky boy spoke up, "Till the Health Department shuts 'em down fer good , everybody says." Again, uproarious laughter ensued. "Don't mind Leroy, Ma'am. He's a real comediun, all the time. The Burger Chef is open till 10 or so. Are you in movies, in Hollywood movies? or on TV?" Ashley's answer caught me off guard. "Well, yes I have been ...in both, actually, but I've been taking some time off to see the country and prepare for my next film role," she explained." I knew it!,' the other gum popper gasped. "What role are y'all gettin' ready fer ? " girl 1 asked. "I can't tell you that, because of my studio contract," Ash replied, "but I will tell you that Steve McQueen is going to have the lead role." "Wowee, wait till i tell my mom 'bout this!"
Ash looked at the tall boy with serious acne, who was leaning on a power pole, and asked, "So, what does the NP on your jackets stand for? And what sport are you into?" Tall boy shyly answered, "New Prairie. Hudson Lake ain't got itself a high school no more, we're all on the basketball team." "Yeah, except for the rest of us ain't near as good as him," the previously silent boy volunteered, "he was all-state last year." "Hey, what kinda car is that , anyways? Ferrari?", asked the comedian, who then sat on the sidewalk to get a sense of how it felt to sit so low and to entertain his friends.. "It's called a Lotus, and Lotus is big in the Grand Prix in Europe," Ash told him, then turned toward me and asked, "How fast did you say this would go?" "Well, i don't know for sure, but the fastest I've ever had it was 135 mph or so, but it's really the cornering that makes it special," i told them. "As a matter of fact, we were at a race in Wisconsin just earlier today and drove one lap of the track in the parade before the Can-Am," she explained. "Thank you for telling us about the Burger Chef . I like their flame-broiled burgers myself. It's been lovely chatting with you, and I must say that it's rare to find such an attractive group of young people all in one place. Au revoir for now," she waved as we slickly completed a fast u-turn and accelerated toward our burgers. In the rear-view mirror i saw two of the boys high-five each other, just like they no doubt did after scoring a game-winning basket.
Just my ramblings... that don’t make sense... if you want to get confused read on... if not... then... you don’t have to ;)
Art frees, yet restricts... it unleashes what is within yet it holds back... the more you see the more you don’t see... the simpler the visual the more complex the meaning. Nothing is complete... or can be completed... i am not stating any facts these are just opinions that are coming to mind at the moment which many could or would argue with.. There came a time where I had to get a model and just plaster her and leave... create an experiment... see if she would get claustrophobic see if she will panic and try to rip it off.. First time I tried it was on myself, I don’t believe in putting people in difficult situations when I haven’t put myself in them first. I've been molding people for 6 years now... there hasn't been a time when anyone has panicked. I notice a strange calm coming over them... the tension of the plaster tightening while they sit creates a disconnect with the world, or should i say this dimension (if you believe in others).. You go where your mind takes you... that is when you are free... the restriction brings the freedom... This world is a fascinating paradox.
Amsterdam - Stedelijk Museum - Barbara Kruger - Past/Present/Future
Barbara Kruger’s work with pictures and words addresses mass culture’s representations of power, identity and sexuality. As she has stated, “I work with pictures and words because they have the ability to determine who we are, what we want to be, and what we become.” The range of Kruger’s works is broad—from photographic prints on paper and vinyl to videos, room-size installations, public commissions, printed matter, and a variety of merchandise. Using the language of direct address and words like “you,” “me,” “we,” and “they,” her works reach out into the social space of the spectator.
In this installation—designed especially for the building’s largest gallery, known as the Hall of Honor—Kruger’s wraps the floor and walls with printed texts that “speak” directly and loudly to the spectator in a chorus of voices. Her provocative, emotionally charged statements about how people regard and treat each other disrupt the decorum of a traditional museum space. Bringing the world into her work and her work into the world, she confronts stereotypes and clichés, shattering them with a rigorous critique, a generous empathy and a sharp wit.
A quick, low-light shot of a loon off the dock in the backyard. At one point we had 5 of them! Usually it's one or two at a time.
The result of an adapted lesson in Photoshopping, Molly sports back and arm tattoos... but only for this photo.
After Bane was sent to a temporary holding cell in Blüdhaven, and I got my suit repaired, Superman and I stood on a rooftop, planning out what we were going to do about the rest of the crime in Gotham.
Batman: I think it's important I take out Joker, Cobblepot, Riddler, and Harvey on my own. You go after the larger gangs in the lower eastern and south sides of the city. Send everyone you can get to Blüdhaven, and when that gets full, try Metropolis.
Superman: Sounds good. And I give you the signal for when each kingpin has their mobs taken out?
Batman: Yes... I'd go for Joker first, he has the highest risk.
Superman: On it.
He flew off. I remained standing, patrolling the city with some binoculars. I heard the sound of a grapple, almost identical to the sound of mine. I turned my head, and saw a hooded figure grappling towards me...
Batman: Hm?
He landed, and pulled 2, blue, glowing batons off of his back.
???: There you are, Elliott.
He swung one of the batons at me, which I grabbed. It electrocuted me.
Batman: Aghh..!!!
He kicked me back, releasing the baton from my grasp.
???: This is the second time that's happened, you better up your game!
I took two batarangs from my belt, before he swung both batons at me at once, which I blocked with the batarangs. I then did a back flip, and threw both batarangs forward. The figure dropped one of his batons, and got the batarang. The other went behind him, before coming back, and slicing is hood, slightly.
???: Batarangs? You replicated his suit perfectly, I'm impressed!
Batman: It's not a replica, it's the original.
???: Stolen? Now that's very impressive.
Batman: Not stolen...
I grabbed another batarang, and flung it towards his face, but he used a grappling hook mechanism on his arm to bring the batarang towards his hand, catching it. He then flung it up and behind him, used his grappling gauntlet again, this time to grab his baton off the ground, and flipped towards me, squeezing my neck between both batons. I then kicked him back out of the way, and held him to the ground by the throat.
Batman: ...I. am. Batman..!
???: Heh, okay, Thomas. Nice try.
I tried to make out his face, but it was in shadow from the hood. He whacked me off of him with one of his batons, knocking me on my back.
Batman: *uff*...
???: Now, can you end this whole "I'm the real Batman" shtick, and tell me where you're hiding Lucius?!
Batman: Lucius... Lucius Fox?
???: Mhm, now, where is he?
Batman: Listen to me. I am not the man you're looking for, I have no clue who you are-
???: And that's how I know you're not the real Batman.
He pulled down his hood... It... It was Robin..!
Dick: The real Dark Knight would remember my face.
Batman: D-...Dick?
Dick: ...Oh god, it is you, isn't it?
Batman: Haven't I made that clear?!
Dick: Sorry, sorry... Was it the hood? Well, I'm looking for Thomas Elliott. He kidnapped Lucius Fox.
I got up...
Batman: Thomas Elliott? Hush?
Dick: That's the one.
Batman: I haven't seen him since my first year... Honestly thought he was dead.
Dick: Me too. But criminals never really are, are they?
Batman: Guess not. Should I help you, or?
Dick: No, I think I'm fine on my own. You're useful elsewhere.
He grappled to the edge of the building...
Dick: Welp, see ya'.
Batman: Wait, before you go.
He turned to me.
Dick: Hm?
Batman: Do you have a new name?
Dick: ...Call me Nightwing.
He grappled away.
~Madam Web
Bible verses from the Jan. 12 page in Light for Each Day, Vol. 1:
The world in its current form is passing away.
For what is seen is temporary, but what is unseen is eternal.
Based on His promise, we wait for the new heavens and a new earth, where righteousness will dwell.
1 Cor. 7:31, 2 Cor. 4:18, 2 Pet. 3:13, HCSB
*See this book on Amazon here>> www.amazon.com/Light-Each-Day-Devotions-Containing/dp/098...
Temporary grafiti produced during the Strong Women of Clydeside history walk at the main gates of Fairfield Shipyard, Govan, to commemorate the role of women in the Upper Clyde Shipbuilders work-in of 1971.
The roses reference those sent to the worked, along with a donation, by John Lennon and Yoko Ono as a token of their support. These were donated to the maternity ward of the near-by Southern General Hospital.
37421 rests outside it's temporary Home Depot of Muir of Ord on 8th August 1989. The depot was quickly opened following the bridge collapse at Inverness during a severe storm, which isolated the Kyle and Far North lines. This allowed light maintenance of the Class 37s, stock and DMUs that were marooned. Some transfers were also carried out by road to and from Inverness TMD when heavier work on the trains was required
With the old Library now flattened, visitors approaching the area from The Parade and Summer Hill get a rare viewing angle of the Town Hall and Art Gallery surrounding Chamberlain Square.
If there wasn't such a pressing need for another zillion square feet of office space plus more McDonalds, Subways and the like, the space could be landscaped to provide a area of calm in the city centre. Shame it won't happen.
Eurocopter EC.135 T1 F-GOPG of SAF Helicopteres in snow at Tignes and going nowhere while the conditions remained poor.
My ramp had a bit of any adventure this afternoon. It got hit by a car. A neighbor was parked without setting the parking brake and the car rolled down the hill, across my yard, and into the flower pots in front of the ramp. It came to a rest against the ramp. Nobody was hurt, the daffodils and iris will recover, and plastic pots are easily replaced. I am pretty sure the ramp is OK but have asked the vendor to come take a look, just in case.
46. Helter skelter in 123 pictures in 2023
Class 640 'LINT 27' single-car diesel-hydraulic unit No. 640 015 waits at Bad Ems station in the German Land of Rhineland-Palatinate with a service that will head east towards Limburg on Monday 26th May 2025.
When this photo was shot, the line heading west - towards Koblenz - was subject to long-term closure for substantial engineering work, effectively making Bad Ems the temporary terminus of the Lahntalbahn (the Lahn Valley Railway). As you can see, the station itself was also undergoing refurbishment at this time.
Bad Ems is twinned with Droitwich Spa in the UK.
Very very temporary assembly for my self-satisfaction. ;)
Lens : Schneider Super-Angulon 38mm f5.6 XL
Rug : Sheep skin for make a bellows
Remodel, Week 19
(cont.) ...so I'll tell you! Sam's couldn't just shut down the café entirely, so what they did instead was reduce it to a very bare-bones operation. That tiny temporary counter you see in this shot is the entirety of the café kitchen; they're serving exclusively hot dogs for the time being. Even the old drink machines (which would have been where the current temp counter is) are gone – they're reduced to serving canned Cokes, haha!
For those members who may have been wanting some sort of other food option, such as pizza, my “Samsple contact” told me that they (that is, the sample crew) were going to do a pizza sample pretty much every day until such time as the café is able to reopen, and moreover, that they aren't allowed to limit the number of pizza samples a customer takes – even if other people are standing in line behind him/her, which seems quite rude, honestly! But I guess it is what it is...
Also in this view (which was actually taken on October 28th), you can see that the café tables have been placed more tightly together due to the limited space. You'd think that would be okay, since surely less people would be eating at the café with the severely limited menu, but from what I've seen this still hasn't stopped people from getting their Sam's cafe fix, haha!
On the left of the shot, affixed to the remodel wall, you can see the poster advertising the new café coming soon. (A bit unfortunate that I captured that parent by the trash can in that position, but on the bright side, they made it to where I could photograph the poster without anyone blocking it XD )
As of today (November 20th), the café remains under construction, and I imagine that it won't be back until after Thanksgiving at this point.
(c) 2017 Retail Retell
These places are public so these photos are too, but just as I tell where they came from, I'd appreciate if you'd say who :)