View allAll Photos Tagged techniques
This is the resultant duotone. It is a pure duotone, and has only one color in the entire picture -- it could be printed using a single ink.
It's just one step away from being a true colorization, but I think it was inherently more interesting being a pure duotone.
Photographic techniques capture electromagnetic wavelengths beyond human vision, revealing features invisible to the naked eye. These signals are processed into interpretable forms using methods like color mapping.
Pink lacks a specific electromagnetic wavelength, while grey poses a limitation due to its representation of only intensity—a blend of light and dark without spectral specificity. Imaging techniques reliant on spectral variation produce identical results for greyscale images unless non-visible data is present. Deviations from this uniformity may indicate errors, misinterpretations, or unknown phenomena.
Contention persists over analytical debates, including dismissible claims like Van Allen belt dangers and contested evidence of lunar mirrors. The precision of laser reflections targeting a moving 3x3-foot marker on the Moon highlights technical skill but often fails to resolve skepticism. For instance, a 0.1° shift moves a laser spot 670 km across the Moon's surface.
Forensic analysis (2022, 2023) of Apollo 11–17 photographs assessed authenticity claims. Images of humans in space, Earth, and the Moon's distant views were validated, but Moon landing visuals showed variations, suggesting diverse techniques may have replicated certain elements.
PEMi (Photoelectromagnetic Image) software enhances forensic analysis by differentiating natural and artificial light sources, revealing hidden features. Each PEMi-ID links to original sources, ensuring traceability and comparison.
Further exploration is available:
Lehti, A. (2024). The Silence of Inquiry: Forensic Reflections Reveal a Crisis of Perception. figshare. doi.org/10.6084/m9.figshare.28078982
Credits
2022-2025 © Andrew Lehti
1961–2023 © NASA, ESA
Software: PEMi (GitHub: andylehti/PEMi.git)
Explore PEM-I: pemimage.streamlit.app
CC BY-SA 4.0 License: creativecommons.org/licenses/by-sa/4.0/
Research:
Lehti, Andrew (2024). Cognitive Psychology and the Education System. figshare. Collection. doi.org/10.6084/m9.figshare.c.7532079
CC BY-SA 4.0
This work is licensed under the Creative Commons Attribution-ShareAlike 4.0 International License. To view a copy of this license, visit creativecommons.org/licenses/by-sa/4.0/ or send a letter to Creative Commons, PO Box 1866, Mountain View, CA 94042, USA.
via Blogger ipmanmovie.blogspot.com/2018/12/the-shivering-truth-pilot...
#Ip Man Movie, #Black Flag Wing Chun Movie, #Wing Chun Kung fu, #Wing Chun Technique, #Wing Chun Video, #Wing Chun Training, #Wing Chun Forms, #Wing Chun Dummy, #Wing Chun Schools, #Yim Wing Chun, #Ip Man Wing Chun
This is a response to the artists Kensuke Koike, Anthony Zinonos and Caro Ma. I have applied techniques and processes I've studied from other artists to create an artwork inspired by their practices. I focus on transforming a portrait to serve as a background, and edit the portrait through cutting strips and rotating them instead of adding or deleting things. I really like this effect, it's clearer in the previous process photos, the focus on altering the original photos meaning. I stuck the photo of flowers over the portrait in a way that covers the bottom half of the face, and therefore accentuates the top half as if the face was hiding. I had the idea to use the portrait as a background by playing with scale and making it very big compared to the human subject in the foreground. I stuck over the flowers with harsh turquoise blue which is meant to represent a sky. I then stuck a little girl rollerblading over it. This composition is meant to present a relationship of man that wishes to invade and invalidate nature. This is why I stuck the blue over the flowers, it's like a sign of defiance or rejection. The blue is meant to feel sickly and the model in the background is meant to be a surreal component of the image to make the viewer uncomfortable like they are watching everything. Representing mans ugly qualities in contemporary society, like intruding on others matters etc. This response is simply meant to be a visualisation of the ideas concerning the brief in my head.
This artwork responds to the brief as it grotesquely manipulates man in relation to nature which peacefully is placed on the collage. This is meant to create a surreal landscape that
Used a paint technique by Jia Crens and added a bit of my own flare to it. These pieces where originally green.