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Stacey Broughton's Basic Short Graduation/ Short back and sides . Demonstrates essential barbering skills and techniques such as scissor over comb, clipper over comb, free hand shading and much, much more.
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Item Number: 10058-8-1of45-pt1
Document Title: State of Maryland, State Roads Commission Patapsco Tunnel Project Design Section D-7 Location Map Scale 1"= 2 Miles
Project: 10058; Patapsco Tunnel Project; Baltimore; Maryland; 02 City & Regional Planning & Improvement Projects; 1672 PLANS (1954-1958)
Artist/Creator:
Location: Olmsted National Historic Site, Brookline, MA
Category: PLAN
Purpose: PLTG (Planting)
Physical Characteristics: [Dimensions]11.5 x 18.5; [Technique]diazo pos; [Medium]graphite; [Support]paper
Dates: 18-JAN-1956;
Notes: P.T. 129. Cover Sheet. J.E. Greiner Company Consulting Engineers Baltimore, MD. Rummel, Klepper & Kahl Contracting Engineers Baltimore, MD.
Please Credit: Courtesy of the United States Department of the Interior, National Park Service, Frederick Law Olmsted National Historic Site.
Okay, so the lighting REALLY shows the dent that Dad put into my car when he borrowed it.
(And the dent that I put in my car... :-) )
Approximately 100 Kentucky National Guard Soldiers and Airmen along with several dozen members of the London-Laurel Rescue Squad and Laurel County Emergency Management cross trained on search and rescue techniques to help improve their search and rescue operations March 27-30, 2021.(U.S. Army National Guard photos by Staff Sgt. Benjamin Crane)
Robyn Avalon, founder of the Contemporary Alexander School, guides students through a system of body awareness techniques that are designed to promote well-being by ensuring minimum effort in maintaining postures and carrying out movements.
Photo by Clarissa Heart '20
This cornering technique is among the skills I have taught riders in my bicycle handling skills clinics.
A vertical 'stacked panorama' for want of a better term. My version of Lightroom (6.14) creates panoramas by stitching left and right edges; there is no faciity in v6.14 to stitch top and bottom edges.
To overcome this, I took two (hand-held) landscape orientation images of the same scene, one above the other. The top edge of the lower one is approx half way up the bridge arches in the distance, the bottom edge of the upper one is about half way up the river between my viewpoint and the bridge, so there was a fair amount of overlap in this experiment. A tripod would have been better but this was just an initial test.
In Lightroom, both RAW files were rotated 90 degrees right, then a Panoramic photo merge performed, and finally the merged image rotated back 90 degrees left to the correct orientation. This image would have had an original size of 5315 x5423, the post-merge size is 5026 x 5346.
I prefer the proportions of this finished result to the 'vertical pano' technique of 2 images with the camera in portrait orientation, since the full width of each image is available (or would be if they were exactly aligned - hence use a tripod in future!), and overlapping is on the top and bottom edges of the original images.
Any comments welcome!
The technique volume in the Science of Nordic Skiing series represents a clear view to the most current understanding of technique and instruction. The project has engaged key principals, elite skiers, recognized experts and thought-leaders in the sport; consolidated their ideas and arrived at a progressive and highly-effective approach to the technique, which you can apply directly to your skiing and fast-track your development this season. This is the newest and most comprehensive nordic ski instructional product on the market today! The product incorporates both the Coaching and Instructor certification body of knowledge for the Country. The enhanced DVD is highly interactive toolkit; using menus, multiple viewing angles, and alternate audio tracks. The DVD-ROM features also include: technical manuals, multimedia explanations, critical and alternative analysis, bio-mechanical modeling, narrative scripts, MP3 audio books, a photo gallery, and bonus movies.
MUNICH/GERMANY - JANUARY, 21: Piraye Yurttas Beim (Celmatix) speaks / takes part in a panel discussion during DLD18 (Digital-Life-Design) Conference at the Bayerischer Staatsbank on January 21th, 2018 in Munich, Germany (Photo: picture alliance / Gandalf Hammerbacher) | Verwendung weltweit..Free press image © Picture Alliance for DLD
Houston Texas Numbers Night Club Concert with The Ludovico Technique - Everything Goes Cold - Imperative Reaction November 5 2012 Live Singer Musician Music Band Electronic Synthpop Synthesizer Futurepop industrial Rock EBM
technique graphite
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Back in 2020, I uploaded a five-act video highlighting the delicate and ephemeral beauty of soap bubble films interacting with incident light to produce dynamic interference patterns of unique, colorful and infinite fascinating forms, see this link: www.flickr.com/photos/193488782@N06/51759190926/in/album-...
In the process I discovered that lighting of the soap bubbles is both tricky and paramount to getting quality still or moving images of the interference patterns. All published videos I came across on the Internet light the bubbles from above, generally with diffused light from soft boxes or light boxes. However, I found the published lighting technique hampered with undesired reflection issues, camera maneuvering limitations and incomplete lighting of the bubbles. Instead, I pivoted to a different lighting technique that involved illuminating the soap bubbles from below using a 4” flat LED light that provided uniform illumination of the subject. A light table could have instead been used with the same result provided it is uniform, does not impart a color cast or excessive flickering, the latter being especially important for video captures.
In order to prevent soap seepage into the LED light circuitry, the upward facing light housing was covered with a clear glass plate taken from picture frame onto which the soap bubbles were placed.
The camera was focused on the far (back) side of the bubbles where colors and forms are best captured. To minimize ghosting effects from the near side of the bubbles, a piece of thick white paper was inserted between the LED light and the cover glass to partially block light from the forward half portion of the LED light. A black paper insert can also be used but has not been found to make a noticeable difference from that of the white paper.
A black velvet blind was hung 5 ft from the soap bubbles opposite to the tripod-mounted camera. The ambient light was killed to prevent reflection of room features onto the soap bubbles. Here, a 105 mm macro lens is used as it offered good flexibility for capturing the entire bubbles as well as their macro features by simply moving the camera in closer. Lens extension tubes can be used to get even closer to capture the finer details of the interference patterns. The larger the soap bubbles, the better in as far as reducing the working depth of field when larger bubble surface area are to be captured by the camera. Here the bubbles were about 3.5” in diameter at their bases.
Several other lenses and countless camera settings can be used to capture different aspects of the soap bubble light interference patterns. Likewise, soap formulations, bubble sizes and bubble application techniques are just as many. Those variables are left to the discretion of the experimentalist photographers interested in discovering the beauty of soap bubbles. All that’s needed is rekindling the innate curiosity of children. This is a perfect project for those long cold winter evenings.
Disclaimer: The author takes no responsibility for any issues that may arise from any or all of the above suggested procedures. It is the responsibility of the user to ensure that the above-described technique is carried out in a safe manner.
I wanted to try out this technique, which seems like a really cool idea at first. And it may be cool, but what the author doesn't tell you (or maybe he does, who has time to read?) is that it only works if you spend some time thinking about the images you choose to match. I just wanted something cool to happen before I had to go back to work, and was getting frustrated surfing the Dutch masters and American romantics. Then it hit me: screw the signified, bring on the color theorists. Mondrian: instant hit. Such was also the case with this Kandinsky, which crisped up my elevator pic nicely.
Height: 55cm / 80cm
Material/Technique: Cherry wood / Wood carving
Exhibited @:
UK / Frome / Black Swan Arts Gallery / February 2012
UK / Edinburgh / Art’s Complex / February 2013
Competitions:
Shortlisted/Published in Aesthetica Creative Works Competition 2011
Shortlisted in LICC (London International Creative Competition) 2011
Paisley - Botteh Jegheh – is a well-known traditional form in Middle East, where it has been used in varied range of graphic arts and crafts like textiles, carpets, tiles, and potteries for centuries. This form and many other similar forms of Iranian traditional art originally come from abstraction and symbolization of natural forms, which has driven from religious restrictions in visual arts. Representing indirectly the forbidden natural forms and shapes, these traditional forms have been used as ornaments, sometimes to deliver concepts and stories and sometimes just for aesthetic purposes.
Exploring the hidden sides of an abstracted traditional form, I have tried to capitalize the abstractive and symbolic language of Paisley from a contemporary point of view in my recent set of works.
My inspiration for this one came from a very resourceful friend Mark Rutley
Oh darn... I forgot to put a price on it.........let's just say, Whatever the traffic will bear.........
I am trying a technique here where you slant the blade a few degrees so the inlay falls down into the piece below. It is an interesting technique requiring stack cutting as well. Alas, I am have not got the hang of it!
Robyn Avalon, founder of the Contemporary Alexander School, guides students through a system of body awareness techniques that are designed to promote well-being by ensuring minimum effort in maintaining postures and carrying out movements.
Photo by Clarissa Heart '20
There is a technique of pruning where the tree is bent over, and this creates new growth from the bent branch. This is called Agobio. Certain sections of Mauritania have quite a bit of this type of pruning, and the trees in these sections had really great production.
This photo is from that section, but it is hard to see the trees that are pruned like this.
This is me playing around with technique more than trying to make an interesting photo although I am quite pleased with how it turned out.
One of the things that really kind of blew me away in the Landreth workshop this weekend was building layer masks using the luminence values in the color channels of an image in Photoshop. In order to get a bit of a handle on how this worked, I did this.
I took a shot of a mess of screws and then picked the blue channel since it seemed to have the greatest variance in luminance values. I then created layer masks based on that selection and the inverse.
To see what effect those masks would have on the image, I used a Hue/Saturation adjustment layer and moved saturation to +100 with lightness of -100 and then the inverse, -100 for saturation and +100 for lightness.
Just goes to show you that there is always more than one picture in every picture you take :)
Strobist: SB600 @ 1/1 @ 24mm through lightsphere into front of lightbox at top front edge of box.
Camera: Nikon D7000
Lens/Exposure: 18-105 mm f/3.5-5.6@92 mm / ISO 100 / ¹⁄₁₆₀ sec at f/11 / Manual / Handheld
Off camera flash is lovely, Learning cool techniques..
Used a Vivitar 285HV Flash to the camera Left at Full power; shoot-through umbrella .
Applied Surface blur to get a smooth skin, played with curves to adjust the light.
I learned this no-hands, backwards track-stand from bike trickster David Steed, who I raced with in the 70s. I learned to balance like this for as long as I want. Kids get the biggest kick out of it and it is a great conversation starter with bored bike shop staff during shop sales visits.
☆★☆ IMMORTAL TECHNIQUE ☆★☆ Pumpehuset, June 20th. | © Frederik Emil Høyer-Christensen/gbCrates (All Rights Reserved)
The pamphlet has been sewn onto three ribbons between coloured end papers. The next stage is to glue the spine, then round it and cover with a layer of muslin (see next picture)
From a workshop I run at Shepherds Falkiners in Bloomsbury, London.
I loved how these prints were made very freely, with a lot of chance elements coming together with the overprinting and stencils.