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My technique for building medieval houses in its simplest form. More advanced versions will be tackled in my up coming guide to building a medieval village.
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🎮 Game : Hitman Codename 47
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Hitman: Codename 47 is a stealth video game developed by IO Interactive and published by Eidos Interactive exclusively for Microsoft Windows. It is the first installment in the Hitman video game series.
The story centers on Agent 47, a genetically enhanced human clone branded with a barcode tattooed on the back of his head, who is rigorously trained in methods of murder. Upon escaping from a test facility, 47 is hired by the Agency, a European contract killing organization. His mission takes him to several locations in Asia and Europe to assassinate wealthy and decadent criminals.
In the basement of a remote sanatorium, a bald man, referred to as "Subject 47", is awakened by an unidentified man over a loudspeaker. Following the man's instructions, the Subject completes an obstacle course, undergoes firearms training, and practices various assassination techniques. He then ambushes and kills a guard, using his uniform to escape. The man watches him through the CCTV surveillance, with a satisfied laugh.
A year later, the Subject resurfaces as a hitman for the International Contract Agency (ICA), under the designation "Agent 47". He is briefed by his handler, Diana Burnwood, who sends him to Hong Kong to kill triad leader Lee Hong. He kills Hong's negotiator during a peace summit with a rival gang, frames him for a retaliatory car bombing, and assassinates the police chief protecting him, stripping Hong of his allies. He then infiltrates Hong's restaurant and assassinates him. For his next assignment, 47 travels to Colombia and kills cocaine trafficker Pablo Belisario Ochoa in a staged drug raid. His third target is Austrian mercenary Franz Fuchs, who has been hired to detonate a dirty bomb at an international conference in Budapest. 47 kills him at a hotel and recovers the bomb. His final contract takes him to Rotterdam, where he finds gunrunner Arkadij "Boris" Jegorov trying to sell weapons, including a nuclear warhead, to an extremist group. After confirming Jegorov's death, 47 finds a letter addressed to him, similar to the other three targets. He learns from Diana that all four were once part of a French Foreign Legion unit serving in Vietnam, and that they've been discussing something involving an "experimental human". The letters also mention a fifth man, Professor Ort-Meyer.
Diana then informs him that all four contracts were ordered by the same man in violation of Agency rules, and that her superiors have authorized an additional mission. 47 is to kill Odon Kovacs, a doctor at a sanatorium in Satu Mare, Romania, which turns out to be the one from which 47 escaped. Ort-Meyer is revealed to be the client, as well as the man who oversaw 47's orientation. Romanian special forces raid the building while 47 kills Kovacs, who he recognizes as Ort-Meyer's assistant.
47 then learns the truth behind his existence. He is the result of a cloning experiment which combined the genetic material of each of his four previous targets, as well as Ort-Meyer, with the goal of creating a flawless human being. Ort-Meyer orchestrated 47's escape from the asylum in order to test his performance in the outside world and ordered his associates' deaths because they wanted to use 47 for their own purposes.
With the help of CIA Agent Carlton Smith, who he rescued earlier during his time in Hong Kong, 47 discovers a sophisticated lab beneath the hospital. In response, Ort-Meyer reveals "Subject 48", a perfect replica of 47 who is both mindless and loyal. A squad of 48's are sent to hunt down 47, who manages to kill them using his superior training and experience.
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Hollowed bead technique..
" Cushy Puffy"
This "Cushy Puffy" hollowed bead technigue doesn't need to be carved after bake.
"Cushy Puffy " beads technique Tutorials are on my Etsy shop NOW!!...^.*
www.medilaw.TV - medico-legal videos, Illustrates the surgical technique for performing a cervical laminoplasty. This procedure is used to decompress the spinal cord. Also shown is the patient position, skin preparation and incision, the surgical approach, the lamina being incised and opened, the insertion of metal struts to hold the lamina open, and the addition of bone graft chips to facilitate bony fusion and finally wound closure.
A Laminoplasty, also known as a laminaplasty, is a procedure that tilts open some lamina at the back of the spinal canal to increase the space and decrease the pressure on the spinal cord.
In degenerative spinal stenosis, any of a posterior disc protrusion, bone spurs or osteophytes from the vertebral bodies and facet joints, or buckling or calcification of the spinal ligaments, can compress the spinal cord. In addition, some people are born with a narrow spinal canal, and they tend to get degenerative spinal stenosis symptoms earlier in life, in their forties and fifties.
The pressure on the spinal cord can damage it, a process called myelopathy. This can cause pain, weakness, tingling or numbness in the arms or legs, and can affect the use of your hands, how you walk, and your bowel and bladder function. Advanced myelopathy can confine you to a wheelchair. A laminoplasty increases the size of the spinal canal, removing the pressure on the spinal cord and usually reduces the progression of the symptoms. A laminoplasty will also assistance the maintenance of good spinal alignment.
INDICATIONS
The indications for a laminoplasty are persisting pain or weakness, that has been shown by physical examination and radiography to be due to spinal cord compression, and that has not responded to conservative treatment. If there is bowel or bladder dysfunction, difficulty walking, severe muscle weakness, or severe pain that is not controlled by strong pain relievers, your clinician may recommend immediate surgery to prevent permanent spinal cord or nerve damage.
ALTERNATIVES
The non-surgical alternatives to laminoplasty may be
-- activity modification
-- weight loss
-- aerobic exercise, such as walking, cycling, and swimming
-- strength and flexibility exercises
-- physical therapy
-- hydrotherapy
-- heat and cold pads
-- acupuncture
-- pain-relieving medications such as acetaminophen or paracetamol, non-steroidal anti-inflammatory drugs, steroid and local anesthetic injections.
If the spinal stenosis is compressing the spinal cord and causing neurological symptoms (myelopathy), then your surgeon will usually recommend surgery to decompress the spinal cord and relieve the neurological symptoms (paresthesia, numbness, weakness). Surgery may or may not relieve any neck pain.
BEFORE
Before the laminoplasty
- a doctor will perform a medical examination and any necessary tests to ensure that your general health will permit an anesthetic to be given and the procedure to be performed
- you will be advised when to stop any medications that will increase your bleeding risk ie aspirin, non-steroidal anti-inflammatories, anti-coagulants, vitamin E, glucosamine and some herbal medicines (including chamomile, danshen, garlic, gingko, devil's claw, ginseng, fish oil, willow bark, feverfew, goji berries)
- you may be admitted into the hospital on the day before or on the morning of the procedure
- don't eat or drink anything for six hours before the procedure
- wear loose-fitting clothes that are easy to take off and put on. Do not wear any jewelry
- before the procedure, the skin on your neck will be cleaned and you will be given a general health check. The skin on your neck may be shaved.
- an intra-venous line will be placed into a vein in your arm to administer fluid and medications
- you may be given a sedating medication to make you drowsy before being given your general anesthetic that will put you to sleep
- let your doctor know if you develop a fever, cold or flu symptoms before your scheduled procedure
GOALS
The goals of a laminoplasty are to increase the space for the spinal cord to decrease the pressure on the cord, and prevent the myelopathy worsening, while maintaining spinal stability, motion and alignment.
TECHNIQUE
You will be lying on your front. Your neck will be cleaned. An incision will be made in the middle of the neck, and the overlying muscles will be moved to the side. Your surgeon will confirm the position of the correct vertebrae for the procedure by using x-ray imaging. A groove of bone and ligament will be removed from one of the lamina. A shallow groove of bone will be removed from the other side, to form the hinge. The lamina and connecting tissues will be opened like a door to decompress the spinal cord. Metal struts will be placed to hold the door open and bone chips will assist the fusion. The wound will be closed with sutures.
(1) I was very much against it
(2) I didn't know how to do it
But I've started to appreciate nicely framed photos on flickr, and I finally found out a very simple way to do it. Expect experimentation with this technique.
The photo is from the archives; one of my first with the (then) new Canon EOS 30D that I did in raw.
Here is what I did:
1) Open picture
2) make the background into a layer
3) make a new layer and put it below the photo layer
4) resize the canvas; use the relative sizing option to uniformly add 50, 100, 150, pixels around the photo. Now the underlying layer sticks out around the photo.
5) paint the lower layer with the color you want for your border (using paintbucket)
This can be repeated to have multiple borders. For example, in this photo, I first created a 50px white border and then a 20px black border
AltaRock Energy is working on a project involving new technology, techniques, and advanced monitoring protocols for the purpose of testing the feasibility and viability of enhanced geothermal systems for renewable energy production.
The project area is 22 miles south of Bend, Oregon, within the Bend-Fort Rock Ranger District of the Deschutes National Forest. The entire project is located on National Forest System Lands and would utilize an existing well pad and existing 10,000-ft deep geothermal well on a Federal geothermal lease. This geothermal project will enable the AltaRock Energy to create, test, and demonstrate the Enhanced Geothermal Systems (EGS) reservoir technology and its potential for electricity generation in areas with underground heat but little or no natural water. The EGS projects produce electricity using heat extracted with engineered fluid flow paths in hot rocks. These pathways are developed by stimulating them with cold water injected into a well at a relatively high pressure.
Development and testing of the EGS will involve several components, including the development of an underground reservoir, one “stimulation” well to help create the reservoir and transport water to it, two production wells to transport heated water out of the reservoir, and an array of up to 20 surface and “down-hole” seismic monitoring devices.
Eleven of the monitoring sites are on Federal geothermal leases administered by the BLM, and nine are on lands that are administered by the U.S. Forest Service, including one surface micro-seismic monitoring station and a motion sensor installed in the Newberry National Monument.
The United States leads the world in electricity generation with geothermal power. The U.S. Energy Information Administration reported that in 2012, U.S geothermal power plants produced about 17 billion kilowatt-hours (kWh), or 0.4% of total U.S. electricity generation. Six states had geothermal power plants: California had 36 plants producing about 80% of the Nation's geothermal-produced electricity; Nevada had 21 plants producing about 16% of the Nation's geothermal-produced electricity; Utah had two plants; and Hawaii, Idaho, and Oregon each had one plant. Geothermal energy is also used directly for space and water heating applications.
The Geothermal Steam Act of 1970, as amended (84 Stat, 1566; 30 U.S.C. 1001-1025), provides the Secretary of the Interior with the authority to lease public lands (245 million acres) and other federal lands, including National Forest lands (193 million acres), for geothermal exploration and development in an environmentally sound manner. This authority has been delegated to the Bureau of Land Management (BLM).
Leases are required to explore for or develop geothermal resources on public lands. Leasing requirements are described in the 43 CFR 3200 Geothermal Leasing Regulations.
As of June 5, 2013 there were 78 federal geothermal leases encompassing 102,484 acres in Oregon, a 2% acreage decrease since May 2012, and four leases encompassing 8,436 acres in Washington representing no change over the same period. There have also been 15 parcels nominated for leasing, 6 in Oregon (11,452 acres) and 9 in Washington (35,480 acres). Three of these are on BLM land; the remaining 12 are on U.S. Forest Service (USFS) land.
Specific project and location information for OR/WA can be found at this website: www.blm.gov/or/energy.
Photo: Michael Campbell, BLM.
By W. Wayne Marlow
USAG Humphreys Public Affairs
CAMP HUMPHREYS — When Military Police Soldiers return from a deployment, it doesn’t necessarily mean they won’t be facing dangerous situations.
Incidents at Virginia Tech, Fort Hood, Texas, and Phoenix are vivid reminders of that.
However, the techniques and tactics that allowed for a successful deployment may not translate well in the United States.
“What we do in Iraq is not the same thing as in garrison,” said Cpl. Matthew Heydon, a team leader with the 557th Military Police Company.
With that in mind, the 557th trained on responding to active shooters on Feb. 24 and 25. The MPs conducted the paintball training in a former barracks building near the gas station.
The MPs would receive notice that a shooter was in the building and they had only that and their accumulated knowledge to fall back on.
Sergeant 1st Class Michael Brown, a 557th platoon sergeant, helped orgazine the training and he said it was more like Special Weapons and Tactics training than traditonal military work.
“The difference is that SWAT deals with barricaded subjects and hostages and here the focus is on active shooters,” he said.
Brown had his Soldiers start with solo missions because, he said, “We want them to go through by themsleves to get over their nervousness and to give them the confidence to go through.”
Knowing that a gunman was on the loose was all the knowledge Soldiers such as Pfc. Khalid Abbady had to work with.
“I was told to respond to an active shooter in the building,” said Abbady, a 557th medic. “This guy could be anywhere. There were seven to eight casualties in there.”
The notional casualites were picked for the role because they had no MP training, which Brown said “adds a more realistic effect.”
Some of the role-players were lying motionless and splattered in paintball explosions, while others went screaming from a room, panicking. Still, they managed to let Abbady know where the shooter was holed up.
“There were seven to eight casualties in there. Some were wounded and some were dead,” Abbady recalled. “I knew he was on the last door on the right. I went in quickly and tried to neutralize the threat. I went directly to the door and I went in and I got hit.”
Abbady continued to work on taking out the threat, only to get attacked by a second shooter.
But that makes for good training, he realized.
“It’s been a huge help and has been realistic,” Abbady said. “It changes everything when somebody’s in there. I learned not to fixate on one shooter because there could be more. You have to watch out for everything. And don’t leave your back to the door. I got it from behind.”
Heydon echoed Abbady’s sentiments about the training’s quality.
“I’ve done similar things, but not this in depth. This is my first paintball training ... and it’s more related to getting people out alive as opposed to room clearing where your just out to kill the person.”
Heydon described what happened when his turn came.
"I got the call, got out of my vehicle on the safe side, and radioed to get all the information I could,” he said. “I learned there was a guy on the first floor, so I went in there and heard a lot of people yelling. I was clearing a room when six or seven people came out from the hallway and told me where the shooter was.”
Falling back on his training and instinct, Heydon entered the room and got shot in the arm, but continued and elmininated the threat.
“But I got shot by the second shooter,” he said. “Then I eliminated him and finished the search.”
Sergeant David Banikci, a 557th team leader, said the training was “a lot better from the all-around aspect. Everying downrange is focused on the tactical side. Here in garrison, you’re going to act competely different than a tactical situation.”
For more information on U.S. Army Garrison Humphreys and living and working in Korea visit: USAG-Humphreys' official web site or check out our online videos.
Ranger Studio Day
“An all day workshop of creative techniques”
Saturday, March 31st / 10:00am-5:00pm
at CraftFusion in Chandler, Arizona.
Learn more at:
I was walking around KL hoping to buy some stuff (files, notepad, you-know-what) and was pretty frustrated that I didn't get to buy anything, since all those shops were closed. Lucky I brought my camera with me, so I took it out and began my street photography thingy, to cool me down abit
At the traffic lights, I was interested to try out the panning technique. And here it is, after a couple of shots, one of my results. This was my first time panning, and I'm pretty happy with my shots.
*Pictures cropped to suit the 1/3 rule*
Note the needle is parallel to the superior tarsal border - entering from the temporal side.
Photo: Anthony Hall.
Published in: Community Eye Health Journal Vol. 18 No. 53 MARCH 2005 www.cehjournal.org
Four 8 x 8 wheels with spurs can be used to create an 18-tooth gear connection, potentially useful in gear reductions.
The wheels are 8 studs wide, and the spurs are 1/2 stud, so the axles are spaced at 7.5 studs.
Pvt. 1st Class Jon Wallace, 3rd Platoon, 570th Sapper Company, 14th Engineer Battalion, 555th Engineer Brigade uses a fire extinguisher to put out a tire fire, Feb. 15. The fire department offers classes to Army units to ensure that they are well trained in putting out mine resistant ambush protective vehicle fires during convoy operations.
The number of nails varies in horseshoes; most shoes use six nails. When you build a shoe you can use as many or little nails as you want.
Photo Credit: Shaun Robinson / Calgary Stampede
this book is in japanese and english, and shows 7 knitting techniques from nordic countries.
the main techniques are: vendepinde, 4 knitted rectangles, dropped stitch, garter socks, chain, buttonhole technique, and mobius band. there are more variations, especially using the vendepinde technique.
the basic directions for each project are given in both japanese and english, as well as very clear step by step photos.
Practicing the pomodoro technique with a friendly onscreen message to prevent me from checking twitter and email
Graffiti (plural; singular graffiti or graffito, the latter rarely used except in archeology) is art that is written, painted or drawn on a wall or other surface, usually without permission and within public view. Graffiti ranges from simple written words to elaborate wall paintings, and has existed since ancient times, with examples dating back to ancient Egypt, ancient Greece, and the Roman Empire (see also mural).
Graffiti is a controversial subject. In most countries, marking or painting property without permission is considered by property owners and civic authorities as defacement and vandalism, which is a punishable crime, citing the use of graffiti by street gangs to mark territory or to serve as an indicator of gang-related activities. Graffiti has become visualized as a growing urban "problem" for many cities in industrialized nations, spreading from the New York City subway system and Philadelphia in the early 1970s to the rest of the United States and Europe and other world regions
"Graffiti" (usually both singular and plural) and the rare singular form "graffito" are from the Italian word graffiato ("scratched"). The term "graffiti" is used in art history for works of art produced by scratching a design into a surface. A related term is "sgraffito", which involves scratching through one layer of pigment to reveal another beneath it. This technique was primarily used by potters who would glaze their wares and then scratch a design into them. In ancient times graffiti were carved on walls with a sharp object, although sometimes chalk or coal were used. The word originates from Greek γράφειν—graphein—meaning "to write".
The term graffiti originally referred to the inscriptions, figure drawings, and such, found on the walls of ancient sepulchres or ruins, as in the Catacombs of Rome or at Pompeii. Historically, these writings were not considered vanadlism, which today is considered part of the definition of graffiti.
The only known source of the Safaitic language, an ancient form of Arabic, is from graffiti: inscriptions scratched on to the surface of rocks and boulders in the predominantly basalt desert of southern Syria, eastern Jordan and northern Saudi Arabia. Safaitic dates from the first century BC to the fourth century AD.
Some of the oldest cave paintings in the world are 40,000 year old ones found in Australia. The oldest written graffiti was found in ancient Rome around 2500 years ago. Most graffiti from the time was boasts about sexual experiences Graffiti in Ancient Rome was a form of communication, and was not considered vandalism.
Ancient tourists visiting the 5th-century citadel at Sigiriya in Sri Lanka write their names and commentary over the "mirror wall", adding up to over 1800 individual graffiti produced there between the 6th and 18th centuries. Most of the graffiti refer to the frescoes of semi-nude females found there. One reads:
Wet with cool dew drops
fragrant with perfume from the flowers
came the gentle breeze
jasmine and water lily
dance in the spring sunshine
side-long glances
of the golden-hued ladies
stab into my thoughts
heaven itself cannot take my mind
as it has been captivated by one lass
among the five hundred I have seen here.
Among the ancient political graffiti examples were Arab satirist poems. Yazid al-Himyari, an Umayyad Arab and Persian poet, was most known for writing his political poetry on the walls between Sajistan and Basra, manifesting a strong hatred towards the Umayyad regime and its walis, and people used to read and circulate them very widely.
Graffiti, known as Tacherons, were frequently scratched on Romanesque Scandinavian church walls. When Renaissance artists such as Pinturicchio, Raphael, Michelangelo, Ghirlandaio, or Filippino Lippi descended into the ruins of Nero's Domus Aurea, they carved or painted their names and returned to initiate the grottesche style of decoration.
There are also examples of graffiti occurring in American history, such as Independence Rock, a national landmark along the Oregon Trail.
Later, French soldiers carved their names on monuments during the Napoleonic campaign of Egypt in the 1790s. Lord Byron's survives on one of the columns of the Temple of Poseidon at Cape Sounion in Attica, Greece.
The oldest known example of graffiti "monikers" found on traincars created by hobos and railworkers since the late 1800s. The Bozo Texino monikers were documented by filmmaker Bill Daniel in his 2005 film, Who is Bozo Texino?.
In World War II, an inscription on a wall at the fortress of Verdun was seen as an illustration of the US response twice in a generation to the wrongs of the Old World:
During World War II and for decades after, the phrase "Kilroy was here" with an accompanying illustration was widespread throughout the world, due to its use by American troops and ultimately filtering into American popular culture. Shortly after the death of Charlie Parker (nicknamed "Yardbird" or "Bird"), graffiti began appearing around New York with the words "Bird Lives".
Modern graffiti art has its origins with young people in 1960s and 70s in New York City and Philadelphia. Tags were the first form of stylised contemporary graffiti. Eventually, throw-ups and pieces evolved with the desire to create larger art. Writers used spray paint and other kind of materials to leave tags or to create images on the sides subway trains. and eventually moved into the city after the NYC metro began to buy new trains and paint over graffiti.
While the art had many advocates and appreciators—including the cultural critic Norman Mailer—others, including New York City mayor Ed Koch, considered it to be defacement of public property, and saw it as a form of public blight. The ‘taggers’ called what they did ‘writing’—though an important 1974 essay by Mailer referred to it using the term ‘graffiti.’
Contemporary graffiti style has been heavily influenced by hip hop culture and the myriad international styles derived from Philadelphia and New York City Subway graffiti; however, there are many other traditions of notable graffiti in the twentieth century. Graffiti have long appeared on building walls, in latrines, railroad boxcars, subways, and bridges.
An early graffito outside of New York or Philadelphia was the inscription in London reading "Clapton is God" in reference to the guitarist Eric Clapton. Creating the cult of the guitar hero, the phrase was spray-painted by an admirer on a wall in an Islington, north London in the autumn of 1967. The graffito was captured in a photograph, in which a dog is urinating on the wall.
Films like Style Wars in the 80s depicting famous writers such as Skeme, Dondi, MinOne, and ZEPHYR reinforced graffiti's role within New York's emerging hip-hop culture. Although many officers of the New York City Police Department found this film to be controversial, Style Wars is still recognized as the most prolific film representation of what was going on within the young hip hop culture of the early 1980s. Fab 5 Freddy and Futura 2000 took hip hop graffiti to Paris and London as part of the New York City Rap Tour in 1983
Commercialization and entrance into mainstream pop culture
Main article: Commercial graffiti
With the popularity and legitimization of graffiti has come a level of commercialization. In 2001, computer giant IBM launched an advertising campaign in Chicago and San Francisco which involved people spray painting on sidewalks a peace symbol, a heart, and a penguin (Linux mascot), to represent "Peace, Love, and Linux." IBM paid Chicago and San Francisco collectively US$120,000 for punitive damages and clean-up costs.
In 2005, a similar ad campaign was launched by Sony and executed by its advertising agency in New York, Chicago, Atlanta, Philadelphia, Los Angeles, and Miami, to market its handheld PSP gaming system. In this campaign, taking notice of the legal problems of the IBM campaign, Sony paid building owners for the rights to paint on their buildings "a collection of dizzy-eyed urban kids playing with the PSP as if it were a skateboard, a paddle, or a rocking horse".
Tristan Manco wrote that Brazil "boasts a unique and particularly rich, graffiti scene ... [earning] it an international reputation as the place to go for artistic inspiration". Graffiti "flourishes in every conceivable space in Brazil's cities". Artistic parallels "are often drawn between the energy of São Paulo today and 1970s New York". The "sprawling metropolis", of São Paulo has "become the new shrine to graffiti"; Manco alludes to "poverty and unemployment ... [and] the epic struggles and conditions of the country's marginalised peoples", and to "Brazil's chronic poverty", as the main engines that "have fuelled a vibrant graffiti culture". In world terms, Brazil has "one of the most uneven distributions of income. Laws and taxes change frequently". Such factors, Manco argues, contribute to a very fluid society, riven with those economic divisions and social tensions that underpin and feed the "folkloric vandalism and an urban sport for the disenfranchised", that is South American graffiti art.
Prominent Brazilian writers include Os Gêmeos, Boleta, Nunca, Nina, Speto, Tikka, and T.Freak. Their artistic success and involvement in commercial design ventures has highlighted divisions within the Brazilian graffiti community between adherents of the cruder transgressive form of pichação and the more conventionally artistic values of the practitioners of grafite.
Graffiti in the Middle East has emerged slowly, with taggers operating in Egypt, Lebanon, the Gulf countries like Bahrain or the United Arab Emirates, Israel, and in Iran. The major Iranian newspaper Hamshahri has published two articles on illegal writers in the city with photographic coverage of Iranian artist A1one's works on Tehran walls. Tokyo-based design magazine, PingMag, has interviewed A1one and featured photographs of his work. The Israeli West Bank barrier has become a site for graffiti, reminiscent in this sense of the Berlin Wall. Many writers in Israel come from other places around the globe, such as JUIF from Los Angeles and DEVIONE from London. The religious reference "נ נח נחמ נחמן מאומן" ("Na Nach Nachma Nachman Meuman") is commonly seen in graffiti around Israel.
Graffiti has played an important role within the street art scene in the Middle East and North Africa (MENA), especially following the events of the Arab Spring of 2011 or the Sudanese Revolution of 2018/19. Graffiti is a tool of expression in the context of conflict in the region, allowing people to raise their voices politically and socially. Famous street artist Banksy has had an important effect in the street art scene in the MENA area, especially in Palestine where some of his works are located in the West Bank barrier and Bethlehem.
There are also a large number of graffiti influences in Southeast Asian countries that mostly come from modern Western culture, such as Malaysia, where graffiti have long been a common sight in Malaysia's capital city, Kuala Lumpur. Since 2010, the country has begun hosting a street festival to encourage all generations and people from all walks of life to enjoy and encourage Malaysian street culture.
The modern-day graffitists can be found with an arsenal of various materials that allow for a successful production of a piece. This includes such techniques as scribing. However, spray paint in aerosol cans is the number one medium for graffiti. From this commodity comes different styles, technique, and abilities to form master works of graffiti. Spray paint can be found at hardware and art stores and comes in virtually every color.
Stencil graffiti is created by cutting out shapes and designs in a stiff material (such as cardboard or subject folders) to form an overall design or image. The stencil is then placed on the "canvas" gently and with quick, easy strokes of the aerosol can, the image begins to appear on the intended surface.
Some of the first examples were created in 1981 by artists Blek le Rat in Paris, in 1982 by Jef Aerosol in Tours (France); by 1985 stencils had appeared in other cities including New York City, Sydney, and Melbourne, where they were documented by American photographer Charles Gatewood and Australian photographer Rennie Ellis
Tagging is the practice of someone spray-painting "their name, initial or logo onto a public surface" in a handstyle unique to the writer. Tags were the first form of modern graffiti.
Modern graffiti art often incorporates additional arts and technologies. For example, Graffiti Research Lab has encouraged the use of projected images and magnetic light-emitting diodes (throwies) as new media for graffitists. yarnbombing is another recent form of graffiti. Yarnbombers occasionally target previous graffiti for modification, which had been avoided among the majority of graffitists.
Theories on the use of graffiti by avant-garde artists have a history dating back at least to the Asger Jorn, who in 1962 painting declared in a graffiti-like gesture "the avant-garde won't give up"
Many contemporary analysts and even art critics have begun to see artistic value in some graffiti and to recognize it as a form of public art. According to many art researchers, particularly in the Netherlands and in Los Angeles, that type of public art is, in fact an effective tool of social emancipation or, in the achievement of a political goal
In times of conflict, such murals have offered a means of communication and self-expression for members of these socially, ethnically, or racially divided communities, and have proven themselves as effective tools in establishing dialog and thus, of addressing cleavages in the long run. The Berlin Wall was also extensively covered by graffiti reflecting social pressures relating to the oppressive Soviet rule over the GDR.
Many artists involved with graffiti are also concerned with the similar activity of stenciling. Essentially, this entails stenciling a print of one or more colors using spray-paint. Recognized while exhibiting and publishing several of her coloured stencils and paintings portraying the Sri Lankan Civil War and urban Britain in the early 2000s, graffitists Mathangi Arulpragasam, aka M.I.A., has also become known for integrating her imagery of political violence into her music videos for singles "Galang" and "Bucky Done Gun", and her cover art. Stickers of her artwork also often appear around places such as London in Brick Lane, stuck to lamp posts and street signs, she having become a muse for other graffitists and painters worldwide in cities including Seville.
Graffitist believes that art should be on display for everyone in the public eye or in plain sight, not hidden away in a museum or a gallery. Art should color the streets, not the inside of some building. Graffiti is a form of art that cannot be owned or bought. It does not last forever, it is temporary, yet one of a kind. It is a form of self promotion for the artist that can be displayed anywhere form sidewalks, roofs, subways, building wall, etc. Art to them is for everyone and should be showed to everyone for free.
Graffiti is a way of communicating and a way of expressing what one feels in the moment. It is both art and a functional thing that can warn people of something or inform people of something. However, graffiti is to some people a form of art, but to some a form of vandalism. And many graffitists choose to protect their identities and remain anonymous or to hinder prosecution.
With the commercialization of graffiti (and hip hop in general), in most cases, even with legally painted "graffiti" art, graffitists tend to choose anonymity. This may be attributed to various reasons or a combination of reasons. Graffiti still remains the one of four hip hop elements that is not considered "performance art" despite the image of the "singing and dancing star" that sells hip hop culture to the mainstream. Being a graphic form of art, it might also be said that many graffitists still fall in the category of the introverted archetypal artist.
Banksy is one of the world's most notorious and popular street artists who continues to remain faceless in today's society. He is known for his political, anti-war stencil art mainly in Bristol, England, but his work may be seen anywhere from Los Angeles to Palestine. In the UK, Banksy is the most recognizable icon for this cultural artistic movement and keeps his identity a secret to avoid arrest. Much of Banksy's artwork may be seen around the streets of London and surrounding suburbs, although he has painted pictures throughout the world, including the Middle East, where he has painted on Israel's controversial West Bank barrier with satirical images of life on the other side. One depicted a hole in the wall with an idyllic beach, while another shows a mountain landscape on the other side. A number of exhibitions also have taken place since 2000, and recent works of art have fetched vast sums of money. Banksy's art is a prime example of the classic controversy: vandalism vs. art. Art supporters endorse his work distributed in urban areas as pieces of art and some councils, such as Bristol and Islington, have officially protected them, while officials of other areas have deemed his work to be vandalism and have removed it.
Pixnit is another artist who chooses to keep her identity from the general public. Her work focuses on beauty and design aspects of graffiti as opposed to Banksy's anti-government shock value. Her paintings are often of flower designs above shops and stores in her local urban area of Cambridge, Massachusetts. Some store owners endorse her work and encourage others to do similar work as well. "One of the pieces was left up above Steve's Kitchen, because it looks pretty awesome"- Erin Scott, the manager of New England Comics in Allston, Massachusetts.
Graffiti artists may become offended if photographs of their art are published in a commercial context without their permission. In March 2020, the Finnish graffiti artist Psyke expressed his displeasure at the newspaper Ilta-Sanomat publishing a photograph of a Peugeot 208 in an article about new cars, with his graffiti prominently shown on the background. The artist claims he does not want his art being used in commercial context, not even if he were to receive compensation.
Territorial graffiti marks urban neighborhoods with tags and logos to differentiate certain groups from others. These images are meant to show outsiders a stern look at whose turf is whose. The subject matter of gang-related graffiti consists of cryptic symbols and initials strictly fashioned with unique calligraphies. Gang members use graffiti to designate membership throughout the gang, to differentiate rivals and associates and, most commonly, to mark borders which are both territorial and ideological.
Graffiti has been used as a means of advertising both legally and illegally. Bronx-based TATS CRU has made a name for themselves doing legal advertising campaigns for companies such as Coca-Cola, McDonald's, Toyota, and MTV. In the UK, Covent Garden's Boxfresh used stencil images of a Zapatista revolutionary in the hopes that cross referencing would promote their store.
Smirnoff hired artists to use reverse graffiti (the use of high pressure hoses to clean dirty surfaces to leave a clean image in the surrounding dirt) to increase awareness of their product.
Graffiti often has a reputation as part of a subculture that rebels against authority, although the considerations of the practitioners often diverge and can relate to a wide range of attitudes. It can express a political practice and can form just one tool in an array of resistance techniques. One early example includes the anarcho-punk band Crass, who conducted a campaign of stenciling anti-war, anarchist, feminist, and anti-consumerist messages throughout the London Underground system during the late 1970s and early 1980s. In Amsterdam graffiti was a major part of the punk scene. The city was covered with names such as "De Zoot", "Vendex", and "Dr Rat". To document the graffiti a punk magazine was started that was called Gallery Anus. So when hip hop came to Europe in the early 1980s there was already a vibrant graffiti culture.
The student protests and general strike of May 1968 saw Paris bedecked in revolutionary, anarchistic, and situationist slogans such as L'ennui est contre-révolutionnaire ("Boredom is counterrevolutionary") and Lisez moins, vivez plus ("Read less, live more"). While not exhaustive, the graffiti gave a sense of the 'millenarian' and rebellious spirit, tempered with a good deal of verbal wit, of the strikers.
I think graffiti writing is a way of defining what our generation is like. Excuse the French, we're not a bunch of p---- artists. Traditionally artists have been considered soft and mellow people, a little bit kooky. Maybe we're a little bit more like pirates that way. We defend our territory, whatever space we steal to paint on, we defend it fiercely.
The developments of graffiti art which took place in art galleries and colleges as well as "on the street" or "underground", contributed to the resurfacing in the 1990s of a far more overtly politicized art form in the subvertising, culture jamming, or tactical media movements. These movements or styles tend to classify the artists by their relationship to their social and economic contexts, since, in most countries, graffiti art remains illegal in many forms except when using non-permanent paint. Since the 1990s with the rise of Street Art, a growing number of artists are switching to non-permanent paints and non-traditional forms of painting.
Contemporary practitioners, accordingly, have varied and often conflicting practices. Some individuals, such as Alexander Brener, have used the medium to politicize other art forms, and have used the prison sentences enforced on them as a means of further protest. The practices of anonymous groups and individuals also vary widely, and practitioners by no means always agree with each other's practices. For example, the anti-capitalist art group the Space Hijackers did a piece in 2004 about the contradiction between the capitalistic elements of Banksy and his use of political imagery.
Berlin human rights activist Irmela Mensah-Schramm has received global media attention and numerous awards for her 35-year campaign of effacing neo-Nazi and other right-wing extremist graffiti throughout Germany, often by altering hate speech in humorous ways.
In Serbian capital, Belgrade, the graffiti depicting a uniformed former general of Serb army and war criminal, convicted at ICTY for war crimes and crimes against humanity, including genocide and ethnic cleansing in Bosnian War, Ratko Mladić, appeared in a military salute alongside the words "General, thank to your mother". Aleks Eror, Berlin-based journalist, explains how "veneration of historical and wartime figures" through street art is not a new phenomenon in the region of former Yugoslavia, and that "in most cases is firmly focused on the future, rather than retelling the past". Eror is not only analyst pointing to danger of such an expressions for the region's future. In a long expose on the subject of Bosnian genocide denial, at Balkan Diskurs magazine and multimedia platform website, Kristina Gadže and Taylor Whitsell referred to these experiences as a young generations' "cultural heritage", in which young are being exposed to celebration and affirmation of war-criminals as part of their "formal education" and "inheritance".
There are numerous examples of genocide denial through celebration and affirmation of war criminals throughout the region of Western Balkans inhabited by Serbs using this form of artistic expression. Several more of these graffiti are found in Serbian capital, and many more across Serbia and Bosnian and Herzegovinian administrative entity, Republika Srpska, which is the ethnic Serbian majority enclave. Critics point that Serbia as a state, is willing to defend the mural of convicted war criminal, and have no intention to react on cases of genocide denial, noting that Interior Minister of Serbia, Aleksandar Vulin decision to ban any gathering with an intent to remove the mural, with the deployment of riot police, sends the message of "tacit endorsement". Consequently, on 9 November 2021, Serbian heavy police in riot gear, with graffiti creators and their supporters, blocked the access to the mural to prevent human rights groups and other activists to paint over it and mark the International Day Against Fascism and Antisemitism in that way, and even arrested two civic activist for throwing eggs at the graffiti.
Graffiti may also be used as an offensive expression. This form of graffiti may be difficult to identify, as it is mostly removed by the local authority (as councils which have adopted strategies of criminalization also strive to remove graffiti quickly). Therefore, existing racist graffiti is mostly more subtle and at first sight, not easily recognized as "racist". It can then be understood only if one knows the relevant "local code" (social, historical, political, temporal, and spatial), which is seen as heteroglot and thus a 'unique set of conditions' in a cultural context.
A spatial code for example, could be that there is a certain youth group in an area that is engaging heavily in racist activities. So, for residents (knowing the local code), a graffiti containing only the name or abbreviation of this gang already is a racist expression, reminding the offended people of their gang activities. Also a graffiti is in most cases, the herald of more serious criminal activity to come. A person who does not know these gang activities would not be able to recognize the meaning of this graffiti. Also if a tag of this youth group or gang is placed on a building occupied by asylum seekers, for example, its racist character is even stronger.
By making the graffiti less explicit (as adapted to social and legal constraints), these drawings are less likely to be removed, but do not lose their threatening and offensive character.
Elsewhere, activists in Russia have used painted caricatures of local officials with their mouths as potholes, to show their anger about the poor state of the roads. In Manchester, England, a graffitists painted obscene images around potholes, which often resulted in them being repaired within 48 hours.
In the early 1980s, the first art galleries to show graffitists to the public were Fashion Moda in the Bronx, Now Gallery and Fun Gallery, both in the East Village, Manhattan.
A 2006 exhibition at the Brooklyn Museum displayed graffiti as an art form that began in New York's outer boroughs and reached great heights in the early 1980s with the work of Crash, Lee, Daze, Keith Haring, and Jean-Michel Basquiat. It displayed 22 works by New York graffitists, including Crash, Daze, and Lady Pink. In an article about the exhibition in the magazine Time Out, curator Charlotta Kotik said that she hoped the exhibition would cause viewers to rethink their assumptions about graffiti.
From the 1970s onwards, Burhan Doğançay photographed urban walls all over the world; these he then archived for use as sources of inspiration for his painterly works. The project today known as "Walls of the World" grew beyond even his own expectations and comprises about 30,000 individual images. It spans a period of 40 years across five continents and 114 countries. In 1982, photographs from this project comprised a one-man exhibition titled "Les murs murmurent, ils crient, ils chantent ..." (The walls whisper, shout and sing ...) at the Centre Georges Pompidou in Paris.
In Australia, art historians have judged some local graffiti of sufficient creative merit to rank them firmly within the arts. Oxford University Press's art history text Australian Painting 1788–2000 concludes with a long discussion of graffiti's key place within contemporary visual culture, including the work of several Australian practitioners.
Between March and April 2009, 150 artists exhibited 300 pieces of graffiti at the Grand Palais in Paris.
Spray paint has many negative environmental effects. The paint contains toxic chemicals, and the can uses volatile hydrocarbon gases to spray the paint onto a surface.
Volatile organic compound (VOC) leads to ground level ozone formation and most of graffiti related emissions are VOCs. A 2010 paper estimates 4,862 tons of VOCs were released in the United States in activities related to graffiti.
In China, Mao Zedong in the 1920s used revolutionary slogans and paintings in public places to galvanize the country's communist movement.
Based on different national conditions, many people believe that China's attitude towards Graffiti is fierce, but in fact, according to Lance Crayon in his film Spray Paint Beijing: Graffiti in the Capital of China, Graffiti is generally accepted in Beijing, with artists not seeing much police interference. Political and religiously sensitive graffiti, however, is not allowed.
In Hong Kong, Tsang Tsou Choi was known as the King of Kowloon for his calligraphy graffiti over many years, in which he claimed ownership of the area. Now some of his work is preserved officially.
In Taiwan, the government has made some concessions to graffitists. Since 2005 they have been allowed to freely display their work along some sections of riverside retaining walls in designated "Graffiti Zones". From 2007, Taipei's department of cultural affairs also began permitting graffiti on fences around major public construction sites. Department head Yong-ping Lee (李永萍) stated, "We will promote graffiti starting with the public sector, and then later in the private sector too. It's our goal to beautify the city with graffiti". The government later helped organize a graffiti contest in Ximending, a popular shopping district. graffitists caught working outside of these designated areas still face fines up to NT$6,000 under a department of environmental protection regulation. However, Taiwanese authorities can be relatively lenient, one veteran police officer stating anonymously, "Unless someone complains about vandalism, we won't get involved. We don't go after it proactively."
In 1993, after several expensive cars in Singapore were spray-painted, the police arrested a student from the Singapore American School, Michael P. Fay, questioned him, and subsequently charged him with vandalism. Fay pleaded guilty to vandalizing a car in addition to stealing road signs. Under the 1966 Vandalism Act of Singapore, originally passed to curb the spread of communist graffiti in Singapore, the court sentenced him to four months in jail, a fine of S$3,500 (US$2,233), and a caning. The New York Times ran several editorials and op-eds that condemned the punishment and called on the American public to flood the Singaporean embassy with protests. Although the Singapore government received many calls for clemency, Fay's caning took place in Singapore on 5 May 1994. Fay had originally received a sentence of six strokes of the cane, but the presiding president of Singapore, Ong Teng Cheong, agreed to reduce his caning sentence to four lashes.
In South Korea, Park Jung-soo was fined two million South Korean won by the Seoul Central District Court for spray-painting a rat on posters of the G-20 Summit a few days before the event in November 2011. Park alleged that the initial in "G-20" sounds like the Korean word for "rat", but Korean government prosecutors alleged that Park was making a derogatory statement about the president of South Korea, Lee Myung-bak, the host of the summit. This case led to public outcry and debate on the lack of government tolerance and in support of freedom of expression. The court ruled that the painting, "an ominous creature like a rat" amounts to "an organized criminal activity" and upheld the fine while denying the prosecution's request for imprisonment for Park.
In Europe, community cleaning squads have responded to graffiti, in some cases with reckless abandon, as when in 1992 in France a local Scout group, attempting to remove modern graffiti, damaged two prehistoric paintings of bison in the Cave of Mayrière supérieure near the French village of Bruniquel in Tarn-et-Garonne, earning them the 1992 Ig Nobel Prize in archeology.
In September 2006, the European Parliament directed the European Commission to create urban environment policies to prevent and eliminate dirt, litter, graffiti, animal excrement, and excessive noise from domestic and vehicular music systems in European cities, along with other concerns over urban life.
In Budapest, Hungary, both a city-backed movement called I Love Budapest and a special police division tackle the problem, including the provision of approved areas.
The Anti-social Behaviour Act 2003 became Britain's latest anti-graffiti legislation. In August 2004, the Keep Britain Tidy campaign issued a press release calling for zero tolerance of graffiti and supporting proposals such as issuing "on the spot" fines to graffiti offenders and banning the sale of aerosol paint to anyone under the age of 16. The press release also condemned the use of graffiti images in advertising and in music videos, arguing that real-world experience of graffiti stood far removed from its often-portrayed "cool" or "edgy'" image.
To back the campaign, 123 Members of Parliament (MPs) (including then Prime Minister Tony Blair), signed a charter which stated: "Graffiti is not art, it's crime. On behalf of my constituents, I will do all I can to rid our community of this problem."
In the UK, city councils have the power to take action against the owner of any property that has been defaced under the Anti-social Behaviour Act 2003 (as amended by the Clean Neighbourhoods and Environment Act 2005) or, in certain cases, the Highways Act. This is often used against owners of property that are complacent in allowing protective boards to be defaced so long as the property is not damaged.
In July 2008, a conspiracy charge was used to convict graffitists for the first time. After a three-month police surveillance operation, nine members of the DPM crew were convicted of conspiracy to commit criminal damage costing at least £1 million. Five of them received prison sentences, ranging from eighteen months to two years. The unprecedented scale of the investigation and the severity of the sentences rekindled public debate over whether graffiti should be considered art or crime.
Some councils, like those of Stroud and Loerrach, provide approved areas in the town where graffitists can showcase their talents, including underpasses, car parks, and walls that might otherwise prove a target for the "spray and run".
Graffiti Tunnel, University of Sydney at Camperdown (2009)
In an effort to reduce vandalism, many cities in Australia have designated walls or areas exclusively for use by graffitists. One early example is the "Graffiti Tunnel" located at the Camperdown Campus of the University of Sydney, which is available for use by any student at the university to tag, advertise, poster, and paint. Advocates of this idea suggest that this discourages petty vandalism yet encourages artists to take their time and produce great art, without worry of being caught or arrested for vandalism or trespassing.[108][109] Others disagree with this approach, arguing that the presence of legal graffiti walls does not demonstrably reduce illegal graffiti elsewhere. Some local government areas throughout Australia have introduced "anti-graffiti squads", who clean graffiti in the area, and such crews as BCW (Buffers Can't Win) have taken steps to keep one step ahead of local graffiti cleaners.
Many state governments have banned the sale or possession of spray paint to those under the age of 18 (age of majority). However, a number of local governments in Victoria have taken steps to recognize the cultural heritage value of some examples of graffiti, such as prominent political graffiti. Tough new graffiti laws have been introduced in Australia with fines of up to A$26,000 and two years in prison.
Melbourne is a prominent graffiti city of Australia with many of its lanes being tourist attractions, such as Hosier Lane in particular, a popular destination for photographers, wedding photography, and backdrops for corporate print advertising. The Lonely Planet travel guide cites Melbourne's street as a major attraction. All forms of graffiti, including sticker art, poster, stencil art, and wheatpasting, can be found in many places throughout the city. Prominent street art precincts include; Fitzroy, Collingwood, Northcote, Brunswick, St. Kilda, and the CBD, where stencil and sticker art is prominent. As one moves farther away from the city, mostly along suburban train lines, graffiti tags become more prominent. Many international artists such as Banksy have left their work in Melbourne and in early 2008 a perspex screen was installed to prevent a Banksy stencil art piece from being destroyed, it has survived since 2003 through the respect of local street artists avoiding posting over it, although it has recently had paint tipped over it.
In February 2008 Helen Clark, the New Zealand prime minister at that time, announced a government crackdown on tagging and other forms of graffiti vandalism, describing it as a destructive crime representing an invasion of public and private property. New legislation subsequently adopted included a ban on the sale of paint spray cans to persons under 18 and increases in maximum fines for the offence from NZ$200 to NZ$2,000 or extended community service. The issue of tagging become a widely debated one following an incident in Auckland during January 2008 in which a middle-aged property owner stabbed one of two teenage taggers to death and was subsequently convicted of manslaughter.
Graffiti databases have increased in the past decade because they allow vandalism incidents to be fully documented against an offender and help the police and prosecution charge and prosecute offenders for multiple counts of vandalism. They also provide law enforcement the ability to rapidly search for an offender's moniker or tag in a simple, effective, and comprehensive way. These systems can also help track costs of damage to a city to help allocate an anti-graffiti budget. The theory is that when an offender is caught putting up graffiti, they are not just charged with one count of vandalism; they can be held accountable for all the other damage for which they are responsible. This has two main benefits for law enforcement. One, it sends a signal to the offenders that their vandalism is being tracked. Two, a city can seek restitution from offenders for all the damage that they have committed, not merely a single incident. These systems give law enforcement personnel real-time, street-level intelligence that allows them not only to focus on the worst graffiti offenders and their damage, but also to monitor potential gang violence that is associated with the graffiti.
Many restrictions of civil gang injunctions are designed to help address and protect the physical environment and limit graffiti. Provisions of gang injunctions include things such as restricting the possession of marker pens, spray paint cans, or other sharp objects capable of defacing private or public property; spray painting, or marking with marker pens, scratching, applying stickers, or otherwise applying graffiti on any public or private property, including, but not limited to the street, alley, residences, block walls, and fences, vehicles or any other real or personal property. Some injunctions contain wording that restricts damaging or vandalizing both public and private property, including but not limited to any vehicle, light fixture, door, fence, wall, gate, window, building, street sign, utility box, telephone box, tree, or power pole.
To help address many of these issues, many local jurisdictions have set up graffiti abatement hotlines, where citizens can call in and report vandalism and have it removed. San Diego's hotline receives more than 5,000 calls per year, in addition to reporting the graffiti, callers can learn more about prevention. One of the complaints about these hotlines is the response time; there is often a lag time between a property owner calling about the graffiti and its removal. The length of delay should be a consideration for any jurisdiction planning on operating a hotline. Local jurisdictions must convince the callers that their complaint of vandalism will be a priority and cleaned off right away. If the jurisdiction does not have the resources to respond to complaints in a timely manner, the value of the hotline diminishes. Crews must be able to respond to individual service calls made to the graffiti hotline as well as focus on cleanup near schools, parks, and major intersections and transit routes to have the biggest impact. Some cities offer a reward for information leading to the arrest and prosecution of suspects for tagging or graffiti related vandalism. The amount of the reward is based on the information provided, and the action taken.
When police obtain search warrants in connection with a vandalism investigation, they are often seeking judicial approval to look for items such as cans of spray paint and nozzles from other kinds of aerosol sprays; etching tools, or other sharp or pointed objects, which could be used to etch or scratch glass and other hard surfaces; permanent marking pens, markers, or paint sticks; evidence of membership or affiliation with any gang or tagging crew; paraphernalia including any reference to "(tagger's name)"; any drawings, writing, objects, or graffiti depicting taggers' names, initials, logos, monikers, slogans, or any mention of tagging crew membership; and any newspaper clippings relating to graffiti crime.
The 32nd Annual Can-Am International Championships
Photos by Ron Sombilon Gallery
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Designed by Edward John Woods, SA Architect in Chief from 1878 to 1886, the construction of Z Ward for Criminal and Refractory Patients commenced in September 1884 with the contract being let to William Pett & Son, builders. Work proceeded smoothly, completion being achieved in the second half of 1885. The polychromatic brickwork technique used by Wood in its design is the most elaborate, sophisticated example of this architectural style in South Australia Additionally, Wood incorporated ventilation flues into each room and cell as he had done in designing Old Parliament House, the Mortlock Library and Martindale Hall. Fresh air being considered an important element in curing mental illness.
Lack of staffing and financial resources prevented the new facility for 45 inmates from being opened until 1888, three years after its completion.
Only a minority of patients who were accommodated in Z Ward were Governor’s pleasure patients: those acquitted of their crime on the grounds of their insanity. The majority were people charged and convicted of a minor offence, but exhibiting sufficient signs of psychiatric instability that it was thought more beneficial for them to be placed in an asylum rather than in a gaol to serve their sentence. Another small group of patients were those who were considered to be dangerous to themselves or to others and were placed in there for the protection of the Asylum’s other inmates.
To admit a new inmate, a bell was rung to the right of the front gates. The male attendant in charge would leave his office to the right of the secure entrance way, open the gates, bring the escorted person into this area after locking the gates and the front door. He would then return to his office, locking the door behind him and summon an attendant from inside the ward who would open the internal steel gate with a key that only opened that gate. In this way the new inmate would learn that grabbing an attendant’s keys would not allow passage to the outside gate. Governor’s pleasure inmates were placed at night in the cells to the right on the ground floor with this area closed off by a cyclone screen from the rest of the inmates. The dining area was immediately in front and adjacent to the stairs.
Originally known as “L Ward”, the name was changed to Z Ward following the installation of telephones throughout the hospital in the 1900s. Mishearing the name when the telephone was answered led callers to mistake the ”L” for “Hell”. Adding a line to the “L” to form a “Z” saved in the cost of remarking the ward’s laundry.
Z Ward closed on the 13th December 1973 with the 10 occupants being transferred to the Yatala Security Hospital, only for that facility in turn to be closed in 1988-89 and replaced by James Nash House.
This classic lyric comes from an Eric B. & Rakim song called, “Don’t Sweat The Technique”. The beat itself is ridiculous!
Stamping with Bibiana: The Bokeh Technique with Distress Inks and fairytale, blooming happy birthday dies from memory box, step by step at the blog;
stampingwithbibiana.blogspot.com/2015/03/the-bokeh-techni...
Photo: Mario Saavedra
Model: Carolina M.
Camera: Zenit 122
Technique: Analog
Place: Beach of Algarrobo
Santiago, Chile
Neon Techniques & Handling, Samuel C. Miller, 1988 edition.
I went through a period in my sign painting career where I became enamored with neon. I knew an old glass bender named Jimmy (J.R.) Rogers who started teaching me to create neon. During that time period I bought this book to learn from. While I have done a little glass bending under the tutelage of Mr. Rogers, I must confess I never learned enough to make a living at it.
Just for sharing...here is a "technique tag" I'll be teaching to beginning stampers. This uses kissing and masking! I used two of my favorites...Raindrop background and Old French Writing. TFL!
Found in a bin of parts left over from some old/abandoned WIPs.
Pretty standard fair but I thought someone might enjoy seeing it.
Basic Techniques to Prevent Spit-Up In Babies - In the first three months of life, 50 percent of infants often experience spit up, when the contents of the stomach up and out through the esophagus. If your baby looks comfortable, eats well, and gains weight, then you do not have to worry about spit up.
As parents, we must always be on alert with conditions that are felt to help the baby's health. We must also be able to see what is happening to him, including if he spits out suddenly. To follow up the spit on the baby, we must first examine the cause.
Spit up in infants can also occur when the baby experiences a reflux condition. There is a muscle ring that connects the stomach to the esophagus, which in infants is not yet fully developed. Therefore, this muscle is not perfect for controlling incoming and outgoing foods.
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In reflux conditions, food or milk consumed will pass through the back of the throat, then into the esophagus and down to the stomach. Muscle rings can open and let food or milk into the stomach. When closed, this incomplete muscle ring may not close tightly. So in the end, food or milk can return to the esophagus.
However, you do not have to worry. You can prevent the occurrence of spit up the baby. There are several easy ways to avoid babies from spitting up:
When you are feeding, keep your baby's body tense. Do not let him in a position to duck let alone face down.
Try to burp the baby so that the air that can continue to be removed. Trying to burp this can by taking a break in the middle of drinking milk. Can also after drinking milk.
At the time of trying to burp, lean the baby's body into your shoulders so that the position is upright, but do not let the stomach depressed by your baby
At the time of breastfeeding, try to be in a quiet closed room and free from any disturbance, so that babies do not panic. Babies who suckle in a state of panic will tend to swallow air in unison with incoming milk.
If the baby is feeding the milk with bottles and teats, pay attention to the dot hole so that the baby is not choking because the milk flow is too fast and not too small to make it hard to suck milk and instead suck the air.
When the baby finishes eating, position his body upright for half an hour or more to make food or freshly consumed milk remain under. If the baby has to lie down, place some pillows to support his body so that his body stays upright
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Avoid feeding or too much milk. Stop feeding or drinking when the baby is calm and comfortable.
Avoid wearing pants or diapers that are too tight so that the baby's stomach is not depressed
Avoid taking a baby traveling by car, especially right after eating or drinking milk. The position of the baby lying on a chair will make the baby's stomach under pressure.
Sometimes also spit on the baby occurs because something that the mother of consumption so that it can affect the taste or content of breast milk. Please consult your doctor to know the dispenser for sure.
Spitting out on a baby is a natural occurrence, but often this can make us panic.
By knowing how to overcome it then we can try to avoid the spit does not happen to our children. more info @ www.babygifa.com
Technical Meeting on Advanced Techniques for Equipment Testing Under Field Conditions (BRD TM). Division of Nuclear Security, IAEA Seibersdorf. 13 June 2019
Figure 12. Two technical participants attempt to locate hidden sources during a field exercise.
Photo Credit: Dean Calma / IAEA
Rescued by the DDC at the Eagle's Club Swap Meet just off Lombard in North Portland. One fine morning; September 28th, 2008, to be exact.
Asking price: 25 whole cents.
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