View allAll Photos Tagged technical
On the afternoon of 19 February 2020, delegates were given a guided tour of Alstom’s Pendolino train depot and PKP’s locomotive depot at Warszawa Olszynka Grochowska station, taking the wheel in an advanced driving simulator.
© 2020 IRITS Events Ltd. Photo: Bartłomiej Zackiewicz
one of my favorite things... my Technics SL-1200mk2 turntable w/ Shure M97x stylus. makes me never want to hear another CD again... heh
Technical rehearsals on stage for "Showcase 2014: Dreams" by ESDV Footloose, Parktheater Eindhoven, 14 June 2014.
Full details are available at
www.ariadnetrue.co.uk/ariadne.html
General viewof focle. Note overbunk lockers which are not fitted to many Rustler 36s
I definitely would! The school's a bit like EVIT...it's a vocational school. It was an all-boy's school until last year, when it went co-ed. Except there's only less than 20 girls for the 2000-odd boys. :P
This is a composite of illustrations from;Pictorial Handbook of Technical Devices by Otto B. Schwarz and Paul Grafstein. I'm putting it here as a reference for users of Phun the 2-d physics simulation program. These are all devices that I think can be simulated by the program.
A big technic dragonfly that moves its wings, head and body, everything as balanced as possible so that the engine can handle the weight.
The Technics 1200-series have a really nice drive system. The platter is more or less a part of the motor. It's a brushless motor, similar to what you will find inside CD-players, hard-drives or computer-fans, but the out-runner is the record-platter. A magnet-ring is glued to the underside of the platter and goes around the electro magnets seen here (the green things). The electro-magnets are precisely controlled by the drive-electronics to runt the platter at exact RPM.
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:A technical drawing from a series introducing a photo set inspired by brutalist architecture and my personal photo series on brutalism.
October 2014
Statement -
As somebody who produces art I thrive on temporality, obsessing over the state of one thing in at a given time; the abrupt situational nature of living. I am naturally led to human habitat, the very architecture that surrounds us - our marks left through time. As this inspiration has grown deeper I have also grown to love the Brutalist landscape that I have grown up with in adolescence, increasingly analysing the angular buildings standing tests of time from the 1950's and onwards. Inspiring a postmodernist photo set of Manipulated Brutalist structures I have become aware of the human desire for escapism whilst travelling to photograph these structures. I grew fond of social documentation as a result of this, deeply interested in its development over the past century. I arrived to a destination in my research that represented situationism in a beautiful and concise way. Richard Billingham's compelling and intimate photo series 'Ray's a Laugh' was the first form of raw social documentary that I unearthed - Taken aback by the rawness and honesty of these images I began to turn over more stones discovering Photographers such as Nan Goldin and Martin Parr. I began creating works of art based upon my own raw works of social documentary, becoming increasingly experimental with form and material. The works of Lucien Freud, Jenny Saville and Francis Bacon were a gateway of sorts towards discovery of a personal colour palette and style intertwined with modern impressionism.
while my endeavours to create work reflective of the vulnerable human form in paint and photograph continue, I also sustain a love of the expansive universe that surrounds the world and it's relation to human nature and consciousness in terms of incomprehensibility: something that will continue to inspire me endlessly.
Student ID:TEN15445010
Course: BA (Hons) Fine Art
One project I'm working on, is a large tank, built out of technic parts. This is test bed. The final moc will be a lot larger.
Lego Technic is a lot harder to photograph than Lego City. City has mini figures which can add some emotion to the image. Lego Technic lacks character. Loading the lorry from a forklift makes it look a little more interesting.
The Great Ball Contraption Tower II is the larger sequel to the original GBC Tower from 2019. The tower uses eight Akiyuki modules distributed vertically across two parallel 7-foot structural frames. The tower also uses several additional modules and techniques from many GBC builders from across the globe – an homage to the creativity of the GBC community. The result is a giant MOC with more than 45,000 LEGO® bricks!
Learn more at: www.gbctower.com
The Great Ball Contraption Tower II is the larger sequel to the original GBC Tower from 2019. The tower uses eight Akiyuki modules distributed vertically across two parallel 7-foot structural frames. The tower also uses several additional modules and techniques from many GBC builders from across the globe – an homage to the creativity of the GBC community. The result is a giant MOC with more than 45,000 LEGO® bricks!
Learn more at: www.gbctower.com
A Network Rail signals and telecoms team at work just west of Ascott-under-Wychwood level crossing on Thursday, April 7, 2011. The equipment cabin on the right will be removed to make way for the second track here.
An interesting yet widely hated building, one of many in Cumbernauld's sprawling masterplan Town Centre complex. On the right of the shot is the Antonine Centre, an architecturally unimpressive wall of a shopping complex.
The glow of sunset behind the building makes for a pleasing site.
LiuGong 856HE MAX: BEV (Battery Electric Vehicle) wheel loader built in 1:17 scale. Model is full motorised with C+ motors, front LED lights, rear LED lights & sounds (backup alarm, horn) connected to Mindstorms Robot Inventor HUB and controlled by Xbox pad via Mindstorms app. Movie: youtu.be/4TTvLL_vt4E
Vermont Technical College, after a long stint of celebrating commencement at Norwich University's Shapiro Field House, returned home to Randolph Center for the Class of 2015's graduation ceremony, which was split into three smaller ceremonies Saturday and Sunday and included remarks from guest speaker, Zebulon Scoville, who serves as the NASA flight director responsible for the U.S. presence on the International Space Station. (Herald / Tim Calabro)