View allAll Photos Tagged synthesizing
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The Art Gallery of Nova Scotia's website has this to say about the exhibit:
"Pope's cancer diagnosis in 1982 caused him to recalibrate his artistic project in order to reflect on the very personal circumstances and anxieties he was facing as a result of his diagnosis and the subsequent treatments he underwent. His cancer series movingly portrays his experiences as a cancer patient and gives a voice and visual form to the experiences of suffering fellow patients. Pope explored the psychology of cancer and challenged perceptions of illness and health. He used the power of art and myth to synthesize the many complements, paradoxes and contrasts that we face day to day. "
Very haunting images.
It was apparently Queen Elizabeth 1st favourite perfume.
Like willow it contains Salicylic acid which was used to make the original aspirin, later it was synthesized. In its day it was seen as a kind of cure all.
NeoTouch is a speculative design project that envisions a future haptic communication device
allowing people to touch each other at a distance. The medium of film is used to spark people’s imagination of the device’s design and functionality while simultaneously creating a wider narrative exploring social and ethical effects of synthesized human touch. The critical debate around this technological development focuses on aspects such as consent, digital and physical privacy, and changing social norms.
credit: Christine Würth
Have you ever wondered how the world’s best-selling pharmaceutical drug was discovered? Recently, Dr. Bruce D. Roth retold the story to students of how he discovered and synthesized Lipitor in the 1980s while working at Parke-Davis in Ann Arbor, Michigan. He is now Vice President of Discovery Chemistry at Genentech.
is a Banded Gila monster (Heloderma suspectum cinctum). A drug synthesized from a peptide in Gila monster venom is used to treat type II diabetes. Gila monsters are native to the southwestern United States. Photo by Frank.
English Language Fellow Michael Giovacchini facilitated a workshop entitled “Academic Writing ” at the Shanghai American Center. The audience consisted of Chinese professionals including PhD students, doctors, and lawyers. The workshop focused on providing strategies to begin the writing process, to include analysis in writing, and synthesize chains of evidence into well-structured claims.
NISS is a sound installation that reacts to the exchange of data carried out through a WiFi network. The soundscape produced by eight reception bells and synthesized sounds makes the hidden digital dialogues between devices perceptible. These interactions, usually triggered by humans but also autonomous, are brought to the human realm encrypted into different sound materials
Credit: Sergio Lecuona Fornes
This is view from Canon EOS School Osaka (Osaka Dai Building 18F).
Photo taken by iPhone 4 and panoramic synthesized by AutoStitch (iPhone App).
Geeta Chandran (Delhi) - Bharatnatyam - 20 October 2010 (Wednesday)
Geeta Chandran has been trained by eminent Bharatanatyam gurus, including Smt Swarna Saraswathy and Guru KN Dakshinamurthi Pillai. She has ably synthesized her eclectic training to present unique dance presentations in which she skilfully weaves abstract notions of joy, beauty, values, aspiration, myth and spirituality. Celebrated for her composite understanding of Bharatanatyam, Geeta is also an accomplished Carnatic vocalist. She is known for her work in television, film and theatre as also in dance education, activism and journalism. She is the founder-president of Natya Vriksha where she teaches and promotes Bharatanatyam. She is also the artistic director of the Natya Vriksha Dance Company, which has travelled all over the world with its superb dance presentations. Geeta has received many prestigious awards and fellowships, including the Padma Shri.
Presentation
In Revision, her presentation for the evening, Geeta Chandran and her Natya Vriksha Dance Company present a selection of classical numbers from the Bharatanatyam repertoire. It is suffused with the dancer’s focus on choreographic processes of intent, content and context. The intent is to celebrate the pristine classicism of Bharatanatyam. Through her Thanjavur bani, Geeta uses the adavu as the basis of her revision. This basic unit of Bharatanatyam is cast and recast in prismatic formations. The content remains the classical. The traditional Mallari, Alarippu, Padam and Tillana form the basis of Geeta’s revision. The context is what’s been altered. Since a solo dance is transformed into a group experience, the inter-body connections create new contexts for movement. There is also the context of the space in which the pieces are being performed. The grandeur of the dance has been re-contextualized for the Purana Qila monument.
With Baily's beads the sun disk looks more dynamic.
This is a synthesized photo to include the corona during Great American Eclipse and its starry background by combining two pics.
One is the HDR corona including 13 pics with various exposure from 1/320 sec to 6 sec and a 1/5000 sec shot of Baily's beads right before C2, and the other is its starry background by combining 35 of 1 min exposure pics taken two months before the eclipse.
Geeta Chandran (Delhi) - Bharatnatyam - 20 October 2010 (Wednesday)
Geeta Chandran has been trained by eminent Bharatanatyam gurus, including Smt Swarna Saraswathy and Guru KN Dakshinamurthi Pillai. She has ably synthesized her eclectic training to present unique dance presentations in which she skilfully weaves abstract notions of joy, beauty, values, aspiration, myth and spirituality. Celebrated for her composite understanding of Bharatanatyam, Geeta is also an accomplished Carnatic vocalist. She is known for her work in television, film and theatre as also in dance education, activism and journalism. She is the founder-president of Natya Vriksha where she teaches and promotes Bharatanatyam. She is also the artistic director of the Natya Vriksha Dance Company, which has travelled all over the world with its superb dance presentations. Geeta has received many prestigious awards and fellowships, including the Padma Shri.
Presentation
In Revision, her presentation for the evening, Geeta Chandran and her Natya Vriksha Dance Company present a selection of classical numbers from the Bharatanatyam repertoire. It is suffused with the dancer’s focus on choreographic processes of intent, content and context. The intent is to celebrate the pristine classicism of Bharatanatyam. Through her Thanjavur bani, Geeta uses the adavu as the basis of her revision. This basic unit of Bharatanatyam is cast and recast in prismatic formations. The content remains the classical. The traditional Mallari, Alarippu, Padam and Tillana form the basis of Geeta’s revision. The context is what’s been altered. Since a solo dance is transformed into a group experience, the inter-body connections create new contexts for movement. There is also the context of the space in which the pieces are being performed. The grandeur of the dance has been re-contextualized for the Purana Qila monument.
Spectrum of fluorescence stimulated by 254nm light on calcite made from combining calcium chloride with an aqueous solution of sodium carbonate. Small amounts of manganese and lead were also added. The precipitate was washed to remove the sodium chloride resulting in calcium carbonate activated with Mn and Pb.
Geeta Chandran (Delhi) - Bharatnatyam - 20 October 2010 (Wednesday)
Geeta Chandran has been trained by eminent Bharatanatyam gurus, including Smt Swarna Saraswathy and Guru KN Dakshinamurthi Pillai. She has ably synthesized her eclectic training to present unique dance presentations in which she skilfully weaves abstract notions of joy, beauty, values, aspiration, myth and spirituality. Celebrated for her composite understanding of Bharatanatyam, Geeta is also an accomplished Carnatic vocalist. She is known for her work in television, film and theatre as also in dance education, activism and journalism. She is the founder-president of Natya Vriksha where she teaches and promotes Bharatanatyam. She is also the artistic director of the Natya Vriksha Dance Company, which has travelled all over the world with its superb dance presentations. Geeta has received many prestigious awards and fellowships, including the Padma Shri.
Presentation
In Revision, her presentation for the evening, Geeta Chandran and her Natya Vriksha Dance Company present a selection of classical numbers from the Bharatanatyam repertoire. It is suffused with the dancer’s focus on choreographic processes of intent, content and context. The intent is to celebrate the pristine classicism of Bharatanatyam. Through her Thanjavur bani, Geeta uses the adavu as the basis of her revision. This basic unit of Bharatanatyam is cast and recast in prismatic formations. The content remains the classical. The traditional Mallari, Alarippu, Padam and Tillana form the basis of Geeta’s revision. The context is what’s been altered. Since a solo dance is transformed into a group experience, the inter-body connections create new contexts for movement. There is also the context of the space in which the pieces are being performed. The grandeur of the dance has been re-contextualized for the Purana Qila monument.
Conglomerate & sandstone in the Pennsylvanian of Ohio, USA.
-----------------------------
(Synthesized from info. provided by several geologists during the 2003 Annual Field Conference of the Great Lakes Section, Society of Economic Paleontologists and Mineralogists):
The Lower Pennsylvanian Sharon Formation is a 10-15 meter thick, ledge-forming, erosion-resistant unit. The Sharon is paleovalley-filling in places, so it is thicker than 10-15 meters in some spots. The jointing patterns of the Sharon Formation allow for 3-D examination around large blocks of outcrop - can see the 3-D architecture of sedimentary structures. The Pottsville Group lies over a major unconformity, which was formed by eustatic sealevel fall & erosion. The Sharon Formation is the basal unit of the Pottsville sediments over this unconformity. In terms of the tectonic setting, this is in the Appalachian Foreland Basin. What influenced sedimentation and sediment supply of the Sharon Formation during the Early Pennsylvanian? Probably a migrating forebulge and Early Pennsylvanian climatic changes. The Sharon is correlatable with the Olean Conglomerate in Pennsylvania. Both the Sharon and the Olean are time-equivalent to the Tumbling Hill Member & the Huylkill Member of the lower Pottsville Formation of central Pennsylvania (both of those members are below the major unconformity in Pennsylvania, unlike in northeastern Ohio). The Sharon Conglomerate/Formation & the Olean Conglomerate were deposited under strong north-to-south paleoflow conditions.
About twelve lithofacies can be seen in the Sharon Formation in the Akron, Ohio area. The Sharon Formation is dominantly conglomerate and sandstone, with lots of sedimentary structures. It is light on fine-grained materials. The Sharon has horizontally bedded gravels, cross-bedded gravels (including trough and tabular cross bedding), deformed/overturned cross-bed sets, basal scours up to 2 meters deep (but typically 0.5 to 1 meter deep; scours are backfilled by dune/bar back migration), whole channel fills, chute fills, and gravel bar platform deposits (usually 1-2 meters thick in the Sharon; these include bar head deposits, bar core deposits, bar tail deposits, and bar margin deposits - can usually use the presence of imbricated clasts to ID bar-head & bar-core portions of gravel bar platforms, but in the Sharon, clasts are mostly spheroidal, so it is difficult to tell specific portions of gravel platforms here). In the gravel-rich Sharon deposits, get calculated average bankfull depths of 2.1 meters, 19.9 meter average paleochannel widths, and 34.3 meter maximum paleochannel widths. Get different numbers for the sandy Sharon deposits. The Sharon is typically more conglomeratic at the base & more sandy near the top. The Sharon’s interpreted depositional environment is gravel & sand bedload streams. Paleovalleys underneath the Sharon Formation were formed when the subsidence rate was greater than the sediment supply. Paleovalley backfilling (i.e., Sharon deposits) occurred when the subsidence rate was less than the sediment supply. The change in fluvial style seen in Sharon deposits is probably due to filling & overtopping of paleovalleys.
Beds of the Sharon Formation are usually cliff-forming. The Sharon in the Akron area consists of quartz-pebble conglomerate & quartzose sandstone & pebbly quartzose sandstone & sandy quartz-pebble conglomerate & some lenses or thin intervals of granulestone. The basal Sharon is conglomeratic - the “lower conglomerate”. An “upper conglomerate” can be seen in places - it is usually quite thin (1-2 pebbles thick in places), and in some places, it splits into two horizons; in some places it’s not there at all. Pebbles are almost entirely white vein quartz, with an uncertain source from the north. Detrital muscovite in the Sharon has been dated to about 370 and 406 Ma (Devonian), so the source area includes Acadian Orogeny materials. The Sharon has relatively common cross-bedding, with a few overturned cross-beds visible in areas. Abundant iron oxide staining is present in the Sharon sandstones, with a variety of morphologies - this can weather out as resistant ridges or as 3-D surfaces. Many vugs have thick goethite linings. Many goethite-stained quartz pebbles are present. Seeps & springs occur sporadically along the sandstones of the lower Sharon Formation in places. These spring waters have widely variable pH and TDS (total dissolved solids). Some dry springs are present - conduits without water emerging. A few places in basal Sharon strata have obvious rip-up shale clasts, derived from uppermost Meadville Shale beds (below the Mississippian-Pennsylvanian unconformity). One outcrop is known with many Meadville Shale clasts mixed in with Sharon quartz pebbles - this appears to represent paleobank failure of Meadville material during near-earliest Sharon deposition.
The outcrop shown above is at Virginia Kendall Ledges in Cuyahoga Valley National Park. Virginia Kendall Ledges is an isolated platform of Sharon Formation, surrounded by a lower land surface of Lower Mississippian Cuyahoga Formation shales & siltstones & sandstones. The lower Sharon Formation at this site is quite pebbly - many pebble-filled channelform features are present. Upon 3-D examination of their architecture, these are not channels or chutes, but are interpreted by Professor Neil Wells as bar confluence scours with subsequent pebble fills. The edges of the Virginia Kendall Ledges platform have large Sharon blocks separating from the rest of the platform. Abundant overturned recumbent cross beds are present - some of the world's best developed and best exposed examples. The mechanism by which crossbeds get overturned seems straightforward (unidirectional shear by fluvial currents), but the cause is not clearly understood - some cohesive agent may be required? Someone suggested biomats. Some of the scour pits in this area seem to have fairly steep margins - perhaps whatever cohesive agent was responsible for simple deformation of crossbeds was also responsible for overly steep, stable margins of depressions/chutes/channels/scours.
-----------------------------
Stratigraphy: Sharon Formation (also known as Sharon Sandstone or Sharon Conglomerate or Sharon Member), lower Pottsville Group, upper Lower Pennsylvanian
Locality: Virginia Kendall Ledges, Cuyahoga Valley National Park, north of Akron, northern Summit County, northeastern Ohio, USA (~~vicinity of 41° 13' 44.76" North latitude, 81° 30' 37.76" West longitude)
Four atoms of Ununpentium 115 were synthesized in Russia on Feb 2, 2004. They existed for 100 milliseconds
Uup is said to be fuel for UFO's in Sci-fi and by conspiracy theorists.
relief print
6" x 6"
Synthesized elements exist for only millionths of seconds and chemists sometimes argue over whether they have really been detected or not.
I chose this image of a blinking eye to illustrate how long these matters exist. Although the blink of an eye is a lot slower, it illustrates how quickly these elements fall apart.
ASF 2015, "Herding Cats: Synthesizing the Intelligence Community"
Rick Ambrose
James Clapper
Andrea Mitchell
ASF 2015, "Herding Cats: Synthesizing the Intelligence Community"
Rick Ambrose
James Clapper
Andrea Mitchell
Bob Farese Jr. has always lived between identities. Trained as both a physician and a scientist, he’s someone who listens as intently as he investigates. You can sense it when he speaks—quiet, deliberate, with a kind of inward momentum that doesn’t announce itself but builds as he connects ideas.
His laboratory work focuses on lipid metabolism and its role in disease. That phrase might not catch the average ear, but it describes a world of hidden choreography inside our cells. The way fats are synthesized, stored, mobilized, and burned can determine whether we thrive or falter. Bob’s research has helped illuminate this hidden world, especially the biology of energy storage in lipid droplets—organelles once overlooked but now recognized as central to metabolic health and even neurodegeneration. His discoveries have changed how scientists understand fat-related disorders, from liver disease to dementia.
But the story doesn’t begin at the lab bench. He grew up the child of a prominent endocrinologist, moving frequently—but settling in Florida. Science was in the air, but so was music, drawing and painting. In school, he studied chemistry, then medicine. Even then, clinical work wasn’t enough. He wanted to understand the root causes of illness, not just treat symptoms. That curiosity led him to basic research, and eventually, to a life where he’s as comfortable with a pipette as he is with a Leica.
Bob’s scientific path crystallized when he joined forces with his scientific partner, Tobias Walther. The two now co-lead a lab—first at Harvard, now at Sloan Kettering—and are known as a rare scientific duo, leading a lab guided by rigor and collaboration. Their partnership has shaped a lab culture that values openness, creativity, and humor—qualities that continue to attract a steady stream of talented students and postdocs.
Alongside the science, Bob has always made room for the arts. Photography, in particular, is more than a hobby. His images often capture quiet, observational moments—a play of light through a window, a worn hand resting on a table, a curve of architecture that might otherwise go unnoticed. There’s a kind of stillness in his photographs that mirrors the clarity he brings to his research.
He speaks often about balance. Not in a performative way, but with genuine thoughtfulness—the balance between work and life, between ambition and humility, between the urgent pace of science and the slower rhythm of understanding. His home reflects this equilibrium. It is gracious and warm, filled with books and framed prints, personal but not curated. It’s easy to imagine it as a place where conversations run late and the espresso machine gets more use than the television.
On May 4, 2025, he was photographed in that very home. The light was low, almost theatrical, with sharp contrasts that carved out the details of his face. He sat calmly, his hands folded, eyes alert. It was the kind of portrait that reveals more the longer you look.
Bob has a rare gift for moving between worlds—the clinical and the molecular, the technical and the human, the scientific and the artistic. He is not driven by fame or academic gamesmanship. What he seems to care about most is clarity. In thought, in method, in expression. Whether he’s mentoring a student, studying lipid droplets under a microscope, or stopping to photograph the tremendous variation of patterns in water, that search for essence is always present.
At this point in his career, he could coast if he wanted to. But that’s not his nature. There are still puzzles to solve, still connections to make. And in the quiet spaces between experiments and images, he continues to listen for them.
ASF 2015, "Herding Cats: Synthesizing the Intelligence Community"
Rick Ambrose
James Clapper
Andrea Mitchell
Photo by Vicki Rogers
Physical Theater Company
explores, synthesizes and evolves
contemporary forms of theater and
dance by creating and touring
ensemble performances. By means
of original music, theater, acrobatic
stiltwork, and dance we interweave
choreography and dramaturgy to
create engaging indoor and outdoor
productions that stimulate the senses
and inspire the imagination."
View our most interesting according to flickr.
Evaluating the Quality of a Synthesized Motion With the Fréchet Motion Distance Ⓒ 2022 Antoine Maiorca, Thierry Dutoit, University of Mons; Youngwoo Yoon, Electronics and Telecommunications Research Institute
Plantoid Garden: A Blockchain-based Life-form, Featuring the Photo-synthesizer by: Primavera De Filippi & Okhaos Creations from: Paris, France year: 2018
Porter 2010
Malformation syndromes caused by disorders of cholesterol synthesis www.ncbi.nlm.nih.gov/pubmed/20929975
Presqualene cholesterol synthetic pathway. Cholesterol is synthesized from acetate in a series of enzymatic reactions. The biosynthetic pathway can be divided into two components. The presqualene cholesterol synthetic pathway is depicted in this figure. In addition to cholesterol, isoprenoid precursors are used to synthesize heme A, dolichol, and ubiquinone. Protein prenylation is a post-translational modification that involves the addition of either farnesyl or geranylgeranyl. Protein prenylation plays a role in localizing proteins to cellular membranes. Formation of squalene represents a commitment to sterol synthesis. Squalene undergoes cyclization to form lanosterol, the first sterol in the cholesterol synthetic pathway. PP: pyrophosphate.
ASF 2015, "Herding Cats: Synthesizing the Intelligence Community"
Rick Ambrose
James Clapper
Andrea Mitchell
Geeta Chandran (Delhi) - Bharatnatyam - 20 October 2010 (Wednesday)
Geeta Chandran has been trained by eminent Bharatanatyam gurus, including Smt Swarna Saraswathy and Guru KN Dakshinamurthi Pillai. She has ably synthesized her eclectic training to present unique dance presentations in which she skilfully weaves abstract notions of joy, beauty, values, aspiration, myth and spirituality. Celebrated for her composite understanding of Bharatanatyam, Geeta is also an accomplished Carnatic vocalist. She is known for her work in television, film and theatre as also in dance education, activism and journalism. She is the founder-president of Natya Vriksha where she teaches and promotes Bharatanatyam. She is also the artistic director of the Natya Vriksha Dance Company, which has travelled all over the world with its superb dance presentations. Geeta has received many prestigious awards and fellowships, including the Padma Shri.
Presentation
In Revision, her presentation for the evening, Geeta Chandran and her Natya Vriksha Dance Company present a selection of classical numbers from the Bharatanatyam repertoire. It is suffused with the dancer’s focus on choreographic processes of intent, content and context. The intent is to celebrate the pristine classicism of Bharatanatyam. Through her Thanjavur bani, Geeta uses the adavu as the basis of her revision. This basic unit of Bharatanatyam is cast and recast in prismatic formations. The content remains the classical. The traditional Mallari, Alarippu, Padam and Tillana form the basis of Geeta’s revision. The context is what’s been altered. Since a solo dance is transformed into a group experience, the inter-body connections create new contexts for movement. There is also the context of the space in which the pieces are being performed. The grandeur of the dance has been re-contextualized for the Purana Qila monument.
Conglomerate & sandstone in the Pennsylvanian of Ohio, USA.
-----------------------------
(Synthesized from info. provided by several geologists during the 2003 Annual Field Conference of the Great Lakes Section, Society of Economic Paleontologists and Mineralogists):
The Lower Pennsylvanian Sharon Formation is a 10-15 meter thick, ledge-forming, erosion-resistant unit. The Sharon is paleovalley-filling in places, so it is thicker than 10-15 meters in some spots. The jointing patterns of the Sharon Formation allow for 3-D examination around large blocks of outcrop - can see the 3-D architecture of sedimentary structures. The Pottsville Group lies over a major unconformity, which was formed by eustatic sealevel fall & erosion. The Sharon Formation is the basal unit of the Pottsville sediments over this unconformity. In terms of the tectonic setting, this is in the Appalachian Foreland Basin. What influenced sedimentation and sediment supply of the Sharon Formation during the Early Pennsylvanian? Probably a migrating forebulge and Early Pennsylvanian climatic changes. The Sharon is correlatable with the Olean Conglomerate in Pennsylvania. Both the Sharon and the Olean are time-equivalent to the Tumbling Hill Member & the Huylkill Member of the lower Pottsville Formation of central Pennsylvania (both of those members are below the major unconformity in Pennsylvania, unlike in northeastern Ohio). The Sharon Conglomerate/Formation & the Olean Conglomerate were deposited under strong north-to-south paleoflow conditions.
About twelve lithofacies can be seen in the Sharon Formation in the Akron, Ohio area. The Sharon Formation is dominantly conglomerate and sandstone, with lots of sedimentary structures. It is light on fine-grained materials. The Sharon has horizontally bedded gravels, cross-bedded gravels (including trough and tabular cross bedding), deformed/overturned cross-bed sets, basal scours up to 2 meters deep (but typically 0.5 to 1 meter deep; scours are backfilled by dune/bar back migration), whole channel fills, chute fills, and gravel bar platform deposits (usually 1-2 meters thick in the Sharon; these include bar head deposits, bar core deposits, bar tail deposits, and bar margin deposits - can usually use the presence of imbricated clasts to ID bar-head & bar-core portions of gravel bar platforms, but in the Sharon, clasts are mostly spheroidal, so it is difficult to tell specific portions of gravel platforms here). In the gravel-rich Sharon deposits, get calculated average bankfull depths of 2.1 meters, 19.9 meter average paleochannel widths, and 34.3 meter maximum paleochannel widths. Get different numbers for the sandy Sharon deposits. The Sharon is typically more conglomeratic at the base & more sandy near the top. The Sharon’s interpreted depositional environment is gravel & sand bedload streams. Paleovalleys underneath the Sharon Formation were formed when the subsidence rate was greater than the sediment supply. Paleovalley backfilling (i.e., Sharon deposits) occurred when the subsidence rate was less than the sediment supply. The change in fluvial style seen in Sharon deposits is probably due to filling & overtopping of paleovalleys.
Beds of the Sharon Formation are usually cliff-forming. The Sharon in the Akron area consists of quartz-pebble conglomerate & quartzose sandstone & pebbly quartzose sandstone & sandy quartz-pebble conglomerate & some lenses or thin intervals of granulestone. The basal Sharon is conglomeratic - the “lower conglomerate”. An “upper conglomerate” can be seen in places - it is usually quite thin (1-2 pebbles thick in places), and in some places, it splits into two horizons; in some places it’s not there at all. Pebbles are almost entirely white vein quartz, with an uncertain source from the north. Detrital muscovite in the Sharon has been dated to about 370 and 406 Ma (Devonian), so the source area includes Acadian Orogeny materials. The Sharon has relatively common cross-bedding, with a few overturned cross-beds visible in areas. Abundant iron oxide staining is present in the Sharon sandstones, with a variety of morphologies - this can weather out as resistant ridges or as 3-D surfaces. Many vugs have thick goethite linings. Many goethite-stained quartz pebbles are present. Seeps & springs occur sporadically along the sandstones of the lower Sharon Formation in places. These spring waters have widely variable pH and TDS (total dissolved solids). Some dry springs are present - conduits without water emerging. A few places in basal Sharon strata have obvious rip-up shale clasts, derived from uppermost Meadville Shale beds (below the Mississippian-Pennsylvanian unconformity). One outcrop is known with many Meadville Shale clasts mixed in with Sharon quartz pebbles - this appears to represent paleobank failure of Meadville material during near-earliest Sharon deposition.
The outcrop shown above is at Virginia Kendall Ledges in Cuyahoga Valley National Park. Virginia Kendall Ledges is an isolated platform of Sharon Formation, surrounded by a lower land surface of Lower Mississippian Cuyahoga Formation shales & siltstones & sandstones. The lower Sharon Formation at this site is quite pebbly - many pebble-filled channelform features are present. Upon 3-D examination of their architecture, these are not channels or chutes, but are interpreted by Professor Neil Wells as bar confluence scours with subsequent pebble fills. The edges of the Virginia Kendall Ledges platform have large Sharon blocks separating from the rest of the platform. Abundant overturned recumbent cross beds are present - some of the world's best developed and best exposed examples. The mechanism by which crossbeds get overturned seems straightforward (unidirectional shear by fluvial currents), but the cause is not clearly understood - some cohesive agent may be required? Someone suggested biomats. Some of the scour pits in this area seem to have fairly steep margins - perhaps whatever cohesive agent was responsible for simple deformation of crossbeds was also responsible for overly steep, stable margins of depressions/chutes/channels/scours.
-----------------------------
Stratigraphy: Sharon Formation (also known as Sharon Sandstone or Sharon Conglomerate or Sharon Member), lower Pottsville Group, upper Lower Pennsylvanian
Locality: Virginia Kendall Ledges, Cuyahoga Valley National Park, north of Akron, northern Summit County, northeastern Ohio, USA (~~vicinity of 41° 13' 44.76" North latitude, 81° 30' 37.76" West longitude)
ASF 2015, "Herding Cats: Synthesizing the Intelligence Community"
Rick Ambrose
James Clapper
Andrea Mitchell
Hexabenzocoronene Atomic Force Microscope image, black and white. This molecule was synthesized at
the Centre National de la Recherche Scientifique (CNRS) in Toulouse.
Mercedes-Benz Museum, Stuttgart, Germany, architect UN Studio, 2001–2006
The Museum’s sophisticated geometry synthesizes structural and programmatic organizations resulting in a new landmark building celebrating a legendary car. The geometric model employed is based on the trefoil organization. The building’s program is distributed over the surfaces which ascend incrementally from ground level, spiraling around a central atrium. The Museum experience begins with visitors traveling up through the atrium to the top floor from where they follow the two main paths that unfold chronologically as they descend through the building. The two main trajectories, one being the car and truck collection and the other consisting of historical displays called the Legend rooms, spiral downwards on the perimeter of the display platforms, intersecting with each other at several points allowing the visitor to change routes.
ASF 2015, "Herding Cats: Synthesizing the Intelligence Community"
Rick Ambrose
James Clapper
Andrea Mitchell
ASF 2015, "Herding Cats: Synthesizing the Intelligence Community"
Rick Ambrose
James Clapper
Andrea Mitchell
Visit us at: www.redlinextremeracing.com/
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All photographs here are the exclusive property of Ayan Gupta. The photographs may not be reproduced, copied, stored, manipulated projected, used or altered in any way, including without limitation any digitalization or synthesizing of the images, alone or with any other material, by use of computer or other electronic means or any other method or means now or hereafter known, without the permission of Ayan Gupta.
Typically day-flying with a slow fluttering flight, and with rather clubbed antennae. They generally have a metallic sheen and often prominent spots of red or yellow. The bright colours are a warning to predators that the moths are distasteful - they contain hydrogen cyanide throughout all stages of their life-cycle. Unlike most insects with such toxins, they obtain glucosides from feeding on Birds-foot Trefoil (Lotus) so that they, themselves can use HCN as a defence. However, they are capable of making HCN themselves, and when in an environment poor in cyanide-producing plants, synthesize it themselves. They are known to have mimicry complexes based on these toxins.
SOOC.
Visit us at: www.redlinextremeracing.com/
Enter to win a TEAM REDLINE XTREME VIP 500 experience of a lifetime: www.vpxsports.com/contest-giveaway/redline-xtreme-racing-...
Shop at shop.vpxsports.com/
Doorway .
France, Loire Valley (Indre-et-Loire), late 12th century.
From the church of Notre-Dame at Reugny, near Clermont-Ferrand.
.
This doorway is an example of the transitional style, synthesizing Romanesque carving with a Gothic pointed arch. The open tympanum is a feature often seen in teh Loire Valley. Harpy decorates on capital which is supported by a now-fragmented column figure, whose stylized drapery folds and downward-pointing feet are typical of Romanesque sculpture.
Geeta Chandran (Delhi) - Bharatnatyam - 20 October 2010 (Wednesday)
Geeta Chandran has been trained by eminent Bharatanatyam gurus, including Smt Swarna Saraswathy and Guru KN Dakshinamurthi Pillai. She has ably synthesized her eclectic training to present unique dance presentations in which she skilfully weaves abstract notions of joy, beauty, values, aspiration, myth and spirituality. Celebrated for her composite understanding of Bharatanatyam, Geeta is also an accomplished Carnatic vocalist. She is known for her work in television, film and theatre as also in dance education, activism and journalism. She is the founder-president of Natya Vriksha where she teaches and promotes Bharatanatyam. She is also the artistic director of the Natya Vriksha Dance Company, which has travelled all over the world with its superb dance presentations. Geeta has received many prestigious awards and fellowships, including the Padma Shri.
Presentation
In Revision, her presentation for the evening, Geeta Chandran and her Natya Vriksha Dance Company present a selection of classical numbers from the Bharatanatyam repertoire. It is suffused with the dancer’s focus on choreographic processes of intent, content and context. The intent is to celebrate the pristine classicism of Bharatanatyam. Through her Thanjavur bani, Geeta uses the adavu as the basis of her revision. This basic unit of Bharatanatyam is cast and recast in prismatic formations. The content remains the classical. The traditional Mallari, Alarippu, Padam and Tillana form the basis of Geeta’s revision. The context is what’s been altered. Since a solo dance is transformed into a group experience, the inter-body connections create new contexts for movement. There is also the context of the space in which the pieces are being performed. The grandeur of the dance has been re-contextualized for the Purana Qila monument.
I encountered at least 30 scattered little blue cylinders discarded in a city park recently. They were empty cartridges of nitrous oxide (“laughing gas”). This was the first time I have seen them in my hometown.
Nitrous oxide is used in medicine for its sedative and anesthetic properties. It was first synthesized by Joseph Priestley in 1772, and its psychogenic properties were soon discovered by Humphry Davy. It briefly became a recreational drug in the late 18th century. Its primary medical uses are in anesthesia, dentistry and childbirth, but it is always used along with oxygen.
Because of its sedative effects, it is a substance of abuse for inducing feelings of euphoria, relaxation and calmness. Nitrous oxide is often misused in the form of whippets - small, steel, pressurized canisters containing the gas used for mixing and dispensing whipped cream both at home and in the food industry. Although purchases of nitrous oxide are regulated, it is not illegal to possess the drug. Nitrous oxide abuse are popular among adolescents and young adults in raves, clubs, and parties. A Global Drug Survey listed nitrous oxide as the fourth most used drug in the UK, behind ecstasy, cocaine and cannabis. The 2018/2019 Crime Survey for England Wales reported that among 16 to 24 year old in the UK, 8.7% had used laughing gas in the past year and it was the second most popular substance behind cannabis for that age group. In Holland, between 40 and 80% of clubbers and ravers said they were using nitrous oxide because it is cheap and is readily available. A 2014 Global Drug Survey reported that 29.4% of US respondents abused nitrous oxide at any point in their lives, even once.
Although nitrous oxide is often considered low risk and offering a short, harmless burst of euphoria, there were 25 deaths directly linked to the gas between 2010 and 2016. The majority of those deaths were due to asphyxiation caused by people using plastic bags to inhale the gas. When people use canisters, the gas can be very cold and can burn. A cold shock in the throat can also affect the vagus nerve and cause a sudden slowing of the heart rate.
UPDATE: On February 23, 2023, BBC News publishes an article related to this issue. It reiterates that Nitrous oxide, sold in metal canisters, is one of the most commonly used drugs by 16 to 24-year-olds. Heavy use can lead to a vitamin deficiency that damages nerves in the spinal cord, resulting in being unable to walk, falling over or experiencing tingling or loss of sensation in their feet and hands. Some have nerve-related bladder or bowel problems or incontinence. Medics need to be on alert because few mention nitrous oxide use.