View allAll Photos Tagged synthesizing
Quando criei esta imagem tinha em mente um pôster ou algo do tipo, trazendo uma imagem pop mas que trazese também um pouco da sub cultura Cyber.
Images generated by deep generator network (DGN, Nguyen, et al) as specified here: www.evolvingai.org/synthesizing
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Is it possible to synthesize the soul of a city through photographs of its buildings? The work of Michele Molinari heads in that direction, overlooking the Buenos Aires of historic monuments and focusing on the common dwellings that stud the skyline of the porteña city. They are boundary lines by day and by night, suburban intersections trying to spur on the vertical expansion of the city. Molinari’s interesting experiment is to go back to the same places after a period of time to crystalize the changes and witness the immanence of certain corners of the urban fabric. – A. Trabucco
How emotional it is to admire Buenos Aires at dusk. The passers-by are hurrying along the sidewalks and distractedly look at the camera lens. With curious or perplexed glances. […] The essence of the obscurity is easier to enjoy in the quieter neighborhoods. […] The sense of calm even appears to reach the historic center in one of the few photos of monumental Buenos Aires included in the book. The circle closes. Every splintered scrap of the urban fabric is recomposed under the protective wing of the night. – A. Mauri
CABA - Ciudad Autonoma de Buenos Aires is a photobook. Photographs and essay by Michele Molinari, more essays by Andrea Mauri and Alessandro Trabucco. [essays are in English, Spanish and Italian]
CABA comes in 2 printed editions by Blurb, Pocket Edition [7x7in, 18x18cm, 132 pages, Standard Photo paper, Flexible High-Gloss Laminated cover, 106 color photos] and Deluxe Edition [8x10in, 20x25cm, 134 pages, ProLine Pearl Photo paper, Hardcover with Dust Jacket, 107 color photos], and one Digital Edition by Apple iBooks that features 107 + 7 bonus color photos.
CABA won Bronze Award at TIFA2020 Book/Documentary
Find it here: michelemolinari.info/2020/07/25/caba/
"Zushi Coast Fireworks 2013"
Zushi Coast, Zushi-City, Kanagawa-Pref, Japan
Comparison synthesized light
Jack Owoc and James Sulli celebrating the success of Team REDLINE Racing at the 2011 Indy 500 qualification.
This is in 3d Crosseyed Stereo: To see 3d, cross your eyes so the left and right images merge to form a 3rd image in the middle. Check out the higher resolution 1900 wide version too. The head of this little wasp is 1/2mm across. She is sitting on a razor blade. You can see the underside in this pic. The flare and fuzz from the out of focus bits lend a lot of feeling of volume and depth in 3d (just fuzziness in 2d). Backlighting actually boosted the colors a lot (where it comes through the translucent bits of the wasp. In reflected light, she's pretty dull looking beige.
Shot with an Olympus Olympus IC10 10x MSPlan on a 55-250mm EF-S kit zoom. Stacked and 3d stereo synthesized in Zerene Stacker.
Another crack at the North American Nebula, NGC 7000.
This is about 3.5 hours total integration, most in H-alpha. I also included 1 hour of Oiii (4 subs @ 15 minutes each).
I used astronomytools to synthesize false color from the monochrome data.
I rather like this shot :)
Atik 383l+ monochrome
AT65EDQ
Synthetic fluorescent mineral experiment.
Synthesized Sphalerite attempt
On an aluminum foil surface, table salt (NaCl) was melted with some sulfer and some metallic copper after being hydrated with aqueous solutions of zinc chloride and manganese sulfate.
Heat source: MAPP gas torch.
Shown under UV light.
FOV: ~3" wide
This figure shows a huge micro-flower structure of antimony molybdate (Sb2MoO6), which was synthesized by microwave-assisted hydrothermal method and can be used as a anode material for high-performance lithium-ion batteries.
Created by a scanning electron microscope.
Honorable mention in the 2019 Visionaries in Technology student contest.
Image courtesy Xuan Lu
sharing one more picture of him and Frank explaining how a component of Gila monster venom has been synthesized for use as a treatment for type II diabetes. "Grumpy" is a Banded Gila monster (Heloderma suspectum cinctum). Gila monsters are native to the southwestern United States. Photo by Kyle
Synthesize Her performs at The Holland Project in Reno.
www.facebook.com/SynthesizeHer
Photos by: www.TonyContini.com
"I wish I was never genetically synthesized in the Martian bio-unit!" - slip of paper, origin unknown (discovered in 1997, Panama)
Geeta Chandran (Delhi) - Bharatnatyam - 20 October 2010 (Wednesday)
Geeta Chandran has been trained by eminent Bharatanatyam gurus, including Smt Swarna Saraswathy and Guru KN Dakshinamurthi Pillai. She has ably synthesized her eclectic training to present unique dance presentations in which she skilfully weaves abstract notions of joy, beauty, values, aspiration, myth and spirituality. Celebrated for her composite understanding of Bharatanatyam, Geeta is also an accomplished Carnatic vocalist. She is known for her work in television, film and theatre as also in dance education, activism and journalism. She is the founder-president of Natya Vriksha where she teaches and promotes Bharatanatyam. She is also the artistic director of the Natya Vriksha Dance Company, which has travelled all over the world with its superb dance presentations. Geeta has received many prestigious awards and fellowships, including the Padma Shri.
Presentation
In Revision, her presentation for the evening, Geeta Chandran and her Natya Vriksha Dance Company present a selection of classical numbers from the Bharatanatyam repertoire. It is suffused with the dancer’s focus on choreographic processes of intent, content and context. The intent is to celebrate the pristine classicism of Bharatanatyam. Through her Thanjavur bani, Geeta uses the adavu as the basis of her revision. This basic unit of Bharatanatyam is cast and recast in prismatic formations. The content remains the classical. The traditional Mallari, Alarippu, Padam and Tillana form the basis of Geeta’s revision. The context is what’s been altered. Since a solo dance is transformed into a group experience, the inter-body connections create new contexts for movement. There is also the context of the space in which the pieces are being performed. The grandeur of the dance has been re-contextualized for the Purana Qila monument.
Route 66 State Park is a Missouri state park located on the former site of the town of Times Beach, Missouri, approximately 17 miles southwest of St. Louis. Once home to more than two thousand people, the town was completely evacuated early in 1983 due to a dioxin contamination that made national headlines.
Plagued with a dust problem in the early 1970s due to its 23 miles of dirt roads and lack of pavement funds, the city of Times Beach hired Russell Bliss, a waste hauler, to oil the roads. From 1972 to 1976, Bliss sprayed waste oil on the roads at a cost of six cents per gallon.
Bliss took a contract with a local company called IPC to dispose of toxic waste from Northeastern Pharmaceutical and Chemical Company (NEPACCO), which operated a facility producing hexachlorophene. Some parts of the facility had also been used for the production of Agent Orange during the Vietnam War, and the waste clay and water contained levels of dioxin some 2,000 times higher than the dioxin content in Agent Orange. IPC was paid $3,000 per load to remove the toxic waste. In turn, IPC paid Bliss $125 per load.
Bliss mixed the NEPACCO waste with used engine oil and first started spraying it in horse stables to control dust after discovering it worked well at his own home. In March of 1971 the spraying resulted in the death of 62 horses. The owners of the stable suspected Bliss, who assured them he had sprayed used engine oil. However, after other stables experienced similar problems, the Centers for Disease Control and Prevention began investigating. In late 1979, a NEPACCO employee confessed to the company's practice of disposing of dioxin.
On December 23, 1982, the EPA announced it had identified dangerous levels of dioxin in Times Beach's soil. At the time, dioxin was hailed as "the most toxic chemical synthesized by man." On February 23, 1983, the EPA announced the town's buyout for $32 million, and the site was quarantined. About 265,000 short tons of contaminated soil and debris from Times Beach and 28 other sites in eastern Missouri were incinerated at a cost of $110 million. After the cleanup, the incinerator was dismantled and the site was turned over to the State of Missouri, which turned the town into Route 66 State Park. Fields of wild grass, marshes and brush now grow where the homes of evacuated residents formerly stood. Deserted streets line the park and hint at what once was a resort community. The Park is now popular with bicycle riders and joggers, as well as Heron and other birds.
Bliss was never convicted for spraying dioxin, although he was convicted of tax fraud and served one year in jail.
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The best way to view my photos is on Flickriver: Nikon66's photos on Flickriver
Geeta Chandran (Delhi) - Bharatnatyam - 20 October 2010 (Wednesday)
Geeta Chandran has been trained by eminent Bharatanatyam gurus, including Smt Swarna Saraswathy and Guru KN Dakshinamurthi Pillai. She has ably synthesized her eclectic training to present unique dance presentations in which she skilfully weaves abstract notions of joy, beauty, values, aspiration, myth and spirituality. Celebrated for her composite understanding of Bharatanatyam, Geeta is also an accomplished Carnatic vocalist. She is known for her work in television, film and theatre as also in dance education, activism and journalism. She is the founder-president of Natya Vriksha where she teaches and promotes Bharatanatyam. She is also the artistic director of the Natya Vriksha Dance Company, which has travelled all over the world with its superb dance presentations. Geeta has received many prestigious awards and fellowships, including the Padma Shri.
Presentation
In Revision, her presentation for the evening, Geeta Chandran and her Natya Vriksha Dance Company present a selection of classical numbers from the Bharatanatyam repertoire. It is suffused with the dancer’s focus on choreographic processes of intent, content and context. The intent is to celebrate the pristine classicism of Bharatanatyam. Through her Thanjavur bani, Geeta uses the adavu as the basis of her revision. This basic unit of Bharatanatyam is cast and recast in prismatic formations. The content remains the classical. The traditional Mallari, Alarippu, Padam and Tillana form the basis of Geeta’s revision. The context is what’s been altered. Since a solo dance is transformed into a group experience, the inter-body connections create new contexts for movement. There is also the context of the space in which the pieces are being performed. The grandeur of the dance has been re-contextualized for the Purana Qila monument.
Geeta Chandran (Delhi) - Bharatnatyam - 20 October 2010 (Wednesday)
Geeta Chandran has been trained by eminent Bharatanatyam gurus, including Smt Swarna Saraswathy and Guru KN Dakshinamurthi Pillai. She has ably synthesized her eclectic training to present unique dance presentations in which she skilfully weaves abstract notions of joy, beauty, values, aspiration, myth and spirituality. Celebrated for her composite understanding of Bharatanatyam, Geeta is also an accomplished Carnatic vocalist. She is known for her work in television, film and theatre as also in dance education, activism and journalism. She is the founder-president of Natya Vriksha where she teaches and promotes Bharatanatyam. She is also the artistic director of the Natya Vriksha Dance Company, which has travelled all over the world with its superb dance presentations. Geeta has received many prestigious awards and fellowships, including the Padma Shri.
Presentation
In Revision, her presentation for the evening, Geeta Chandran and her Natya Vriksha Dance Company present a selection of classical numbers from the Bharatanatyam repertoire. It is suffused with the dancer’s focus on choreographic processes of intent, content and context. The intent is to celebrate the pristine classicism of Bharatanatyam. Through her Thanjavur bani, Geeta uses the adavu as the basis of her revision. This basic unit of Bharatanatyam is cast and recast in prismatic formations. The content remains the classical. The traditional Mallari, Alarippu, Padam and Tillana form the basis of Geeta’s revision. The context is what’s been altered. Since a solo dance is transformed into a group experience, the inter-body connections create new contexts for movement. There is also the context of the space in which the pieces are being performed. The grandeur of the dance has been re-contextualized for the Purana Qila monument.
This is an unexpected structure of silica flakes which formed while we were trying to synthesize silica nano-tubes in the lab. The picture was taken with a charge-coupled device camera connected to an optical microscope. Only the picture color was changed using software.
Institute for Molecular Engineering faculty will explore innovative technologies through nanoscale manipulation and the ability to design at a molecular scale. Here UChicago chemists Luping Yu (right) and Yongye Liang display a new material they synthesized called PTB1. The University has licensed the material to Solarmer Energy Inc., which is developing plastic solar cells for portable electronic devices.
(Photo courtesy of Lloyd DeGrane)
ASF 2015, "Herding Cats: Synthesizing the Intelligence Community"
Rick Ambrose
James Clapper
Andrea Mitchell
Son durak çıkmaz kaldırımlardan inatlaşan dar sokaklardan denize ulaşmaya çalışan bir kaç martı eşliğiyle, “kısmi doğu sentezli, bunu bir türlü kabullenemeyen samimi Kalispera”larla Tünel…Mağazalarda insanlar, kafelerde insanlar, kafalar da düşünceler ve düşüncelerde insanlar… / Accompanying with a few gulls trying to reach into the sea among the narrow sidewalks on the streets which are very restive to each other, and here is Tünel,partially east-synthesized, with Kalisperas which don’t somehow intent accepting it… The people in shops, cafés, and the thoughts in heads and people in thoughts…
Geeta Chandran (Delhi) - Bharatnatyam - 20 October 2010 (Wednesday)
Geeta Chandran has been trained by eminent Bharatanatyam gurus, including Smt Swarna Saraswathy and Guru KN Dakshinamurthi Pillai. She has ably synthesized her eclectic training to present unique dance presentations in which she skilfully weaves abstract notions of joy, beauty, values, aspiration, myth and spirituality. Celebrated for her composite understanding of Bharatanatyam, Geeta is also an accomplished Carnatic vocalist. She is known for her work in television, film and theatre as also in dance education, activism and journalism. She is the founder-president of Natya Vriksha where she teaches and promotes Bharatanatyam. She is also the artistic director of the Natya Vriksha Dance Company, which has travelled all over the world with its superb dance presentations. Geeta has received many prestigious awards and fellowships, including the Padma Shri.
Presentation
In Revision, her presentation for the evening, Geeta Chandran and her Natya Vriksha Dance Company present a selection of classical numbers from the Bharatanatyam repertoire. It is suffused with the dancer’s focus on choreographic processes of intent, content and context. The intent is to celebrate the pristine classicism of Bharatanatyam. Through her Thanjavur bani, Geeta uses the adavu as the basis of her revision. This basic unit of Bharatanatyam is cast and recast in prismatic formations. The content remains the classical. The traditional Mallari, Alarippu, Padam and Tillana form the basis of Geeta’s revision. The context is what’s been altered. Since a solo dance is transformed into a group experience, the inter-body connections create new contexts for movement. There is also the context of the space in which the pieces are being performed. The grandeur of the dance has been re-contextualized for the Purana Qila monument.
Geeta Chandran (Delhi) - Bharatnatyam - 20 October 2010 (Wednesday)
Geeta Chandran has been trained by eminent Bharatanatyam gurus, including Smt Swarna Saraswathy and Guru KN Dakshinamurthi Pillai. She has ably synthesized her eclectic training to present unique dance presentations in which she skilfully weaves abstract notions of joy, beauty, values, aspiration, myth and spirituality. Celebrated for her composite understanding of Bharatanatyam, Geeta is also an accomplished Carnatic vocalist. She is known for her work in television, film and theatre as also in dance education, activism and journalism. She is the founder-president of Natya Vriksha where she teaches and promotes Bharatanatyam. She is also the artistic director of the Natya Vriksha Dance Company, which has travelled all over the world with its superb dance presentations. Geeta has received many prestigious awards and fellowships, including the Padma Shri.
Presentation
In Revision, her presentation for the evening, Geeta Chandran and her Natya Vriksha Dance Company present a selection of classical numbers from the Bharatanatyam repertoire. It is suffused with the dancer’s focus on choreographic processes of intent, content and context. The intent is to celebrate the pristine classicism of Bharatanatyam. Through her Thanjavur bani, Geeta uses the adavu as the basis of her revision. This basic unit of Bharatanatyam is cast and recast in prismatic formations. The content remains the classical. The traditional Mallari, Alarippu, Padam and Tillana form the basis of Geeta’s revision. The context is what’s been altered. Since a solo dance is transformed into a group experience, the inter-body connections create new contexts for movement. There is also the context of the space in which the pieces are being performed. The grandeur of the dance has been re-contextualized for the Purana Qila monument.
Synthetic fluorescent mineral experiment.
Synthesized Sphalerite attempt
On an aluminum foil surface, table salt (NaCl) was melted after being hydrated with aqueous solutions of zinc chloride and manganese sulfate.
Heat source: MAPP gas torch.
Shown under SW light.
FOV: ~3" wide
Do you still wonder why modern man is so sick? You put processed, synthesized, hydrolized, homogenized, dead, non-food in your body, you will reap misery, sickness and death. It is an inescapable law of biology, no matter how much marketing garbage is forced down our throats.
Victoria University
A new manual published by EADD synthesizes and simplifies information on feeding dairy cows. It covers information on the basic nutrients a dairy cow requires, the available feed resources that provide these nutrients and practical aspects of feeding the animals. The manual is especially useful to farmers and extension officers.
ABERDEEN PROVING GROUND, Md. (May 3, 2016) -- Army scientists are on the trail of new high-performing energetic materials.
Scientists at the U.S. Army Research Laboratory recently synthesized a new material called bis-isoxazole tetranitrate, or BITN, with potential applications in propulsion and lethality.
"BITN has a strong potential for improving insensitive munitions characteristics for gun and rocket propellants" said Dr. Jesse J. Sabatini, team leader of the Energetics Synthesis Team within ARL's Weapons and Materials Research Directorate.
Read more:
Waxy Maize tem um peso molecular muito maior e uma taxa muito mais baixa osmolaridade comparado a maltodextrina ou dextrose, mas o que isso significa? Waxy Maize passa pelo o estômago, mas é absorvido pelo intestino e é imediatamente assimilada, isto tudo é feito em um ritmo muito o dobro de vezes mais rápido que a dextrose ou maltodextrina.Waxy Maize ajuda as taxas de absorção de muitos dos seus suplementos favoritos como creatina monohidratada, creatina etil éster, volumização celular e qualquer tipo de óxido nítrico e outros.Como esses nutrientes muitas vezes são deixados no ambiente ácido do estômago, taxas de absorção diminuem, Waxy Maize auxilia esses nutrientes e permite que o corpo tenha a possa assimilar esses nutrientes, em uma quantidade bem maior.
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Synthetic fluorescent minerals from previous experiments arranged "artistically".
FOV: ~ 10" wide
Shown in UV light.
Synthetic fluorescent mineral experiment.
Synthesized Sphalerite/Wurtzite attempt
On an aluminum foil surface, table salt (NaCl) was melted with some sulfer and small amount of zinc sulfide after being hydrated with aqueous solutions of zinc chloride and manganese sulfate.
Pennies were placed at the bottom before melting.
Heat source: MAPP gas torch.
Shown under UV light.
FOV: ~3" wide
- 220MG POR CÁPSULA
- TERMOGÊNICO
- 100% PURA TRIMETILXANTINA
- RESPOSTA INSTANTÂNEA
MAIS INFORMAÇÕES: synthesize.com.br/Produtos/thermo.html
This photograph shows bio-palladium nanocatalyst synthesized on bacterial surfaces by the process of reduction of palladium (II) salt solutions. The reduction is carried out in the presence of hydrogen or formate and via hydrogenase enzyme present in the bacteria (Desulfovibrio) but through other alternative routes in Bacillus. This forms the basis for the production of nanocatalyst from wastes metal solutions (leachates) as a way of recovering precious metals and a means of making cheaper catalysts using bacterial biomass as metal support. Previous studies have shown that bio-palladium (bio-Pd) nanocatalysts produced by Desulfovibrio desulfuricans have demonstrated comparable catalytic properties with commercial counterparts and they are also better than bio-Pd produced on cells of other species of Desulfovibrio. However, little is known about the reasons for the differing catalytic properties. My research focuses on two strains of Desulfovibrio desulfuricans and understanding the reason for the differing catalytic properties through further studies. Knowing the key reaction determining the catalytic activity of the bio-Pd (0) produced will form the basis for future improvement of the catalyst for use in other industrial reactions.
Jacob B. Omajali
PhD
College of Life and Environmental Sciences
A new manual published by EADD synthesizes and simplifies information on feeding dairy cows. It covers information on the basic nutrients a dairy cow requires, the available feed resources that provide these nutrients and practical aspects of feeding the animals. The manual is especially useful to farmers and extension officers.
ASF 2015, "Herding Cats: Synthesizing the Intelligence Community"
Rick Ambrose
James Clapper
Andrea Mitchell
www.cgtrader.com/3d-models/electronics/other/sangean-ats-...
This is a fast model for the environment.
Easy, low polygonal.
Original dimensition/world size.
1 texture map 2048 layered PSD
Antenna, glass, back plate - individual elements.
We visited the home chemistry lab where Sasha Shulgin synthesized over 200 novel psychedelics and tested them on himself and his wife Ann over 30 years... and recorded their subjective effects and synthesis notes in their book PIHKAL — an acronym for "Phenethylamines I Have Known and Loved." These include MDMA, 2C-B and STP.
From the forward to PIHKAL: “There has never been a work like it… and we many not soon, if ever, see another of its kind. Some day in the future, when it may again be acceptable to use chemical tools to study the mind, this book will be a treasure-house, a sort of sorcerer’s book of spells, to delight and enchant the psychiatrist of tomorrow.” — Prof. David Nichols
I also took a Short Video.
Geeta Chandran (Delhi) - Bharatnatyam - 20 October 2010 (Wednesday)
Geeta Chandran has been trained by eminent Bharatanatyam gurus, including Smt Swarna Saraswathy and Guru KN Dakshinamurthi Pillai. She has ably synthesized her eclectic training to present unique dance presentations in which she skilfully weaves abstract notions of joy, beauty, values, aspiration, myth and spirituality. Celebrated for her composite understanding of Bharatanatyam, Geeta is also an accomplished Carnatic vocalist. She is known for her work in television, film and theatre as also in dance education, activism and journalism. She is the founder-president of Natya Vriksha where she teaches and promotes Bharatanatyam. She is also the artistic director of the Natya Vriksha Dance Company, which has travelled all over the world with its superb dance presentations. Geeta has received many prestigious awards and fellowships, including the Padma Shri.
Presentation
In Revision, her presentation for the evening, Geeta Chandran and her Natya Vriksha Dance Company present a selection of classical numbers from the Bharatanatyam repertoire. It is suffused with the dancer’s focus on choreographic processes of intent, content and context. The intent is to celebrate the pristine classicism of Bharatanatyam. Through her Thanjavur bani, Geeta uses the adavu as the basis of her revision. This basic unit of Bharatanatyam is cast and recast in prismatic formations. The content remains the classical. The traditional Mallari, Alarippu, Padam and Tillana form the basis of Geeta’s revision. The context is what’s been altered. Since a solo dance is transformed into a group experience, the inter-body connections create new contexts for movement. There is also the context of the space in which the pieces are being performed. The grandeur of the dance has been re-contextualized for the Purana Qila monument.
Visit us at: www.redlinextremeracing.com/
Enter to win a TEAM REDLINE XTREME VIP 500 experience of a lifetime: www.vpxsports.com/contest-giveaway/redline-xtreme-racing-...
Shop at shop.vpxsports.com/
Visit us at: www.redlinextremeracing.com/
Enter to win a TEAM REDLINE XTREME VIP 500 experience of a lifetime: www.vpxsports.com/contest-giveaway/redline-xtreme-racing-...
Shop at shop.vpxsports.com/