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Dopo il successo dell’ultimo tour e dell’ultimo album "In Dream" gli Editors tornano nel nostro paese per un’unica data al Mediolanum Forum di Assago a Milano il 22 aprile per presentare i successi degli album pubblicati sino ad oggi e il nuovo lavoro “Violence”
I membri della band si sono incontrati alla Staffordshire University mentre studiavano Music Technology, ma presto si resero conto del fatto che la tecnologia non fosse la strada giusta e cominciarono ad esibirsi a Stafford e Birmingham.
La band si esibì per la prima volta nel 2002 sotto il nome di Pilot. Durante il college la band escogitò una strategia di marketing che consisteva nel mettere centinaia di adesivi in giro per Stafford con la scritta "Who's the pilot?". Solo successivamente si accorsero che il nome fosse già stato scelto da un gruppo pop scozzese degli anni '70, quindi decisero di cambiarlo in "The Pride". Decisero di realizzare un videoclip sotto questo nome contenente le tracce "Come Share the View" e "Forest Fire" e di caricarlo su internet.
Gli Editors sono:
Tom Smith: lead vocals, guitar
Russell Leetch: bass guitar
Ed Lay: drums
Justin Lockey: lead guitar
Elliot Williams: keys, synthesizer
- Light controlled analog low-pass filter with five adjustable LFO LED modes.
- Six arpeggio modes with adjustable rate.
- Portamento with three speed settings.
- Open-source Arduino code and hardware
- Improved sound generation.
- Five new waveforms including two with dual, detuned oscillators.
- Programmable sequencer to easily make your own arpeggios right on the Nebulophone.
- Perfect tuning across six octaves.
- Improved white noise mode.
- Adjustable temperment and key.
- HYPERNOISE 30XX mode.
Rack of synthesizers. Matrix 1000, U220, DMPRO, Roland M-gs64, Korg O5R/W, MicroKorg, Kawai K1R and SPX90 II, Midiverb IV, Lexicon MPX-100, Behringer Composer, and Midisport 8x8 and Rockman Sustainer. Mixing console is Behrigner Eurodesk MX 3282A. Monitors are Mackie HR 824s
Filmic
Will Gregory Moog Ensemble
synthesisers
Simon Clark
Graham Fitkin
Will Gregory
Simon Haram
Vyvyan Hope-Scott
Ross Hughes
Hazel Mills
Daniel Moore
Eddie Parker
Adrian Utley
Ruth Wall
Tony Orrell electronic drums/percussion
Designed by Robert Moog in 1970, the Minimoog Model D synthesizer is still regarded as the Rolls Royce equivalent for analog keyboard-based synthesizers. Specifically designed for touring musicians, the minimoog exported electronic music experiments from university labs out to the masses - and her deep farting bass-sounds (think of Kraftwerk's Autobahn), lead and space bleeps and sweeps have become HUGELY popular over the last 38 years.
There were originally 13,000 minimoogs produced between 1970 and 1981. After a brief hiatus during the digital-synth craze in the 1980s, the minimoog enjoyed a resurgence of interest among musicians since the 1990s...and yes, it's becoming harder to get a hold on one.
I obtained this Mini from a studio garage sale back in 1989 for US$ 150 (in prime condition - save the crackling external input knob). After lying dormant for 7 years now, it's time to bring life back into this 1973 model D mini. Tropical humidity heavily damaged the furnishing. It needs re-tuning of the oscillators, cleaning of the electronic board, new switches for filter modulation, and thinking about a new base panel.
Filmic
Will Gregory Moog Ensemble
synthesisers
Simon Clark
Graham Fitkin
Will Gregory
Simon Haram
Vyvyan Hope-Scott
Ross Hughes
Hazel Mills
Daniel Moore
Eddie Parker
Adrian Utley
Ruth Wall
Tony Orrell electronic drums/percussion
One of the voices on this Elka is bad. I thought it was the CEM 3396 chips but not really as it turns out. Still trying to figure out the cause.
Their Mortal Remains: Pink Floyd Exhibition
V&A Museum, London
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Filmic
Will Gregory Moog Ensemble
synthesisers
Simon Clark
Graham Fitkin
Will Gregory
Simon Haram
Vyvyan Hope-Scott
Ross Hughes
Hazel Mills
Daniel Moore
Eddie Parker
Adrian Utley
Ruth Wall
Tony Orrell electronic drums/percussion
Blacet MIDIverter roughed into the rack. Its permanent home will be on the far left side. Power supply and distribution aren't ready yet, so I can't test it, but it's at least soldered and ready.
Ramón Amezcua in the studio where he and Pepe Mogt create music.
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Listen to my radio feature on album "Bulevar 2000" that aired on KPBS.
Watch a video slideshow of Bostich explaining his process in studio.
See more photos posted to the KPBS Flickr account (Studio Tour, Performance at House of Blues).
Here's the old, crappy wooden end cheeks. Thin plastic wood-grained laminate over particle board, with a grille detail that's supposed to look like...a speaker?
These have got to go...
Filmic
Will Gregory Moog Ensemble
synthesisers
Simon Clark
Graham Fitkin
Will Gregory
Simon Haram
Vyvyan Hope-Scott
Ross Hughes
Hazel Mills
Daniel Moore
Eddie Parker
Adrian Utley
Ruth Wall
Tony Orrell electronic drums/percussion