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Here you can see that, while the HS is much more mechanically oriented to the chop (no reorienting any of the rear jacks), you do sacrifice the 'Roland' Logo (unless you want to call that an 'F' on the end there...).

Filmic

Will Gregory Moog Ensemble

synthesisers

Simon Clark

Graham Fitkin

Will Gregory

Simon Haram

Vyvyan Hope-Scott

Ross Hughes

Hazel Mills

Daniel Moore

Eddie Parker

Adrian Utley

Ruth Wall

 

Tony Orrell electronic drums/percussion

An overall view of my mess

My set up for Space Fighter // Roland JU-06 // AKAI Timbre Wolf // Boss Digital Delay DD-3

 

Moog Factory, Asheville, NC

Moog Factory, Asheville, NC

Erhältlich ab 19.11.2007

hier: www.synthesizer-magazin.de

oder im GUTEN Zeitschriftenhandel!

DNA synthesizers can chemically synthesize or “print” DNA sequences. As this is still costly at present, it is usually carried out by specialized companies and sold as a service to universities and research institutions. This has had a serious side effect: the companies decide which DNA to synthesize—and which not to synthesize. There is an unofficial “black list” of potentially harmful and banned DNA sequences shared by these companies—officially for biosecurity reasons. “BLP-2000” is now developing prototype DNA synthesizers that print only blacklisted DNA sequences. However, because these prototypes are still error-prone, they repeatedly produce mutations in the physical DNA sequences. Printing out DNA from the “black list” also raises an ethical and social dilemma: Should it even be possible for the general public to print “forbidden” DNA? Or is it better to stop DIY DNA synthesis in the name of biosafety?

 

Photo is showing the artist Georg Tremmel interactong with the installation.

 

Credit: Jürgen Grünwald

This is the front of my Moog Model 15 synthesizer. Sometime I should photo my Model 12, but the previous owner "re-upholstered" it in yucky white vinyl.

 

Photo taken with a Nikon F4, 105mm Micro-Nikkor lens, onto Fuji NPS and scanned with a Nikon Super Coolscan ED.

 

Connected in a feedback loop.

Boja and the components of Rise Industries go completely nuts on Orrin's Korg Mono/Poly synthesizer. Orrin was the keyboard player for a very prominent Prog Rock band in the 1980's. I will not mention their name here, but they are apparently revered as gods in Eastern Europe.

Oberheim once sent me this when I ordered a manual from them. It's called Oberview and has some cool info and a neat patch.

 

Moog in the SoundWave360 studios.

The SX240 has the ability to split the keyboard and that ends up giving you a left-right split of the sound, which is pretty dramatic and cool when using headphones.

 

What's also terrific is that the SX240 has a 'dual' mode, where the upper and lower voices can be layered. That's nice for mixing different sounds, but it's also wonderful when you have the same voice for upper and lower, slightly detuned, and panned hard left and right.

The mythical World's Most Expensive CS5 returns to the fold. Haven't got proper knobs yet so it's living with chicken-headed ones I happened to have lying about.

Original digital artwork, commission

 

A cartoon modular synthesizer with things everywhere going into themselves

 

Digital pen and ink drawn and colored in Adobe Fresco

 

Buy Print

mattcrump.myshopify.com/products/modular-colorland-series

kit is from BleepLabs.com

I'll be reviewing it in Make

check my posts on jpixl.net

Currently only 22 know to exist, worldwide.

 

Maestrovoxes were built in the United Kingdom by Victor Harold Ward in the 1950s.

They were intended to be bolted under a piano.The pianist could play the piano with the left hand,

the maestrovox with the right (and control its volume with his/her knee).

The round buttons are an early form of preset.

The 6 red buttons provide presets from a violin & trumpet to bagpipes & an arabian flute.

 

They belong to the family of tube based synth/organs... in the style of the Clavioline and Solovox..

the forerunners of todays' Synthesizer

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