synthesis photos on Flickr

Goalfinder synthesis-SSRNA by Goalfinder. com

www.goalfinder.com/product.asp?productid=151

Watch various movie clips related to Virus Replication. These are 1) Virus Attachment 2) Virus Penetration 3) Virus Uncoating 4) Virus synthesis 5) Virus Assembly Maturation 6) Virus Release 7) Virus Complete Reproductive cycle (replication)

World's first movies on bird flu - This is the first part of bird flu the virus - This animated, 45 minute, movie arms you with detailed information on virus, it answers those questions that had been bothering you but did not know whom to ask?, like how can a "bird virus" infect human beings, How can the virus jump from chicken to humans? If this H5N1 virus has been present since 1997, why is there no medicine or vaccine available even today to fight it?

www.goalfinder.com/product.asp?productid=151

Watch various movie clips related to Virus Replication. These are 1) Virus Attachment 2) Virus Penetration 3) Virus Uncoating 4) Virus synthesis 5) Virus Assembly Maturation 6) Virus Release 7) Virus Complete Reproductive cycle (replication)

World's first movies on bird flu - This is the first part of bird flu the virus - This animated, 45 minute, movie arms you with detailed information on virus, it answers those questions that had been bothering you but did not know whom to ask?, like how can a "bird virus" infect human beings, How can the virus jump from chicken to humans? If this H5N1 virus has been present since 1997, why is there no medicine or vaccine available even today to fight it?

DRAO Synthesis Telescope by Mark Klotz

1

Synthesis of biodiversity challenges by Zoï Environment Network

A map of Central Asia displaying biodiversity issues in different regions.

Synthesis of my squash match... Síntesis de mi partido de squash... #caricatura #caricature #sketch #coloursketch #bocetocolor #boceto #squash #match #illustration #ilustración by Víctor Carbajal - Ilustrador y animador 2D

synthesis 1 by ouph creations

1

Coventry Cathedral by Aidan McRae Thomson

1

Coventry's Cathedral is a unique synthesis of old a new, born of wartime suffering and forged in the spirit of postwar optimism, famous for it's history and for being the most radically modern of Anglican cathedrals. Two cathedral's stand side by side, the ruins of the medieval building, destroyed by incendiary bombs in 1940 and the bold new building designed by Basil Spence and opened in 1962.

It is a common misconception that Coventry lost it's first cathedral in the wartime blitz, but the bombs actually destroyed it's second; the original medieval cathedral was the monastic St Mary's, a large cruciform building believed to have been similar in appearance to Lichfield Cathedral (whose diocese it shared). Tragically it became the only English cathedral to be destroyed during the Reformation, after which it was quickly quarried away, leaving only scant fragments, but enough evidence survives to indicate it's rich decoration (some pieces displayed nearby in the Priory Visitors Centre). Foundations of it's apse were found during the building of the new cathedral in the 1950s, thus technically three cathedrals share the same site.

The mainly 15th century St Michael's parish church became the seat of the new diocese of Coventry in 1918, and being one of the largest parish churches in the country it was upgraded to cathedral status without structural changes (unlike most 'parish church' cathedrals created in the early 20th century). It lasted in this role a mere 22 years before being burned to the ground in the 1940 Coventry Blitz, leaving only the outer walls and the magnificent tapering tower and spire (the extensive arcades and clerestoreys collapsed completely in the fire, precipitated by the roof reinforcement girders, installed in the Victorian restoration, that buckled in the intense heat).

The determination to rebuild the cathedral in some form was born on the day of the bombing, however it wasn't until the mid 1950s that a competition was held and Sir Basil Spence's design was chosen. Spence had been so moved by experiencing the ruined church he resolved to retain it entirely to serve as a forecourt to the new church. He envisaged the two being linked by a glass screen wall so that the old church would be visible from within the new.

Built between 1957-62 at a right-angle to the ruins, the new cathedral attracted controversy for it's modern form, and yet some modernists argued that it didn't go far enough, afterall there are echoes of the gothic style in the great stone-mullioned windows of the nave and the net vaulting (actually a free-standing canopy) within. What is exceptional is the way art has been used as such an integral part of the building, a watershed moment, revolutionising the concept of religious art in Britain.

Spence employed some of the biggest names in contemporary art to contribute their vision to his; the exterior is adorned with Jacob Epstein's triumphant bronze figures of Archangel Michael (patron of the cathedral) vanquishing the Devil. At the entrance is the remarkable glass wall, engraved by John Hutton with strikingly stylised figures of saints and angels, and allowing the interior of the new to communicate with the ruin. Inside, the great tapestry of Christ in majesty surrounded by the evangelistic creatures, draws the eye beyond the high altar; it was designed by Graham Sutherland and was the largest tapestry ever made.

However one of the greatest features of Coventry is it's wealth of modern stained glass, something Spence resolved to include having witnessed the bleakness of Chartres Cathedral in wartime, when all it's stained glass had been removed. The first window encountered on entering is the enormous 'chess-board' baptistry window filled with stunning abstract glass by John Piper & Patrick Reyntiens, a symphony of glowing colour. The staggered nave walls are illuminated by ten narrow floor to ceiling windows filled with semi-abstract symbolic designs arranged in pairs of dominant colours (green, red, multi-coloured, purple/blue and gold) representing the souls journey to maturity, and revealed gradually as one approaches the altar. This amazing project was the work of three designers led by master glass artist Lawrence Lee of the Royal College of Art along with Keith New and Geoffrey Clarke (each artist designed three of the windows individually and all collaborated on the last).

The cathedral still dazzles the visitor with the boldness of it's vision, but alas, half a century on, it was not a vision to be repeated and few of the churches and cathedrals built since can claim to have embraced the synthesis of art and architecture in the way Basil Spence did at Coventry.

The cathedral is generally open to visitors most days, but now charges an entry fee (a fix for recent financial worries; gone are the frequent days I used to wander around it in search of inspiration!) and sadly visitors are also encouraged to enter by the far end of the building, contrary to Spence's intentions.

For more see below:-

www.coventrycathedral.org.uk/

Synthesis Technology e560 front by Stephen Drake

1

This is my repaneled version of the Synthesis Technology e560 Deflector Shield module.

Westerbork Synthesis Radio Telescope by Traveling Tourist

Excessive Synthesis by jef cris

2 4

“Any product of the mind is a reaction of the past, a synthesis of what is old.”

~Barry Long

Synthesis 5 by Arisia Ashmoot

5 1

Thank you Julie for those awesome pictures of the show! <3

DRAO Synthesis Telescope by Mark Klotz

Synthesis by Marcelo Duarte Ferrari

Poker-sized, cyberpunk themed playing cards designed by Albino Dragon and manufactured by Bicycle. I got this from a Kickstarter and it came with the four Kings in cool extra 3-D versions.

Tower Detail , Coventry Cathedral by Aidan McRae Thomson

1 2