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// Produced by Structure Synth V 0.5
// (http://structuresynth.sf.net/)
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The B roll of recent shots from my Reality So Subtle 6x6f. Holga (Fomapan) 400, developed for 12 minutes in ∆ Caffenol.
Gotta lift R105 to connect the panel pot for EG Release. Also, behind that is R109 lifted to make sure only the panel pot controls that EG portion.
This is a home made drum synth i built in 1989, out of a kit. It won me a 'Distinction' for my GCSE Electronics project. Years after i sampled the hell out of it. Its got a few dry joints which i fixed recently, but otherwise, still works. Its got a piezo-electric pick blue tacked to the side to trigger it and also a audio input. I used to feed it closed Hi-hats to synchronize with a drum machine. Fun!
This is my 5U MOTM format Clouds module, basically a version of Mutable Instruments Clouds, originally a eurorack module. PCB from Glasgow Make Some Noise!
// Produced by Structure Synth V 0.4
// (http://structuresynth.sf.net/)
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Maschinen
Korg Prophecy - Solo Synthesizer
Akai APC20/APC40 vs Novation Launchpad - Ableton steuern und mehr?
Modular Special: Drucksensoren, Malekko Borg Filter - Ersetzt das den MS20?, Cwejman VM1, Modularmeeting Gearporn vom Treffen 2010 HK
Historisches ua Telharmonium
Recording Special
Kleines Wavetable-Synthese Specia
Menschen
Blame (DnB)
Unkle
Atari Teenage Riot
Boys Noize
Decoded Feedback
Original vintage synth literature for sale, contact minime123@onebox.com
matrixsynth.blogspot.com/2006/11/original-synth-docs-book...
They're everywhere... Crumar Performer, Korg PS-6, Roland JU-106, Roland EF-303, Novation BassStation. Alec's Triton peeking out of bottom left corner...
Plan for a 48 space dotcom synth cabinet. Utilitarian (nothing fancy) so poplar and black paint for this one.
Angle bar at bottom will include 1/4" multiples, 1/8->1/4" multiples, and the power switch / LEDs.
This is my version of the Living VCO's, a project originally by Jurgen Haible, with an updated PCB from Random*Source
Lauren Mayberry
Glaswegian synth-pop band CHVRCHΞS played a headline set at North London's Scala in support of their recently released debut studio album The Bones Of What You Believe.
Shrouded in shadows and just off a plane from Japan, the jet-lagged trio ripped through their relatively short set comprising the majority of their The Bones Of What You Believe leaving the crowd wanting for more. Gone was their usual light show of illuminated stage props for this stripped-back NME Awards show.