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This poster is for my final major project looking into promotions for events and the imagery associated with it. So for a part of my final product I'll have three gig posters with my dream line ups (oh baby) and this is part one. Heavy synths for sure! a few of my favourite bands around at the moment based in the UK. I must point out this isn't a real event, nor a real venue so sorry to get your hopes up for such an awesome show :(.
In a desperate attempt to keep Structure synth alive I pulled all kind of stuff together to create a scene.
The house is my creation but the trees, the people and the antennas are copied and adapted from flickr groups and the git hub pages.
My girlfriend's sister created this synth cake for my birthday. Modeled loosely off the Yamaha DX7 (which I have but she didn't know that I had), and using marble cake batter, Kit Kats for the black keys, Jolly Ranchers, and some licorice decorations here and there. Visit her site for more cake stuff (she does awesome work): bake-thoven.squarespace.com/notes/2010/1/23/just-sit-at-h...
I made myself a happy families card game. It is a deck of 8x4 cards showing analogue synths. Now even my girl has fun with these old beasties...
Playing around with the new Structure Synth internal raytracer (rendered in 35s)
EisenScript:
set raytracer::ambient-occlusion [10,10,0.9]
set raytracer::shadows false
set raytracer::reflection 0.4
set raytracer::phong [0.5,0.8,1]
set background #fff
set maxdepth 400
3 * { rz 120 color white } R1
3 * { rz 120 color white} R2
rule R1 {
{ x 1.3 rx 1.57 rz 6 ry 3 s 0.99 hue 1 sat 0.99 blend red 0.02 } R1
{ s 4 a 1 } sphere
{ s 5 hue 120 a 0.3 } sphere
}
rule R2 {
{ x -1.3 rz 6 ry 3 s 0.99 hue 1 sat 0.99 blend red 0.02 } R2
{ s 4 a 1 } sphere
{ s 5 hue 120 a 0.1 } sphere
}
Noah Weaver
Sophomore
B.A. Design Studies
Digital Photography/Photo Edit
18"x24" (Adjustable)
$55 (depends on size) ($25 + Print size cost)
With my sister being bored currently, due to Quarantine, we decided to do a photoshoot. I used toilet paper, because it's shortage has turned into a desired object. We treated that desire like that of a high class luxury good.
www.etsy.com/shop/NoahWeaverDesign
This artist does accept commissions. Email: nrweaver@ncsu.edu
// Produced by Structure Synth V 0.5
// (http://structuresynth.sf.net/)
set maxobjects 3000
set maxdepth 14000
{ sat 0.5 hue 50 b 0.9 } R1
set background yellow
rule R1 {
{ y 0.0 rz 4 rx 0.1 h 6 ry 0.1 z 0.09 } R3
{ s 1 } sbox
}
rule R1 {
{ y 0.5 rz 8 rx 0.1 h 6 ry 0.1 z 0.09 } R3
{ s 1 } sbox
}
rule R3 {
{ x 0.5 rz 4 rx -1 h 6 } R1
{ s 1 } sbox
}
rule sbox {
{ b 0.6 color #000 } grid
box
}
Another illusive structure synth object - the Dodecahedron
{ hue 155 } go
rule go{
{} chashka
{ rx 180 y -2.7 ry 36 } chashka
}
rule chashka{
{ ry 180 } side
1 * { y 0.75 }
5 * { ry 72 }
1 * { x 1.2 rz 64 sat 5 } side
}
rule side maxdepth 5 > sp{
5 * { ry 72 hue 3 }
1 * { x 0.5 s 0.52 } side
}
rule sp{
box
}
Style Productions (1982)
Excellent compilation of electronic/synth artists from 1982. Features artists like Magnétique Bleu, Norma Loy, DZ Lectric, Die Form, and Étant Donnés. Very rare!!
Initial copies came with the Style Productions No.2 fanzine. When I took this picture, I did not have the fanzine, but as of (7/28/10) I was able to obtain a copy of it when I bought a copy of the Magnétique Bleu - Virgin Boy / Nuit 7" from a French seller.
It's a very cool fanzine with some interesting artworks, photos and writings relating to Magnétique Bleu, DZ Lectric, Norma Loy etc.
In the fanzine, the Les Electriques compilation is referenced as Style Productions No.3.
// Produced by Structure Synth V 0.4
// (http://structuresynth.sf.net/)
set maxdepth 600
set background #9f4
{ h 30 sat 0.7 h 67 b 0.8 } spiral
rule spiral w 100 {
box
{ y 0.4 rx 90 hue 1 s 0.995 b 0.999 } spiral
}
rule spiral w 100 {
box
{ y 0.4 rx 90 hue -1 rz -90 s 0.995 b 0.999 } spiral
}
rule spiral w 100 {
box
{ y 0.4 rx 90 hue 0 rz 90 s 0.995 b 0.995 } spiral
}
rule spiral w 3 {
{ rx 90 s 1 1.3 1 } spiral
{ ry 180 h 3 s 1 0.7 1 } spiral
}
Produced by Structure Synth V 0.5
(http://structuresynth.sf.net/)
set maxobjects 160000
{ a 0.8 sat 0.5 } grinder
set background #05a
rule grinder {
36 * { rz 10 y 0.1 } 36 * { ry 10 rz 15 x 1.2 b 0.99 h 12 } xbox
}
rule xbox {
{ s 1.1 } grid
{ b 0.7 color #eee a 0.2 } box
}
rule xbox {
{ s 1.1 } grid
{ b 0.7 color #ddd a 0.3 } box
}
Glass...again... Its a battle for the caustics though. So many pieces of glass are in the way that the number of bounces needs to be set so high - that rendering becomes impractible.
// Produced by Structure Synth V 0.5
// (http://structuresynth.sf.net/)
set maxobjects 3000
set maxdepth 14000
{ sat 0.5 hue 50 b 0.9 } R1
set background #555
rule R1 {
{ y 0.5 rz 8 rx 1 h 6 s 1.01 1 1 ry 0.1 z 0.1 } R3
{ s 1 } sbox
}
rule R3 {
{ x 0.5 rz 8 rx -1 h 6 } R1
{ s 1 } sbox
}
rule sbox {
{ b 0.6 } grid
box
}
This will be my first bit of hardware programming writing code with C. I haven't finished the patching system yet (will do a video when I have) but thought I'd stick a picture up as the enclosure is more or less done, the prototype program made it's first sounds, tap tempo works etc.
When I was up at Random Hacks of Kindness there was an interesting cacophony of noise coming through the walls. I wandered around to find out what it was, and stumbled upon the Annual Analog Synthesizer Meeting.
It's a group of audiophiles who use only analog circuits to make music. They generally hand solder their systems, though you can get kits.
The systems produce sound like this:
soundcloud.com/badr0b0t/maths-module
(listen to it about halfway through, it starts off slow)
Info on Hacker Dojo:
hackerdojo.pbworks.com/
Facebook page for the Analog Synth meeting:
The filter on my monotron didn't track the keyboard properly, causing low notes to have a different timbre than high notes. I solved the problem by removing R42 (normally 300KΩ) and replacing it with a 1MΩ trimmer potentiometer.
More details here: www.fetchmodus.org/projects/monotron/
When I was up at Random Hacks of Kindness there was an interesting cacophony of noise coming through the walls. I wandered around to find out what it was, and stumbled upon the Annual Analog Synthesizer Meeting.
It's a group of audiophiles who use only analog circuits to make music. They generally hand solder their systems, though you can get kits.
The systems produce sound like this:
soundcloud.com/badr0b0t/maths-module
(listen to it about halfway through, it starts off slow)
Info on Hacker Dojo:
hackerdojo.pbworks.com/
Facebook page for the Analog Synth meeting:
I took a few snaps at this odd recording session Nick Littlemore was doing in a big empty warehouse in Marrickville last night.
// Produced by Structure Synth V 0.4
// (http://structuresynth.sf.net/)
set maxdepth 600
set background #9f4
{ h 30 sat 0.7 h 67 b 0.8 } spiral
rule spiral w 100 {
box
{ y 0.4 rx 90 hue 1 s 0.995 b 0.999 } spiral
}
rule spiral w 100 {
box
{ y 0.4 rx 90 hue -1 rz -90 s 0.995 b 0.999 } spiral
}
rule spiral w 100 {
box
{ y 0.4 rx 90 hue 0 rz 90 s 0.995 b 0.995 } spiral
}
rule spiral w 3 {
{ rx 90 s 1 1.3 1 } spiral
{ ry 180 h 3 s 1 0.7 1 } spiral
}
Self Released (1983)
Private minimal/synth/experimental tape released by Tara Cross in 1983, dedicated in the memory of Klaus Nomi. Spurt Ditties side recorded in 1982 and Concocting Chaos side recorded in 1983.
This copy has an original photograph from airbrush illustrator B. Keusch, his business card, an insert dedication to Klaus Nomi and a two-sided insert with track titles and lyrics. Everything in a clear plastic bag with Tara Cross’ mailing address.
I’m unsure as to how many of these were made and distributed.