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First Friday opening of Synesthesia.
Gravy Studio & Gallery presents "Synesthesia,"a vibrant audio/visual collaboration by New York photographer Cana Sarnes and Philadelphia musician and composer, nervousRobot. With “Synesthesia,” Sarnes’ vivid landscape and travel photography is paired with original scores composed for each image. Each artist’s contribution to the project serves to enrich the work of the other— adding an additional level of sensory-depth and complexity. Sarnes says of her photography, “I am drawn to capturing images that utilize negative space. nervousRobot’s music fills that negative space and brings my photography to life.”
Cana Sarnes, Artist Statement:
My work projects on the plane that exists parallel to the viewer. Clusters of inanimate objects find life and interact with one another in groups imperceptible on their own. As someone who is visually stimulated by music, working with Eric was a natural fit.
Eric Zrinsky (nervousRobot), Artist Statement:
I make music for haunted houses, films, and other oddities.
TEEEL, Artist Statement:
TEEEL is a electronic music producer/songwriter from New Jersey. Inspired by the 80s new wave movement, TEEEL produces music that ranges from hypnotic vocal synthpop to dreamy newwave and dark electronic rock. TEEEL has performed across the United States and continues to push their sound.
Photo credit : Dorota Grajewska
Daniel Maszkowicz and Robert Turner Collective
Nothing Happens Until Something Moves
Installation
Synesthesia for the five senses
Renaissance
Installations, performances, conferences, from 2 to 25 June 2022, Le Commun Geneva
Renaissance is an exhibition of audio-visual installations produced in collaboration by the duo of digital artists from the Robert Turner Collective and the electroacoustic jazz music duo INFLUUT. Works of algorithmic abstraction offer a synesthetic immersion, inviting introspection and meditation.
Each day presents an event for which the invited artists, scientists or collectives propose an intervention that resonates with the themes of the exhibition. Performances, conferences, installations, and a festival of nights with sound punctuate the Renaissance complex.
Transdisciplinary in nature, this exhibition aims to provide a sort of demystification of the general notion of the algorithm. She deals in a sometimes didactic, sometimes playful, sometimes organic way with themes that may still be difficult to access with a positive and inclusive attitude.
Welcome
Photos from the opening night reception of Crystal Wagner's "Synesthesia" solo show at Hashimoto Contemporary, March 8th 2014.
Learn more about the exhibition at hashimotocontemporary.com
Photos courtesy of Shaun Roberts - shaunroberts.net
Carlos Ballester, Bharath Ranganathan, John Gibbe, Justin Russell, Lucas Martin, Nanci Baker and Yu Lu
Cesar Secundino Mendez, Hooni Min, Lili del Sol, Gina Mirenda, Arletis Garcia, Jelena Soro, Johann Audiffren, Tabari Lake and Victor Mendoza
Lichtinstallation "Mehr Licht" in der Gallerie Münsterland (Emsdetten, NRW) 18. November 2006 - 17. Dezember 2006.
Writing a book here: open.spotify.com/show/3mMrq70ofFvPputOjQIiGU?si=kwclM6f8Q...
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Here are a few photos from dAnce.Kontemporary, Metavari, and Dry Valleys' Synesthesia No. 1. It was such a spectacular performance!
Photo credit : Dorota Grajewska
Daniel Maszkowicz and Robert Turner Collective
Nothing Happens Until Something Moves
Installation
Synesthesia for the five senses
Renaissance
Installations, performances, conferences, from 2 to 25 June 2022, Le Commun Geneva
Renaissance is an exhibition of audio-visual installations produced in collaboration by the duo of digital artists from the Robert Turner Collective and the electroacoustic jazz music duo INFLUUT. Works of algorithmic abstraction offer a synesthetic immersion, inviting introspection and meditation.
Each day presents an event for which the invited artists, scientists or collectives propose an intervention that resonates with the themes of the exhibition. Performances, conferences, installations, and a festival of nights with sound punctuate the Renaissance complex.
Transdisciplinary in nature, this exhibition aims to provide a sort of demystification of the general notion of the algorithm. She deals in a sometimes didactic, sometimes playful, sometimes organic way with themes that may still be difficult to access with a positive and inclusive attitude.
Welcome
Photo credit : Dorota Grajewska
Daniel Maszkowicz and Robert Turner Collective
Nothing Happens Until Something Moves
Installation
Synesthesia for the five senses
Renaissance
Installations, performances, conferences, from 2 to 25 June 2022, Le Commun Geneva
Renaissance is an exhibition of audio-visual installations produced in collaboration by the duo of digital artists from the Robert Turner Collective and the electroacoustic jazz music duo INFLUUT. Works of algorithmic abstraction offer a synesthetic immersion, inviting introspection and meditation.
Each day presents an event for which the invited artists, scientists or collectives propose an intervention that resonates with the themes of the exhibition. Performances, conferences, installations, and a festival of nights with sound punctuate the Renaissance complex.
Transdisciplinary in nature, this exhibition aims to provide a sort of demystification of the general notion of the algorithm. She deals in a sometimes didactic, sometimes playful, sometimes organic way with themes that may still be difficult to access with a positive and inclusive attitude.
Welcome
I think I'm ready.
Acrylic paint.
It reminds me of Synesthesia a little, and how much more beautiful little things are when you really look at them.
Photo credit : Dorota Grajewska
Daniel Maszkowicz and Robert Turner Collective
Nothing Happens Until Something Moves
Installation
Synesthesia for the five senses
Renaissance
Installations, performances, conferences, from 2 to 25 June 2022, Le Commun Geneva
Renaissance is an exhibition of audio-visual installations produced in collaboration by the duo of digital artists from the Robert Turner Collective and the electroacoustic jazz music duo INFLUUT. Works of algorithmic abstraction offer a synesthetic immersion, inviting introspection and meditation.
Each day presents an event for which the invited artists, scientists or collectives propose an intervention that resonates with the themes of the exhibition. Performances, conferences, installations, and a festival of nights with sound punctuate the Renaissance complex.
Transdisciplinary in nature, this exhibition aims to provide a sort of demystification of the general notion of the algorithm. She deals in a sometimes didactic, sometimes playful, sometimes organic way with themes that may still be difficult to access with a positive and inclusive attitude.
Welcome
Phantom Melodies
2006 – 2008, installation and performance
Phantom Melodies is an installation with a number of self-constructed rotating speakers, each producing a specific stream of sounds. The speakers are placed in a space where the public can walk about freely. The installation plays in a constant loop: as a result it is perceived as a constantly shifting sound field. The sound field is created by the rotation and speed alterations in accordance with the sounds and the time line of the score. The sound field is an automated composition from movements in time.