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Triptych is the latest audio visual space-time carving from iconoclastic Australian AV artist and composer Robin Fox. The work brings together the artist’s two creative passions—electronic music and audio-visual mechanical synesthesia. Using custom-built hardware that splits the voltage creating the image to the audio realm, the work achieves an almost impossible but also incredibly simple correlation between sound and image.
Photo taken at the Opening of Ars Electronica and IDSA FOUNDING LAB.
Photo: vog.photo
First Friday opening of Synesthesia.
Gravy Studio & Gallery presents "Synesthesia,"a vibrant audio/visual collaboration by New York photographer Cana Sarnes and Philadelphia musician and composer, nervousRobot. With “Synesthesia,” Sarnes’ vivid landscape and travel photography is paired with original scores composed for each image. Each artist’s contribution to the project serves to enrich the work of the other— adding an additional level of sensory-depth and complexity. Sarnes says of her photography, “I am drawn to capturing images that utilize negative space. nervousRobot’s music fills that negative space and brings my photography to life.”
Cana Sarnes, Artist Statement:
My work projects on the plane that exists parallel to the viewer. Clusters of inanimate objects find life and interact with one another in groups imperceptible on their own. As someone who is visually stimulated by music, working with Eric was a natural fit.
Eric Zrinsky (nervousRobot), Artist Statement:
I make music for haunted houses, films, and other oddities.
TEEEL, Artist Statement:
TEEEL is a electronic music producer/songwriter from New Jersey. Inspired by the 80s new wave movement, TEEEL produces music that ranges from hypnotic vocal synthpop to dreamy newwave and dark electronic rock. TEEEL has performed across the United States and continues to push their sound.
I tasted an under-ripe cantaloupe and used a Sakura Micron .05mm pen on Canson Sketch 5.5" x 8.5" paper to relate the taste experience. After this photo was snapped I started filling in a few spaces with India ink and a bamboo skewer. The ink was very liquid and bled where I didn't want it to go and I didn't like it, so I stopped working on it. I will probably use this in a mixed media piece later, or as a jumping off point or inspiration for another work.
Drums;
Concerts/interviews by Jazz Master students Music Management Jazz of the Conservatorium van Amsterdam;
New Breed Festival/New Breed Music Festival;
Splendor, Amsterdam,
June 14th, 2016;
© co broerse
As little Edgar Curtis lay on his porch, he remarked to his mother how the noise of the rifle range was black, the chirp of the cricket was red, and the croak of the frog was bluish. Edgar, like many other people, has synesthesia - a fascinating condition in which music can have color, words can have taste, and time and numbers float through space.
Everyone will be closely acquainted with at least 6 or 7 people who have synesthesia but you may not yet know who they are because, until very recently, synesthesia was largely hidden and unknown. Now science is uncovering its secrets and the findings are leading to a radical rethink about how our senses are organized. In this timely and thought-provoking book, Jamie Ward argues that sensory mixing is the norm even though only a few of us cross the barrier into the realms of synesthesia.
How is it possible to experience color when no color is there? Why do some people experience touch when they see someone else being touched? Can blind people be made to see again by using their other senses? Why do scientists no longer believe that there are five senses? How does the food industry exploit the links that exist between our senses? Does synesthesia have a function? The Frog Who Croaked Blue explores all these questions in a lucid and entertaining way, making it fascinating reading for anyone with an interest in the intriguing workings of the mind.
Lucas Martin serving as the FOH for Ena Marley, Kaeli Earle, John Stewart, Paula Piñero Quesada and Polo Orti
photo credit: Daniel Maszkowicz
Eric Larrieux ( in collaboration with Mélia Roger )
The Air Listening Station
Sonified Conference
Sonification, Algorithmic Composition, Air Quality, Climate Change, Synesthesia, Machine Learning, Adaptive Signal Processing
Renaissance
Installations, performances, conferences, from 2 to 25 June 2022, Le Commun Geneva
Renaissance is an exhibition of audio-visual installations produced in collaboration by the duo of digital artists from the Robert Turner Collective and the electroacoustic jazz music duo INFLUUT. Works of algorithmic abstraction offer a synesthetic immersion, inviting introspection and meditation.
Each day presents an event for which the invited artists, scientists or collectives propose an intervention that resonates with the themes of the exhibition. Performances, conferences, installations, and a festival of sleep concerts punctuate the Renaissance complex.
Transdisciplinary in nature, this exhibition aims to provide a sort of demystification of the general notion of the algorithm. She deals in a sometimes didactic, sometimes playful, sometimes organic way with themes that may still be difficult to access with a positive and inclusive attitude.
Welcome
Taking all the illustrations/notes people have given me thus far (6 participants... expecting more over the weekend/beginning of next week) and organizing them into categories to begin understanding how I might use them for deliverables.
Writing a book here: open.spotify.com/show/3mMrq70ofFvPputOjQIiGU?si=kwclM6f8Q...
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Photo credit : Dorota Grajewska
Daniel Maszkowicz and Robert Turner Collective
Nothing Happens Until Something Moves
Installation
Synesthesia for the five senses
Renaissance
Installations, performances, conferences, from 2 to 25 June 2022, Le Commun Geneva
Renaissance is an exhibition of audio-visual installations produced in collaboration by the duo of digital artists from the Robert Turner Collective and the electroacoustic jazz music duo INFLUUT. Works of algorithmic abstraction offer a synesthetic immersion, inviting introspection and meditation.
Each day presents an event for which the invited artists, scientists or collectives propose an intervention that resonates with the themes of the exhibition. Performances, conferences, installations, and a festival of nights with sound punctuate the Renaissance complex.
Transdisciplinary in nature, this exhibition aims to provide a sort of demystification of the general notion of the algorithm. She deals in a sometimes didactic, sometimes playful, sometimes organic way with themes that may still be difficult to access with a positive and inclusive attitude.
Welcome
Bracelets I made today for a gift exchange I'm in- I hope they like them.
All the beads are vintage- taken from old necklaces and misc. jewelry.
David Lublin (vidvox.net) performs visuals while Steve Nalepa does live PA. Providence, RI A/V night.
From the Mind Meld weekend meetup of musicians, visualists, technologists, artists. Got to hang with the peoples and play. www.mind-meld.org/
From the Mind Meld weekend meetup of musicians, visualists, technologists, artists. Got to hang with the peoples and play. www.mind-meld.org/
(Top page: 8.27inch X 11.69inch RESEARCH PAGE 2018 ) Introduction to my project interpreting the way I experience the senses. This is the starting point for how I want to show the way colours feel in my body.
(Bottom Page: 8.27inch X 11.69inch Photography, 2018): Process for how I made my cyanotype prints for my self-portraits 'How it feels to be blue'.
Practicing the #synesthesia (sound to color) light show for @worldscifest back at our home base for the week #wsf14 #electricviolin -- My talk/performance will be this Sunday at the NYU Skirball Center for the performing arts (4pm) :)
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kaitlynhova: #violectra
First Friday opening of Synesthesia.
Gravy Studio & Gallery presents "Synesthesia,"a vibrant audio/visual collaboration by New York photographer Cana Sarnes and Philadelphia musician and composer, nervousRobot. With “Synesthesia,” Sarnes’ vivid landscape and travel photography is paired with original scores composed for each image. Each artist’s contribution to the project serves to enrich the work of the other— adding an additional level of sensory-depth and complexity. Sarnes says of her photography, “I am drawn to capturing images that utilize negative space. nervousRobot’s music fills that negative space and brings my photography to life.”
Cana Sarnes, Artist Statement:
My work projects on the plane that exists parallel to the viewer. Clusters of inanimate objects find life and interact with one another in groups imperceptible on their own. As someone who is visually stimulated by music, working with Eric was a natural fit.
Eric Zrinsky (nervousRobot), Artist Statement:
I make music for haunted houses, films, and other oddities.
TEEEL, Artist Statement:
TEEEL is a electronic music producer/songwriter from New Jersey. Inspired by the 80s new wave movement, TEEEL produces music that ranges from hypnotic vocal synthpop to dreamy newwave and dark electronic rock. TEEEL has performed across the United States and continues to push their sound.