View allAll Photos Tagged synesthesia
Photo credit : Dorota Grajewska
Daniel Maszkowicz and Robert Turner Collective
Nothing Happens Until Something Moves
Installation
Synesthesia for the five senses
Renaissance
Installations, performances, conferences, from 2 to 25 June 2022, Le Commun Geneva
Renaissance is an exhibition of audio-visual installations produced in collaboration by the duo of digital artists from the Robert Turner Collective and the electroacoustic jazz music duo INFLUUT. Works of algorithmic abstraction offer a synesthetic immersion, inviting introspection and meditation.
Each day presents an event for which the invited artists, scientists or collectives propose an intervention that resonates with the themes of the exhibition. Performances, conferences, installations, and a festival of nights with sound punctuate the Renaissance complex.
Transdisciplinary in nature, this exhibition aims to provide a sort of demystification of the general notion of the algorithm. She deals in a sometimes didactic, sometimes playful, sometimes organic way with themes that may still be difficult to access with a positive and inclusive attitude.
Welcome
Bracelets I made today for a gift exchange I'm in- I hope they like them.
All the beads are vintage- taken from old necklaces and misc. jewelry.
David Lublin (vidvox.net) performs visuals while Steve Nalepa does live PA. Providence, RI A/V night.
From the Mind Meld weekend meetup of musicians, visualists, technologists, artists. Got to hang with the peoples and play. www.mind-meld.org/
From the Mind Meld weekend meetup of musicians, visualists, technologists, artists. Got to hang with the peoples and play. www.mind-meld.org/
Practicing the #synesthesia (sound to color) light show for @worldscifest back at our home base for the week #wsf14 #electricviolin -- My talk/performance will be this Sunday at the NYU Skirball Center for the performing arts (4pm) :)
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kaitlynhova: #violectra
with Cesar Secundino Mendez, Hooni Min, Lili del Sol, Gina Mirenda, Johann Audiffren, Tabari Lake, Jelena Soro and Victor Mendoza
Photo credit : Dorota Grajewska
Daniel Maszkowicz and Robert Turner Collective
Nothing Happens Until Something Moves
Installation
Synesthesia for the five senses
Renaissance
Installations, performances, conferences, from 2 to 25 June 2022, Le Commun Geneva
Renaissance is an exhibition of audio-visual installations produced in collaboration by the duo of digital artists from the Robert Turner Collective and the electroacoustic jazz music duo INFLUUT. Works of algorithmic abstraction offer a synesthetic immersion, inviting introspection and meditation.
Each day presents an event for which the invited artists, scientists or collectives propose an intervention that resonates with the themes of the exhibition. Performances, conferences, installations, and a festival of nights with sound punctuate the Renaissance complex.
Transdisciplinary in nature, this exhibition aims to provide a sort of demystification of the general notion of the algorithm. She deals in a sometimes didactic, sometimes playful, sometimes organic way with themes that may still be difficult to access with a positive and inclusive attitude.
Welcome
First Friday opening of Synesthesia.
Gravy Studio & Gallery presents "Synesthesia,"a vibrant audio/visual collaboration by New York photographer Cana Sarnes and Philadelphia musician and composer, nervousRobot. With “Synesthesia,” Sarnes’ vivid landscape and travel photography is paired with original scores composed for each image. Each artist’s contribution to the project serves to enrich the work of the other— adding an additional level of sensory-depth and complexity. Sarnes says of her photography, “I am drawn to capturing images that utilize negative space. nervousRobot’s music fills that negative space and brings my photography to life.”
Cana Sarnes, Artist Statement:
My work projects on the plane that exists parallel to the viewer. Clusters of inanimate objects find life and interact with one another in groups imperceptible on their own. As someone who is visually stimulated by music, working with Eric was a natural fit.
Eric Zrinsky (nervousRobot), Artist Statement:
I make music for haunted houses, films, and other oddities.
TEEEL, Artist Statement:
TEEEL is a electronic music producer/songwriter from New Jersey. Inspired by the 80s new wave movement, TEEEL produces music that ranges from hypnotic vocal synthpop to dreamy newwave and dark electronic rock. TEEEL has performed across the United States and continues to push their sound.
Drawing in response to music. Showing analysis of individual pieces of my own work and others thoughts on my work and ways to improve it. Also showing self reflection of the overall project.
15/10/13
250 Word Proposal
My current work on my art foundation diploma has encouraged me to try new techniques and thought processes when creating my art. My main art inspiration in most of my work is Salvador Dali, not always in the sense that I use surrealism, but the symbolism and double meanings found in his work. I enjoy creating work that encourages me to be open-minded about the way i express my messages and the way others to view my work. My work is often inspired by current affairs today, for example, part of my Drawing qualification was based around a chosen newspaper page I then had to respond to, looking at artists such as Melinda Tidwell. I also included the idea of consumerism in today’s world and the economic reasons behind it, looking at the artist Michael Landy. I also bring in personal influences, not only getting my inspiration from my everyday life such as people and music, as shown in the synesthesia project, but also from my own experiences, such as depression. For my identity project I focused on whether it was nature or nurture that causes depression, I was able to bring in some of my other interests such as science, bringing in artists like Gina Czarnecki and Damien Hirst. I begin a project by thoroughly researching and looking for contextual links. I test, experiment and develop my individual ideas throughout a project, testing materials and techniques. I review my own work throughout and I am always open to new influences and criticism from others. Having regular internal exhibitions in college, group critiques and keeping a professional blog of my work allows me to gain feedback and solve any problems I may be having.
Photo credit : Dorota Grajewska
Daniel Maszkowicz and Robert Turner Collective
Nothing Happens Until Something Moves
Installation
Synesthesia for the five senses
Renaissance
Installations, performances, conferences, from 2 to 25 June 2022, Le Commun Geneva
Renaissance is an exhibition of audio-visual installations produced in collaboration by the duo of digital artists from the Robert Turner Collective and the electroacoustic jazz music duo INFLUUT. Works of algorithmic abstraction offer a synesthetic immersion, inviting introspection and meditation.
Each day presents an event for which the invited artists, scientists or collectives propose an intervention that resonates with the themes of the exhibition. Performances, conferences, installations, and a festival of nights with sound punctuate the Renaissance complex.
Transdisciplinary in nature, this exhibition aims to provide a sort of demystification of the general notion of the algorithm. She deals in a sometimes didactic, sometimes playful, sometimes organic way with themes that may still be difficult to access with a positive and inclusive attitude.
Welcome
Photo credit : Dorota Grajewska
Daniel Maszkowicz and Robert Turner Collective
Nothing Happens Until Something Moves
Installation
Synesthesia for the five senses
Renaissance
Installations, performances, conferences, from 2 to 25 June 2022, Le Commun Geneva
Renaissance is an exhibition of audio-visual installations produced in collaboration by the duo of digital artists from the Robert Turner Collective and the electroacoustic jazz music duo INFLUUT. Works of algorithmic abstraction offer a synesthetic immersion, inviting introspection and meditation.
Each day presents an event for which the invited artists, scientists or collectives propose an intervention that resonates with the themes of the exhibition. Performances, conferences, installations, and a festival of nights with sound punctuate the Renaissance complex.
Transdisciplinary in nature, this exhibition aims to provide a sort of demystification of the general notion of the algorithm. She deals in a sometimes didactic, sometimes playful, sometimes organic way with themes that may still be difficult to access with a positive and inclusive attitude.
Welcome