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Eye to Eye: Artist-Led Tours of Kandinsky Featuring R. Luke DuBois

Monday, November 9, 2009, 6:30 pm

Sackler Center for Arts Education

Solomon R. Guggenheim Museum

5th Avenue at 89th Street, New York, NY

 

Photos by Enid Alvarez.

 

R. Luke DuBois is a composer, artist, and performer who explores the temporal, verbal, and visual structures of cultural and personal ephemera. His recent work is a sonic and encyclopedic relative to time-lapse photography. A practitioner of synesthesia, DuBois relayed the correspondence between painter Vasily Kandinsky and composers Arnold Schoenberg and Alexander Scriabin while inviting the audience to experience an interpretive landscape of sound. The tour was followed by a reception.

 

On view:

Kandinsky

 

Anish Kapoor: Memory

 

Paired, Gold: Felix Gonzalez-Torres and Roni Horn

 

Intervals: Kitty Kraus

 

Gabriele Münter and Vasily Kandinsky, 1902–14: A Life in Photographs

Information book illustration about Synesthesia.

Synesthesia in art:

Sometimes defined as the simultaneous perception of multiple stimuli in one gestalt experience.

 

This ring has been nothing less than 'synesthetic' to me from it's very inception. When I looked at a piece of brass wire I had just hammered and worked into whimsical curves, I heard jazz (in my imagination, anyway).

 

A magenta square from a recycled vintage earring with scroll-like flourishes, burgundy Swarovski Crystals, and a tear-shaped freshwater pearl, scatter all over the curved brass wire like bursts of jubilant noise.

 

This ring is a size 6.

made in GIMP

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Painted with my new rainbow LED toy.

Straight out of the camera. Only resized to 33% of the original size, no changes to the colours.

The pretty white flower of a future pearlet and that of a possibly edible epicurean that is a pear.

 

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Scriabin upright piano mystic chord 33 / painted wooden skates dystopian intrusions

plastic-type sound technological elements functional / 120 x 50 x 120 cm / 2012

synesthesia alphabet , '07

This acrylic painting is a visual expression of my musical experience of the "Rite of Spring". Synesthesia is a dual sensory experience. An impact on one of the senses causes a simultaneous response from another sense, as a visual response from a sound. Color and tone are the essence of painting as pitch and rhythm are of music. I stitched this musical painting together using four hot press boards under a black matte board.

 

The "Rite of Spring" by Igor Stravinksy is a series of episodes depicting a wild pagan spring ritual. Wise elders are seated in a circle and are observing the dance before the death of the girl whom they are offering as a sacrifice to the god of Spring in order to gain his benevolence.

 

www.imwithsully.com/blog

06.04.2018

FEMME FERAL

@digbethfirstfri

@vividprojectsuk

THERESAMAYSMACKDOWN, a queer, feminist, anti-fascist, noise-driven ferocious fight channeling rage through wrestling. Brandishing baby oil and pure fiery rage, Femme Feral Fighters build a cacophony of body slamming sound in a powerful ritual of violence.

 

This event was part of Vivid Live, a programme of exciting Live Art for daring audiences curated by @kate_e_spence

 

#femmeferal

#THERESAMAYSMACKDOWN

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(A crowdsourced method of identifying unknown species of any organism through discussion with up or down votes and comments from tons of people including a bunch of biologists.)

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I first learned of synesthia ("...where one sensation(such as sound) conjures up one or more others (such as taste or color).") from Richard E. Cytowic's The Man Who Tasted Shapes.

Young Men and Fire is a thorough and sensitive examination of the fatal Mann Gulch fire (March 5, 1949 Montana) in which 12 of 15 smokejumpers died.

Harry Bernstein, at the age of 90, wrote The Invisible Wall, about growing up Jewish in a poverty sricken English milltown.

And interesting question was posted on Metafilter recently: Do you have a mental image of "the year" in your head, and if so, what does it look like? About half the responders had no image and the other half described a myriad of shapes and devices.

 

This is roughly what I've seen, for as long as I could remember. Regarding the varying sizes of the months, I'm going to guess this was formed in my early school years when September seemed long (first month of the school year) and May seemed even longer (will June and the end of the school year ever arrive?). The summer months were long and lazy (wish that were so nowadays). The winter months were too busy to notice much.

 

It seems like the colors reflect the general mood of the seasons changing. The red line moves around the ring counterclockwise as the days go by. I've found this to be a fascinating psychological exercise, because I've never put this image on paper before. What does your "year" look like?

This is the way I view numbers, along a spatial sequence.

Richard LOVES his Cwejman synth. ;)

 

From the Mind Meld weekend meetup of musicians, visualists, technologists, artists. Got to hang with the peoples and play. www.mind-meld.org/

 

Photo by Todd Thille.

In which I try to replicate what a synesthete would percieve as a series of sounds heard in an hotel bedroom at 6am on a snowy morning.

Just playing around on the very edges of an idea with this one.

An absorbing subject.

Manipulated in Paint Shop Pro.

I am working with a group of textile mates on this subject and you can see more of the work we are doing on angiestextilenotes.blogspot.com/

Working on the distinctiveness of sound signals such as phase, frequency and amplitude, Feedback Cycles for Oscillographs produces an audio-driven synesthesia of hypnotic lines drawn from stereophonic disparity. Activated by movement on two wheels, this installative action seeks to reveal the unknown between void and short circuit.

 

Credit: Guillaume Arseneault

Writing a book here: open.spotify.com/show/3mMrq70ofFvPputOjQIiGU?si=kwclM6f8Q...

 

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(Showcase your favorite artistic photography from your peers, pros, amateurs, or even yourself.)

• Flowers Group on Reddit

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I have math-taste synesthesia. When I add these numbers in my head, it produces a sensation of taste. The taste of 7 + 7 = 14 has changed since making this picture...it now tastes like carrots, and I don't know why,

0:17-0:19 seconds into the song "In the City," a B-side by Madness.

 

This is a rough pencil sketch of what I see in my head when those seconds go by in the song. The guitar is the most prominent blob.

These are all in various colors and are very fleeting. Bass drums are huge dark blobs, larger when slowed down.

 

To my extreme annoyance, one of the key blobs of the keyboard got cut off. The first one at the left, plus the one that was cut off at the top, were the two most satisfying notes that made me invoke extreme happiness and hilarity when I heard them, notably because they made me think of a girl who's very personality and temperament seemed to match it perfectly. Just the way it starts low at the side, then way up.

While the bass resembles some sort of tapeworm, it is actually more three-dimensional in my mind. Snare hits are sharp and diminishing. The piano is more simple and rectangular. I've put the initials of people that some instruments make me think of - T.D. for the guitar, H.B. for the keyboard and that girl (I'm really angry it cut off, one of the chief purposes for putting it on here) and J.C. for the bass (myself).

 

The colors are extremely rich. The guitar is green. The bass is a sort of green-brown mixture. The keyboard is a sort of whitish-bluish shiny color, the snare white, the piano a sort of reddish-pinkish I think, and the bass drum a dark color. The hi-hat is a jumble of crossed lines (all white). The faster, the smaller the crosses until they're like *s.

 

Next I'll be uploading my sketch of what years look like to me in this kind of medium. Other synesthetics have said some years are "further away" or "bigger" than others. For me they go in a particular pattern.

06.04.2018

FEMME FERAL

@digbethfirstfri

@vividprojectsuk

THERESAMAYSMACKDOWN, a queer, feminist, anti-fascist, noise-driven ferocious fight channeling rage through wrestling. Brandishing baby oil and pure fiery rage, Femme Feral Fighters build a cacophony of body slamming sound in a powerful ritual of violence.

 

This event was part of Vivid Live, a programme of exciting Live Art for daring audiences curated by @kate_e_spence

 

#femmeferal

#THERESAMAYSMACKDOWN

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• The Cloudscapes

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• Harmonic Future

(Electrosymphonic Music - Online Radio Station)

 

• Species Identification Group on Reddit

(A crowdsourced method of identifying unknown species of any organism through discussion with up or down votes and comments from tons of people including a bunch of biologists.)

• Artistic Photography Group on Reddit

(Showcase your favorite artistic photography from your peers, pros, amateurs, or even yourself.)

• Flowers Group on Reddit

(Everything flowers. Showcase your favorite floral shots from your peers, pros, amateurs, or even yourself)

• Butterflies Group on Reddit

(Everything butterflies. Showcase your favorite butterfly shots from your peers, pros, amateurs, or even yourself.)

Eye to Eye: Artist-Led Tours of Kandinsky Featuring R. Luke DuBois

Monday, November 9, 2009, 6:30 pm

Sackler Center for Arts Education

Solomon R. Guggenheim Museum

5th Avenue at 89th Street, New York, NY

 

Photos by Enid Alvarez.

 

R. Luke DuBois is a composer, artist, and performer who explores the temporal, verbal, and visual structures of cultural and personal ephemera. His recent work is a sonic and encyclopedic relative to time-lapse photography. A practitioner of synesthesia, DuBois relayed the correspondence between painter Vasily Kandinsky and composers Arnold Schoenberg and Alexander Scriabin while inviting the audience to experience an interpretive landscape of sound. The tour was followed by a reception.

 

On view:

Kandinsky

 

Anish Kapoor: Memory

 

Paired, Gold: Felix Gonzalez-Torres and Roni Horn

 

Intervals: Kitty Kraus

 

Gabriele Münter and Vasily Kandinsky, 1902–14: A Life in Photographs

2012 Lecce

 

Synesthesia Project

Kiev 19 + Ilford HP5+ 400asa exposed at 800asa

  

The Notwist - Solitaire (PLAY IT LOUD!)

   

Synesthesia: First gray, then grey, then gray.

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