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this time-lapse features the McDougall Memorial Church 1875 oldest in Alberta and the homestead Cabin near Water Valley 1890's . Many Aurora Chasers were disappointed by the show on December 22 and 23rd the forecast and Hemispheric power were out of synch with the actual results. The reality was the partical density was low and the solar wind speed was high so there was a fainter storm but there was a real storm! I was elated that I found clear sky and 2 great locations after a 8 week drought of chasing.
...lots of characters in the streets of Alicante. The Pen F, with its handy articulated screen, seems well suited for this kind of candid.
[Explored]
This is the shape I was looking for, very hard to synchronize.
It's a combination of sound generated drops like this and collision like this.
The subwoofer vibration generates the "pillar", then another drop collides on top of it forming the "hat".
Too bad the flash got bad synch in this one, you can see some ghosting, mouse over the image.
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Esta é a forma que eu estava procurando, super difícil de sincronizar.
É uma combinação de gotas geradas por som como esta e uma colisão como esta.
A vibração de um subwoofer cria o "pilar", daí outra gota colide em cima dele formando o "chapéu".
A má notícia é que deu um problema de sincronização de flash nessa, dá pra ver os fantasmas, passe com o mouse em cima da foto.
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The Santa Monica Pier just before sunset with the old ferris wheel. This wheel was sold on eBay for US $132,400 to an Oklahoma developer sight unseen! Now there is a new high-tech wheel in place. Timing the spin is difficult, with the other ride. The reflectivity of the sand is also important in a shot like this. It took about 20 minutes before it all came together. I've seen lots of shots from right here but none with all of these elements in place. No HDR.
Free wallpaper for over 100 of my images in 6 different screen sizes is now available!
See the 1200x1200 pixel version! It is much better.
www.flickr.com/photos/patrick-smith-photography/397749804...
Also, here is what it looked like 20 minutes later!
www.flickr.com/photos/patrick-smith-photography/275514638...
I
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Settings etc.:
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Canon 5D Mark I
Canon 17-40L @24
1.3-second exposure @F13
LEE soft ND grad (100x150mm) 0.9 + 0.75
Lee foundation kit filter holder with Lee 77mm adapter ring
No polarizer
ISO 50 for the long-ish exposure during the day
Small Slik tripod with Manfrotto Pistol-grip ball head.
RAW file processed with Capture One by Phase One
TIFF file processed with Photoshop
Most days are either clear or foggy, so I was happy when these clouds moved overhead to provide some nice light in the sky and on the sand. The problem was that I wished to show movement in the wheel while the ride to the right was moving as well. Then I wanted a nice shine to the sand and some waves breaking too. I try to imagine myself as a painter (yeah right... as if!), adding the elements that I want to see.
Sometimes the wheel stopped, and the dynamic feel of the resulting image was lost. Sometimes it would turn too quickly and become out of synch with the way the lights on the spokes worked, creating odd-looking effects. So a lot of experimentation was required to get a smooth and dynamic look without distracting features. Improvisation is often required to get the best photograph possible.
Anyway, it finally all came together and here it is.
See my profile for a link to my website where I have limited edition prints and less expensive open edition prints.
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kenny, air, la croix-rousse, lyon, france.
homeprocessed film and scanned by myself
light for strobist
sb-25 as a fill light on the left just in front of the stairs in the left corner, 1/4 powered, synched with ebay radio triggers, on a tripod at about 50cm high.
sb-28 as a backlight at about 1m high on a tripod casting the shadow, on the top of the stairs behing the elevator, synched with ebay radio triggers, 1/4 powered.
shot with a Pentax Super ME with a 28mm@f2.8 on Ilford FP4 125, cropped this way because I accidentally opened the camera back and half of the frame was totally burned. :) 'oops'
Here is my 1/15 scale Lego F4J Phantom II. It has taken 5 months to design and build, which is pretty quick for me ;-) The model is 1.2m long by 77cm wide and contains roughly 6,000 pieces.
The Phantom has always been one of my favourite jet aircraft along with the F-14 Tomcat and EE Lightning. The model is designed around power function movable control surfaces. Functions are as follows;
Rudder – 1 x PF Servo Motor
Elevons – 1 x PF Servo Motor
Ailerons/Spoilers – 2 x PF Servo Motors
Flaps – 1 x M Motor
Leading Edge Flaps – Manually operated
Air Brakes – Manually operated
Arrestor Hook – Manually operated
The Aileron/Spoilers and Rudder servos are connected to the surfaces by Lego string and pulleys, the Elevons have a gear and rod mechanism and the Flaps have direct axle drive. The Phantom had a non-standard Aileron setup that includes a flap that goes down on one wing along with a spoiler on top of the opposite wing that work in synch, I combined these into one control input.
I have used vac formed canopies and many custom decals to finish the model. The markings depict the aircraft that Cunningham and O’Driscoll flew on 10th May 1972 when they added 3 x Mig 17’s to their tally to become the first US Aces of the Vietnam War. The aircraft was hit by a SAM as they flew home and lost over the sea, both crew ejected and were rescued.
I will post a video of the functioning control surfaces shortly.
Next up I am building a section of carrier deck to display the model on and then moving on to a 1/15 scale F14 Tomcat, again with PF.
Thanks for looking!
U.S.-Canadian border bridge in Sault St. Marie, Ontario
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Many years ago I used to pore over bird books, memorising the identification features of birds that I had not seen, but one day hoped I would. Great Shearwater was one such species that was rare and difficult in British Waters, only occurring in late summer, after strong westerly winds. They breed on islands in the South Atlantic but migrate north for their winter, which is our summer in the northern hemisphere. I remember the books saying that Great Shearwater had spots in the armpits (axillaries) and a small brown smudge on the belly, which would need to be close range to see to separate it from Cory's Shearwater. I never dreamed that one day I might be able to take a photograph of a Great Shearwater that showed all these feather details. I took this one in late January at sea east of the Falkland Islands in the South Atlantic. But as the southern hemisphere is six months out of synch with the seasons, January is the equivalent of July down there. Because Great Shearwater was one of my childhood dream birds it is still one of my favourites and it excites me every time I see one.
Black-backed jackal
Light on this is 3 speedlites. Key: hard R, gridded. Fill: L/on axis. Background: L, just out of frame on light stand feathered off of ground. Triggered key/fill w/ wired synch and background w/ optical slave.
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Taken at Harold Hill skatepark using three Yonguo YN685 off camera portable flash units that are throwing light at three different angles to create a partial edgy lighting. I turned down the power to get a shorter duration flash. 1/4 power.
Synched from a Yonguo trigger shot using the Canon 14mm so I found get close but include some context to the shot.
I would highly recommend the YN685 flash units. Well made and very reliable with a good power output. The menu system is a little complicated because of the features the flash and trigger offers. I did not find the instruction book to be that good but then again I rarely read instruction manuals so what do I know. It does take some time to familiarise yourself with the menu system and there are some Youtube tutorials that can help you do this.
I next want to do some action photography using multiple off camera flash using the high speed synch function which will give me shutter speeds up to 1/8000th of a second. This can give some great control in blending ambient light and ensuring less movement blur in bright light conditions.
Protesters rally to make their signs more prominent than a Trump supporter's flag at the June 3, 2017 Rally for Truth protest at Paradise Valley Park in Phoenix, Arizona. The person with the Trump flag was escorted from the crowd by Phoenix police shortly after this image was made.
Former F.B.I. Director James Comey's Senate testimony today was quite interesting. I hope others are as interested in learning the truth as I am.
SB-800 speedlight on a short boom, held above and left of the camera. Fired remotely.
1603
Intentional Camera Movement. Lit by a continuous light source and Pixapro Pika 200Pro, reduced power, on second curtain synch. Both lights in softboxes camera left.
Here's a Nikon Coolpix P7000 rigged for shooting anamorphic images using a "Magnum 80B Professional" anamorphic adapter. The 80B was available from The Widescreen Center, in London, several decades ago. It was designed for shooting widescreen super 8mm movies, and included adapters for mounting on various cameras. My Magnum 80B (found at a flea market years ago) had no mounting hardware with it, so was never used... until a week ago when I got the idea of trying to rig it up to work on the Coolpix.
This lens mounts on the Coolpix using a home-made anamorphic "clamp" made from two old removable tripod mounts, several empty filter rings, and a rubber focusing ring cover off a broken lens. Loosening the lock ring on the clamp allows for precise vertical adjustment of the anamorphic component of the 80B.
Focusing is far easier than I had anticipated: Set the 80B focus for the shooting distance, then focus the camera as usual. The camera will search, then more often than not... with a soft chirp, will lock on the focal point. It's fairly easy to estimate subject distances and adjust the 80B to synch-focus with the camera. I thought that autofocus would present a problem, but most recent testing has produced very encouraging results. Image quality isn't bad, but not near as good as what an Iscorama produces. Here's a sample taken earlier in the day:
www.flickr.com/photos/61377404@N08/28164488900/in/datepos...
Unlike an Iscorama, which has front element focusing, this has a small locking knob on the barrel, which when loosened, allows the barrel to slide in and out. The back end of the sliding portion can be aligned with a mark indicating a focus distance of 6 meters. Sliding the barrel all the way back gives a focus distance of 1.2 meters, and all the way forward gives infinity focus. I never was able to get sharp photos using this on my Nikon SLR cameras because I found synchronizing the 80B focus and the Nikon lens focus to be somewhat difficult.
DSC-2613
Used 2nd curtain slow sync for in-camera effects on the water reflections and splash.
Thank you to everyone who has enjoyed, faved and commented on this image.
You will need red/cyan colored shades to see the stereoscopic effect. Get your 3D glasses for free!
You will need red/cyan colored shades to see the stereoscopic effect. Get your 3D glasses for free!
You will need red/cyan colored shades to see the stereoscopic effect. Get your 3D glasses for free!
Shot this beauty at an outdoor flea market a few weeks ago on a gorgeous early fall morning.
The Kodak Duaflex is a 620 roll film pseudo TLR made by Kodak in the US and UK. The original versions were available from December 1947 - September 1950 in the US, and 1949-1955 in the UK; the Duaflex IV was finally discontinued in the US in March 1960.
The various Duaflexes had aluminum alloy bodies and were available with either a simple fixed focus 75mm f/15 Kodet lens, or with a 72mm f/8 Kodar triplet lens in a front-element focusing (to 3.5 ft.) mount. The Kodar lens had Waterhouse stops of f/8, 11, and 16. The shutter had speeds of "I" and "B", and was synched for use with a Kodalite Flasholder.
You will need red/cyan colored shades to see the stereoscopic effect. Get your 3D glasses for free!
Week 32 of 52
"The Seven Deadly Sins"
~ Anger is a gift ~
Canon 7D
28-70mm f/2.8
ISO 320
f/8 @ 1/320 sec.
430 EX II, 1/1 power, hi-speed synch almost dead center slightly overhead.
Completely decimated in Silver Efex 2.
Explore #35 7/14/12
Splash!
Shot using Nikon's CLS with one SB-600 and a white board. The black background was created using a shutter speed of 1/4000. The strobe was connected to the camera using a Nikon sync cord to enable high shutter speed flash synch.
The image incidentally is a balloon full of water, at the moment it explodes.
I have published this shot before but processed this in a different way. Optimized the 0 exp shot in LR, then synched the +2 and -2 before merging to HDR.
And we danced and danced and danced…The singer had left, an audio stream came through the loudspeakers…and we danced… He held me tight, we gazed at each other…The barmaid left with a customer too… and we danced on… The whole world around us had vanished…and we danced… He nuzzled my neck, I stroke his chest softly, he kissed me, I kissed him, in synch with the music I was grinding slowly into him, he got so hard, we kissed again… until the music stopped and we heard the loud raspy voice of the night watchman: “Closing time, everyone !”
(To be continued)
An old Kodak camera that I've owned for many years and one I thought I must photograph one day! I bought it second hand purely because I liked the look of it!
The Kodak Duaflex is a 620 roll film pseudo TLR made by Kodak in the US and UK. The original versions were available from December 1947 - September 1950 in the US, and 1949-1955 in the UK; the Duaflex IV was finally discontinued in the US in March 1960.
The various Duaflexes had aluminum alloy bodies and were available with either a simple fixed focus 75mm f/15 Kodet lens, or with a 72mm f/8 Kodar triplet lens in a front-element focusing (to 3.5 ft.) mount. The Kodar lens had Waterhouse stops of f/8, 11, and 16. The shutter had speeds of "I" and "B", and was synched for use with a Kodalite Flasholder.
(camera-wiki.org/wiki/Kodak_Duaflex)
© Dominic Scott 2024
You will need red/cyan colored shades to see the stereoscopic effect. Get your 3D glasses for free!
Some Flickr/Aperture synching issue dropped this out of my photostream. Putting it back in seems to require reposting, but it ain't new. :)
You will need red/cyan colored shades to see the stereoscopic effect. Get your 3D glasses for free!
You will need red/cyan colored shades to see the stereoscopic effect. Get your 3D glasses for free!
You will need red/cyan colored shades to see the stereoscopic effect. Get your 3D glasses for free!
You will need red/cyan colored shades to see the stereoscopic effect. Get your 3D glasses for free!
0.4 second @f 11 | 100 ISO | 17mm | Hitech 0.6+0.9 GND
Manual flash via synch lead from camera left onto nearest post set at 1/32 power
Yup, thats right, fill flash on a landscape shot - I wanted to bring out a bit of the textures and detail in the nearest post which would have otherwise been almost slihouetted. I still had to use the dodge tool a little though but the flash did help. This is another shot from yesterday's stint at Rocky island.
© 2010 Michael Halliday
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Title - that cloud bank delayed the sunrise a little.
Obviously some sort of Art Noveau revival style
For fans of BTTF 2: »In another timeline this has happened...«
You will need red/cyan colored shades to see the stereoscopic effect. Get your 3D glasses for free!
Strobist Info: One Sigma EF-500 DG Super set at 1/4 power at 17mm throw shot through semi-transparent white background directly behind water drops/bowl. Synched with Pocket Wizards.
Bangkok, Thailand. 2012.
Technically not a Christmas present - from the timing nevertheless.
It's an interesting (and hard) lesson to go back to film... currently wainting for my rolls to return from the lab....
Synchs at all shutter speeds - what more can a strobist ask for ;-)
Strobist info: 2 SB-800 on either side into white reflector (45° from front) blue gelled flash from above for backdrop.
I took this photo on this day two years ago
on an upper street in the city of White Rock
but I did not notice until now that I had captured
Semiahmoo Spit in Blaine Washington
seen in the distance !
song ( for David Boorman :) thanks -
The Who performing live ( lip synch :) 1969
"I Can See For Miles"
I apologise for yet another image of Bosham Harbour as I simply have not had the time to get out due to lifes little hassles. Also the weather and tides seem to have been out of synch recently so I offer this image up for viewing taken back in May this year.
Ở nhà miết k dì làm....chụp tỷ hình:))))))) sẽ úp hết len bonus^^......
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Đma' m đ' hơn đc ai đâu '' ĩ '' :-j s k đứng chữi thẵng mặt nè...làm lol dì nt chi cho mệt:">:-j......đ = ai mà thích làm chin để ý v poa:-q=]]]]]]]] Ngu mà thích đánh đu [ muon câu này nhoé Synchor:)) ] đ bíc cái cm dì:-q
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Desr mag tính chất phog log:)))))