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Customer submitted photos of his Mercedes Van. Apparently very expensive lights to replace. Instead he oppted for a Glassylite kit / 4 hours / and sore arms. Saved him some serious cash though. This is a close up of the surface after he started.

Nikonos V, 15mm lens, SB-105

Photo by Jan Brauer.

in Tongyeong of Korea

Ongoing research into surface articulation using knitwork as a reference.

 

The research was carried out by Felecia Davis of F.A.D. STUDIO New York and Nicholas Desbiens of Caliper Studio.

I am in an exhibition at Cal Poly’s University Art Gallery "Beyond the Surface: The Photograph as Object", an exhibition curated by Aline Smithson from January 9 - January 31, 2020.

 

artgallery.calpoly.edu/2020/beyond-the-surface

 

As the practice of photography moves farther away from the tactile process of winding film through a camera and long meditative hours spent in the wet darkroom, the contemporary digital photographer is now experiencing an entirely different relationship to the image. With the proliferation of digital capture, with Photoshop replacing the darkroom, and instantaneous digital printing at the push of a button, photographs are now equally a product of the mind and technology, with the ability for limitless reproduction.

 

In response to this loss of the evidence of the artist’s hand, a number of artists are reconsidering the potential of an image with a move towards making rather than taking photographs. By using vintage and contemporary photographs as a starting point, artists are creating physically layered works of art that result in a handmade one-of-a-kind object, expanding the notion of what we consider photographic art. The exhibition Beyond the Surface features a variety of interventions and investigations that include collage, sewing, cutting, weaving and embroidery, all interrogating the material qualities of the physical photograph as an attempt to recover the magic of the photograph-as-object. As artist Maria Font describes, “My hands intervene with each work manually, and through this intimate, performatic ritual, the embodiment of the photograph becomes the common ground where the familiar and the foreign meet, as an individual attempt to blur the lines between the internal and external spaces of the body. The construction of these mental maps evokes diverse psychological states and emotions with meanings that are in constant flux, never fixed, just like our identities.”

 

Artists in the exhibition work in two ways, using imagery that they have created in camera or by using found or familial vernacular photos. The image is then punctured, deconstructed, or cut apart and reborn as a work of art, separate from the original image. Many of the artists explore themes of growing up, family, and memory; others use contemporary imagery to consider self or culture. Artist Liz Steketee states, “I use my life and family as material for my work. By doing this, I am able to explore the complexity that exists in the everyday and the richness found in the mundane. Through the use of montage, collage, and purposeful juxtaposition of photographs, it is my intention to examine the “truth” in life.” Artist Joe Rudko cuts and reorganizes found photographs to “break the illusion of the pristine image and suggest a variety of interpretations it can have. Working with analog methods in a digital era places these snapshots in dialogue with the present moment.”

 

Revisiting photographs with an Exacto knife or sewing needle provides a new way of examining, organizing, and interacting with more than just the image on the page. This reconsideration opens the door to limitless possibilities of creation, inspiring us to look more deeply at the potential of photographic imagination.

   

Perlin Noise to Surface_Constrain module (find it on vvvv.org)

surface bar piercings done by willow at midwest tattoo

My yard needs so much tlc right now. Every thing is overgrown. And, kodi, the dog, has been peeing on everything. I need to figure out how to get him to stop doing that.

Tribo's Bar - Maringá, PR

branches and young grass break a still morning surface, early July.

This is a short overview of the devices that Be2 consists of.

 

There is a camera unit that you can place on any vertical surface using synthetic gecko skin. This camera is used to capture you while you move around and multitask.

 

The handheld unit is for more personal conversations. It has a camera behind the screen and an extra camera on the back for easy sharing. It also reads your temperature and heart rate and transfers this data to the person you are talking to - it adds a physical contact to your conversation.

 

The base unit has a projector, camera, 2 microphones and speakers built in. It also takes care of the processing of the video and audio feeds that are transferred wirelessly between the devices.

 

The base unit also has an external microphone that you can take out and place on you while you are moving around, maintaining crisp and clear audio all through your conversations.

 

The charger pad charges the devices individually via wireless phased induction coil technology.

 

My final project is developed for Cisco, and is a video communication device concept. Cisco has copyright of the project.

Esse realmente doeu :x confesso. Queria por o video mas é muito pesado.. Porém, entretanto, todavia... Se alguém quiser ver alguns minutos de aflição.. ta aqui www.youtube.com/watch?v=y3qrh43kkjY

Mas a dor é gostosa, ok. AUHUIAHUAI.

 

beijok

wall in the former submarine pilot in the harbour of Rotterdam

Surfacing, 2006

Woodfired porcelain, drift wood.

6" x 4" x 3"

 

Sold

Silicone, Lasercut Silicone, Drawing, Freestyle, Experiment, Texture, Elasticity, Opaque, Semi-Transparent, Stretchable, Surface Decoration, Materials Experiment, R+D, Tangible Interfaces Project, Eleanor-Jayne Browne, The D/sign Lounge

Asphalt concrete road surface in thailand

Oil pastel on manipulated found image

8 x 8

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