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Image from NASA's MRO showing the Martian surface.

ocado ULTRA KITCHEN ROLL

When they reach the underwater city, the Jedi ask for help but they are refused becaused they have aided the traitor Jar-jar Binks. They do however, lend them a Sea Dragon on which they can ride into the main Imperial city of Naboo.

A photograph of the surface of a bubble by Victor Napolski.

Yasuaki Onishi - Reverse of Volume RSK (2016)

Photo Hendrik Zeitler

Yasuaki Onishi - Reverse of Volume RSK (2016)

Photo Hendrik Zeitler

A photograph of the surface of a bubble by Victor Napolski.

Created for The Daily Shoot on January 27, 2011 #DS438:

Make a photograph that features a very distinct curved line or surface today

 

First thing that popped into mind was the curved surface of our wok. Although it turned out different as I first had in mind, I quite like the result.

This time was much more successful. I applied the solder paste with the tip of a sewing needle. Smearing it across the pads until I thought I had enough.

 

Result: No bridged pins!

I am in an exhibition at Cal Poly’s University Art Gallery "Beyond the Surface: The Photograph as Object", an exhibition curated by Aline Smithson from January 9 - January 31, 2020.

 

artgallery.calpoly.edu/2020/beyond-the-surface

 

As the practice of photography moves farther away from the tactile process of winding film through a camera and long meditative hours spent in the wet darkroom, the contemporary digital photographer is now experiencing an entirely different relationship to the image. With the proliferation of digital capture, with Photoshop replacing the darkroom, and instantaneous digital printing at the push of a button, photographs are now equally a product of the mind and technology, with the ability for limitless reproduction.

 

In response to this loss of the evidence of the artist’s hand, a number of artists are reconsidering the potential of an image with a move towards making rather than taking photographs. By using vintage and contemporary photographs as a starting point, artists are creating physically layered works of art that result in a handmade one-of-a-kind object, expanding the notion of what we consider photographic art. The exhibition Beyond the Surface features a variety of interventions and investigations that include collage, sewing, cutting, weaving and embroidery, all interrogating the material qualities of the physical photograph as an attempt to recover the magic of the photograph-as-object. As artist Maria Font describes, “My hands intervene with each work manually, and through this intimate, performatic ritual, the embodiment of the photograph becomes the common ground where the familiar and the foreign meet, as an individual attempt to blur the lines between the internal and external spaces of the body. The construction of these mental maps evokes diverse psychological states and emotions with meanings that are in constant flux, never fixed, just like our identities.”

 

Artists in the exhibition work in two ways, using imagery that they have created in camera or by using found or familial vernacular photos. The image is then punctured, deconstructed, or cut apart and reborn as a work of art, separate from the original image. Many of the artists explore themes of growing up, family, and memory; others use contemporary imagery to consider self or culture. Artist Liz Steketee states, “I use my life and family as material for my work. By doing this, I am able to explore the complexity that exists in the everyday and the richness found in the mundane. Through the use of montage, collage, and purposeful juxtaposition of photographs, it is my intention to examine the “truth” in life.” Artist Joe Rudko cuts and reorganizes found photographs to “break the illusion of the pristine image and suggest a variety of interpretations it can have. Working with analog methods in a digital era places these snapshots in dialogue with the present moment.”

 

Revisiting photographs with an Exacto knife or sewing needle provides a new way of examining, organizing, and interacting with more than just the image on the page. This reconsideration opens the door to limitless possibilities of creation, inspiring us to look more deeply at the potential of photographic imagination.

   

Tribo's Bar - Maringá, PR

colour scheme for second piece

Portland Japanese Garden

Image from NASA's MRO showing the Martian surface.

Image from NASA's MRO showing the Martian surface.

My card at the surface table. Here I can drag and drop pictures, virtual business cards, tweets etc. on my card...

With pen, texture paint and enamelling powder

participatory and dynamic print installation

organza, litho crayon & china marker

in collaboration with Jessica Meuninck-Ganger

Château de Chenonceau, Loire Valley, France

(Aug. 13, 2014) Ensign Ashley Mannix is the first female 5K runner to cross the finish line during the Naval Surface Force, U.S. Pacific Fleet Surface Line Week. More than 40 commands will participate in professional and athletic events until Aug. 15, and will conclude with a picnic and awards ceremony. (U.S. Navy photo by Mass Communication Specialist 2nd Class Zachary Bell/Released)

Cleverly parked my BacBook Pro on the MSFT Surface table... in a very magnanimous mood, MSFT security did not throw me out of the building for desacrating the thing :)

Running the knee up and down the column to make sure it stays parallel.

Quite happy with that, a bit under 2 tenths of a thou over 8" and still pointing in the right direction, and most of that seems to be wear in the old engineer's square I was using. :-)

 

This means that I've cured the problem I originally had, where the carriage was climbing up the V's giving a misleading indication.

 

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