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participatory and dynamic print installation
organza, litho crayon & china marker
in collaboration with Jessica Meuninck-Ganger
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via Outdoor Surface Painting outdoorsurfacepainting.tumblr.com/post/143994092471
Just Pinned to Anti Slip Step Paint: Cycle Lane Line Markings in...
Netball Court Surfacing:
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Background made using Spectra Bleeding Art Tissue and Fabric Medium. Painted cheesecloth, on top, and stitched.
Alternative Surfaces is a certified Ecoglo installer of Photoluminescent egress systems (PLES). Photoluminescent markings provide the most reliable and economical emergency pathway illumination.
Alternative Surfaces PLES include Exit Path Markers, Stair Tread Nosings, Aisle Markers, Hand Rail Markers, Exit Signs and more. These Photoluminescent products can be used in combination to provide a complete visible routing system for safe emergency egress. They recharge from ambient light -- whether daylight or fluorescent or incandescent interior lighting -- and glow reliably for over 24 hours. All Alternative Surfaces installed Photoluminescent products have received UL Certification and meet or exceed UL Codes. They are covered by a 10 year product and installation warranty.
The initial idea for this wood carving was a hand (mine) to be just gracing the surface of water. A tad ambitious considering I was intending to carve the water surface. Somewhere along the way I decided to use resin.
It was not an easier option. My first attempt at using this medium and things got messy!
Now that I have watched a couple of YouTube videos, I'm now an expert!
I am in an exhibition at Cal Poly’s University Art Gallery "Beyond the Surface: The Photograph as Object", an exhibition curated by Aline Smithson from January 9 - January 31, 2020.
artgallery.calpoly.edu/2020/beyond-the-surface
As the practice of photography moves farther away from the tactile process of winding film through a camera and long meditative hours spent in the wet darkroom, the contemporary digital photographer is now experiencing an entirely different relationship to the image. With the proliferation of digital capture, with Photoshop replacing the darkroom, and instantaneous digital printing at the push of a button, photographs are now equally a product of the mind and technology, with the ability for limitless reproduction.
In response to this loss of the evidence of the artist’s hand, a number of artists are reconsidering the potential of an image with a move towards making rather than taking photographs. By using vintage and contemporary photographs as a starting point, artists are creating physically layered works of art that result in a handmade one-of-a-kind object, expanding the notion of what we consider photographic art. The exhibition Beyond the Surface features a variety of interventions and investigations that include collage, sewing, cutting, weaving and embroidery, all interrogating the material qualities of the physical photograph as an attempt to recover the magic of the photograph-as-object. As artist Maria Font describes, “My hands intervene with each work manually, and through this intimate, performatic ritual, the embodiment of the photograph becomes the common ground where the familiar and the foreign meet, as an individual attempt to blur the lines between the internal and external spaces of the body. The construction of these mental maps evokes diverse psychological states and emotions with meanings that are in constant flux, never fixed, just like our identities.”
Artists in the exhibition work in two ways, using imagery that they have created in camera or by using found or familial vernacular photos. The image is then punctured, deconstructed, or cut apart and reborn as a work of art, separate from the original image. Many of the artists explore themes of growing up, family, and memory; others use contemporary imagery to consider self or culture. Artist Liz Steketee states, “I use my life and family as material for my work. By doing this, I am able to explore the complexity that exists in the everyday and the richness found in the mundane. Through the use of montage, collage, and purposeful juxtaposition of photographs, it is my intention to examine the “truth” in life.” Artist Joe Rudko cuts and reorganizes found photographs to “break the illusion of the pristine image and suggest a variety of interpretations it can have. Working with analog methods in a digital era places these snapshots in dialogue with the present moment.”
Revisiting photographs with an Exacto knife or sewing needle provides a new way of examining, organizing, and interacting with more than just the image on the page. This reconsideration opens the door to limitless possibilities of creation, inspiring us to look more deeply at the potential of photographic imagination.
hmm. to buy or not to buy this is the question. and certainly not without Windows8.
screenshot from surface.microsoftstore.com/store/msstore/Content/pbpage.S...
via Outdoor Surface Painting outdoorsurfacepainting.tumblr.com/post/139854301386
Just Pinned to Car Park Marking: Cycle Lane Line Markings in...