View allAll Photos Tagged surface
I had the opportunity to visit the Francis Beidler Forest before the floodwaters receded. The clear day and slow flowing water created the perfect envirnoment to capture some "reflection" shots. The majority of each image is actually a reflection on the surface of the flowing water.
Surface tension -- floating a pin on water is tough! Got this idea from a science book one of my sons brought home.
6.10.11
via Outdoor Surface Painting outdoorsurfacepainting.tumblr.com/post/144003712856
Just Pinned to Cycle Lane Colour Painting: Home in Lower...
I found ths small Smily chillin´ around a street in the Upper Westside, Manhattan. he seems to bee cool as always, and not pissed off being steped or squished by cars and people ;-)
Please see in large version...
PCA 141 Metallic Surfaces
Jan 23 – Feb 6, 2011 (2 weeks)
Image Tag: pca141
Assignment: One of the tougher lighting challenges in photography is dealing with shiny metallic surfaces. The reflective properties of polished metal can play tricks with exposure and make for challenging compositions. There should be many items around the house to use for subjects (cutlery, chromed items, jewelry, etc.).
WIT: A last minute entry for me, I was going to shoot a pair of nail clippers for th texture, but ended up using this wire wisk instead. I liked the lines it made.
Mind maping, week 4, Sumptuous Surfaces with Sharon B.
Starting idea: Unity/Onesss (in marriage and other areas)
via Outdoor Surface Painting outdoorsurfacepainting.tumblr.com/post/143177184971 Just Pinned to Car Park Marking: Cycle Lane Colour Painting in...
A little bit late-ish but here it is. Conceptually I like ths photo. But I hate how I rushed it. Don't be surprised is I do a revised version someday....
Strobist: One SB-800 @ 1/8th power camera right slightly in front of me zoomed to 105mm w/ diffuser.
One SB-800 @ full with R-68 at wall behind me.
The reflection is natural....
Rafael Lozano-Hemmer
Mexico City, Mexico, 1967
1992
Computerized surveillance system, custom-made software, AP
MNBAQ, anonymous gift (2014.237)
With its ouside eye that pursues anyone who crosses its path, this work is inspired byt the surveillance systems that are omnipresent in our daily lives. Executed at the time of the Gulf War, in which camera-guided bombs were first used on a large scale, this Orwellian piece remains strikingly topical, with the advent of drones and the disturbing prospect of their proliferation.