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Exploring surface texture and use of unconventional fabric combinations.
Taken from my A2 Art Textiles personal investigation project 'Grunge'.
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via Outdoor Surface Painting outdoorsurfacepainting.tumblr.com/post/144411449971
Just Pinned to Cycle Lane Line Marking: Home in Surrey - The...
Please view LARGE.
Ever wondered what Mars would look like if it becomes a tourist attraction? :)
This was taken en route to the sand dunes... a long stretch of nothingness on an empty road has a strangely calming effect on the mind.
If you own a Surface Pro 4 or a Surface Book, there is a good chance you are looking at picking up the Surface dock. The device, which will set you back $ 199, is not cheap but it does expand the functionality of your Surface quite a bit.
Earlier this week, I ordered two Dell...
www.solutionssquad.com/blog/how-to-run-two-4k-monitors-fr...
CLEARFIL MAJESTY™ Posterior is a light-curing, nano-superfilled, radiopaque restorative posterior composite resin composed of nano and micro inorganic fillers treated with a proprietary new surface coating technology. The new surface technology permits a larger quantity of nanofiller to be dispersed in the resin matrix, a matrix which consists of monomer and microfiller. The resulting resin matrix is reinforced with a filler loading of 92 wt% (82 vol%). CLEARFIL MAJESTY™ Posterior has an improved high surface hardness close to that of human enamel (high wear resistance, but friendly against an antagonist tooth), high mechanical strength (compressive strength: 504 MPa, flexural strength: 177 MPa), high durability, high curing depth, low polymerization shrinkage (1.5 vol%) and a low thermal expansion coefficient. These features assure a reliable posterior restoration with better marginal adaptation and a restoration that will last. In spite of the extremely high filler loading, CLEARFIL MAJESTY™ Posterior also has an easy shapable consistency and the high refractive matrix also provides another essential benefit, a very minor transparency shift after light-curing.
I am in an exhibition at Cal Poly’s University Art Gallery "Beyond the Surface: The Photograph as Object", an exhibition curated by Aline Smithson from January 9 - January 31, 2020.
artgallery.calpoly.edu/2020/beyond-the-surface
As the practice of photography moves farther away from the tactile process of winding film through a camera and long meditative hours spent in the wet darkroom, the contemporary digital photographer is now experiencing an entirely different relationship to the image. With the proliferation of digital capture, with Photoshop replacing the darkroom, and instantaneous digital printing at the push of a button, photographs are now equally a product of the mind and technology, with the ability for limitless reproduction.
In response to this loss of the evidence of the artist’s hand, a number of artists are reconsidering the potential of an image with a move towards making rather than taking photographs. By using vintage and contemporary photographs as a starting point, artists are creating physically layered works of art that result in a handmade one-of-a-kind object, expanding the notion of what we consider photographic art. The exhibition Beyond the Surface features a variety of interventions and investigations that include collage, sewing, cutting, weaving and embroidery, all interrogating the material qualities of the physical photograph as an attempt to recover the magic of the photograph-as-object. As artist Maria Font describes, “My hands intervene with each work manually, and through this intimate, performatic ritual, the embodiment of the photograph becomes the common ground where the familiar and the foreign meet, as an individual attempt to blur the lines between the internal and external spaces of the body. The construction of these mental maps evokes diverse psychological states and emotions with meanings that are in constant flux, never fixed, just like our identities.”
Artists in the exhibition work in two ways, using imagery that they have created in camera or by using found or familial vernacular photos. The image is then punctured, deconstructed, or cut apart and reborn as a work of art, separate from the original image. Many of the artists explore themes of growing up, family, and memory; others use contemporary imagery to consider self or culture. Artist Liz Steketee states, “I use my life and family as material for my work. By doing this, I am able to explore the complexity that exists in the everyday and the richness found in the mundane. Through the use of montage, collage, and purposeful juxtaposition of photographs, it is my intention to examine the “truth” in life.” Artist Joe Rudko cuts and reorganizes found photographs to “break the illusion of the pristine image and suggest a variety of interpretations it can have. Working with analog methods in a digital era places these snapshots in dialogue with the present moment.”
Revisiting photographs with an Exacto knife or sewing needle provides a new way of examining, organizing, and interacting with more than just the image on the page. This reconsideration opens the door to limitless possibilities of creation, inspiring us to look more deeply at the potential of photographic imagination.
From my bathroom. Took a lot of shots to get a few really decent ones, but once my timing was in sync with the drip it was OK.
Also, laying in the bath holding position to get the shot isn't anywhere near relaxing.
I quite like the limescale - I thought of cleaning it off, but then I figured that this was more "honest" (if that means anything to you!.?)
Handheld
Sigma 70-300 macro
Kenko 1.4 Converter
EX430 flash
Toddler Turf is the leader in synthetic turf play surface systems. Image Turf's history of innovation and advancement provide choices for your project that no one else can provide.
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Surface Line Week Sailing Competition finals on Aug. 17. (U.S. Navy photo by Mass Communication Specialist 2nd Class (SW/AW) Rosalie Garcia)
A LEGO replica of the famous 1972 photograph of the Earth taken from Apollo 17 while en route to the Moon. The surface of the Earth is rendered as a 3D curve protruding ~1" from the background. The assembled build measures 43×43×5 cm (17"×17"×2") and is designed to hang from a wall.
via Outdoor Surface Painting outdoorsurfacepainting.tumblr.com/post/149749253026
Just Pinned to Car Park Painting: Car Park Painting in Somerset...
via Outdoor Surface Painting outdoorsurfacepainting.tumblr.com/post/145905363536
Just Pinned to Cycle Lane Line Marking: Anti Slip Step Paint in...