View allAll Photos Tagged surface
My yard needs so much tlc right now. Every thing is overgrown. And, kodi, the dog, has been peeing on everything. I need to figure out how to get him to stop doing that.
September 2009 - at AM Radio's new art installation, Surface, which opened on Sept 21.
Visit his site, Surface, in Second Life, click on the paint spray can, and you are directed to the Graffiti Life website outside of Second Life where you will find the tools to make your own creation. Click upload when you are done, and it will appear on the train in SL. Eventually, it will be replaced by other's uploads, but all creations will also be automatically uploaded to the Surfacegraph Flicker site where they will be archived. A really enjoyable way to view them all, and see what others have come up with, is to click on "slide show" on the Flickr site, and view them that way.
It is loads of fun, and you can make as many graffiti creations as you like, so be sure to try it out.
Another brilliant idea by Mr AM Radio. What an amazing, and ever surprising mind he has.
Link to AM Radio's build, Surface, in Second Life:
slurl.com/secondlife/IDIA Laboratories/152/111/2057/
If you are not part of Second Life, or even if you are, you don't need to be in Second Life to participate. All you need to do is visit the Graffiti Life website, create your piece, and then upload.
Graffiti Life website: memoryprojector.com/graffiti/
All creations whether made by someone in Second Life or not, will be archived at the Surfacegraph Flickr site below:
www.flickr.com/photos/42726281@N03/
Train graffiti here, done by me.
Esse realmente doeu :x confesso. Queria por o video mas é muito pesado.. Porém, entretanto, todavia... Se alguém quiser ver alguns minutos de aflição.. ta aqui www.youtube.com/watch?v=y3qrh43kkjY
Mas a dor é gostosa, ok. AUHUIAHUAI.
beijok
via Outdoor Surface Painting outdoorsurfacepainting.tumblr.com/post/148873642096
Just Pinned to Playground Coloured Painting: Markings in Easter...
I am in an exhibition at Cal Poly’s University Art Gallery "Beyond the Surface: The Photograph as Object", an exhibition curated by Aline Smithson from January 9 - January 31, 2020.
artgallery.calpoly.edu/2020/beyond-the-surface
As the practice of photography moves farther away from the tactile process of winding film through a camera and long meditative hours spent in the wet darkroom, the contemporary digital photographer is now experiencing an entirely different relationship to the image. With the proliferation of digital capture, with Photoshop replacing the darkroom, and instantaneous digital printing at the push of a button, photographs are now equally a product of the mind and technology, with the ability for limitless reproduction.
In response to this loss of the evidence of the artist’s hand, a number of artists are reconsidering the potential of an image with a move towards making rather than taking photographs. By using vintage and contemporary photographs as a starting point, artists are creating physically layered works of art that result in a handmade one-of-a-kind object, expanding the notion of what we consider photographic art. The exhibition Beyond the Surface features a variety of interventions and investigations that include collage, sewing, cutting, weaving and embroidery, all interrogating the material qualities of the physical photograph as an attempt to recover the magic of the photograph-as-object. As artist Maria Font describes, “My hands intervene with each work manually, and through this intimate, performatic ritual, the embodiment of the photograph becomes the common ground where the familiar and the foreign meet, as an individual attempt to blur the lines between the internal and external spaces of the body. The construction of these mental maps evokes diverse psychological states and emotions with meanings that are in constant flux, never fixed, just like our identities.”
Artists in the exhibition work in two ways, using imagery that they have created in camera or by using found or familial vernacular photos. The image is then punctured, deconstructed, or cut apart and reborn as a work of art, separate from the original image. Many of the artists explore themes of growing up, family, and memory; others use contemporary imagery to consider self or culture. Artist Liz Steketee states, “I use my life and family as material for my work. By doing this, I am able to explore the complexity that exists in the everyday and the richness found in the mundane. Through the use of montage, collage, and purposeful juxtaposition of photographs, it is my intention to examine the “truth” in life.” Artist Joe Rudko cuts and reorganizes found photographs to “break the illusion of the pristine image and suggest a variety of interpretations it can have. Working with analog methods in a digital era places these snapshots in dialogue with the present moment.”
Revisiting photographs with an Exacto knife or sewing needle provides a new way of examining, organizing, and interacting with more than just the image on the page. This reconsideration opens the door to limitless possibilities of creation, inspiring us to look more deeply at the potential of photographic imagination.
via Outdoor Surface Painting outdoorsurfacepainting.tumblr.com/post/154379964926
Just Pinned to Cycle Lane Line Marking: Line Painting in...