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Sony a33 w/ Minolta 80-200 f2.8 HS APO. Processed in LR3.

this is may fave of these

this works large to see the surface tension

even original size ain't terrible

Surface of fire agate, photographed on December 10, 2017.

Name: Surface slit

Designer: Tomoko Fuse

Units: 30

Paper: 10,3 * 7,5

Final height: ~ 11,5

Joint: no glue

Test photos of bricks, how boring they are. Who cares how a camera/lens renders bricks, other than bricklayers?

20 metres or so long and 50 tons. Impressive creatures. More info here: raywatson.ca/photography/tadoussac-bergeronnes-photos-2015/

This is the image surface of tintype_3 which can be found in this same set.

 

You can see the texture of the surface because I am reflecting a light in it. The lumpy streaks on the lower right corner feel pretty smooth to the touch. I think that may be where the liquid emulsion coating was poured off to recover and save the excess.

The three circular mounting pads are located at the "Airy" points. The method of locating these points is described on the Starrett website,

 

"Another common cause for calibration variation is a plate that is improperly supported. A surface plate should be supported at three points, ideally located 20% of the length in from the ends of the plate. Two supports should be located 20% of the width in from the long sides, and the remaining support should be centered.

Only three points can rest solidly on anything but a precision surface. Attempting to support the plate at more than three points will cause the plate to receive its support from various combinations of three points, which will not be the same three points on which it was supported during production. This will introduce errors as the plate deflects to conform to the new support arrangement.

If the plate is properly supported, precise leveling is only necessary if your application calls for it. Leveling is not necessary to maintain the accuracy of a properly supported plate."

View On Black

 

© István Pénzes.

Please NOTE and RESPECT the copyright.

 

14th., June 2010, a few test shots with the FM3a and the newly acquired Nikon 45mm P 2,8 pancake.

 

Nikon FM3a

Nikon MD-12

Nikon Nikkor 45mm P 2,8

Agfa APX 100

Emofin, 2X5 min. at 20 degrees Celsius

Coolscan 5000

Total internal reflection in a high refractive index glass prism of a 632.8 nm laser beam used during a surface plasmon resonance experiment.

I did it! I did it! I caught the surface of the moon!

Red Mastertint coloured asphalt road surface

Sample textile design from 9-week "Exploring Surface Design" course at The Art League School in Alexandria, taught by Julie Booth.

 

Techniques: silk screen with Lutradur stencil

 

Spring 2010

Look at the yellow cute face. It's me, happily playing with MS Surface :)

laminate flooring handscratched surface

piso laminado

Color 2543#

size:1215x195x8.3mm/810x130x12.3mm/1212x194x8.3mm/1215x195x7mm/1215x165x12.3mm etc

overlay: AC1-AC4

HDF: 880-1100g/m3

Core: white/green

surface: small embossed,big embossed,medium emboss,crystal,silk,feather silk,gossy,mirror,hand scrathed,imitating real wood,etc

balance paper: brown,red,green,grey,etc

Click: double click,single click,unilin,arc click

bevel: streight,u-groove,v-groove

packing: pack by three layers corrugated paper boxes and wooden laminated pallets

A Biacore Surface plasmon Resonance Instrument.

Installation/event staged by American students visiting the Narkomfin building, January 2013. Images of Constructivist-era communal buildings, overlapping each other and the building's own complex surface, highlight the contradictions between the intended communal utopia and the complex reality of the buildings as they currently exist.

 

And....that's the Moscow trip! Thanks for playing along! Next up: catching up on recent shots here in the States, and then...Eurotrip 2012!

Another lobed, sinusoidal surface, found by accident. This one has octahedral symmetry and a pleasingly simple parameterization.

 

The surface is topologically equivalent to a torus. THough it's orientable, it is ambivalent about outside and inside--each lobe has the opposite orientation of its 3 neighbors.

 

The irregular texture is also a happy accident. Give it a spin here:

 

12tone.software/3/?v=surface&preset=8lobe

Grey goo is a hypothetical end-of-the-world scenario involving molecular nanotechnology in which out-of-control self-replicating robots consume all matter on Earth while building more of themselves, a scenario known as ecophagy.

Williamette Meteorite, American Museum of Natural History, New York

This is the image surface of tintype_3 which can be found in this same set.

 

You can see the texture of the surface because I am reflecting a light in it. The lumpy streaks on the lower right corner feel pretty smooth to the touch. I think that may be where the liquid emulsion coating was poured off to recover and save the excess.

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