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Surface Magazine No. 65 documents work for the "Project to Surface" exhibition, 2007. The exhibition featured the work of artists David Diao, Kaws, Leah Raintree, Kenji Hirata, Matzu-MTP, adapted by Ben Krone, into 3dimensional pieces that we then programmed for CNC milling.
this is may fave of these
this works large to see the surface tension
even original size ain't terrible
via Outdoor Surface Painting outdoorsurfacepainting.tumblr.com/post/144967504816
Just Pinned to Anti Slip Step Paint: Cycle Lane Colour Painting...
Test photos of bricks, how boring they are. Who cares how a camera/lens renders bricks, other than bricklayers?
DPR, in partnership with the Office of the Deputy Mayor for Planning and Economic Development, converted the existing, and heavily used, natural grass baseball/softball diamond and football field into a new FieldTurf artificial turf playing surface. The new FieldTurf athletic field features a 60-foot baseball/softball diamond, and line overlays for football and soccer practice fields. New dugouts and backstop fencing were also installed for the baseball/softball field.
Xingyuan Chen explains the Environmental Significance of the Groundwater-Surface Water Interaction Zone project to guests from Virginia Tech.
Terms of Use: Our images are freely and publicly available for use with the credit line, "Courtesy of Pacific Northwest National Laboratory"; Please use provided caption information for use in appropriate context.
Charcoal drawing (135cms x 85cms) on watercolour paper underlaid with various other papers (brown wrapping paper, cartridge paper, black tinted paper, soft cardboard, tissue paper etc.)
The surface of the paper has been drawn with charcoal, torn, cut into, etc. exposing the underlaid papers.
The drawing is based upon the activities of land artists (Robert Smithson, Michael Heizer etc.) where the surface of the earth was used to create art work.
The disruption of the surface
Scoop out and drag debris all over the place
Excavations of the surface form shapeless mounds of debris
debris has its own properties and grandeur
Cracked broken and shattered
Fragmentation, erosion, decomposition
Deposits of waste
Abstract geology
Displacement of the surfaces materials
The surface can never be returned to its original state
The residue is still retained on the surface
Irreversibility
Words and phrases from the writings of Robert Smithson
This is the image surface of tintype_3 which can be found in this same set.
You can see the texture of the surface because I am reflecting a light in it. The lumpy streaks on the lower right corner feel pretty smooth to the touch. I think that may be where the liquid emulsion coating was poured off to recover and save the excess.
The three circular mounting pads are located at the "Airy" points. The method of locating these points is described on the Starrett website,
"Another common cause for calibration variation is a plate that is improperly supported. A surface plate should be supported at three points, ideally located 20% of the length in from the ends of the plate. Two supports should be located 20% of the width in from the long sides, and the remaining support should be centered.
Only three points can rest solidly on anything but a precision surface. Attempting to support the plate at more than three points will cause the plate to receive its support from various combinations of three points, which will not be the same three points on which it was supported during production. This will introduce errors as the plate deflects to conform to the new support arrangement.
If the plate is properly supported, precise leveling is only necessary if your application calls for it. Leveling is not necessary to maintain the accuracy of a properly supported plate."
© István Pénzes.
Please NOTE and RESPECT the copyright.
14th., June 2010, a few test shots with the FM3a and the newly acquired Nikon 45mm P 2,8 pancake.
Nikon FM3a
Nikon MD-12
Nikon Nikkor 45mm P 2,8
Agfa APX 100
Emofin, 2X5 min. at 20 degrees Celsius
Coolscan 5000
Total internal reflection in a high refractive index glass prism of a 632.8 nm laser beam used during a surface plasmon resonance experiment.
via Outdoor Surface Painting outdoorsurfacepainting.tumblr.com/post/151055992691
Just Pinned to Cycle Lane Colour Painting: Anti Slip Pathway in...
Sample textile design from 9-week "Exploring Surface Design" course at The Art League School in Alexandria, taught by Julie Booth.
Techniques: silk screen with Lutradur stencil
Spring 2010
Pictures from Microsoft Austrias launch event in Vienna. Surface Pro 3, latest Lumia Phones. Bloggers, Journalists, Social Media Enthusiasts.
All photos by (c) Christoph Liebentritt.
laminate flooring handscratched surface
piso laminado
Color 2543#
size:1215x195x8.3mm/810x130x12.3mm/1212x194x8.3mm/1215x195x7mm/1215x165x12.3mm etc
overlay: AC1-AC4
HDF: 880-1100g/m3
Core: white/green
surface: small embossed,big embossed,medium emboss,crystal,silk,feather silk,gossy,mirror,hand scrathed,imitating real wood,etc
balance paper: brown,red,green,grey,etc
Click: double click,single click,unilin,arc click
bevel: streight,u-groove,v-groove
packing: pack by three layers corrugated paper boxes and wooden laminated pallets