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Panel from Chiho Aoshima's "City Glow, Mountain Whisper", on display at Gloucester Road Tube station
Bloomers, Schumm workshop
revista colectiva -Superflat-
www.colectivoyox.com/IMAGENES/Superflatmagazine_Blommers-...
Free download.
Smalto su Lampada
Un altro esempio di come l'arte di Pao possa essere applicata in differenti campi.
Qui il pinguino entra negli ambienti casalinghi...
Pao's invasion or Penguin's invasion?
Panel from Chiho Aoshima's "City Glow, Mountain Whisper", on display at Gloucester Road Tube station
BLUM is pleased to present Thirty Years: Written with a Splash of Blood, a milestone exhibition celebrating the gallery’s thirtieth anniversary, installed across its three locations—Los Angeles, Tokyo, and New York. Co-curated by Tim Blum and postwar Japanese art historian Mika Yoshitake, this presentation is an inter-generational survey of Japanese art from the 1960s to today.
The title is excerpted from a line in Nobel Prize-nominated author Yukio Mishima’s Runaway Horses, a celebrated novel that touches on themes of national identity, self-actualization, and the power of reincarnation. Impossible to encapsulate in its entirety, this exhibition strives to present a snapshot of the tremendous influence Japan has had on the gallery, reflecting on Blum’s first trip to Japan forty years ago and the relationship that has grown since. This vital exchange catalyzed the gallery’s groundbreaking work with Japanese and international artists, including foundational exhibitions of artists Yoshitomo Nara and Takashi Murakami; the acclaimed 2012 survey Requiem for the Sun: The Art of Mono-ha; and Parergon: Japanese Art of the 1980s and 1990s in 2019. In these thirty years open to the public, the gallery has hosted some sixty-five solo and group exhibitions of Japanese postwar art, alongside live music and performance. The exhibition features work by key artists from Gutai, Hi-Red Center, Mono-ha, New Painting, and Superflat movements through today, traversing the decades from the immediate aftermath of postwar Japan, onward. The first installment of this multi-location project opens in Los Angeles, spanning over 6,500 square feet of exhibition space.
Para los que aún no han oÃdo hablar de él, baste recurrir a una definición tan manida como certera y aclaratoria para el público occidental: Takashi Murakami es el Andy Warhol japonés. Hasta el 20 de julio, puede conocerse su obra y su universo en tecnicolor en las litografÃas de una exposición en el Centro de Historia de Zaragoza. Junto a ella, se puede ver "Puni Puni", las obras de 16 jóvenes artistas inspiradas en el kawaii japonés.
Centro de Historia (plaza de San AgustÃn)
Panel from Chiho Aoshima's "City Glow, Mountain Whisper", on display at Gloucester Road Tube station
Note: I regret not getting this eye before some idiot basically scrapped their shoe across the eye, I find this very disrespectful to Mr. Murkami and hope whoever did this feels shame for ruining such beautiful work.
I used the layer mask and gradient techniques I learned in Marie's 2nd and 3rd videos.
scrapbook page and elements from
www.deviantscrap.com/shop/product.php?productid=17877&...
The street is in Paris, original photo here:
www.flickr.com/photos/joy4650/4858272790/
The definition of antevasin:
superflat.typepad.com/nevermindthebricolage/2006/09/antev...