View allAll Photos Tagged subtle
The THEMIS VIS camera contains 5 filters. The data from different filters can be combined in multiple ways to create a false color image. These false color images may reveal subtle variations of the surface not easily identified in a single band image. Today's false color image shows sand dunes on the floor of Russell Crater.
Best known for it's huge ridge dune, the floor of Russell Crater contains other dune fields, like the one in this image. These are individual dunes, showing the crater floor surface between each dune. This type of dune field develops where there is only limited amounts of sand available for dune building. Russell Crater is located in Noachis Terra and is 135km (83miles) in diameter.
The THEMIS VIS camera is capable of capturing color images of the Martian surface using five different color filters. In this mode of operation, the spatial resolution and coverage of the image must be reduced to accommodate the additional data volume produced from using multiple filters. To make a color image, three of the five filter images (each in grayscale) are selected. Each is contrast enhanced and then converted to a red, green, or blue intensity image. These three images are then combined to produce a full color, single image. Because the THEMIS color filters don't span the full range of colors seen by the human eye, a color THEMIS image does not represent true color. Also, because each single-filter image is contrast enhanced before inclusion in the three-color image, the apparent color variation of the scene is exaggerated. Nevertheless, the color variation that does appear is representative of some change in color, however subtle, in the actual scene. Note that the long edges of THEMIS color images typically contain color artifacts that do not represent surface variation.
This martian scene spans 17 x 62 kilometers (11 x 38 miles). To see where on Mars this area lies, and to download high-resolution versions of the image go to themis.asu.edu/zoom-20240917a
See the Red Planet Report at redplanet.asu.edu for updates on Mars research and exploration. For more about Mars geology, check out the Mars-ePedia: marsed.asu.edu/marsepedia
For the latest THEMIS Mars images as received by mission scientists, see themis.asu.edu/livefrommars. To learn more about the THEMIS camera and its Mars images, see themis.asu.edu
This image is in the public domain and may be republished free of charge. If used, please credit it as NASA/JPL-Caltech/Arizona State University.
Awesome pack of 90 free subtle patterns from Photoshop Supply
Subtle Patterns - www.photoshopsupply.com/patterns-textures/90-subtle-patte...
Ten reasons Bicycle seats make great subjects:
They will hold a pose as long as you require without complaining
They do not have an ego problem
They don't have agents
They are not booked when you want to shoot
They don't require hair and makeup "people"
They don't have "people"
They don't have "bad skin / hair days"
They don't have a "better" idea for the shot
They never have an attitude problem
And the number ONE reason -
THEY WORK FOR FREE!!!
#205 of the 365day challenge. in an aRt school after a modeling gig reflected in a poster on the wall.
we are continuing our quest to be as safe and visible as possible, we have the neon tights, the neon tops, reflective belts, bands, etc, we have the ANSI / OSHA certified class III reflective vests, but we continue the quest to have outfits that are visible as well as comfortable to wear as we walk, run or bike.
These are the neon yellow outfits we have tried, from the company in Florida, we have some neon orange outfits, the neon orange color may be the better color for wear during the summer, as the orange contrasts with the greenery we have here on the Alabama Gulf Coast. The neon yellow appears better for the late afternoon, evening and nights when paired with reflective belts, bands and / or vests.
Since we both usually run in races together, the neon outfits we wear show up in the sea of black, and blues and white outfits. There have been a number of comments by local media about the couple with the neon yellow (or green or orange) outfit we may be wearing. One local station has made several comments how we stand out in the sea of runners, walkers, sorry we do not do bike races, to dangerous. We have a couple of other couples who run with us, along with their kids, and we all wear the same color outfits when we race, and we tend to run as a group, 10 runners in neon yellow tights and tops, grouped together really tend to stand out as a right spot in all the other non-neon clothing.
we have had a number of negative comments from some others who make fun of our visibility, like guys do not wear neon yellow, neon green or neon orange is the usual comment form the guys in their black shorts and tights. After several cyclists have been hit here in he Mobile area there appears to be a subtle change occurring, there are now a couple of others who have adopted neon yellow, green or orange. There are now a few more folks out for walks and runs with reflective materials.
as mentioned above, there are a few others who share the desire to be seen and safe.
older post below:
determined that I needed to be more visible while we rode out bicycles on and near roads.
most bikers wear a colored top, not necessarily neon and black shorts and bottoms, really not that visible. A lot of the colored tops act more like camouflage rather than being visible as a solid color would be.
we found the neon tops at a local sporting goods store and the tights come from a company in Florida. who has them in 51 colors, a number of them neon.
we have some zentari suits we wear that are neon, wearing over bike clothing stretches them in the waist and bottom area, kind of baggy for running, we found these work better able to replace as needed when worn.
we get stopped regularly by others who tell us we stand out from a long distance, we are quite visible..
Another shot taken during the Feast of the Flowering Moon at Yoctangee Park. Below is another image from the event--cotton candy, anyone? Summer Fun challenge entries are due this weekend for OhioFoothills' members.
Thought this image looked better desaturated with some subtle brush strokes as there was a lot of late afternoon glare. Gave it a bit of vintage look.
Now, I'm off to visit my favorite New Yorkers....
I'm currently working on subtle multiple lights enhanced portraiture when I can.
Shot this portrait in the late afternoon with a 3 light set-up in the open shade.
Softlighter 2m from subject on a boom 12 o'clock, SB-24 with a nikon power pack @ 50mm & 1/2 as fill light.
2 bare SB-26's on nanos 11 o'clock left and 2 o'clock right 5m from subject. Cam left one was zoomed in, aiming a little bit towards my lens to act as sunlight @ 85mm & 1/8; cam right one was tilted slightly away from subject and zoomed out to give a bit of rim separation @ 24mm & 1/8.
Et voilà.
A reflector on the ground would have been nice..
Oh well. Next time.
All speedlights were triggered with Elinchrom Skyports.
The gate in front of Villa Ciani the give access to a small wharf. The first rays of sunshine are lighting up the summit of the San Salvatore mountain.
By shifting the Canon TS-E 24mm f/3.5L II horizontally it possible to perfectly overlap several images in order to create a panorama. The main advantage of creating panoramas with a Tilt and Shift lenses is that the pictures can be merged seamlessly without the need of distorting the original images. The same operation with a normal wide angle lens on APS-C or Fullframe sensor would result more complicated since the lens must be rotated around its focal point in order to avoid parallax errors, thus a bi-axial gimbal is needed on top of tripod. Furthermore the use of sophisticated and expensive panorama photo stitcher software is needed in order to apply distortions and to fix subtle and hard to correct parallax errors by setting control points (ok, hugin for linux is free and works quite well).
Furthermore creating panoramas of night scenes is much easier with an tilt & shift lens than with a normal wide-angle lens on gimbal mount since you have only to rotate a single knob to shift back and forward! Indeed if you have experience with night photography you know for sure that in the dark it is even hard to find the shutter release button!
Press "L" to see it large on black.
Greetings from the Symonds St. Cemetery. Don't you just love the subtle light textures, and the way the greys gently merge with the greens? Isn't the composition nicely balanced? Never mind the subtext of death and decay, just look at this as a combination of shapes and colors. Oh, and by the way, you can't see it but the tombstone has your name on it.
HORROR IN THE BROAD DAYLIGHT
Ghosts catching the Symonds St. bus
Don't bother to pay, it's no fuss
For those who can seem them it's just
Horror in the broad daylight
Not asking, ghosts join us for lunch
What a mannerless, rude, noisy bunch
How scary, mid-meal, is the hunch
We're in for horror in the broad daylight
Ghosts glued to my cable TV
As the new documentary 'bout me
Makes them all laugh so insultingly
True horror in the broad daylight
Ghosts gleefully gatecrash your picnic
Soon enough they get up to their old tricks
See them running away with your chopsticks
Chinese horror in the broad daylight
Ghosts talk to me in English Lit.
About stuff you do, not showing it
How you hurt me, not knowing it
That’s horror in the broad daylight
Ghosts untying the Gucci shoes
Of naughty rich kids sniffing glue
Who'll trip, fall and get black and blue
Screaming horror in the broad daylight
The ghosts are all down in the pub
Drinking Afterlife Beer by the tub
Libation gives quite a nice rub
To horror in the broad daylight
Ribald sidewalk shouts as ghosts grab their crotches
Pound too much bad music and too many scotches
Bidding all the schoolgirls obscene buenos noches
After horror in the broad daylight
Ghosts give me kindly encouragement
To not so much nurture my resentment
But instead embrace their morbid merriment
Of horror in the broad daylight
The ghosts are all going to sleep
Afterlife appointments to keep
So you go on living and weep
For more horror in the broad daylight
A STYLISH GRAVE
Make me a stylish gave when
I'm just a memory. Mark out
A little patch of ground that
Reminds everyone I used to
Be around. Waterproof it, por
Favor, cause I won't have a
Roof anyomore. I'll blend
With nature, become one
With the cycle of rain and
Sunshine, exist just as
A footnote to the family
History, which will go on
Without me. If there's no
Room left in the cemetery
To make me a stylish grave,
Then scatter my ashes out
Into the universe, and in
My own time and space I'll
Cluster with other galaxy
Dust to make new suns
To brighten your own days.
The image of a bird without drawing a bird. This image works with negative space and design. I like the subtlety of the yellow ink on the brown paper.
It wasn't until after I finished taking photos that I remembered this outfit came with leggings. Boy that skirt is short! The skirt is attached to the white shirt, with a ribbon-belt covering the seam. The tulle is really soft and stretchy, with very subtle glitter.
The body also came from "Life in the Dreamhouse" Raquelle, but the skintone isn't much of a match for this head (Top Model Summer, hair wear, rerooted)
Modified my boyfriend's jeans with hand-embroidery, in neon-yellow thread.My camera cannot capture the daygloitude, but it can be seen from very far away.
On my first visit of the year to Oare Marshes, a nice sunny morning but not ideal conditions with cold wind and very muddy underfoot. However a couple of female Bearded Tits put up a brief appearance out from the cover of the reed beds :0)
This one does have some shadow cast on it but that is the problem at this time of year, shadows can be very long :0)
This is a VINTAGE Japanese Komon. Komon are informal kimono worn at home and about town. They are essentially the jeans and t-shirt combo of the kimono world. This kimono likely originates in the mid to late Showa Period (1926 - 1989), likely the 1970's. This piece has a very subtle woven pattern. The detail photos show the actual colour of this kimono best.
I have inspected this kimono in detail, and it has a few minor stains on the interior, but the exterior is clean. Overall, I would rate this kimono in good vintage condition. There are no tears or seam separations. This garment can be worn. I believe this garment is 100% silk. The exterior seems to be omeshi silk (a high quality ikat textile), while the lining is likely habbotai.
MEASUREMENTS:
151cm - Long (Collar to Hem)
124cm - Arm span
59cm - Width across the back
137cm - Total width of skirt
49cm - Sleeve drop
SIZING:
If you are unsure of how to interpret the kimono's size it is important to know that the length (collar - hem) should be approximately 10cm longer to 10cm shorter than the wearer's overall height (longer is better). This is because the excess length will be folded up at the waist. Meanwhile, the skirt should wrap around the hips a full 1.5 times. The armspan should also reach wrist to wrist on the wearer. In this case, the kimono will ideally fit a woman about 141cm (4'8") - 161cm (5'3") tall, with hips about 91cm (36") around. There is some give and take in these measurements though.
Free to use as a texture or layer.
Please credit if used or post a small sized image here.
It's always interesting to see how other people have used textures
Thanks : )
The interest of this picture is subtle... Notice how the trail is dry, except for as it goes under the trees? It's only there that the fog condenses and rains under the trees. The opposite of normal rain! Purisima Creek Redwoods Open Space Preserve.
While typical propaganda involves agressive and brightly color banners or pictures, sometimes it is more subtle, featuring landscapes, scenery or flowers. The untrained eye may not take the hint immediately, however Koreans will identify the themes on the spot--here, the billboard on the right depicts Kimjongilias, the flower dedicated to President Kim Il Song, while the billboard on the left depicts his childhood home in the outskirts of Pyongyang.
humanitybesideus.net/2012/10/15/beijing-to-pyongyang-by-t...
(c) humanitybesideus.net. All rights reserved. Do not reuse without explicit authorization.
I gave my Pullips additional eyelashes last weekend, but I don't think Paige looks any different with them!
There's been a bit of discussion over in the Panasonic G UK group about the definition of SOOC. There are those who say that a JPEG produced from a RAW file run through a converter (Lightroom, Silkypix or suchlike) at default settings is acceptable as SOOC. There are others who say you can only call it SOOC if the JPEG is produced in camera and that those produced by external converters don't precisely reproduce the effects of the camera settings. Now some of the RAW users accept that there may be some differences but these are so subtle as to be insignificant.
So i thought i'd do a little experiment. I usually shoot RAW +JPEG, the Stairway to Heaven picture i posted is a SOOC JPEG, produced directly by the camera, the Subtly Different picture you see here is the same shot, but with the JPEG produced from the RAW file using Lightroom at default settings. Go on, admit it, you'd never have noticed the difference if i hadn't told you eh?
All of this tossing and juggling ... with a smile and an eye on me rather than the implements! This was taken without flash which captures a hint of the speed at which he was moving!
"Soup should be heralded with a mellow horn,
Blowing clear notes of gold against the stars;
Strange entrees with a jangle of glass bars
Fantastically alive with subtle scorn;
Fish, by a plopping, gurgling rush of waters,
Clear, vibrant waters, beautifully austere;
Roast, with a thunder of drums to stun the ear,
A screaming fife, a voice from ancient slaughters!
Over the salad let the woodwinds moan;
Then the green silence of many watercresses;
Dessert, a balalaika, strummed alone;
Coffee, a slow, low singing no passion stresses;
Such are my thoughts as -- clang! crash! bang! -- I brood
And gorge the sticky mess these fools call food!"
~ Stephen Vincent Benet, 1898-1943 ~
PS - The food was delicious! Orchestrated to perfection.
1. DSCN5054, 2. DSCN5057, 3. DSCN5056, 4. DSCN5055
Created with fd's Flickr Toys
Ph & Make up. Veronica Ibáñez
Stylist & Hair: Agustin Silva
Modelo: Karina Pozo
Indumentaria: Teresa Valencia & Witboy
Accesorios: Daniela Ponce
Every tween girl in your life is just dying for this set. Subtly encourage clean living and personal hygiene with the BFF! OMG! Body Wash Cream Mist and Butter Set. In addition to the inspirational wall art (two 10” square mounted canvas works of art © by Lauren Rider, Penny Lane Publishing) you get in a lovely zipper-topped red mesh bag (approximately 7” square):
2 ounces of Mary Kay® glistening winterberry body butter
2 ounces of Mary Kay® glistening winterberry body mist
3 ounces of Mary Kay® glistening winterberry body wash
2 ounces of Avon Vita Moist hand cream in a jaunty snowman tube
1.7 ounces of Avon Moon Orchid body cream
2 fluid ounces of Avon Moon Orchid body mist
2 fluid ounces of Avon Moon Orchid body wash
What a bonanza! And you can have it all without having to deal with your local network marketing salesperson
Soap, Hygiene, Cleanliness, Barrier creams
although she has the bone in her mouth she also felt the need to put her paw on it as a subtle way of claiming the bone as hers....
I was lying awake during one of my many midnight, 'brain won't swtich off' modes, getting more and more angry at myself for not being able to sleep.
I tried to just start enjoying the silence and the darkness and as my eyes adjusted, the darkness kind of faded away. A very small and not unique observation, but this 'thought' popped into my head and refused to go away!
I'd been having a really bad week - so this was almost a lightbulb moment (no pun intended!) and I almost immediately felt calmer and sleepier .... success!!