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Kazakhstan Air Force Sukhoi Su-27M2 14 Yellow (cn 36911031717) returning after the evening demonstration at the official opening of KADEX-2016, Astana Kazakhstan (7647).
The Kazakh Su-27M2 is an upgraded version of the original Su-27. The upgrade to ‘M2’ standard, adding satellite navigation systems and expanded weaponry, was conducted by the Belarusian РУВП 558-ы авіяцыйны рамонтны завод (558th Air Repair Plant) in Баранавічы (Baranovichi) during 2009/2010. The ‘UB’ designation is reserved for the two-seater versions of the Su-27.
Sources: en.wikipedia.org/wiki/Sukhoi_Su-27 en.wikipedia.org/wiki/Armed_Forces_of_the_Republic_of_Kaz... su27flankerfamily.wordpress.com/2015/12/13/su-27-kazakhst...
The wing sweep on the real aircraft has four standard settings which are manually controlled by the pilot.
Photo and retouch: Viet Nguyen
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Liên hệ chụp ảnh: Việt - 0988 999 328
Email: vietnguyenphoto@yahoo.com
Website: www.vietnguyenphoto.com
Facebook: www.facebook.com/viet.stone
Segura de la Sierra es una localidad y municipio español de la provincia de Jaén, en la comunidad autónoma de Andalucía, perteneciente a la comarca de Sierra de Segura.
Segura de la Sierra es una hermosa villa situada en pleno corazón de la sierra de Segura, ubicada al noreste de Andalucía. Es, sin duda, uno de los pueblos más bellos de Andalucía y, como tal, forma parte de la Red de Pueblos más bonitos de España.
Segura da nombre a un río, a una comarca y es sinónimo de historia. Visitando esta localidad podemos empaparnos de historia y patrimonio en su casco urbano o saborear la naturaleza en su máxima expresión en las numerosas aldeas de su amplio territorio municipal.
Desde su castillo, de origen musulmán, se divisan unas impresionantes panorámicas de toda la zona, que se distingue por su amplia serranía, con una riqueza natural y forestal enorme. Forma parte del Parque Natural de las Sierras de Cazorla, Segura y Las Villas, el mayor espacio protegido de España.
Este maravilloso entorno, sus calles y rincones históricos hacen que Segura de la Sierra haya sido declarada Conjunto Histórico-Artístico y Paraje Pintoresco.
Segura de la Sierra y sus altas cimas sirvieron para iluminar la mejor literatura del Renacimiento, de la mano de Jorge Manrique, autor de las “Coplas a la muerte de mi padre”.
-Esta bien dijo- la doncella- y se fue quitando la piel a manotadas mientras el dragón la miraba impaciente, nunca había visto un alma desnuda tan pura y necesitada de las urgencias del amor, el delicioso espíritu de la doncella fue digerido de una sola mascada por la bestia hambrienta.
La tribu, según la promesa de los dioses tendrían la bendición del agua al día siguiente y sus cosechas se salvarían de la muerte , maldición de una sequía infinita.
Al amanecer los habitantes recibieron alborozados el sonido de los truenos que anunciaban el sello de la alianza entre los hombres y el cielo,un aguacero de fuego los abrazo por completo,mientras en el firmamento se dibujaba la silueta de un dragón cabalgado por el espíritu de una doncella escarlata.
Su mayor virtud y su mejor regalo. Si alguien sabe, lo que es sonreír a la adversidad, es ella.
Desafio en Lio: 16/31
Como,Vincenzo Castella's exhibition. 180x300cm LightJet prints: scans by CastorScan
N3 LightJet prints 180x300 cm on Kodak Endura Paper
Scans by CastorScan
Stampe digitali LightJet 180x300 cm su carta Kodak Endura.
Scansioni da negativi colore Kodak Portra 160NC 12x20 pollici (30x51 cm) realizzate da CastorScan su scanner a tamburo.
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CastorScan's philosophy is completely oriented to provide the highest scan and postproduction
quality on the globe.
We work with artists, photographers, agencies, laboratories etc. who demand a state-of-the-art quality at reasonable prices.
Our workflow is fully manual and extremely meticulous in any stage.
We developed exclusive workflows and profilation systems to obtain unparallel results from our scanners not achievable through semi-automatic and usual workflows.
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CastorScan uses the best scanners in circulation, Dainippon Screen SG-8060P Mark II, the best and most advanced scanner ever made, Kodak-Creo IQSmart 3, a high-end flatbed scanner, and Imacon 848.
The image quality offered by our Dainippon Screen 8060 scanner is much higher than that achievable with the best flatbed scanners or filmscanners dedicated and superior to that of scanners so-called "virtual drum" (Imacon – Hasselblad,) and, of course, vastly superior to that amateur or prosumer obtained with scanners such as Epson V750 etc .
Dainippon Screen SG-8060P Mark II exceeds in quality any other scanner, including Aztek Premier and ICG 380 (in the results, not just in the technical specifications).
8060's main features: 12000 dpi, Hi-Q Xenon lamp, 25 apertures, 2 micron
Aztek Premier's main features: 8000 dpi, halogen lamp, 18 apertures, 3 micron
ICG 380's main features: 12000 dpi, halogen lamp, 9 apertures, 4 micron
Some of the features that make the quality of our drum scanners better than any other existing scan system include:
The scans performed on a drum scanner are famous for their detail, depth and realism.
Scans are much cleaner and show fewer imperfections than scans obtained from CCD scanners, and thus save many hours of cleaning and spotting in postproduction.
Image acquisition by the drum scanner is optically similar to using a microscopic lens that scans the image point by point with extreme precision and without deformation or distortion of any kind, while other scanners use enlarger lenses (such as the Rodenstock-Linos Magnagon 75mm f8 used in the Hasselblad-Imacon scanners) and have transmission systems with rubber bands: this involves mild but effective micro-strain and micro-geometric image distortions and quality is not uniform between the center and edges.
Drum scanners are exempt from problems of flatness of the originals, since the same are mounted on a perfectly balanced transparent acrylic drum; on the contrary, the dedicated film scanners that scan slides or negatives in their plastic frames are subject to quite significant inaccuracies, as well as the Imacon-Hasselblad scanners, which have their own rubber and plastic holders: they do not guarantee the perfect flatness of the original and therefore a uniform definition between center and edge, especially with medium and large size originals, which instead are guaranteed by drum scanners.
Again, drum scanners allow scanning at high resolution over the entire surface of the cylinder, while for example the Hasselblad Imacon scans are limited to 3200 dpi in 120 format and 2000 dpi in 4x5" format (the resolution of nearly every CCD scanner in the market drops as the size of the original scanned is increased).
Drum scanners allow complete scanning of the whole negative, including the black-orange mask, perforations etc, while using many other scanners a certain percentage of the image is lost because it is covered by frames or holders.
Drum scanners use photomultiplier tubes to record the light signal, which are much more sensitive than CCDs and can record many more nuances and variations in contrast with a lower digital noise.
If you look at a monitor at 100% the detail in shadows and darker areas of a scan made with a CCD scanner, you will notice that the details are not recorded in a clear and clean way, and the colors are more opaque and less differentiated. Additionally the overall tones are much less rich and differentiated.
We would like to say a few words about an unscrupulous and deceitful use of technical specifications reported by many manufacturers of consumer and prosumer scanners; very often we read of scanners that promise cheap or relatively cheap “drum scanner” resolutions, 16 bits of color depth, extremely high DMAX: we would like to say that these “nominal” resolutions do not correspond to an actual optical resolution, so that even in low-resolution scanning you can see an enormous gap between drum scanners and these scanners in terms of detail, as well as in terms of DMAX, color range, realism, “quality” of grain. So very often when using these consumer-prosumer scanners at high resolutions, it is normal to get a disproportionate increase of file size in MB but not an increase of detail and quality.
To give a concrete example: a drum scan of a 24x36mm color negative film at 3500 dpi is much more defined than a scan made with mostly CCD scanner at 8000 dpi and a drum scan at 2500 dpi is dramatically clearer than a scan at 2500 dpi provided by a CCD scanner. So be aware and careful with incorrect advertisement.
Scans can be performed either dry or liquid-mounted. The wet mounting further improves cleanliness (helps to hide dirt, scratches and blemishes) and plasticity of the image without compromising the original, and in addition by mounting with liquid the film grain is greatly reduced and it looks much softer and more pleasant than the usual "harsh" grain resulting from dry scans.
We use Kami SMF 2001 liquid to mount the transparencies and Kami RC 2001 for cleaning the same. Kami SMF 2001 evaporates without leaving traces, unlike the traditional oil scans, ensuring maximum protection for your film. Out of ignorance some people prefer to avoid liquid scanning because they fear that their films will be dirty or damaged: this argument may be plausible only in reference to scans made using mineral oils, which have nothing to do with the specific professional products we use.
We strongly reiterate that your original is in no way compromised by our scanning liquid and will return as you have shipped it, if not cleaner.
With respect to scanning from slides:
Our scanners are carefully calibrated with the finest IT8 calibration targets in circulation and with special customized targets in order to ensure that each scan faithfully reproduces the original color richness even in the most subtle nuances, opening and maintaining detail in shadows and highlights. These color profiles allow our scanners to realize their full potential, so we guarantee our customers that even from a chromatic point of view our scans are noticeably better than similar scans made by mostly other scan services in the market.
In addition, we remind you that our 8060 drum scanner is able to read the deepest shadows of slides without digital noise and with much more detail than CCD scanners; also, the color range and color realism are far better.
With respect to scanning from color and bw negatives: we want to emphasize the superiority of our drum scans not only in scanning slides, but also in color and bw negative scanning (because of the orange mask and of very low contrast is extremely difficult for any ccd scanner to read the very slight tonal and contrast nuances in the color negative, while a perfectly profiled 8060 drum scanner – also through the analog gain/white calibration - can give back much more realistic images and true colors, sharper and more three-dimensional).
In spite of what many claim, a meticulous color profiling is essential not only for scanning slides, but also, and even more, for color negatives. Without it the scan of a color negative will produce chromatic errors rather significant, thus affecting the tonal balance and then the naturalness-pleasantness of the images.
More unique than rare, we do not use standardized profiles provided by the software to invert each specific negative film, because they do not take into account parameters and variables such as the type of development, the level of exposure, the type of light etc.,; at the same time we also avoid systems of "artificial intelligence" or other functions provided by semi-automatic scanning softwares, but instead we carry out the inversion in a full manual workflow for each individual picture.
In addition, scanning with Imacon-Hasselblad scanners we do not use their proprietary software - Flexcolor – to make color management and color inversion because we strongly believe that our alternative workflow provides much better results, and we are able to prove it with absolute clarity.
At each stage of the process we take care of meticulously adjusting the scanning parameters to the characteristics of the originals, to extrapolate the whole range of information possible from any image without "burning" or reductions in the tonal range, and strictly according to our customer's need and taste.
By default, we do not apply unsharp mask (USM) in our scans, except on request.
To scan reflective originals we follow the same guidelines and guarantee the same quality standard.
We guarantee the utmost thoroughness and expertise in the work of scanning and handling of the originals and we provide scans up to 12,000 dpi of resolution, at 16-bit, in RGB, GRAYSCALE, LAB or CMYK color mode; unless otherwise indicated, files are saved with Adobe RGB 1998 or ProPhoto RGB color profile.
olio su masonite trattata.40 x 70.
Tunaria.
È anche conosciuta come Tonnara di Flumentorgiu, durante il secolo scorso era un borgo di pescatori, che si dedicavano alla pesca e alla lavorazione del tonno, attività a cui si deve il suo nome, abbandonata poi per improduttività.
Le vecchie case e strutture sono state restaurate, formando un'incantevole borgo dislocato ai piedi del promontorio a cento metri dal mare, adibito a scopi turistici.
Tunaria.
It is also known as tuna Flumentorgiu during the last century was a village of fishermen who were engaged in fishing and tuna processing, an activity which takes its name, and then abandoned for non-productivity.
The old houses and structures were restored, forming an enchanting village displaced at the foot of the hill a hundred yards from the sea, used for tourist purposes.
Tunaria.
Es también conocido como atún Flumentorgiu durante el siglo pasado era un pueblo de pescadores que se dedicaban a la pesca y procesamiento de atún, una actividad que toma su nombre, y luego abandonados improductivo.
Las viejas casas y estructuras fueron restauradas, formando un pueblo encantador desplazados a los pies de la colina de cien metros del mar, usado con fines turísticos.
El més poderos vehicle antitanc sovietic de la Segona Guerra Mundial. El seu canó era més gran i tot que els famosos Tiger i King Tiger alemanys. Aquest "trasto" encara està en reserva activa als exercits del Vietnam i Corea del Nord!
Foto presa al Imperial War Museum de Duxford.
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This was the mightiest soviet antitank that fought in WW2. Based on the T-34, it's gun was bigger than the one in the Tiger or King Tiger!
It's still in reserve in the armies of Vietnam and North Korea!
Visita micamara.es/nepal/ conocer mejor NEPAL.
Navega en micamara.es/ para disfrutar de arte, historia, folclore, fauna y flores de otros lugares del mundo.