View allAll Photos Tagged stutter
Great Barred Frog (Mixophyes fasciolatus) [Myobatrachidae; Mixophyinae], from the Timbarra Plateau, east of Tenterfield, New South Wales, Australia.
Similarly to the related Stuttering Barred Frog, this species primarily occurs in rainforest, although inhabits dry sclerophyll forest and montane woodland in parts of its range. At the Timbarra Plateau I found this species in the vicinity of the Poverty Point Gold Mine, which was closed after cyanide ponds overflowed into the surrounding environment.
Totem Family Diner
I really love the way the sign stutters and flickers as the neon switches between the vertical "Totem" and horizontal "Totem"
Great place to eat!
The Senior Stutters Line Dancers of Valdosta performed a show at Lake Park United Methodist Church on March 1, 2011.
Clarence Page, George Stephanopoulos, Emily Blunt, Sir Harold Evans, Tina Brown, Michael Sheehan, Sander Flaum
O que a neurociência já sabe sobre a gagueira? Leia no fascículo especial da revista Cerebrum: bit.ly/MEhYOF
LISTEN TO THIS QUOTE AT:
allanimatedmovies.com/disney/cinderella/
Jaq: Work, work, work!; She’ll never get her dress done!
Gus: [ Stutters ] Poor Cinderelly!
Female Mouse: [ Looks at picture in book ] Hey! We can do it!
[ Song resumes ]
Female Mouse: [ Sings while other mice look in approval ]
We can do it, we can do it: We can help-a Cinderelly!
We can make the dress so pretty; there’s nothing to it, really!
Mice: We’ll tie a shash around it, put a ribbon through it
[ Mice begin to dance ] And dancing at the ball, she’ll be more beautiful than all
[ Birds begin to join in helping ] In the lovely dress we’ll make for Cinderelly!
Hurry, hurry, hurry, hurry; gonna help-a Cinderelly!
Got no time to dilly-dally; We’ve got to get a-going!
Gus: [ Dragging scissors ] I’ll cut it with the scissors!
Jaq: [ Holding sewing needle ] And I can do the sewing!
Female Mouse: [ Takes sewing needle ] Leave the sewing to the women! You go get some trimming!
Female Mice: [ Sing as Jaq motions for Gus to follow him ]
And we’ll make a lovely dress for Cinderelly! Woo!
Gus: We’ll make a lovely dress for Cinderelly!
LISTEN TO THIS QUOTE AT:
Washpool National Park, New South Wales.
For use of this photo please contact clancywildlife@gmail.com
Gerald Maguire, neuropsiquiatra da UCI, possui razões pessoais para devotar sua vida ao tratamento da gagueira.
Born on 7th April 1933 as William Kenneth Unwin in Manchester, Ken Goodwin, with his timid, stuttering style and catchphrase 'settle down now' became a household name following his appearances on The Comedians. His family style humour led to several Royal Variety performances and a TV special 'It's Ken Goodwin'. Goodwin had a deprived childhood, being abandoned by his mother and losing his father to cancer aged 15. For a number of years he held a succession of day jobs whilst telling jokes in local clubs at night. After an appearance on Opportunity Knocks and The Comedians Goodwin's career took off. After taking a break to care for his sick wife, Goodwin revived his career from 1977 onwards with many appearances around the country and in Spain. After living in Spain for a number of years Goodwin returned to the UK in 2008 and settled in Llandudno. He later suffered from Alzheimer's disease and moved to a nursing home in Rhos-on-Sea where he passed away, aged 78 on 18th February 2012. Following his death tributes and obituaries appeared in many national newspapers.
the library project is a project creating a subtle dialogue about the issue of giving,lending and taking.as most of my pieces have a lifespan of a stutter in the street (either because of collectors or weather or the street cleaners), i thought i would try to embrace it and play around with the circumstances. before placing the pieces on the surface, i wrote(for the first edition, but later came up with alternate sentences) "i let you borrow my heart for a while,let others borrow it as well", and then placed the piece over the writing,covering it.
the pieces in this series are applied with double sided tape (which can be easily removed) with some unpeeled scraps of tape on the cardboard left for the borrower to replace anwhere.i think its great if someone wants to take it home, but it raises the conflict of the fact that its in the street for the art to be shared with the people using it.therfore, whoever dispatches the piece can replace it in it original location, or even better, a new location,making him/her part of the arts existence and making it even more part of the collective reality than it was before.
This little critter has an interesting stutter motion when landed on sandy soil. Captured hovering and flying perfectly well.
350.IMG_1262
NEW YORK, NEW YORK - JULY 11: (L-R) Susan Reichardt, guest and David Resnicow attend the 2022 Freeing Voices, Changing Lives Gala at Guastavino's on July 11, 2022 in New York City. (Photo by Jamie McCarthy/Getty Images for American Institute for Stuttering)
NEW YORK, NEW YORK - JULY 11: Dr. Heather Grossman and Emily Blunt speak onstage at the 2022 Freeing Voices, Changing Lives Gala at Guastavino's on July 11, 2022 in New York City. (Photo by Jamie McCarthy/Getty Images for American Institute for Stuttering)
Ex Hong Kong (China Motor Bus) Leyland / Dennis Condor at Market and Stutter in San Francisco working for Big Bus Tours.
By Jane Rogers
I protract esoteric revenge
in a sunken floorboard’s creak
in the invisible clung chill
of the parlour’s odd corner
Covertly I stutter the candles
inflict a brush of half-present unease
as I gutter past the living
burn with malice on the stairway whorl
From the shadows
from the temperature of my past
I cipher a secret justice. My complaints -
stolen wealth, a bloody end.
This morning as I speculate several rounds
of blasted fragments - house rubble piled high,
banister rods twisted,
oak grained, in and out of sockets
I find no people
My malevolence is derelict, rests
with the serrated real: the chaotic
tilted streetlamps, scorched floors half taken
I am as redundant as the struggle of door jambs
to stay fixed upright
I grieve the desecration
My revenge berated out of the wainscot,
my games – smoke and mirrors
bombed out of purpose
I am homeless.
For more information visit www.camden.gov.uk/localstudies
Yes, that thorny (cactusy, even) subject of legacy, you have brought that up before relative to misunderstanding with ‘him indoors’, and a certain kinship it might share with dreaded ‘beliefs’. The uncertainty of the structures that support them do seem to have become very stuttering. Maybe that becomes more obvious, even, in those suburbs you describe as, perhaps, supplying the best of two possible worlds, that space where the over-wrought tilled field meets the motorway to London. I guess that the reason why I couldn’t manage to accommodate that crossover point is that I have never driven, and never will. Pottering on my balcony I recognize the attractions of the verdant garden, that noble piece of land, that artfully under-cultivated border that might provide a waxed landing strip for passing flora and fauna, or the occasional Monsanto blow-in. I saw a shelf full of ‘Round-Up’ in our local garden centre a few days ago, and I was, verily, shocked. I have seen the documentaries and have looked at the lawsuits, generated by that singularly monstrous idea; an idea that has allowed the patenting of a (manipulated) living organism, that legacy, that sin. To find it on the shelves in this, supposed, bastion of Socialism, and proud generator of the first ‘Stock Exchange’, speaks volumes about bleed-through and trickle down. Trickle down the wind, indeed. If one errant corn, or maize, kernel crosses border from one farm to the next, and that virus gets mixed in with next season’s seed, then there is the danger that all the seed, thus contaminated, might fall subject to having to be defended by a cadre of, blindingly expensive, lawyers, as to ownership. It’s a thorny subject, this idea of patented life, this other legacy which might be achieving pre-dominance. There has to be a Pfaster way to undo ourselves, an exploitable, Teflon coated, escape route. I am with you there. One cannot help but feel the draught, loitering at this here exit.
It is a horrible ‘Legacy’ to be leaving. I wonder what ‘youth’ will make of that one, when they have sorted out their pronouns, and the conundrum as to which statues should fall, and, probably more tellingly, which should take their place. Iconoclasm would seem to be evincing its cyclical nature, yet again.
So that idea of “sorting out one’s (own) mess” becomes somewhat pressing, especially relative to other viruses. We might have been, collectively, pushed up against this anyway. We can ignore it; pretend it’s not happening and apply for a vaccine passport so we can enjoy contagion spreading on the sunny beaches of Portugal, or whichever sandy destination might temporarily turn green. But then the other man’s sand is always greener, even when it’s starting to develop an orange, Martian-like, hue. We can, alternatively, lock-down permanently, and turn into the Abelard and Heloise of the Anchorage Community. I find myself returning to that 'Hold'. I like the idea of us being, re-born, Virgin Snipers.
No, thankfully, legacy is not controllable. To try to do so would be a denial of what is to come. Death, thankfully, takes it out of your control, and it has to be put down in the knowledge that it can, or can not, be disposed of, according to the whims of time and fashion. It can as easily go in the (post-partum) skip, or to the pecuniary, hallowed, halls of Sotheby’s, or simply flip-flop between the dump and the gallery. I am not at all sure which would be better. That jury is currently out, and also none of my concern.
Perhaps they are the same, that skip, or dumpster, and that hallowed hall, eventually.
(An inner lens element got steamed, so that was it..) Stumble and Stutter Foam Party - Nambucca - 29/05/08
Coffee black and egg white
Pull me out from inside
I am ready
I am ready
I am ready
I am
taffy stuck, tongue tied
Stuttered shook and uptight
Pull me out from inside
I am ready
I am ready
I am ready
I am...fine
I am covered in skin
No one gets to come in
Pull me out from inside
I am folded, and unfolded, and unfolding
I am
colorblind
Coffee black and egg white
Pull me out from inside
I am ready
I am ready
I am ready
I am...fine
I am.... fine
I am fine
-Colorblind-Counting Crows
NEW YORK, NEW YORK - JUNE 12: <> attends the American Institute For Stuttering 17th Annual Gala Hosted By Emily Blunt on June 12, 2023 in New York City. (Photo by Bryan Bedder/Getty Images for American Institute for Stuttering)
/////////////////////////////////////////////////
Stuttering: In a New Light
curated by Michael Benevento
February 29 - April 27
Opening Reception February 29, 7-10PM
8PM live performances with Hank Shedd / Miizzzard / Laure Drogoul / PERGA / Todd Rennie+Mary Anderson / Andrew Shenker's preparation for untuned piano with Lafayette Gilchrist on keys and Mackenzie Astin wind instrument
/////////////////////////////////////////////////
Current Gallery in collaboration with Carroll Museums, Inc. is proud to present Stuttering: In a New Light at the Carroll Mansion. An exhibit inserted within the permanent collection and architecture of the museum, which overlaps contemporary artworks with the Carroll Mansion's rich history. Over time, this building has functioned as Charles Carroll's residence last living signer of the Declaration of Independence, a saloon, tenement apartments, a clothing sweatshop, vocational school, recreation center, and historic site.
Featuring:
Andrea BocchioElizabeth McTernan
Jennifer CarinciAdam Montegut
Monique CrabbC. Ryan Patterson
Stephen DewyerStephen Pauley
Alia DiazPERGA
Laure DrogoulHans Petrich
Liz EnszTodd Rennie + Mary Dixie Anderson
Elke GraalfsWill Rockel + Kendra Atkin
Mark P. Hensel aka MiizzzardHank Shedd
Megan HildebrandtAndrew Shenker
Rachel JobeChristine Buckton Tillman
Nick KarvounisVishwam Velandy
Eric Leshinsky
*This exhibition is a collaboration between Current Gallery and Carroll Museums, and will be hosted at the Carroll Mansion,
800 E. Lombard Street, Baltimore, MD 21202
NEW YORK, NEW YORK - JUNE 12: Host Emily Blunt presents an award to Dr. Philip O. Ozuah (L) onstage during the American Institute For Stuttering 17th Annual Gala hosted by Emily Blunt on June 12, 2023 in New York City. (Photo by Craig Barritt/Getty Images for American Institute For Stuttering )