View allAll Photos Tagged stutter
From stuttering to therapy for stroke survivors, the WSU Speech and Language Clinics provide speech-language services for community members of all ages.
Learn more at csd.wayne.edu.
From stuttering to therapy for stroke survivors, the WSU Speech and Language Clinics provide speech-language services for community members of all ages.
Learn more: www.clas.wayne.edu/CSD/Wayne-State-Speech-and-Language-Ce...
NEW YORK, NEW YORK - JULY 11: <> the 2022 Freeing Voices, Changing Lives Gala at Guastavino's on July 11, 2022 in New York City. (Photo by Jamie McCarthy/Getty Images for American Institute for Stuttering)
Time lapse from the Stratosphere Restaurant in Las Vegas. Took over 5000 shots over 1 hour and 30 minutes to make the time lapse Removed pictures I didn't want (like the pillars). The occasional size change during playback is from Movie Maker. Dunno why. Have a HD version but it keeps stuttering on Flickr.
Cartoon drawing of two mice and their vocalizations. The mutant mouse has halting vocalizations with longer pauses.
Researchers created mice with a mutation in a gene that, in people, is linked to stuttering. The mutant mice vocalized haltingly, with longer pauses between syllables, similar to what’s seen in human stuttering.
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Read more in Knowable Magazine
The new neuroscience of stuttering
After centuries of misunderstanding, research has finally tied the speech disorder to certain genes and brain alterations — and new treatments may be on the horizon
knowablemagazine.org/article/mind/2020/new-neuroscience-s...
Take a deeper dive: Selected scholarly reviews
Genetics of Speech and Language Disorders, Annual Review of Genomics and Human Genetics
Since the dawn of the new century, geneticists have finally been able to elucidate genes associated with speech and language disorders, including those for stuttering as well as for verbal dyspraxia, which interferes with muscle coordination in the mouth.
www.annualreviews.org/doi/10.1146/annurev-genom-090810-18...
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The Senior Stutters Line Dancers of Valdosta performed a show at Lake Park United Methodist Church on March 1, 2011.
the library project is a project creating a subtle dialogue about the issue of giving,lending and taking.as most of my pieces have a lifespan of a stutter in the street (either because of collectors or weather or the street cleaners), i thought i would try to embrace it and play around with the circumstances. before placing the pieces on the surface, i wrote(for the first edition, but later came up with alternate sentences) "i let you borrow my heart for a while,let others borrow it as well", and then placed the piece over the writing,covering it.
the pieces in this series are applied with double sided tape (which can be easily removed) with some unpeeled scraps of tape on the cardboard left for the borrower to replace anwhere.i think its great if someone wants to take it home, but it raises the conflict of the fact that its in the street for the art to be shared with the people using it.therfore, whoever dispatches the piece can replace it in it original location, or even better, a new location,making him/her part of the arts existence and making it even more part of the collective reality than it was before.
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Stuttering: In a New Light
curated by Michael Benevento
February 29 - April 27
Opening Reception February 29, 7-10PM
8PM live performances with Hank Shedd / Miizzzard / Laure Drogoul / PERGA / Todd Rennie+Mary Anderson / Andrew Shenker's preparation for untuned piano with Lafayette Gilchrist on keys and Mackenzie Astin wind instrument
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Current Gallery in collaboration with Carroll Museums, Inc. is proud to present Stuttering: In a New Light at the Carroll Mansion. An exhibit inserted within the permanent collection and architecture of the museum, which overlaps contemporary artworks with the Carroll Mansion's rich history. Over time, this building has functioned as Charles Carroll's residence last living signer of the Declaration of Independence, a saloon, tenement apartments, a clothing sweatshop, vocational school, recreation center, and historic site.
Featuring:
Andrea BocchioElizabeth McTernan
Jennifer CarinciAdam Montegut
Monique CrabbC. Ryan Patterson
Stephen DewyerStephen Pauley
Alia DiazPERGA
Laure DrogoulHans Petrich
Liz EnszTodd Rennie + Mary Dixie Anderson
Elke GraalfsWill Rockel + Kendra Atkin
Mark P. Hensel aka MiizzzardHank Shedd
Megan HildebrandtAndrew Shenker
Rachel JobeChristine Buckton Tillman
Nick KarvounisVishwam Velandy
Eric Leshinsky
*This exhibition is a collaboration between Current Gallery and Carroll Museums, and will be hosted at the Carroll Mansion,
800 E. Lombard Street, Baltimore, MD 21202
Great Barred Frog (Mixophyes fasciolatus) [Myobatrachidae; Mixophyinae], from the Timbarra Plateau, east of Tenterfield, New South Wales, Australia.
Similarly to the related Stuttering Barred Frog, this species primarily occurs in rainforest, although inhabits dry sclerophyll forest and montane woodland in parts of its range. At the Timbarra Plateau I found this species in the vicinity of the Poverty Point Gold Mine, which was closed after cyanide ponds overflowed into the surrounding environment.
Totem Family Diner
I really love the way the sign stutters and flickers as the neon switches between the vertical "Totem" and horizontal "Totem"
Great place to eat!
You caught me, 'in flagrante', remembering Mayor Koch, in New York. I must be heading back there, back to the first of these two pandemics which I am (we are) currently enjoying. Going by the last few images it would seem to be so, away from the family embrace, that sentimental mire, to another 'reality' completely. It was an utterly different way of being, one that my family had no idea about. That hasn't really changed. But then, as now, we all have our own personal bogs. I know that I don't understand their realities either. That we tolerate each other at all must be one of 'The Glorious Mysteries', relentlessly intoned in childhood family rosaries.
Rack never blurted, she always controlled her output. The effect was precise and Protestant, ‘I found out I am HIV positive a few days ago’
‘Oh Christ’, Ruin blurted, Catholic to the hilt.
Ruin was always an outlet for Rack, almost like a delinquent spokesperson, the stuttering utterer of the unspeakable. He had the ability to take the private into the realm of the universally available with consummate ease. She didn’t. It was something she greatly feared and something she instinctively grasped that early summer morning in 1987, in the 'Moondance Cafe', on 7th Avenue and Broome. She knew she was making the personal public. She was undoing herself. He possessed that strange gift, the one imposed and imprinted, like the mark of Cain, on the sexually molested child, of having no facility to recognise boundaries, no ability to be able to tell the personal and private apart from what could be made generally available. She knew that he was her surrogate broadcaster and momentarily shuddered at the stranger, whom she had spontaneously trusted, sitting opposite her. This understanding hung between them as they ordered breakfast.
Their opening was torturous and drove them scurrying apart. It was more than either of them could handle, Rack racked with regret for exposing this opening wound and Ruin incapable of carrying the story alone. Their rehabilitation was slow and arduous. It was a time when to speak these words was a declaration of the almost immediate dissolution of self. It was a time before the hope generated by the misnomered cocktails and the political agitation, which was to burgeon out of despair and become Act- Up. It was a time before anything could be done except grasp at straws. So, both started grasping and would occasionally find themselves in the same room drawn to the same possible panacea. Rack’s volition was desperation. Ruin’s was guilt. They acknowledged each other with some embarrassment and growing affection and more often than not turned away from each other and left separately. Ruin knew he loved Rack. Rack was not at all sure.
Dear Rack,
“I have often thought that writers do not write; they read what is already written and transcribe. So perhaps they are not complaining about ill health, lack of money, and rejection, but about the bondage of a calling that keeps them laboriously transcribing cryptic messages in rapidly disappearing ink, like the traces of a dream, year after year...."
Thinking of how romantic you are.... even if it all is so appalling to live through.
Love,
Ruin
Sorry if Mayor Koch's hat looks vaguely phallic. It wasn't intentional.
It is, of course, totally out of proportion anyway.
Clarence Page, George Stephanopoulos, Emily Blunt, Sir Harold Evans, Tina Brown, Michael Sheehan, Sander Flaum
O que a neurociência já sabe sobre a gagueira? Leia no fascÃculo especial da revista Cerebrum: bit.ly/MEhYOF
LISTEN TO THIS QUOTE AT:
allanimatedmovies.com/disney/cinderella/
Jaq: Work, work, work!; She’ll never get her dress done!
Gus: [ Stutters ] Poor Cinderelly!
Female Mouse: [ Looks at picture in book ] Hey! We can do it!
[ Song resumes ]
Female Mouse: [ Sings while other mice look in approval ]
We can do it, we can do it: We can help-a Cinderelly!
We can make the dress so pretty; there’s nothing to it, really!
Mice: We’ll tie a shash around it, put a ribbon through it
[ Mice begin to dance ] And dancing at the ball, she’ll be more beautiful than all
[ Birds begin to join in helping ] In the lovely dress we’ll make for Cinderelly!
Hurry, hurry, hurry, hurry; gonna help-a Cinderelly!
Got no time to dilly-dally; We’ve got to get a-going!
Gus: [ Dragging scissors ] I’ll cut it with the scissors!
Jaq: [ Holding sewing needle ] And I can do the sewing!
Female Mouse: [ Takes sewing needle ] Leave the sewing to the women! You go get some trimming!
Female Mice: [ Sing as Jaq motions for Gus to follow him ]
And we’ll make a lovely dress for Cinderelly! Woo!
Gus: We’ll make a lovely dress for Cinderelly!
LISTEN TO THIS QUOTE AT:
Washpool National Park, New South Wales.
For use of this photo please contact clancywildlife@gmail.com
Gerald Maguire, neuropsiquiatra da UCI, possui razões pessoais para devotar sua vida ao tratamento da gagueira.
Born on 7th April 1933 as William Kenneth Unwin in Manchester, Ken Goodwin, with his timid, stuttering style and catchphrase 'settle down now' became a household name following his appearances on The Comedians. His family style humour led to several Royal Variety performances and a TV special 'It's Ken Goodwin'. Goodwin had a deprived childhood, being abandoned by his mother and losing his father to cancer aged 15. For a number of years he held a succession of day jobs whilst telling jokes in local clubs at night. After an appearance on Opportunity Knocks and The Comedians Goodwin's career took off. After taking a break to care for his sick wife, Goodwin revived his career from 1977 onwards with many appearances around the country and in Spain. After living in Spain for a number of years Goodwin returned to the UK in 2008 and settled in Llandudno. He later suffered from Alzheimer's disease and moved to a nursing home in Rhos-on-Sea where he passed away, aged 78 on 18th February 2012. Following his death tributes and obituaries appeared in many national newspapers.
the library project is a project creating a subtle dialogue about the issue of giving,lending and taking.as most of my pieces have a lifespan of a stutter in the street (either because of collectors or weather or the street cleaners), i thought i would try to embrace it and play around with the circumstances. before placing the pieces on the surface, i wrote(for the first edition, but later came up with alternate sentences) "i let you borrow my heart for a while,let others borrow it as well", and then placed the piece over the writing,covering it.
the pieces in this series are applied with double sided tape (which can be easily removed) with some unpeeled scraps of tape on the cardboard left for the borrower to replace anwhere.i think its great if someone wants to take it home, but it raises the conflict of the fact that its in the street for the art to be shared with the people using it.therfore, whoever dispatches the piece can replace it in it original location, or even better, a new location,making him/her part of the arts existence and making it even more part of the collective reality than it was before.
This little critter has an interesting stutter motion when landed on sandy soil. Captured hovering and flying perfectly well.
350.IMG_1262
NEW YORK, NEW YORK - JULY 11: Dr. Heather Grossman and Emily Blunt speak onstage at the 2022 Freeing Voices, Changing Lives Gala at Guastavino's on July 11, 2022 in New York City. (Photo by Jamie McCarthy/Getty Images for American Institute for Stuttering)
Ex Hong Kong (China Motor Bus) Leyland / Dennis Condor at Market and Stutter in San Francisco working for Big Bus Tours.
By Jane Rogers
I protract esoteric revenge
in a sunken floorboard’s creak
in the invisible clung chill
of the parlour’s odd corner
Covertly I stutter the candles
inflict a brush of half-present unease
as I gutter past the living
burn with malice on the stairway whorl
From the shadows
from the temperature of my past
I cipher a secret justice. My complaints -
stolen wealth, a bloody end.
This morning as I speculate several rounds
of blasted fragments - house rubble piled high,
banister rods twisted,
oak grained, in and out of sockets
I find no people
My malevolence is derelict, rests
with the serrated real: the chaotic
tilted streetlamps, scorched floors half taken
I am as redundant as the struggle of door jambs
to stay fixed upright
I grieve the desecration
My revenge berated out of the wainscot,
my games – smoke and mirrors
bombed out of purpose
I am homeless.
For more information visit www.camden.gov.uk/localstudies