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This small scale sketch model of the Burns Wilson Monument shows the poet standing back to back with John Wilson, the printer of the first edition of his poems. The full scale Burns and Wilson Monument stands at the Cross in Kilmarnock where it was unveiled in September 1995 by her Royal Highness the Princess Royal.
It was commissioned as part of a large scale town-centre redevelopment and commemorates the publishing of the first edition of Burns' poems close to the site in 1786. Sculptors will often produce study models such as this before making the full scale cast. They allow the artist to identify any changes to the design that may need to be made. After making this model, Stoddart made some small changes in the full scale work - he allowed the drapery to fall all the way to the base and he gave Wilson a more "stallwart" pose. The dimensions of the model were enlarged by five times to make the monument.
Digital Number: EAFA029n
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Using high-performance computing capabilities and new methodologies, researchers at the National Renewable Energy Laboratory conducted the Eastern Renewable Generation Integration Study, modeling hundreds of gigawatts of wind and solar on system operations to examine their impacts on other generation sources such as thermal plants. The study found that the U.S. Eastern Interconnection—one of the largest power systems in the world—can reliably support up to a 30% penetration of wind and solar power.
This is a kind of crummy photo, so I can't say for sure that I see what I think I'm seeing...but if I am, then this is the first work of architecture I've ever seen that's held together with tape. I can imagine Doug dangling this in his fingers, peering at it with suspicion: "What is the story?". Maybe this is a Chipsome-esque strategy in which the built work is intended to resemble the study model as closely as possible.
Alternately, maybe this is really embarassingly bad work. The NOX Website displays no built work more recent than the Maison Folie (completed 2004); perhaps Spuybroek has simply moved on to other things. A less charitable reading would be that the word got out and nobody wants anything to do with this kind of stuff, but I'm sure someone more versed in this genre of recent architectural practice can fill in the details.
Vo2 testing in physiology lab with Sophie Howarth, Christopher Gibson, Ian Downing - Sports Therapy and Iain Davis - Applied Sport and Ex studies (model release forms signed)
two friends looking away while studying - View of two friends looking away while studying, Model: Cassandra Kosmayer and Brittany Beaudoin. To Download this image without watermarks for Free, visit: www.sourcepics.com/free-stock-photography/24718792-two-fr...
Vo2 testing in physiology lab with Sophie Howarth, Christopher Gibson, Ian Downing - Sports Therapy and Iain Davis - Applied Sport and Ex studies (model release forms signed)
Final and study models of addition to OMA's Bordeaux house by Scott Hunter from Arch 057 at West Valley College Summer 2011
study model for spatial conditions generated by topological modeling. high genus entity, porosity, continuous openings, apertures, fenestration
Composition of Presentation boards for the firm of CDH Partners & their office addition. these boards display parts of the existing office building with process drawings and the final design with plan, site plan, elevation, study models, details, and 3d rendered models. Work completed and done while @ the employ of CDH Partners Inc.
This prototype camera is based on the K10D. I found this a bit interesting for a Pentax.
For more information on this camera, you can visit www.dpreview.com/news
PHOTO:
Aranda\Lasch
PROJECT:
Stage Environment
On Tour
2012
CREDIT:
Casey Reas
Asteriskos
Aaron Meyers
Yoshi Sodeoka
Aranda\Lasch
Benjamin Aranda, Chris Lasch, Stephanie Lin, Nick Johnson
Another headline: "Ex-Pfizer head of research Dr. Michael E. Yeadon, demands halt to current CV-19 vaccine study model." The report states, "Dr. Yeadon demanded that the study should not be continued until a study designed that is available, suitable to address the significant safety concerns expressed by an increasing number of renowned scientists against the vaccine and the study design."
Erin Beckman is a Dean’s Honored Graduate in the Departments of Mathematics and Chemistry and Biochemistry. She is graduating with honors degrees from both departments. Lindsay is being recognized for her excellent academic performance and research efforts working in collaboration with Professor John Stanton in chemistry and Lorenzo Sadun in mathematics that have culminated in an honors thesis, “Equilibrium and Non-Equilibrium Molecular Absorption: A study of the Ising model and the infinite parking limit problem.”
Erin began her research career in the FRI lab of Drs. Jones and Holliday, synthesizing polymerizable lanthanide complexes. After this, she joined Professor Stanton’s research group, studying models of chemical absorption onto surfaces. She enrolled in a Discrete Mathematics class with Professor Michael Starbird as a sophomore, and as a junior and a senior she quickly took on an additional mathematics major. It turns out that the mathematics behind chemical phenomena is surprisingly deep and requires an understanding of statistical mechanics (in her case, the Ising model of ferromagnetism), which in turn is built on the statistical study of random partitions, among other topics. As it happens, the rudiments of these ideas are presented in a Discrete Mathematics class, but the gulf is huge between that class, which she had just taken a couple of semesters earlier, and the research tools she needed for her project. Erin made remarkable progress in just a couple of semesters, and did so mostly on her own, chasing chains of references to understand the principles involved.
In addition to being a part of the Dean’s Scholars Honors Program, Erin demonstrated her excellence in many ways while at UT. She was a math and chemistry tutor at the UT Sanger Learning Center for four years. She also made the time to study abroad at Trinity College in Dublin, Ireland; in addition to exploring Ireland and Europe, she worked there in a marine biology lab and studied ancient languages like FORTRAN. She is known as an avid soccer player and took a fencing class as well. Not surprisingly, she has received a number of accolades while at UT, including being on the honor roll for three years running, winning a CNS Book Award, as well as the Dow Chemical USA Centennial Endowed Scholarship, the Chemistry and Biochemistry Authors’ Scholarship, and the American Airlines Global Leaders Travel Scholarship.
Next year, Erin plans to pursue a PhD in mathematics at Duke University, where she plans to study mathematical biology. Among the books she has chosen for her summer reading are The Power of Habit: Why We Do What We Do in Life and Business by Charles Duhigg, The Five Elements of Effective Thinking by Michael Starbird and Edward Burger, Mavericks, Miracles, and Medicine: Pioneers Who Risked Their Lives to Bring Medicine into the Modern Age by Julie M. Fenster, and Introductory Complex Analysis by Richard A. Silverman.
Roy Lichtenstein (1923-1997), Glas und Zitrone vor einem Spiegel/Glass and Lemon in a Mirror, 1974 (Albertina - Sammlung Batliner)
Next to Andy Warhol, Roy Lichtenstein is the most important and influential exponent of American Pop Art. And like Warhol he draws on comic strips, advertisments, newspapers, and mail-order catalogues for his work, blowing up the often very small printed motifs into huge formats. The printed halftone pattern is reproduced dot by dot in paiting by Lichtenstein, which become a formative design principle and his trademark. At the same time, Lichtenstein is one of spriitual fathers of the transformation of low into high art: he transposed the ficitional world of comics into museum art. It is the migration of a genre motif to a different sphere. Mainly in the 1970s, Roy Lichtenstein was also studying models from art history. In Glass and Lemon Before a Mirror he reformulated the classical genre of the still life in his own visual language. He also likes to paraphrase masterpieces from art history, from Monet to Picasso.
Roy Lichtenstein ist neben Andy Warhol der bedeutendste und einflussreichste amerikanische Künstler der Pop-Art. Wie Warhol greift er auf Comicstrips, Werbematerialien, Zeitungen und Versandkataloge zurück und vergrößert die oft winzig kleinen gedruckten Vorlagen zu großen Formaten. Der Druckraster der Vorlage wird von Roy Lichtenstein Punkt für Punkt gemalt, was zu seinem Gestaltungsprinzip und Markenzeichen wird. Zugleich ist Lichtenstein einer der Väter der Verwandlung von Low in High Art: Er transponiert eine erfundene Welt der Comics in eine Kunst, die in Museen hängt. Es ist die Migration eines Motivs in eine andere Welt. Vor allem in den 1970er-Jahren befasst sich Roy Lichtenstein mit Vorbildern aus der Kunstgeschichte. Bei Glas und Zitrone vor einem Spiegel formuliert er das klassische Genre des Stilllebens in seiner eigenen Bildsprache. So paraphrasiert er auch gerne Meisterwerke von Monet bis Picasso.
The focus of Albertina Contemporary Art is on the art of the second half of the 20th century. Both the stars and the diversity of post-1945 art will be on display: works by Anselm Kiefer, Gerhard Richter, Arnulf Rainer, Georg Baselitz, Alex Katz and Maria Lassnig, among others, form the centerpiece of this year's presentation of contemporary positions from the ALBERTINA.
Around 80 masterpieces illustrate the multi-faceted artistic production, ranging from hyperrealism to abstraction, from facets of aesthetics of color to political topics, and illustrate the complex parallel currents of the past decades.
Der Fokus von Albertina Contemporary Art liegt auf der Kunst der zweiten Hälfte des 20. Jahrhunderts. Gezeigt werden sowohl die Stars als auch die Vielfalt der Kunst nach 1945: Werke von Anselm Kiefer, Gerhard Richter, Arnulf Rainer, Georg Baselitz, Alex Katz und Maria Lassnig bilden neben anderen das Zentrum der diesjährigen Präsentation zeitgenössischer Positionen aus der ALBERTINA.
Rund 80 Meisterwerke illustrieren die facettenreiche künstlerische Produktion, die von Hyperrealismus bis Abstraktion, von farbästhetischen bis zu politischen Themen reicht, und veranschaulichen die komplexen parallelen Strömungen der vergangenen Jahrzehnte.