View allAll Photos Tagged study
The result of a portrait lighting study with Brapke. Light from my right and from the back.
Obviously, I did do some post editing. Monochrome Channel Mixer with extreme values and then Selective Color adjustment to get the green and blue hue...
It's like a pencil with erasers at both ends. I want it all but we're dealing with percents. And these activities that you have engaged in. This is the politics of seeing you dance with him. We begin with concluding remarks. Break up the pieces and examine the parts. Your words always cut when they're cliche. So here's my knife because I came for the buffet. This is the way it goes with you apart of it. Nervously saying words that oh-so-tightly fit. A mark beneath the chin. I've caught you once again. It's in the way you sell every word and phrase. And leaving me to know how much the meaning weighs. Saying that but meaning this. Using hands for emphasis. You'd like to think that you're the best part of me. But I confess, there is nothing left of you here. These parallels and silly games hide your face and say the name. There's that smile again, you fake it and I follow you right in. What a fool I've been to fall for it each time.
-Emery
For Tenderpixel's 2014 summer break, we turned over the gallery space to Andrea Zucchini, London-based artist. As a result of the residency he presents his work in a solo exhib
ition, Alchemical Studies, from 6 to 20 September.
In his practice, Andrea Zucchini juxtaposes geological, cosmological and psychic processes, exploring how they are intertwined and can be accessed through one another. Using the notion of containment, he investigates the intimate correspondence between the micro- and macrocosm, alluding to them being analogous structures.
Zucchini ́s working method, which implies an appreciative approach to matter and its autonomous significance, is applied to the relationship with any material, be it iron, plaster, archival footage or text. At the core of his practice lies an interrogation into the metaphorical value of materials, both within their natural and cultural histories. By bringing these two domains together he intends to deconstruct the nature-culture dichotomy.
The sculptural pieces disclose multilayered narratives. Most recent works address themes such as the primitive sexualisation of matter and the marriage of substances, as described in the ancient practice of Alchemy.
William (Bill) White III, retired BLM Physical Scientist, and a team of BLMers used a mud auger to drill salt core samples for salt thickness study. This methodology was used by Bill in 1988 and again in 2003 for salt thickness measurements that occur every 15 years. Bill chose to drill these cores next to holes previously made by the University of Utah's sonic drill with the intention of comparing his results and older methods to the University of Utah results with their new methods.
We visited Hemingway's house in Cuba, Finca Vigia. It was quite lovely, though we had to shoot in through windows (for an extra 5 CUCs (about $6)) for fear of people stealing things.
The study where Hemingway wrote (standing at the typewriter)
Muotoilun koulutusohjelmassa opinnot toteutetaan pääosin työelämälähtöisissä verstasympäristöissä, joissa korostuu tekemällä oppiminen nykyaikaistetussa Wetterhoff-hengessä.
The degree programme in Design continues the legacy of Wetterhoff in modern workshops.
Drawing charcoal on paper
I worked on the theme of war for a competition. Difficult issue for me, I try to reconcile the ancient painting with modern painting.
I have taken inspiration from "Massacre of the Innocents" of 1600 and a little to Goya.
Assefaw Bariagaber, Ph.D., director of the Post-Conflict State Reconstruction and Sustainability certificate program and professor at Seton Hall's School of Diplomacy and International Relations, led a group of 15 students on an African Union study tour in Ethiopia from March 5 to March 15, during the University's spring break. The tour included both cultural highlights of Ethiopia's rich history and academic seminars on the African Union, which is headquartered in Addis Ababa, Ethiopia's capital.
"The opportunity to participate in this sort of study abroad program was one of the things that drew me to Seton Hall,"says diplomacy master's student John Pollock. "As someone who studied archeology and paleoanthropology as an undergraduate, I'm particularly thrilled to visit the National Archeological Museum to see Lucy [one of the earliest human ancestors ever discovered]."
Photos by: Abraam Dawoud
The Institute of Education, and Clore Institute of Advanced Legal Studies
University teaching building, 1970-6 by Denys Lasdun and Partners, extended 1990-3, also by Sir Denys Lasdun and Partners. In situ reinforced concrete and precast mullions with a cladding of prefabricated bronze-anodised aluminium panels and window sections. In plan the building makes a strong barrier to the traffic of Bedford Way while extending the concept of flexible teaching space already explored at the University of East Anglia, Norwich. Six storeys above ground, with three basement storeys, in 1999 numbered 1-9. Flat, paved roof. Long spinal range, with wing to rear, and footings for a second incorporated in 1990-3 library extension. Large basement includes lecture theatre, the Logan Hall, under forecourt facing Lasdun's extension to the School of Oriental and African Studies opposite; conference facilities, students' union and service entrance. Split-level entrance hall gives on to library, drama studio and bookshop, with flexible teaching areas above, mainly facing street, and tutorial rooms, mainly facing courtyard and in wing.
The elevational treatment is in Lasdun's mature language of strata and towers, a grid of aluminium panels and glazing set over concrete plinth on western elevation, with massively over-scaled concrete staircase towers. On the eastern elevation to Bedford Way, the entrance floors are set back behind exposed frame, and has cut-back corners which demonstrate the smooth, sharp concrete particularly forcefully. The quality of finishes is exceptional, and the contrasting texture of materials unique in Lasdun's surviving work. The single spur that was built is highly sculptural, with a striking silhouette of angular concrete escape stairs rising above the floor levels and curtain walling. A similar system of anodised aluminium and glass was adopted by Lasdun for his extension, but with more pronounced glazing bars, and with three pyramidal roof lights that are the clearest indication of the new work. Entrance doors in anodised aluminium surrounds. New entrance on Bedford Way, reached up steps, installed by Lasdun in 1993.
[Historic England]
8/52 [Study Process]
This weeks theme was "Books" so before i went to sleep, i thought of this idea, and to remember it, i got up from bed and actually wrote down the detail on the PC. Today (sunday), I got around to doing this, and also doing actual studying. Yep, too much procrastinating during the weekdays. I wanted to do this orig...inally in a library setting, but figured that i might not get permission to do it there so i just made a setting in my house. I would have preferred the library though. Well tell me what you guys think.
please view as a series
No time like the present to really take a look at oneself....I spent the afternoon snapping photos of myself (I know...how vain.....) as a self-reflective study. (c:
I came out with loads of postable images. I tried different body positions and concentrated on the use of space around me. I'll post a sample of them over the next few days.
one thing I do know is that I need a haircut...luckily thats been scheduled with my favorite stylist Lauren. Whom I need to photograph again come to think of it...hmm....(c:
At the open studio, I complained that the longest pose would be this one since I found it boring.. In the end it turned out to be my favorite work of the day. Used a number of apps such as sketchbook, a background in brushes, modified it with I do not remmeber what and this simple nude is the result.